ROGUE WAVE

Permalight

March 17, 2010

The Indie Rock of singer/songwriter Zach Rogue and his band Rogue Wave are back. While not garnering the attention of more notable acts such as Death Cab for Cutie and The Shins, the now five-some from Oakland, California returns with a sound well worthy of such comparisons and yet distinctly their own. In comparison to 2007's more subdued and ethereal "Asleep at Heaven's Gate," this effort is far more pop/rock and perhaps more accessible for some. Produced by Dennis Herring (Jars of Clay, Ben Folds, Modest Mouse) and on Jack Johnson's Brushfire Records, the idea here is quite obviously to have a bit more fun. The opener "Solitary Gun" is a catchy song with a steady melody making it well worth a few spins. The first single of the album is the synth and electronic infused "Good Morning (The Future)" - an upbeat and fun track that even manages to incorporate a drum machine to give it the full electro feel. Three songs in, things slow down a bit with the softer but equally compelling "Sleepwalker." "We Will Make A Song Destroy" is a nice mixture of both the softer and sometimes lethargic Rogue Wave and the new and more upbeat sound that is largely found here. Perhaps the best song here is the soft and sometimes haunting "Fear Itself" - a track that showcases Rogue's vocals for what they are - captivating in all their quietness. About half-way through "Permalight," the Wave's fourth full-length effort, the songs grow less interesting and of a slightly lesser quality. Still, "Pemalight" is a nice recording worthy of a good bit of play, and may just put Rogue Wave on a bigger map. ~Reviewed by Jeff Bouma

Quick Links:

• Official Rogue Wave
• Brushfire Records

BEN HARPER AND THE RELENTLESS SEVEN

Live From the Montreal International Jazz Festival

March 15, 2010

If you're familiar with Ben Harper and the Relentless Seven's "White Lies for Dark Times", then you're familiar with this release of pretty much that whole album, recorded live in Montreal in July 2009. If you are not familiar, well, this is basically singer/songwriter Ben Harper rocking out with his harder-edged band of his last two releases, the Relentless 7. Most of these songs are blues-tinged rock, including a cover of Jimi Hendrix's "Red House" and the Bowie/Mercury collaboration, "Under Pressure". There's nothing special here, just a rockin' good time. Rebecca Ruth

Quick Links:

• Ben Harper's Website
• Virgin Records

JOHN ELLIS AND DOUBLE-WIDE

Puppet Mischief

March 15, 2010

This is only saxophonist John Ellis' second release as leader of the quartet, Double-Wide. This guy has been around the block a few times, though, having played for five years with Charlie Hunter, regularly touring with the John Patitucci Trio, and guesting on Gilfema's 2008 release, "Gilfema + 2". This album starts out strong with the funky "Okra and Tomatoes". It then moves to the fun, punchy organ highlights of my favorite, "Fauxfessor". The slower, "Dewey Dah" is a nice minor-key piece with haunting organ throughout. If you like your jazz more bluesy, the last track, "This Too Shall Pass", might suit your taste. Both trombone and sousaphone give some tracks a New Orleans feel; but it's the occasional use of the harmonica that really makes this release stand out from the crowd. Rebecca Ruth

Quick Links:

• John Ellis' Website
• Oblio Sound Site

THE STEEL WHEELS

RED WING

March 9, 2010

The Steel Wheels have rolled out one great release of old time sounding folk, blues and gospel to capture their audience through all fourteen tracks. Fans of bands such as the old Crow Medicine Show will appreciate how this four person band from Virginia can make their old time acoustic music sound as if it could have been recorded 50-60 years ago, yet still sound fresh today. Trent Wagler's raspy vocals sound as if he had just returned from the old west during the middle of a dust bowl. It is this lack of polish accompanied with some terrific fiddle, guitar, mandolin and upright bass playing that makes this release a terrific slice of American roots music. Reviewed By: Gregg Saur

Quick Links:

• The Steel Wheels Home Page

CARRIE NEWCOMER

Before and After

March 7, 2010

I'm sure it is easy to dismiss Carrie Newcomer's earnestness and quiet diplomacy of thoughtful living in these days of picking sides and yelling our opinions. Perhaps her music is too gentle for you, her observations too quaint. Too bad. Her 12th release for Rounder is another set of well-written and -delivered folk songs that counsel, "Courage doesn't always shout/But whispers and reminds/When we get up one more morning/And try one more time." Her rich alto has never sounded better, and the opening title track has her duet with another fine singer/songwriter, Mary Chapin Carpenter. She retains her gift of seeing the larger meaning in common daily experiences, best illustrated in "I Do Not Know Its Name." The song "Hush" is a beautiful rumination on forgiveness. The closer gives Eve credit for naming the animals (tough luck, Adam). If more of us would turn off cable news and listen to a Carrie Newcomer CD, we'd live in a better country. Try getting that through Congress. F-Contemporary 03/10 Michael J.

Quick Links:

• Carrie's homepage
• Carrie on Myspace

BO DEANS

Mr. Sad Clown

March 6, 2010

It was 1979 in Waukesha, Wisconsin, that Kurt Neumann and Sam Llanas formed what is now the Bo Deans, and their voices still harmonize in a distinctive way that feels like summer, the windows rolled down in your car and a cold beer on the front porch. They scored first in 1986, teaming up with T-Bone Burnett for "Love & Hope & Sex & Dreams" and continue the legacy of great songs with this, their ninth studio CD (they have two live discs, a best-of and some b-side collections, too). This set opens with a traditional Bo Deans rocker, "Stay," which also introduces something new for the guys, a bit of trumpet on the chorus. You'll find more of that rock harmony on "Say Goodbye," "Let it Ride," "Feel 'Lil Love" and "Back Then." The other cuts are more reflective in nature, but still feature flashes of that blend of voices that keep them -- and us -- coming back for more. New Bo Deans = Must Be Getting Warmer Outside! R-Contemporary 03/10 Michael J.

Quick Links:

• Bo Deans official site
• Bo Deans Myspace site

FYFE DANGERFIELD

Fly Yellow Moon

March 6, 2010

This is the first solo release from Guillemots front man, Fyfe Dangerfield. I didn't want to like this, simply based on the guy's name; but the opening track blew me away. The catchy, piano-driven pop of "When You Walk into the Room" has "hit" written all over it. As far as the rest of this goes, it is sometimes quiet pop, such as "Firebird" and "High on the Tide". Sometimes it's mid-tempo stuff like "So Brand New". Sometimes it is a little more rock, like "She Needs Me" or the Coldplay sound-alike "Faster Than the Setting Sun". Overall, this is catchy pop rock, featuring nice production and Fyfe's sometimes shaky (though not in a bad way) vocals. Rebecca Ruth

THE SOULJAZZ ORCHESTRA

Rising Sun

March 6, 2010

Out of Ottawa, The Souljazz Orchestra has released its third album. Melding Afro-Cuban rhythms with hot musicianship and sometimes odd time signatures, Rising Sun is jazz to be reckoned with. The quiet intro leads to one of the highlights of the disc, "Agbara". The next song, "Negus Nagast" was inspired by label-mate Mulatu Astatke...reason enough to like the song; but the fact that it rocks just adds to the pleasure! The slower "Lotus Flower" has a nice groove and features the muted trumpet of guest, Nicholas Dyson (Gladys Knight and the Pips, The Coasters). The rest of this release gets a little quieter. The best of these quieter pieces is "Serenity", with its flute highlights and with the clarinet helping out on the back-beat. This is nice stuff. Rebecca Ruth

Quick Links:

• Strut Records Website
• Souljazz Orchestra Website

NOAH BAERMAN, WAYNE ESCOFFERY, AMANDA MONACO, VINNIE SPERRAZZA, HENRY LUGO

Playdate

March 5, 2010

This is the debut release from childhood friends, Noah Baerman, Wayne Escoffery, Amanda Monaco, Vinnie Sperrazza, and Henry Lugo. While I loved the playful tone of this cd package, the music inside was anything but. This is quiet, melodic jazz, fronted by hollow-bodied guitar, accompanied by piano and occasional saxophone, bass, and drums. Playdate starts out with the almost upbeat "Coppertone", and it gets quieter from there. Don't let the look of this cd fool you! This is music to snooze to. Rebecca Ruth

Quick Links:

• Positone Website

BLACK 47

Bankers and Gangsters

March 3, 2010

After twenty years together, Black 47 has mellowed a bit with age. On this, it's fourteenth release, the band offers a slew of medium-tempo Celtic-rock songs and ballads. Larry Kirwan still writes humorous songs full of rock band debauchery (Celtic Rocker) and drink-fueled visions (Long Lost Tapes of Hendrix). There's even a fun kiss-off song from a woman's point of view (Wedding Reel). The crew still utilizes classic Irish instrumentation combined with rock elements. They just seem to have matured a bit compared to past releases. I guess after two decades of doing this, though, they should be allowed to slow it down a bit. Rebecca Ruth

Quick Links:

• Black 47 Website
• Black 47 Myspace

JOHN HIATT

THE OPEN ROAD

March 3, 2010

After 2008’s somewhat listless "Same Old Man" John Hiatt returns to form with this disc. Not only does the disc pack a muscular musical punch, compliments of Kenneth Blevins on drums, Doug Lancio on electric guitar and Patrick O’Hearn on bass, it features some of Hiatt’s sharpest writing in years. When he’s on his game he’s almost peerless in his ability to conjure up images that stick with you. Take "The Open Road" with its reference to “Midnight falling like a bag of bones” and you get the idea real soon that it is a road to nowhere. Likewise, you can easily imagine the hard edged girl that “puts her hairspray on with a lit cigarette in her mouth/Takes her fingernail polish off Speeding down some rural route” on "My Babe" or the ghosts who get no rest in "Homeland" because “You can’t bury anything, men or nations/Old memories, old vibrations/The pain doesn’t stop just because the killing ceased”. Elsewhere, he reveals he’s not all he seems to be on the rocking "What Kind of Man" and channels both Dylan and Petty on "Go Down Swinging". As with most Hiatt discs, he also explores the rocky path faced by most relationships. While he broods about lost opportunities on the blues grinder Like a "Freight Train" and the stark "Wonder of Love" and kisses off another relationship on "Fireball Roberts" he also affirms that all is not lost in love. On "Haulin’" he liberates a Benjamin from a club owner and rushes to his baby for some hot loving and on "Carry You Back Home" he finds the courage to return the love he gets. Overall, a stellar release that should stand tall against his already solid catalog of great songs. Smitty

ELMORE JAMES, JR AND THE BLUESDUSTERS

BABY PLEASE SET A DATE

March 3, 2010

As one of nearly 30 children fathered by legendary slide guitarist, Elmore James, Earnest Johnson got to spend time with first generation blues masters such as Sonny Boy Williamson, Willie Dixon, Walter Horton and even Robert Johnson. Capitalizing on his linage and education in the roots of the blues, Johnson has made a career of touring as Elmore James, Jr. Of course having the right name doesn’t mean a thing without the chops to back it up. This disc reveals he was an adept student of the barb-wire taut licks that were his father’s stock in trade. While he plays with more restraint than his father, he certainly knows how to charge hard when the song demands it. Joined here by a hard charging band with keys and a saxophone to spice up the guitar oriented mix, Johnson gives a 13 song lesson in traditional electric Chicago blues. The only downside is that he includes a number of his father’s hits such as "Dust My Broom", "The Sky is Crying" and "Mean Mistreater", that have been covered so often that even his blood connection to the tunes can’t shake off the weariness of hearing them yet another time. Apart from that, his originals have a spark to them that keeps them interesting even though the musical path they follow is pretty well worn. Smitty

PRESERVATION HALL JAZZ BAND

PRESERVATION

March 3, 2010

Since 1961, Preservation Hall in New Orleans has showcased traditional jazz to the delight of fans from around the world. While part of its charm has always been its stark, decrepit warehouse feel (six benches, no running water, no A/C), the post Katrina era found the venerable hall falling into further disrepair and out of the limelight as a “must see” stop in New Orleans. Worse yet, the musical tradition represented by the Hall faced extinction as displaced musicians followed the receding flood waters to other locations. This benefit disc is intended to reverse both trends by pairing the well oiled blend of upbeat, toe-tapping roots jazz featured night after night at Preservation Hall with vocals from a wide cast of characters from the pop, country, folk, rock, gospel and blues worlds. With a generous 19 tracks, featuring everyone from My Morning Jacket’s Jim James (appearing as his alter ego Yim Yames) to Louis Armstrong and Angelique Kidjo, the disc is not only a pleasurable listen but at times a revelation. Who knew that Ani DiFranco had the playful side evidenced on "Freight Train" or that Tom Waits could sing around his gravelly vocals with such flourish and enthusiasm as on "Tootie Ma Was A Big Fine Thing"? Steve Earle even lightens up from his recent soapboxing for the classic "T’ain’t Nobody’s Business". Other standout tracks includes Pete Seeger’s buoyant take on "Blue Skies", Angelique Kidjo’s torchy jazz on "La Vie En Rose" and the Blind Boys of Alabama’s gospel scorcher, "There Is a Light". While the guests add commercial appeal, they never get in the way of the classic charts laid down by the band. I dare you to sit still while this disc is spinning. Smitty

SWEET TALK RADIO

My Hallelujah

March 2, 2010

Sweet Talk Radio is the Los Angeles based husband and wife team of Kathrin Shorr and Tim Burlingame out with their debut on Two Pop Music titled "My Hallelujah." The sound here is sometimes upbeat but mostly more on the mellow side of things as the duo combines elements of folk, americana, country, blues and even jazz. The vocals are predominantly Shorr's with her husband providing the backing vocals occasionally. On the uptempo tracks "Labor of Love" and "Lovesick," the singer/songwriters pull together two really nice songs. While not "pop" songs in their fullest expression, these two represent the closest thing to a "pop" sound found here. On the opener and title track, Shorr laments the loss of one she calls "My Hallelujah" as she sadly and yet passionately sings: "All that I have left / Is his voice and it's fading fast / Grey Sky, brown box, black dress." Such is the essence of many of the songs here - relationships that for whatever reason, haven't quite worked out. "The Good Life" takes things in a more positive direction as the soulful voice of Shorr sings "He's all I need to live the good life." Here, the sound has much more of a jazz feel with the soft combinations of percussion, piano, and guitar used to create a lush and cool atmosphere. "Ballad of Hank Williams" is an interesting take on the life of the troubled Williams, and is written from his viewpoint. Here Shorr and Burlingame write: "And I think I speak the gospel / When I tell you this truth / If Jesus wore my shoes / He'd reach for the bottle too." Overall, the mixture of uptempo and the slower and more melodic songs here is nearly perfect. The production is superb and the voice of Shorr is nothing short of infectious. In the end, most of the songs here are really well done and sound like a soundtrack to a mostly sad movie that somehow ends with a sliver of hope. ~Reviewed by Jeff Bouma

Quick Links:

• Official Sweet Talk Radio Website

THE HOLMES BROTHERS

FEED MY SOUL

March 2, 2010

Brothers Sherman and Wendell Holmes, along with drummer Popsy Dixon otherwise known as the Holmes Brothers have been recording together since 1980. In 2008 Wendell faced with what appeared to be incurable cancer and it appears we may have hears the last of their great harmonies. The powerful track “Fair Weather Friend” addresses the feelings how people may run or disappear when hearing about cancer and treating their friends as if they had some kind of plague. With this release, the Holmes Brothers have fed all of our souls with an uplifting platter of Blues & R&B that shows the power of the human spirit. Most songs are originals with the exception of their excellent cover of the Beatles “I’ll Be Back” and the R&B sounds of “Pledging My Love”. Produced by the great Joan Osborne, if this disc does not lift your soul and spirits please seek professional counseling. Reviewed By: Gregg Saur

Quick Links:

• The Holmes Brothers Home Page

TEXAS TORNADOS

ESTA BUENO!

March 2, 2010

Esta Buenos definition is this is good, and The Texas Tornados have always believed in truth in advertising. It has been 14 years since their last studio release and during that time we lost two of the founding members, the late great Doug Sahm and Freddy Fender. For this release Shawn Sahm has filled into his fathers footsteps and the band has resurrected five previously unreleased vocal performances by Freddy Fender. The result brings back all the magic created by this Tex-Mex super group over 20 years ago. This CD is a real Tex-Mex party release and catches Augie Meyers and Flaco Jimenez relaxed and once again having fun making the music that made the Texas Tornados one of the most energetic and creative bands of the 1990’s. Esta Bueno will hopefully be the beginning of the next chapter for the Texas Tornados, because if this is any indication, it’s good. Reviewed By: Gregg Saur

Quick Links:

• Texas Tornados Home Page

CAROLINA CHOCOLATE DROPS

Genuine Negro Jig

March 1, 2010

This interesting trio were all drawn, individually, to the Piedmont musical jam sessions run by old-time fiddling legend Joe Thompson. Don Flemons came from Arizona; Rhiannon Giddens was classically trained from Oberlin College in Ohio; and linguistics major Justin Robinson from in-state North Carolina. They wound up going to old Joe's house every other week and developed into a band that respects its historical roots, but also takes liberties to expand the black string band tradition's boundaries. The group's name is a tip of the cap to the Tennessee Chocolate Drops who played to mixed audiences in the '20s and '30s. They are fully aware of the provocative nature of their band's name and even this CD's title, but that's part of the education they hope to achieve in getting people to listen and to dialogue. This set is terrific, with gems such as "Hit 'em Up Style" (#4), "Snowden's Jig" (#6), "Kissin' and Cussin'" (#9) -- as well as a new take on the Tom Waits tune "Trampled Rose" (#12). Outstanding. 03/10 Michael J. F-Traditional

Quick Links:

• Chocolate Drops homepage

JOY KILLS SORROW

Darkness Sure Becomes This City

February 25, 2010

This Boston-based band takes a bluegrass foundation and adds innovation in both songwriting and musicianship. At times, the cuts seem "old-timey," like the Gary, Indiana* radio station WJKS, from when comes the band's name (cf. "New Shoes" and "We Will Have Our Day"). In other moments, the break from the expected brings added interest and depth (cf. title track, "All the Buildings"). The group is kind of an "acoustic all-star" configuration: the mandolin player is the first-ever graduate from the prestigious Berklee School of Music on that instrument; the guitarist has a "flatpicking championship" under his belt; the primary lyricist is a John Lennon Songwriting Award winner; and the main vocalist won a national Canadian folk music performing honor. Nice that they all found one another. Give this disc a spin. Michael J. 02/10 F-Americana [*How a Gary, Indiana station got away with playing bluegrass might be interesting research sometime.]

Quick Links:

• Joy Kills Sorrow homepage
• JKS on Youtube

RJD2

The Colossus

February 22, 2010

Perhaps best known as the man who gave us the theme for the Mad Men television show, RJD2 is Philadelphia DJ/producer, Ramble John Krohn. The Colossus is his fourth solo release. This is essentially a rock album with an urban edge. Half the songs here are instrumentals. Some feature heavy beats such as "Small Plans" or "A Spaceship for Now". Others feature electronic orchestration such as the harpsichord on "Giant Squid" or the strings on the album's opener. There are songs featuring soulful pop vocals, too, such as "Crumbs Off the Table" or "Walk With Me". All in all, I rather liked this album. Rebecca Ruth

TOKYO ROSENTHAL

GHOSTS

February 22, 2010

When I first picked up this release from a man named Tokyo Rosenthal, the last thing I expected to hear was a terrific release from an Americana singer/songwriter. Tokyo otherwise known as Toke starts this release with the most rock oriented track “Inside Your Skull” a track that is so catchy it may never leave. “There Is No Love” is a folk track that features the fiery fiddle of Bobby Britt who is also featured on “Mister Tell Me About The Great Depression” and “Goin’ On Saturday” two tracks that have a certain Willey’s feel to them. “Feelings Don’t Know Any Age” begins slow and builds to an up-tempo jazz sound that reminded me of Dave Brubecks classic Take Five and featured some great flute from Lisa Lecheau. This Ghost from North Carolina may get inside your skull and not leave, but don’t worry, it’s a good thing. Reviewed By: Gregg Saur

Quick Links:

• Tokyo Rosenthal Home Page

CHARLIE HUNTER

GENTLEMEN I NEGLECTED TO INFORM YOU YOU WILL NOT BE GETTING PAID

February 22, 2010

This CD certainly has the longest title of any new release and is one of the most accessible Charlie Hunter releases to date. This CD recorded in glorious mono is a guitar player’s masterpiece featuring the signature style of Charlie’s seven string guitar. This release does feature a three piece horn section. But with the exception of the New Orleans track “Antoine” and “High Pockets And A Fanny Pack” and “Drop A Dime” they have a more subdued backing sound. Drummer Eric Kalb joins Charlie for the first time and keeps the rhythm section sound through all nine tracks. It is hard to believe that one guitar can feel the room with this much sound, but then again it is Charlie Hunter. Reviewed By: Gregg Saur

Quick Links:

• Charlie Hunter Home Page

GRP (GABRIEL RIESCO PROJECT)

Sculptures in Time

February 20, 2010

Considering that both music and sculpting utilize the concepts of space, limited by form...blah, blah, blah...this album is a tribute to sculptor Eduardo Chilada, according to the liner notes. This is instrumental jazz, not unlike something you would hear on your weekly smooth jazz radio show or at your coffee shop. Originally from Spain, guitarist, Gabriel Riesco,, has surrounded himself with able musicians from all over the world and who encompass loads of credentials. The musicianship here is admirable, but there is nothing the least bit challenging about this release, except the liner notes, of course. Rebecca Ruth

Quick Links:

• GRP Website

VARIOUS

The BYG Deal

February 20, 2010

In 1967, three frustrated French record label executives decided to start their own label. The acronym, BYG, became its name. This is a compilation of the many artists they produced until the label's demise in 1975. This release is full of French psych-rock and early prog-rock. The booklet included with the disc is full of fun history. Many of the artists later became synonymous with bands you may be familiar with such as Soft Machine, Vangelis, Serge Gainsbourg, Procul Harum, and Don Cherry. Some of the production here sounds a bit dated and the music itself certainly sounds like the era from which it came; but this is fun stuff and it's just weird enough to hold my interest. Rebecca Ruth

Quick Links:

• B-Music Website

THE VERBS

Trip

February 6, 2010

Percussionist/producer Steve Jordan has again teamed up with ex-Antionettes guitarist/singer Meegan Voss to create The Verbs' second release, Trip. I would describe this as garage-pop that definitely echoes both artists' New York roots. Some tracks are harder rock such as the guitar and drums-driven "Hey hey Uh-Huh". Other tracks are more pop-oriented such as the focus track "Burnt Out Star", which reminds me of something that the band Metric would produce. My favorite track...the 60's noir piece "This is How the Song Goes". Trip is all-in-all an album worth checking out. Rebecca Ruth

Quick Links:

• The Verbs Website

VITAMIN-D

Bridge

February 6, 2010

While I appreciate the use of trumpet in a pop song, that seems to be the only interesting thing about this release from Brooklyn-based Vitamin-D. Wielding such instruments as vibraphonette and accordion, Dennis Cronin and company have created surprisingly average pop-rock. Sure, it's pretty and well-produced and there's certainly nothing offensive here; but nothing on "Bridge" makes me want to come back for a second listen. Rebecca Ruth

Quick Links:

• Vitamin-D Website

SISTA MONICA PARKER

SOUL BLUES & BALLADS

February 3, 2010

Sista Monica Parker calls Soul Blues & Ballads her tribute disc to three of her heroes, the late greats Koko Taylor, Ruth Brown and Katie Webster. On this disc she brings the best of these three artists to life with one of the best female vocal performances of 2009. Her voice has all the soul and grace you would discover on a 1950’s or 1960’s Ruth Brown soul recording for Atlantic Records. The power of Etta James or Koko Taylor when she sings the Willie Mitchell classic “Come to Mama” or “A Chance To Breathe” a track originally released on Sista Monica’s 2000 release “People Love the Blues”. On “Never Say Never” Sista Monica leads you into the sensuous side of the blues and ends with a powerful blues explosion. “Pussy Cat Moan” is a blues jewel that Katie Webster performed and made her own, with the powerful vocal delivery Sista Monica gives to this gem it would make the queen of the Louisiana swamp blues proud. It doesn’t matter if Sista Monica Parker is singing Soul, Gospel, Ballads or Blues her voice will warm you and make you feel oh so good inside. Reviewed By: Gregg Saur

Quick Links:

• Sista Monica Parker Home Page

RAY WYLIE HUBBARD

A. ENLIGHTENMENT, B. ENDARKENMENT (HINT: THERE IS NO C)

February 2, 2010

Is Ray Wylie Hubbard one of those “outlaw country” guys? Is he a smart ass Texas Troubadour? Is he a blues guy? Is he a hippy cowboy? Yes to all of the above. Ray Wylie Hubbard is a Texas based storyteller who draws from a deep well of musical inspiration that includes blues, country and twangy rock. With a gruff delivery that is equally comfortable delivering a Neil Young style ballad, "Black Wings", as a jazzy hodge podge of sound that could fall off a Chuck E. Weiss or Tom Waits disc, "Pot and Pans", or a mid-tempo rocker that sounds eerily like Ian Hunter, "Loose", Hubbard weaves tales about naked women on the crunchy, "Drunken Poet’s Dream", the end times on the gospel inspired, "The Four Horses of the Apocalypse", pesky wasps on the slow stomper, "Wasps Nest", and even draws inspiration from Edgar Allen Poe’s The Raven on the rootsy title cut. Elsewhere, Hubbard mixes things up with an a cappella rave up, "Whoop and Hollar", an eerie folk blues, "Tornado Ripe", a hot-wired, slinky blues, "Down Home Country Blues", and a lumbering number that stomps and jerks like a zombie on the prowl, "Every Day is the Day of the Dead". While his wide ranging repertoire makes him difficult to peg, his talent has no problem shining through on this release. Smitty

JEFF HEALEY

SONGS FROM THE ROAD

February 2, 2010

This live disc features Jeff Healey working his way through eleven well known cuts that range from blues standards, "I’m Ready", "Hoochie Coochie Man" and "Stop Breaking Down", to classic rock, "White Room" and "Whipping Post", folk rock, "Teach Your Children Well" and even a couple of Beatles related tunes, "Come Together" and "While My Guitar Gently Weeps". Throughout, the tracks are propelled by Healey’s fluid guitar chops and rich, emotive voice. While he doesn’t have the vocal grit to be anything other than a decent cover artist on the early blues numbers, and wisely abdicates the microphone to others so as to focus on his smoking guitar riffs on "White Room" and "Whipping Post", his voice is well suited to most of the material here and is spot on for his signature tune, the John Hiatt penned "Angel Eyes". Even though Healey’s recorded output for the several years preceding this release explored other genres, most notably jazz, it is clear that he was never far from the blues rock that first brought him to the international stage. Listen to him cutting heads with BTO’s Randy Bachman on "Hoochie Coochie Man" for a great example of his blues rock prowess. Sadly, Healey passed away from cancer within a year of these recordings. Unless a cache of unreleased material finds its way onto disc, this release will serve as his epitaph. Not a bad way to go out. Smitty

DUKE ROBILLARD & SUNNY CROWNOVER

TALES FROM THE TIKI LOUNGE

February 2, 2010

The ever prolific Duke Robillard follows up last year’s successful pairing with vocalist Sunny Crownover, Sunny & Her Joy Boys, by pairing with her again for this tribute to Les Paul. Modeled loosely after Paul’s recordings with Mary Ford, Robillard provides a jazzy, backdrop to Crownover’s silky rich vocals. Those with a taste for exotic Tiki Lounge music should head straight to the rumba/swing of "Tico Tico", the mysterious sounding "Occidental Woman" first performed by none other than Mae West, the flamenco fueled "Besame Mucho", the strutting "Kiss of Fire" and the percussive "Sway" which get both a straight reading and an edgier re-mix. "Put the Blame on Mame (parts 1 and 2)" puts you firmly into the Rita Hayworth/Glenn Ford film noir classic “Gilda” from which it came while "Smoke Rings" is an unhurried, sexy come on. Robillard and Crownover make the oft covered Willie Nelson classic "Crazy" seem positively fresh with jazzy guitar riffs and vocals that drip emotion. As good as that track is, the duo’s take on the bluesy "I’m Still in Love With You" is so perfectly realized that the song should move from the obscure to the oft covered. While most of the material moves along at an unhurried pace, "Bye Bye Blues" swings pretty hard and "Goody Goody" hits a higher gear as Crownover plots her revenge against an errant lover. Classy from beginning to end this disc evokes thoughts of low lights, hard drinks and close dancing. Based on the strength of this release, we should be hearing plenty from this duo in the future. Smitty

GALACTIC

YA-KA-MAY

February 2, 2010

Galactic has become synonymous with modern New Orleans funk. Escaping the penchant of too many New Orleans bands to recycle the rich catalog that makes up the City’s musical heritage (really, do we need another "Hey Pocky Way" or "Mardi Gras Mambo"?) this disc features the band taking on an aggressive program of all new original material. With body slamming grooves that would make even your bed-ridden aunt Matilda shake her booty, the band joins forces with multiple vocalists to create a disc that veers wildly over the musical landscape. Irma Thomas and John Boutte work their soul magic around the bottom heavy groove of "Heart of Steel" and "Dark Water" respectively. Allen Toussaint takes a break from his normal jazz piano duties to add synthesized vocals to the spacey "Bacchus". Big Chief Bo Dollis powers his way through the rubbery "Wild Man" while Big Freedia checks in with a variation on hip hop known as bounce and Walter “Wolfman” Washington gets sinister to the ambient, moody, "Speaks His Mind". Elsewhere, Josh Cohen and Ryan Scully of The Morning 40 Federation lay down wise guy vocals over the Godzilla stomp of "Liquor Pang". While the guest vocalists get plenty of time to shine, the band doesn’t simply provide a backup groove: it jumps in hard on the instrumental tracks, "Boe Money", featuring Rebirth Brass Band, and "Cineramascope", featuring Trombone Shorty and Corey Henry both of which will warm the hearts of those that have been fortunate enough to see and feel the power of a brass band in action. Always striving to push the envelope, Galactic succeeds here with a disc that will find favor with those with a taste for edgy funk. Smitty

THE DIAMOND UNDERGROUND

Serve the Song

February 1, 2010

Any band with the word "underground" in its title should be an electronic, or dub, or possibly funk or jam band, right? That seemed to be my preconceived notion when I first popped this CD into my player. The Diamond Underground is none of these things. After getting over my initial disappointment, I realized that this is pretty stuff. Cincinnati musician, John Wagner, who writes and records under the name, The Diamond Underground, has made a decent first album. With effects on his vocals and the help of studio musicians in guitar, drums, bass, and keys, this is sweet, sad rock music. Add well-crafted production and you have something here that ever so slightly resembles the Jesus and Mary Chain. Rebecca Ruth

Quick Links:

• The Diamond Underground Website
• Follow Your Plan Website

OUT TO LUNCH

Melvin's Rockpile

February 1, 2010

David Levy has done it again as leader of Out To Lunch and given us another album of groove-oriented jazz. Assembled here is a crack team of musicians whose apparent age belies their experience. Out To Lunch takes us on a journey when this album is played from beginning to end. Melvin's Rockpile starts with the slow, ambient piece "Song for the Solstice", goes into the smooth jazz of "Little Neddie Knickers", then works up to the late-night groove of "To the Queen". Things really start kicking with "Sunday in Sausalito", "The Diminutive Swashbuckler", and "Captain Stilts" before the denouement of "Black Tea on Francis Street". Rebecca Ruth

Quick Links:

• Out To Lunch Website
• Accurate Records Website

HARLEM PARLOR MUSIC CLUB

SALT OF THE EARTH

February 1, 2010

There are certain discs that just uplift you and leave you with a joyous feeling after listening too; Harlem Parlor Music Club’s Salt of The Earth is certainly one of them. This superb gathering of 15 friends and musicians from the New York area includes WYCE favorites Darden Smith and Mary Lee Kortes from the band Mary Lee’s Corvette. HPMC combines traditional folk, gospel and just a pinch of funk to keep their sound fresh through all 11 tracks. HPMC sound could easily be compared to the band Ollabelle as they use six different vocalists, traditional strings, three different dobro players and a terrific rhythm section to round out their sound. Out of the 11 tracks 10 are originals with the exception of the masterful job done to Sly And The Family Stone classic “Thank You {forlettinmebemiceelfagin}” This CD was recorded in an 1890’s Harlem townhouse with very little overdubs leaving it with a warmth felt when 15 friends join together to make great music. Reviewed By: Gregg Saur

Quick Links:

• Harlem Parlor Music Club My Space

ALEXIS HARTE

Big Red Sun

January 31, 2010

Bay Area native Alexis Harte has used his experience in environmental studies and his time living in Brazil to conjure up four releases full of birds, flowers and planets with a Jack Johnson delivery that shows off the rhythms of South America. Harte has a master's degree in ecology and spent three years working in Brazil, with his guitar never far away -- that actually sounds like a Paul Simon, Rhythm of the Saints combination, doesn't it? He has drawn kudos from Performing Songwriter and Acoustic Guitar magazines along the way. In this set, the opener, "Mayflies," gets your attention immediately with a lush beginning and rhythmic backbeat. "Pot of Rainbow," "A Moment's Peace" and "Temporary Tattoo" are other standouts. If you think he's getting too Cat Stevens on you, check out the manic beat of "Send a Robot." There's a hidden track #13 on this record, entitled "How Can I Find You?" 01/10 Michael J. F-Contemporary

Quick Links:

• Harte's homepage
• Harte's Myspace site

MOLINA AND JOHNSON

MOLINA AND JOHNSON

January 27, 2010

On their self-titled and alt country debut, Molina and Johnson share their combined talents on fourteen soothing and often sad songs. Known for his work with Magnolia Electric Co., Jason Molina's baleful cry is found in varying ways here. One of the best is the haunting "32 Blues" wherein Molina cries about the vast unknown of the after world. Will Johnson, of Centro-matic and South San Gabriel fame is a nice contrast to Molina with his husky growl. While surfacing throughout, perhaps the song the best exemplifies Johnson's talents is the one that he shares with the Texan songstress Sarah Jaffe - "All Gone, All Gone." In the background on this one is an instrument known by some as the crying saw. In this case, it produces a haunting and chilling effect. Another song worthy of some attention is the opener, "Twenty Cycles to the Ground." Here, both Molina and Johnson share the vocals on the laid back and organ accompanied song. Minimalism is again in full-force but it shines brightly on "Almost Let You In." Here, Molina and Johnson combine the best of their vocal talents and add it to their knack for songwriting to create a track that deserves its just due. On the whole, there are certainly no toe-tappers here. The fact is, these are two markedly talented but mournful men that have chosen to create a bare sound that's often a little too dark and depressing. While the sound and the mood do grow on you, it's probably not enough for most to give it their time. ~Reviewed by Jeff Bouma

Quick Links:

• Official Molina and Johnson Website
• Dusted Magazine Review

MATT THE ELECTRICIAN

Animal Boy

January 26, 2010

Anyone who thanks chickens in their album liner notes is alright with me. Texas musician, Matt Sever (who really was an electrician at one time) does just that on this, his sixth album. I'll forgive him for covering "Faithfully", because I quite liked the rest of this release. It's full of fun instrumentation provided by Matt, his producer, Mark Addison, and occasional guests. The narrative lyrics are fun and hold my interest...I want to know what happens next. It's hard for me to pick a favorite here, but check out "For Angela" or the title track for starters. Rebecca Ruth

Quick Links:

• Matt the Electrician Website

MIDLAKE

The Courage of Others

January 26, 2010

With pensive, poetic lyrics and keen musicianship, Tim Smith and crew have created dark, pretty prog-rock on this, their fourth release. Brooding on dark and desolate themes, this well-crafted album might leave you with an otherworldly sense of melancholy. Rebecca Ruth

Quick Links:

• Midlake Website
• Bella Union Website

LAURIE MORVAN BAND

FIRE IT UP!

January 26, 2010

I couldn’t think of a better title to this disc then “Fire It Up” because it sizzles from the opening note. The opening track ‘Nothin’ But The Blues” expresses the joy that only the blues can bring. “Come On Over To My BBQ” is saucy blues at its very best filled with double entendres such as “I’m gonna put up my tenderloins and let you fire up my grill” It left me wondering what would be left for dessert. “Skinny Chicks” may be Laurie’s answer to the Fiona Boyes track “Celebrate the Curves”. “Let Me Carry Your Troubles” has an almost Rory Block sound to it and certainly represents the heartfelt sensitive side of Laurie Morvan. This Gal from California certainly can play a screaming’ guitar, write great blues songs, and lead her top notch band through twelve tracks of sizzling blues. My recommendation is grab this disc and Fire It Up!!! Reviewed By: Gregg Saur

Quick Links:

• Laurie Morvan Home Page

THE WATSON TWINS

TALKING TO YOU, TALKING TO ME

January 26, 2010

Twin sisters Chandra Watson and Leigh Watson have been combining great harmonies with folk, country and roots sounds since 1998. In 2010 the harmonies couldn’t be more perfect, but their sound has taken on a distinctive pop edge. The track “Harpeth River” has a unique reggae backbeat and combines an uncharacteristic funk sound to it. “Forever Me” is a beautifully laid back track with a soft Jazz feel to it. The track “Midnight” starts slow and builds to one of the more rock sounds on this disc. The Watson Twins have taken an adventurous turn on this disc and their listeners will be fully rewarded with what is truly a beautiful recording. Reviewed By: Gregg Saur

Quick Links:

• The Watson Twins Home Page

THE WATSON TWINS

TALKING TO YOU, TALKING TO ME

January 26, 2010

Twin sisters Chandra Watson and Leigh Watson have been combining great harmonies with folk, country and roots sounds since 1998. In 2010 the harmonies couldn’t be more perfect, but their sound has taken on a distinctive pop edge. The track “Harpeth River” has a unique reggae backbeat and combines an uncharacteristic funk sound to it. “Forever Me” is a beautifully laid back track with a soft Jazz feel to it. The track “Midnight” starts slow and builds to one of the more rock sounds on this disc. The Watson Twins have taken an adventurous turn on this disc and their listeners will be fully rewarded with what is truly a beautiful recording. Reviewed By: Gregg Saur

Quick Links:

• The Watson Twins Home Page

MANU CHAO

Baionarena

January 22, 2010

This EP captures Manu Chao and his band, Radio Bemba, performing live during their two-year international tour. Sometimes singing in Spanish, sometimes in French, Manu Chao feeds of the energy of the live audience, adding vigor to an already energetic set of music. Rebecca Ruth

Quick Links:

• Nacional Records
• Manu Chao Website

EELS

End Times

January 19, 2010

After only a few short months since their last release, the Eels are back with their eighth studio album with a large focus on the "End Times" - the aptly named title. Here, the focus isn't on the end of the world per say, but on the end of singer/songwriter Mark Oliver Everett's marriage. Most, if not all of the songs deal with this in one way or another - some more explicitly than others. It's as if Everett has opened up his journal for everyone to read only instead of reading it he turns them into songs and he sings them for us. The opener, "The Beginning," reflects on past circumstances and younger days when "everything was beautiful and free." "In My Younger Days," continues the lament with an element of anger surfacing over losing someone he still wants back. The songs "Mansions of Los Feliz" and the title track "End Times," diverts from personal issues ever so slightly and focuses on the larger and increasingly hostile world that finds itself (from Everett's point of view) teetering on the verge of self-destruction. In all its simplicity, "A Line in the Dirt" is one of the better sounding songs her with Everett's voice paired with a piano to offer another sad take on the trek called "life." Perhaps the best song here is "Unhinged" - one of only a couple of songs that has an upbeat edge to it. Sadly, five of the songs with a sound that would normally garner a lot of play and attention (Gone Man, Paradise Blues, Nowadays, Little Bird and On My Feet) are unplayable due to the lyrical content. Nevertheless, they're worth checking out on your own if you've got the time and the Eels are worth your attention. Overall, this effort from Eels is a heartfelt memoir that may work for some but might just be a little too sad for most. ~Reviewed by Jeff Bouma

Quick Links:

• Official EELS page
• EELS on Wikipedia

SCHOOL OF SEVEN BELLS

Prince of Peace EP

January 19, 2010

Benjamin Curtis (Secret Machines) and the sisters Alejandra and Claudia Dehaza (On! Air! Library!) make up the three piece known as the School of Seven Bells. Often drawing comparisons to the Cocteau Twins, consider the ethereal music from this duo more interesting. On the heels of their successful debut Alpinisms, the School now offers us a ten-song E.P. that captures the essence of their debut with a few additions/subtractions that includes alternate versions of many of the originals. The album kicks off with one of the standout's from the original - "Prince of Peace" - a song with a mesh of influences albeit a largely electronic one. Throughout their debut, dreams and sleep take front and center on many of the songs. One of the better ones that emphasizes this theme is the catchy and dreamy "Half-Asleep." Here, Curtis' guitar takes a backseat to keyboards, electronic drums, and of course, the Dehaza sisters. Another highlight is the lush vocals of the duo on the electronically driven and slightly modified "Iamundernodisguise." While probably not garnering a lot of airplay due to its length (over 11 minutes long), the song "Sempiternal" is one you won't want to miss. With a great place to start from, (there's not a bad song on the original!) this E.P. only adds to the accomplishments of Alpinisms and offers their fans maybe just enough to hold them over until 2010's release titled "Disconnect from Desire." ~ Reviewed by Jeff Bouma

Quick Links:

• The School of Seven Bells on Myspace

CHRIS KASPER

Chasing another Sundown

January 18, 2010

Chris Kasper’s new cd “Chasing another Sundown” is a folksy, harmonious set of graceful melodies. On guitar or banjo, Kasper's skillfull playing highlights his bluegrass and folk influences. This album is both quiet and bright, his ability to get your toe tapping balancing the delicate ballads that gives his vocals the perfect setting. Manayunk, PA is Kasper home. He’s shared festival bills with Bela Fleck and Keller Williams and opened for Amos Lee. I’ve never heard Kasper’s previous albums (FlyingBoy and Trust the Tale, Not the Teller) but I will now. He seems to finds enchantment in ordinary situations. If you crave innovative music, give this a try. I loved the melodies and lyrics. It’s really hard to pick favorite songs because I really loved them all. #7 has a bit of funk, #8 Loosely Pray (you don’t fade away) is a quiet, beautiful song, and the slide guitar is perfect. #9, the last song, has a little ditty that comes on at 6.11 into it – just a bit of fun. I hope you enjoy this as much as I do. Anne Lamont

Quick Links:

• Chris Kasper's My Space page

ALLISON MOORER

CROWS

January 18, 2010

In 2003 Shelby Lynne, Allison Moorer’s sister released a CD entitled Identity Crisis as she was wavering between country and pop sounds. In 2010 Allison Moorer has shed the country and released a lush pop CD that focuses on the piano and her most beautiful instrument, her voice. This CD represents a major change from Allison’s prior releases as this sophisticated Pop release has no traces of the folk- country sounds that have earned her both Grammy nominations and critical acclaim. The track “Broken Girl” could rank as one of this years finest vocal performances and could easily be a top single. Allison’s voice has never sounded better and “Crows” should earn her legions of new fans and dedicated fans need to enjoy the changes from one of music’s sweetest voices. Reviewed By: Gregg Saur

Quick Links:

• Allison Moorer Home Page

MATTHEW RYAN

DEAR LOVER

January 18, 2010

Matthew Ryan writes some of his best songs when faced by personal tragedies or situations. Matthew was sitting in an emergency room with a good friend. Thinking it was too soon to loose this friend, he sat down with a pen and wrote 10 songs dedicated to saying things to lovers that often go unsaid. The heartfelt emotion felt in this release is gripping. Matthew teeters between slower folk songs like “Your Museum” and “The World is” to tracks that have a U2 rock quality such as “The Wilderness” and “Spark” a slower dance trance track featuring DJ Perch. The raspy quality in Matthews’s voice is perfectly suited for the emotions felt in this disc and he brings you into his heart on each of the tracks. After just one listen to this disc it is easy to understand why Matthew Ryan is one of the most underrated recording artists recording today. Reviewed By: Gregg Saur

Quick Links:

• Matthew Ryan Home Page

DAPHNE WILLIS

What to Say

January 17, 2010

Chicago-based Daphne Wells has a soulful, bouncy narrative style of delivering a tune that has some pegging her as a female Jack Johnson. I pick up some Laura Love vibes in the music; there's careful attention to the instruments providing a percussive backbeat to the song-stories she is telling. The set starts off with a roar on "Everybody Else," settles into the solid folk-rocker "Bluff" and then she's off to the races. In addition to these openers, I particularly liked "Swirl" and "Yellow Dress" for their spot-on match of lyric and music. Not a clinker in the bunch, a fresh new talent with spunk and style. F-Soul 01/10 Michael J.

Quick Links:

• Vanguard page for Daphne
• Daphne's Myspace page

JASON LINDNER

Now vs. Now

January 15, 2010

Child prodigy Jason Lindner, began formal study of piano, guitar, flute, sax, bass and drums at F.H. LaGuardia High School of Music and Art in Brooklyn. (The school was the location for television series,"Fame".) Since then, he has worked with many big music names, including Wynton and Branford Marsalis, Chick Corea, Jimmy Cobb, and Roy Haynes. Focusing on keys, he has put out several albums; this being the first with his trio, Now vs. Now. This focused team of musicians has put together an album of sometimes ambient jazz. The best example here is "Big Pump" which features Baba Israel doing beat-box vocals and guest sax-man Yosvany Terry. There is also the Latin-tinged "Seven Ways", which has a rockin' moog solo in the middle and nice trumpet work from guest Avishai Cohen. My favorite, though, has to be the ballad, "Friendship and Love". It features the gypsy vocals of bassist Panagiotis Andreou and Lindners' percussive use of the piano toward the end of the piece adds an interesting touch. Rebecca Ruth

Quick Links:

• Anzic Records Website
• Now Vs. Now Myspace
• Jason Lidner's Website

SUFJAN STEVENS

The BQE

January 12, 2010

After the amazing collections of "Michigan" and "Illinois," leave it to Sufjan Stevens to tackle another historic-driven musical venture: the Brooklyn-Queens Expressway (or BQE). Commissioned to do music and a film documentary, Stevens did meticulous research and delivered an instrumental soundtrack that intends to tell the story of this controversial roadway (which cuts through neighborhoods with hair-raising turns that make our own S-Curve look like a garden path). If you liked the instrumental passages in his previous discs, you will appreciate the layers of instruments and themes that he presents here. If you're wondering what's with the women with hula hoops on the CD jacket, Stevens makes the connection and contrast between the BQE and the invention of the hula hoop, invented the same year the expressway was completed. Hard to imagine what this guy will do next! Amazingly talented, often hyper-intellectual, never boring. 01/10 F-Esoteric (Instrumental) Michael J.

Quick Links:

• More on the BQE project
• NPR story on Stevens and the BQE
• Sufjan's homepage

VARIOUS ARTISTS

Keep the Light Alive: Celebrating the Music of Lowen and Navarro

January 12, 2010

As we've been doing for our good friend and local Godfather of Folk Music, Ralston, the friends of Eric Lowen (of Lowen and Navarro fame) have banded together to help the singer-songwriter in his battle with ALS (Lou Gehrig's disease). This tribute CD raises dollars for Lowen and his family and for ALS research. Not only is this a nice thing to do, the artists do a great job on the L&N songbook, with Jackson Browne leading off and including Keb Mo, The Bangles, The Refugees and Eddie from Ohio. Two artists I didn't know before -- the Andy Chase Band and Charlie Wadhams -- do particularly fine jobs in this set. I remember when L&N were in town at One Trick Pony and Lowen commented that "We Belong" (the song of theirs Pat Benatar made into a megahit) "put his kids through college." This time, a musical project is attempting to lift his spirits during a challenging struggle. P.S. Lowen can no longer perform live; Navarro is going on solo. 01/10 F-Contemporary Michael J.

Quick Links:

• More on the tribute project
• Lowen and Navarro Web site

Mumiy Troll

Comrade Ambassador

January 6, 2010

Out of the depths of the Vladivostok music scene comes a band that Russian rock aficionados will undoubtedly recognize - they formed in 1983, have had eight full-length releases and are often referred to as "Russia's most popular rock band." For most of us, however, Mumiy Troll (pronounced "Moo - Me - Troll") is still a bit obscure and largely unheard of. Recorded mostly in England, their music has often been described as a mesh between Russian rock and Brit pop. With their first American release - actually a compilation of their 7th and 8th full-lengths - perhaps these veterans are about to make their mark on U.S. soil. One of the better tracks is "Hey Tovarishch!" Here, producer, vocalist and chief songwriter Ilya Laguntenko sounds cocky and confident as he belts out "You're drinking up your aphrodisiac, and reading through your zodiac, putting lilies in your Cadillac!" "A bit of fun" is an apt description of "Musician" - a song that seems to be about the ups and downs of a singers life. Another track worthy of consideration is "Snowstorm." It's a bit hard to decipher the songs true meaning and intent but the sound here is top-notch with a nice mix of guitar, backing vocals and percussion. Perhaps the best song here is the pop-driven and yet serious "Nuclear Stations." It's a song filled with energy and features Laguntenko at his sinister best. A final bonus here is the American classic "California Dreaming" - my first time hearing the Mama's and the Papa's sung in Russian. Choosing to record outside of Russia as well as their willingness to work with foreign producers has made Mumiy Troll far more accessible than they would otherwise be. While this may not be for everyone, as all of the songs are recorded in Russian, the overall sound alone is worthy of a good deal of attention. Will you give the Troll a chance? ~Reviewed by Jeff Bouma

Quick Links:

• Official Mumiy Troll
• Mumiy Troll on Myspace

JON TROAST

Living Room

December 25, 2009

Jon Troast forever wrote himself into road musician history this year by performing 100 house concerts in 100 days, an amazing accomplishment considering the myriad of details that could derail such a feat. On his fourth release, Troast (who's from Wisconsin, but attended elementary school and college in West Michigan) shares some glimpses of his recent travels -- looking at family pictures on someone's fridge ("Living Room Tour"), driving from town to town ("Another Mile"), trying to rank the states he's seen ("Favorites") and the wandering troubadour's life ("Somewhere Down the Road"). His songs describe thoughts and emotions common to us all, yet he delivers the music and lyric in an uncommonly fresh and forthcoming way, as if, well, he was just chatting with us in our living room. It's a rewarding experience to invite him in. 12/09 Michael J. F-Contemporary

Quick Links:

• Jon's homepage
• Jon's myspace page

BOCA CHICA

Lace Up Your Workboots

December 19, 2009

It’s two years after the release of their 1st full length album, Transform into Beasts, and I’m still trying to knock that title track song out of my head in order to make room for this new album of Boca Chica’s titled Lace Up Your Workboots. This alternative folk band from Pittsburgh is mainly Hallie Pritts, with a loose rotating cast of musicians. On this album the line-up includes Susanna Meyer (a Boca Chica constant) and Matt Miller from “Beasts”, plus Jeff Baron of The Essex Green and Ladybug Transistor, as well as a slue of other talented Pennsylvania musicians. The music is light and airy, while keeping one foot firm on this American ground. The sounds weave nicely between sparse and simple to full, lush string collages. Pins and Needles and Valentine both have a very pleasing build in sound. As the Pittsburgh Paper accurately described them: “A Steinbeckian blend of Appalachian, alt-country and folk rock”. Their overall sound could be compared to the Be Good Tanyas, Jolie Holland, Hank Dogs or HEM. Their album Transform into Beasts transformed me into a fan a couple years ago, now Lace Up Your Workboots will definitely keep me listening. Becky Kenny 12/2009

Quick Links:

• Boca Chica on Myspace
• Lace Up Your Workboots in Pittsburgh City Paper
• Shut Eye Records

ZEVIOUS

After the Air Raid

December 18, 2009

This New York three-piece started out as a jazz trio in New Jersey. After releasing their first album in 2008, they ditched their acoustic instruments, picked up electronic gear and went metal. Heavy guitar, distortion, and occasional introspective segments combined with retained jazz elements such as complex time signatures and improvisation make for brooding, weighty instrumental prog-rock. Rebecca Ruth

Quick Links:

• Zevious Website
• Zevious Myspace
• Cuneiform Records Website

FUNDUBMENTALS

FunDubMentals

December 18, 2009

Fundubmentals makes the most unlikely music from the great white north...reggae. This release is light on the dub, though. Despite the band's name, the only dub to be found here is the cool instrumental, "Dye Ditty Dub". Otherwise, this five-piece band from Traverse City seems to have created straight-up reggae rock. Rebecca Ruth

Quick Links:

• Fundubmentals Myspace

JOE SWANK & THE ZEN PIRATES

HANK WILLIAMS DIED FOR MY SINS

December 15, 2009

Joe Sank describes his music with the Zen Pirates as country, punk, southern rock and aggressive hillbilly music. I say the 10 tracks on this release would make Hank Williams proud. It is a combination of the Drive-By Truckers, The Bottle Rockets and Scott Miller and the Commonwealth all wrapped up together. As Joe takes his listeners through beer drenched halls and the church of perpetual neon he may not make a lot of new converts, but fans of this style of Americana will surely be converted. Joe even tackles a lesser known Kiss tune on”Strutter” the closing track on this release. Reviewed By: Gregg Saur

Quick Links:

• Joe Swank My Space Page

DARRELL NULISCH

JUST FOR YOU

December 14, 2009

Combine an eight piece horn section, three back ground vocalists, a solid rhythm section and one of the best blues soul singers alive and you have a combination that will not disappoint. Darrell returns to his more soulful roots after his Blues Music Award nominated “Goin’ Back to Dallas”. Combining six original tracks and four covers Darrell has made a CD that would make his influences Otis Redding and Al Green proud. The track “Work for Love” originally recorded by Lou Pride in the 1970’s is the soul highlight on the disc, while “Just a Little Blues” you can feel Darrell channeling the blues of Robert Cray. Whether singing the blues or R&B Darrell Nulisch has one of the finest voices in music today. Reviewed By: Gregg Saur

Quick Links:

• Darrell Nulisch Home Page

Eugene "Hideaway" Bridges

LIVE IN SAN ANTONIO

December 7, 2009

Recorded live at Chango’s Havana Club in San Antonio, Texas, this disc features singer/guitarist Eugene Hideaway Bridges backed by a swinging band including keys and a horn section. With a guitar sound that draws on the smooth lyrical styles of B.B. King and Robert Cray but with fleet fingered flourishes thrown in to add a sonic punch, Bridges makes each of the 15 cuts collected here an enjoyable listen. Far from just another night of 12 bar blues, (although straight blues gets is due on "Real Hero" and several other tracks), Bridges and crew treated the audience to everything from shades of Otis Redding style soul, "Learn How To Let You Go", to Roadhouse rockers a la Delbert McClinton, "Giving Up On Love", to Sam Cooke’s "Rome Wasn’t Built in a Day" to jump blues, "Jump the Joint" and even a bit of East Coast beach style music, "Movin’ and a Groovin’". Interestingly, Bridges shares more than a guitar style with B.B. King: he also has a big, expressive voice that, like King, can sound notes of despair one moment and outright glee just as effectively the next. While Bridges is clearly the star of the show he gives the band plenty of room to shine throughout the disc but most prominently on the smoking "I Know That you Love Me" which features punchy solos from each band member that show their skills but don’t overstay their welcome. With one hot tune after another there’s no doubt that the crowd at this show were sweat soaked and happy at the end of the night. Smitty

CLARENCE BUCARO

NEW ORLEANS

December 7, 2009

While New Orleans is ground zero for some of the most upbeat party music you’ll ever hear, it is also home to plenty of great Soul and R & B. The likes of Irma Thomas, John Boutte, Johnny Adams and Aaron Neville provide a welcome respite from the hip-shaking dance floor with songs that burn low, slow and sweet. Ohio native Clarence Bucaro became smitten with the soulful side of New Orleans and joined forces with Anders Osborne (guitar and vocals), Kirk Joseph (Sousaphone), Mike Burkart (B3/keys) and Doug Belote (drums) from the local scene to lay down the 10 tracks collected here. Like all good Soul music, this set is intensely personal and lures you into its emotional web. While most of the cuts are low key and focus more on the vocals than the groove, there are a few semi-upbeat exceptions including "Light in Your Eyes", "The Other End", "Let me Let Go of You" and "Red Herring". While Bucaro has a ways to go to be mentioned in the same breath with long term members of the scene, his supple voice and the well crafted tunes collected here have him on the right path. A good bet when it’s time to move the party from the dance floor to the dark and quiet corner. Smitty

Quick Links:

• Hyena Records
• Clarence Bucaro

COREY HARRIS

BLU.BLACK

December 7, 2009

Corey Harris has always been an adventuresome artist. First making his mark as a straight out acoustic blues guitarist, he’s played everything from acoustic folk and Cajun country to tripped out electric versions of delta blues standards and, more recently, reggae. This disc finds him still delving into reggae grooves on "Conquering Lion", "Blessed Seed", "Run Around Girl", "Babylon Walls" and "Backlash" and using Rastafarian first person references to declare to Jah that "Columbus is a liar": he didn’t find anything that wasn’t already there. Elsewhere, as on "Black", "King and Queen" and "My Song" he applies his rich vocals to ballads and even a bit of gospel. Of the 14 cuts only the electric "Blues" is a straight out blues tune. Overall, the vibe here is a decidedly mellow, Jack Johnson type of experience. Maybe it was the novelty of hearing him taking on reggae as a new musical style but 2007’s Zion Crossroads was a more compelling listen. Hopefully, Harris will move on to his next muse in short order. Smitty

JOHN MAYER

BATTLE STUDIES

December 7, 2009

This relatively stripped down affair finds John Mayer keeping his hot-wired guitar skills in check and focusing on the abject misery of lost love and the self-recrimination that accompanies the realization that it is him, not them, that is to blame for his resulting loneliness. While on paper this sounds like a blues disc most of the cuts putter along in an all too tasteful, mid-tempo adult contemporary vein. Hints of the rock power of Mayer and his back up crew (Steve Jordan on drums, Pino Palladino on bass and Ian McLagan on keys) creep only into "Assassin" and the Robert Johnson classic, "Crossroads". "Who Says" also has a bit of life to it. This might be a great disc in Cougar-town where the quest for a reflective man who is willing to take the blame for a failed relationship is the Holy Grail of finds. Everywhere else, it’s the soundtrack to an elevator or dentist’s lobby. Smitty

DESOTO RUST

Highway Gothic

December 7, 2009

Naming their third album after the font used by the federal highway commission for its road signs, DeSoto Rust makes music that sounds fit for a long drive down the highway. Based in Philadelphia, but sounding as if they honed their chops in Texas, DeSoto Rust makes roots-rock that would sound at home in any honky-tonk dive in America. Rebecca Ruth

Quick Links:

• DeSoto Rust Website

METTA

Metta-mor-phi-ohm

December 7, 2009

The first album from this Grand Rapids five-piece is a rock album with the usual suspects of guitar, vocals, drums, keys, and bass. With the addition of guest artists on mandolin, slide guitar, Wurlitzer, Hammond B3, and violin, the bar is raised. Add the Phil Collins-sounding vocals and the we-take-ourselves-oh-so-seriously lyrics, and you have what sounds like mid-eighties Genesis meets mid-nineties emo. I wouldn't be quick to dismiss this band though, when they've matured a bit, they might just be a band worth consideration. Rebecca Ruth

Quick Links:

• Metta Website
• Metta Myspace

LAURA LOVE & ORVILLE JOHNSON

The Sweeter the Juice

December 6, 2009

Laura Love teams up with country bluesman and dobro master Orville Johnson to do a set of (mostly) traditional American folk, gospel and civil rights music -- an acoustic version of what Mavis Staples did a couple of years back with "We'll Never Turn Back." The two sometimes develop two distinct songs into a medley, with Laura leading on one and Orville the other; on some songs they harmonize. Laura's always included some of these early classics in her concert sets and decided to release a disc that's full of 'em. These familiar songs are all done well, with Laura's thick bass playing and Orville's dexterity blending nicely. Check out "Load Up/Eyes on the Prize" and "Swing Low Sweet Chariot/Swing Down Chariot." "Livin' in a Dream" is an old Robbie Robertson song. F-Traditional 12/09 Michael J.

Quick Links:

• Laura's home page
• Laura's bio

TUNE-YARDS

Bird-Brains

November 25, 2009

Using little more than vocals, acoustic guitar, found percussion instruments, and the occasional drum loop/electronics, Merrill Garbus, calling herself Tune-Yards, has crafted something interesting. Combining African rhythms with pop sensibilities, Tune-Yards offers quirky songs that hold my interest from beginning to end. Her minimalist style belies her wide-ranging delivery and engages the listener. This is really cool stuff! Rebecca Ruth

Quick Links:

• Tune-Yards Website
• 4AD Website

PROFESSOR LOUIE AND THE CROWMATIX

Whispering Pines

November 25, 2009

Professor Louie (Aaron Hurwitz) has recorded and/or performed with such classic rock acts as Commander Cody and The Band. He's surrounded himself with like-minded musicians such as Frank Campbell who toured with the Rick Danko/Levon Helm duo of the 70's-80's and with Miss Marie, who also performed in some of The Band's recordings. While this album features fine musicianship, vocal harmonies, and production; given the credentials of the musicians, I'm not surprised that it sounds like classic rock. There are plenty of covers here, including the oft-recorded/performed "The Weight" and Bob Dylan's "Serve Somebody". (Two songs that, while classics, I really don't need to hear again.) Rebecca Ruth

Quick Links:

• Crowmatix Website
• Professor Louie Website
• Woodstock Records Website

AFROSKULL

To Obscurity and Beyond

November 25, 2009

Originally from New Orleans and now with its stakes firmly planted in New York, Afroskull has released it second album; its first in nine years. I knew I was going to like this from the moment I read the band name and title. Listening to it, I wasn't disappointed. This is jazzy, prog-rock involving complicated time signatures and a big horn section. Indeed, the horn section includes non other than Zappa alumnus Ronnie Cuber (also of Mingus Big Band fame). I can certainly hear both influences in this, though it's not all complicated instrumentals. There are a couple of vocal blue-neo-soul-funk pieces here in the tracks "Waste Management" and "Everything" as well. I like this entire thing, but if I were to pick favorites, I'd go with "Escape from Rome" and "The Curse". Rebecca Ruth

Quick Links:

• Afroskull Website

ECHO AND THE BUNNYMEN

The Fountain

November 24, 2009

With The Fountain, Ian McCulloch and his fellow Liverpool Bunnymen are back for their 11th full-length release. While there's nothing profound here, simple and succinct melodic hooks abound. The opener and the first single off of the album, "Think I Need It Too," is initially a song that seemingly warrants several spins but sadly grows a bit tiresome over time. The short and upbeat "Do You Know Who I Am" works better as McCulloch belts "Do you know who I am? Do you know what I've got? Do you know who I am? Cause I know what you're not." Another track worth mentioning is the arresting "Life Of A Thousand Crimes," which manages to create a hook that is nothing less than infectious. Still, the best song here might just be "Everlasting Neverendless," capturing the best of McCulloch with a tempo that makes you want to return again and again. In the end, without prior knowledge of the Bunnymen's legacy, there's little to dislike here. However, with a history in mind, it's a little tougher to get on the bandwagon. Still, while this ten-song set of music ends with the longest and least compelling piece of music titled "The Idolness of Gods," long before reaching this point, the Bunnymen have already sold you on their ability to make good music despite being several years removed from their 80's heyday. In the end, what we have here is some pretty "good stuff." ~ Reviewed by Jeff Bouma

Quick Links:

• Official Echo and the Bunnymen Site

IVAN "FUNKBOY" BODLEY

PIGS FEET & POTTED MEAT

November 24, 2009

When it comes to Bass players that know how to funk it up, it is easy to name Stanley Clarke and Victor Wooten, on this disc Ivan “Funkboy” Bodley demonstrates he is very capable of laying down one of 2009’s funkiest discs. Ivan is no stranger to either funk or jazz as he has been the musical director for the likes of Sam Moore, Martha Reeves & the Shirelles and has preformed with The Temptations, Solomon Burke, Ben E. King and Bo Diddley. His Bass playing most resembles the late 1970’s and early 80’s Stanley Clarke on discs like “I Wanna Play For You”. Ivan describes this disc as feel-good funky music that is unapologetically buoyant and fun, I can’t agree more. I suggest picking up a jar of “Pigs Feet & Potted Meat” at your local record store. Reviewed By: Gregg Saur

Quick Links:

• Ivan "Funkboy" Bodley Home Page

DIAMOND JIM GREENE

HOLDIN' ON

November 24, 2009

Chicago blues man Diamond Jim Greene offers a dozen delta style blues tracks mixed with some gospel. The CD begins with his covering of the classic Percy Mayfield track “Please Send Me Someone To Love”. It is Diamond Jim’s best vocal track on the disc, as many of the others reminded me of what would happen if Leon Russell released a blues disc. “Oh Glory {How Happy I Am} is a cover of Reverend Gary Davis gospel track and leaves you feeling that you have just attended a southern Baptist church service. “Girlfriend Blues” is the tale of a mans girlfriend discovering his girlfriend also has a girlfriend, it may be catchy but seems a bit clicheé. This certainly is not a diamond standard offering in the world of blues music, but it is good to see musicians like Diamond Jim Greene continue to bring the sounds of Delta Blues to a new generation. Reviewed By; Gregg Saur

Quick Links:

• Diamond Jim Greene Home Page

AGGROLITES

AGGROLITES

November 22, 2009

Southern Califorian’s Aggrolites play an appealing mix of ska and what they call “dirty” reggae (raw, stripped down). Here is their 2006 self titled sophomore cd. These are very talented guys - keyboardist Roger Rivas steals certain songs (Sound of a Bombshell) and the throaty voice of Jesse Wagner sounds like Jamaica to me. With 19 tracks the instrumental songs (4,7,9,11,13,14) started to sound the same and I believe it’s the weakest part of this offering. The first two tracks were brilliant and the last song is their very own cheer. I think you‘ll find this Reggae cd offers something a bit different and at WYCE that means it’s all good! Anne Lamont

Quick Links:

• Aggrolites website

JOEY DeFRANCESCO

SNAP SHOT

November 17, 2009

Certain Jazz recordings fit the timeless category and this is certainly one of them. Joey DeFrancesco a true master of the Hammond B3 reunites with Paul Bollenback on guitar and Byron Landham on drums. It is easy to compare Joey’s B3 sound to the late great Jimmy Smith; Paul has a cool Wes Montgomery or Kenny Burrell sound to his guitar, while Byron Landham rounds out the band with his relaxed approached to the drums. Even though this is a 2009 live recording it has the feel of a Smokey jazz club found in the 1960’s. It is easy to tell that this original trio can anticipate each other as they improvise through seven terrific tracks. I guess that is why I call this recording timeless. Reviewed By: Gregg Saur

Quick Links:

• Joey DeFrancesco Home Page
• Amazon

Paul McCartney

Good Evening New York City

November 17, 2009

Recorded 40 years after the Beatles played Shea Stadium, it appears that Sir. Paul McCartney has not lost a thing as he opens New York’s new Citi Field with this memorable performance. This CD well represents material from the Beatles, Wings and of course Paul’s numerous solo efforts. His voice is amazingly crisp for the 67 year old McCartney. The track “Hey Jude” Paul relies too much on the effort of the audience to carry the well know vocals other then that Paul and his outstanding band provided their audience with 2½ hours of pure music magic. Reviewed By: Gregg Saur

Quick Links:

• Paul McCartney Home Page
• Amazon

DEAD SCENE RADIO

Self-Titled EP

November 15, 2009

Producer, Ian Walker, compared this Kalamazoo band's sound to that of Ted Leo and the Pharmacists. In some instances, I would agree, particularly the track "Demand". The track "Fuck the Times" sounds a bit like Old 97's. They've included a clean version of the song as well, so it can get some airplay, but I don't know how one would get around the title. So, I guess I'd sum up their sound as roots-rock or even just straight-up rock. There's nothing here that particularly grabbed my ear. It's refreshingly simple stuff, though, that might inspire some toe-tapping from the listener. Rebecca Ruth

Quick Links:

• Dead Scene Radio Website
• Attraction Records Website

LOS CENZONTLES WITH DAVID HIDALGO & TAJ MAHAL

American Horizon

November 15, 2009

Los Cenzontles (The Mockingbirds) is a group of musicians based at the Los Cenzontles Mexican Arts Center in California. Their goal is to celebrate their Mexican roots while adding their own voices to the mix. On this release, with the help of David Hidalgo and Taj Mahal, they succeed in forming an updated traditional sound. Whether they are performing conventional music or their own compositions, they've given the music a contemporary feel by adding modern blues and rock touches. The album starts out strong with the Latin-noir "La Luna". Another good one is the rocker "Overtime". Electric bass and violin give the traditional tune "Cascabel" a modern feel. If you don't like the sound of one song, stick around for the next one, as it'll likely be quite different. These songs range from blues ballads (La Fuerza) to traditional Latin (Pajaro Cu) to spoken word (No Hay Trabajo) to contemporary Latin (Solo Quiero Bailar). Rebecca Ruth

Quick Links:

• Los Cenzontles Productions Website

DEBBIE DAVIS

Holdin’ court

November 13, 2009

Debbie Davies’s new cd “Holdin’ court” lets the electric blues guitar goddess shine. I’ve always enjoyed her music but not her vocals so much. Davis’s music heritage includes her father working with people like Ray Charles and Frank Sinatra, her mother a classical pianist, and Davis spent 3 years with Albert Collins in his Ice Breakers band. Since 1991 she’s been on her own. After 22 years of performing, Davies brings her road tested licks and music appreciation to her 12th solo offering. This VizzTone release is a collection of originals songs packed with homage’s to electric blues players of the 1960s including Otis Rush, Albert Collins, and Gatemouth Brown. I think this cd has something for everyone from the opening horns backed blues tune “Fishnet” to the last “Zoom-in” surf guitar style song. I recommend you Play Often!

Quick Links:

• Debbie Davis website

SHELLEY KING

Welcome Home

November 13, 2009

Shelley King was the 2008 Official State Musician of Texas; she was the first woman to hold that honor. "Welcome Home", her 5th cd shows why. This solidly Delta Blues cd started out as an informal gathering of friends to record a few demos. Her friends are the Subdudes; John Magnie, Tim Cook, & Steve Amedee and together they took this cd to a Texas style, bigger than life, recording. King has a VOICE and adding the harmonies from the Subdudes creates a WYCE perfect cd. I loved the first song “Summer Wine” best - maybe after the fall we had it just hit me right. I hope you’ll find something that is as appealing to you. Anne Lamont

Quick Links:

• Shelly's home web page

GRANDPA ELLIOT

Sugar Sweet

November 13, 2009

Grandpa Elliots cd “Sugar Sweet” produced by Playing For Change, which is based on the simple idea that the world can find peace through music. Mark Johnson, the founder said “Grandpa Elliott embodies everything the Playing For Change project is about,….Soul, Talent, and perseverance.” I agree. The title to this cd is just right. “Sugar Sweet” is a sweet sounding blues cd. This man has been performing since he was 6 on the streets of New Orleans and I heard ‘Orleans in each song. He adds good harmonica licks and lights up the music with his resonant voice. “This little light of Mine” medley is perfect for Sunday morning. If there was a church you could find this music being played I’d be there every week. His voice reminds me somewhat of Keb Mo’ but I don’t want to sell this man short. His style is his own. Start to finish this is a gem. Sweet indeed! Anne Lamont

Quick Links:

• Playing for Change
• Grandpa Elliot

DEVENDRA BANHART

What Will We Be

November 11, 2009

Devendra Banhart's first album on Warner/Reprise titled What Will We Be continues the freak-folk of prior efforts but perhaps in a more straight-forward kind of way. Still, there's plenty of the weird and the psychedelic here too - especially on the track "Rats," in which Banhart sings about love and relationships and not necessarily about rats. The opener, "Can't Help But Smiling," sets the mostly gleeful tone. "Angelika," makes for a great follow-up as Banhart tones things down a little to make a truly beautiful sound. On the song "Baby," happiness is again the topic as he sings: "Baby, I finally know what I'm going after, I'm learning to let in all the laughter, holy moly, yer so funny, you crack me up." The most rock oriented song here is "16th and Valencia Roxy Music," which highlights the electric guitar and the drums to make for a faster-paced song that you just might find yourself dancing to. The final song, "Foolin" has a reggae and Caribbean sort of feel that makes for an apt conclusion to an effort that seems to maintain a largely positive tone. In a nutshell, creativity abounds with the singer/songwriter making most of his shots here. Yes, there's a few missed shots too but Banhart's willingness to venture into the crazy and weird makes him look more like a genius than anything else. For the sheer adventurousness that we find here alone, Banhart wins! ~Reviewed by Jeff Bouma

Quick Links:

• Official Website
• Banhart on Myspace

LOS FABULOSOS CADILLACS

El Arte De La Elegancia De LFC

November 9, 2009

What began some twenty years ago as a ska band in Argentina became one of the top-selling Spanish language bands in Latin America. Having put out more than ten albums over the years, and having worked with such artists as Chris Frantz, Tina Weymouth, Debbie Harry, and Mick Jones, the band called it quits to persue independent projects in 2002. With this, their first album since reuiniting in 2006, they contiue their tradition of performing ska-flavored rock. Rebecca Ruth

Quick Links:

• Nacional Records Website
• Los Fabulosos Cadillacs Website

CHANCE JONES

The Incident at Primrose and West

November 9, 2009

For the first time (in four albums), Chance Jones, the band, has recorded an album as a band and as a vehicle for the band as opposed to previous albums which were geared toward performance by Chance Jones (Joshua Burge) himself. I get the impression that this release is by and for the band from beginning to end. There is a general sense of cohesiveness here. Fun, engaging lyrics are surrounded by upbeat pop-rock instrumentation throughout. Even the slower songs refuse to plod along as one might expect them to and they fit quite nicely, thank-you very much. This is one of the better and more interesting local rock releases this year. Rebecca Ruth

Quick Links:

• Friction Records Website

CARRIE RODRIGUEZ

LIVE IN LOUISVILLE

November 9, 2009

This live recording was made in 2007 when Carrie Rodriguez was opening for Lucinda Williams. It is easy to hear after one listen how this Austin Texas fiddler who has spent much of her recording career with partner Chip Taylor has moved into a more edgy side of the Alt-Country world. The Tracks “I Don’t Want to Play House Anymore” and “You Won’t Be Satisfied That Way” have a Lucinda feel to them or Patty Griffin during the days of Red. Carrie also releases her sexual energy on “50’s French Movie” a track that reminded me of Lucinda Williams song “Righteously” The tracks“ Mask Of Moses” which begins slow and works up to a full steam boil and “Never Gonna Be Your Bride” demonstrates that this country gal from Austin sure knows how to rock. Carrie’s last Studio CD’s have brought attention to her as a solo artist and this live recording should solidify the talents of this underrated performer. Reviewed By: Gregg Saur

Quick Links:

• Carrie Rodriguez Home Page

TOM WAITS

GLITTER AND DOOM LIVE

November 9, 2009

In 2008 Paste magazine called Tom Waits Glitter and Doom tour the best live show of that year. The 17 tracks on this disc were recorded in 10 different locations and showcase some of Tom’s finest works. This CD will bring smiles to fans that were with him during Closing Time all the way to his Real Gone Days. The CD includes crowd favorites from “Get Behind The Mule” originally found on Mule Variations and “Singapore” from the now classic Rain Dogs release. “Dirt In The Ground” from Bone Machine may be one of the most captivating songs ever recorded by Mr. Waits. Tracks like “Fannin Street”, “Lucky Day” and “I’ll Shoot The Moon” are all tracks that will bring smiles to fans who liked Tom’s early years. “Live Circus” certainly represents the off kilter story telling side of Tom. This release will set along with some of Tom’s finest works and that’s saying a lot. Reviewed By: Gregg Saur

Quick Links:

• Tom Waits Home Page

PACHA MASSIVE

If You Want It

November 6, 2009

Out of New York, by way of the Dominican Republic, single-monikered musician, Nova, writes, produces, and records his style of hip hop under the name Pacha Massive. Singing bilingual lyrics and often joined by female guest vocalists, Nova gives his Latin groove and R&B feel on this, his second album. Rebecca Ruth

Quick Links:

• Nacional Records Website
• Pacha Massive Website

PALO!

This Is Afro-Cuban Funk

November 6, 2009

This band formed in 2002 and finally put their Latin-tinged, percussion-laden sound to disc for the first time with this release. Between the band name and the title of this album, I think 'nuff said about this south Florida five-piece. Rebecca Ruth

Quick Links:

• Palo! Website

AMANDA SHIRES

West Cross Timbers

November 6, 2009

Amanda Shires is a fiddle-and-guitar-playing young woman from Lubbock who cut her teeth playing on the side for the legendary western swing band the Texas Playboys at the age of 16. This is her first real solo outing and it is drawing praise from musicians such as Chris Isaak, Justin Townes Earle and Slaid Cleves -- as well as innumerable marriage offers from the (in)famous singer/humorist Kinky Friedman. The opening songs starts with her asserting, "I hope I haunt you good," and even though that tune is not representative of the entire set, Amanda's higher-register delivery and fondness for traditional folk storytelling grow on you. The dark "I Kept watch Like the Doves" and the outstanding "Mineral Wells" show a special talent. I hope she gets her chance to build a national audience; there's a lot more here than we can take in from these 11 songs. 11/09 Michael J. F-Americana

Quick Links:

• Amanda's home page

LE VENT DU NORD

LA PART DU FEU

November 2, 2009

Le Vent Du Nord has been described as one of the hippest exports from the music scene in Quebec. Combining original and traditional folk tunes all done in French, this band will certainly have a multi-cultural appeal. Along with the traditional French folk lore, the listener will certainly find large amounts of Celtic influences as well as dabbling in some country sounds that keeps their sound fresh and keep the boots on the dance floor through all 13 tracks. In addition to the excellent musicianship the 4 part harmonies are a real treat even if you are like me and don’t understand a single word of French. This Juno award winning band is sure to grow their world wide appeal with this fine effort. Reviewed By: Gregg Saur

Quick Links:

• LE VENT DU NORD HOME PAGE

DAVID MAXWELL & LOUISIANA RED

YOU GOT TO MOVE

November 2, 2009

David Maxwell & Louisiana Red take you deep into the heart of the Delta on this release which is sure to move you. This is a raw recording between two blues masters who met on a warm afternoon with no pre fabricated song list and only a small baffle separating the guitar and vocals of Louisiana Red and the piano of David Maxwell. The result of this session was “You Got to Move”. This CD is pure honest, raw Delta style blues recorded and preformed the way it was done decades before the studios added all the polish and if that won’t move you, please check your pulse. Reviewed By: Gregg Saur

Quick Links:

• Louisiana Red Home Page
• David Maxwell Home Page

AIR

Love 2

October 28, 2009

The French duo (Jean-Benoit Dunckel and Nicolas Godin) are back! Never known for their profound lyricism, Air has always been about creating sounds that keep their listening audience coming back time and time again. Their self-produced latest, Love 2, is no different. A Combination of New Age, Rock, Pop, Electronica and even Jazz makes for an interesting, if not entirely pleasurable twelve song set of music. The Armageddon inspired opener "Do the Joy" is a song that exhorts us to do just that, "do the joy" amidst impending destruction. Another fun track is "Be a Bee," a song reminiscent of the sound captured in the 70's by the British rockers The Stranglers. The jazz influenced "Tropical Disease" is the longest song on the album with only a few choice words - "woman, woman, make me feel warm inside." The lyrics alone quite obviously don't make the song but the lush and building instrumental pieces within the track work quite well. One of three pure instrumentals on the album, "Night Hunter" is well worth a try as the hand-claps are magnified beautifully by a host of other blips, bleeps and other sounds. A final song worth mentioning is the Dream Pop of "Sing Sang Sung." Described by one reviewer as "preposterously catchy," the sound is perhaps just that - catchy with perhaps some of the strongest lyricism to back it up. The overall bright spot about this album is that it is surprisingly eclectic with a different feel found on virtually every song. An additional selling point is that each song somehow begs another listen. Without a doubt, Air's latest offering seems to capture what has made them a worldwide success - a sound that many have come to love. Thanks to Love 2, the love continues. ~Reviewed by Jeff Bouma

Quick Links:

• Air's official site
• Air's Myspace

THE PANTONES

Inside the Sun's Wild Flame

October 25, 2009

The Pantones recorded this, their third album in Eaton Rapids, Michigan. Much of this seems like contemporary country, such as the twangy tunes, "You've Lost the Sun" and "Less of Me". The album does offer intriguing instrumentation, though, without seeming crowded. "Nightingale" is nicely produced with its violin and vocals. "A Thousand Yards" prominently features Rhodes and horns and "Back To My Old Ways" has nice snare work and banjo. This entire album offers nice production and vocal harmonies. Rebecca Ruth

Quick Links:

• The Pantones' Website

DIGITAL PRIMITIVES

Hum, Crackle, and Pop

October 25, 2009

This third album from modern jazz trio, Digital Primitives, offers original compositions performed on both modern and primitive instruments, thus the band name. It's fun listening to this just to figure out what's being played. There's not much detail in the liner notes here, but the first song, "Walkabout", is one of the best offerings and, from what I can figure, uses the m'bira and the mouth bow to help keep the beat and a bass clarinet to play the repetitive melody. The effects on the tenor sax make the track "Crackle and Pop" seem more rock than jazz with its kit drums and awesome noise. "Love Truth" is a pretty ballad with tenor sax that crescendos into the ethereal. Is that a "twinger didly bow" that's being used on the track "Hum"? Whatever it is, it reminds me a bit of the sounds that Adrian Belew pulls out of his guitar. Digital Primitives is doing its part to keep the jazz genre fresh with this release. Rebecca Ruth

LYLE LOVETT

NATURAL FORCES

October 23, 2009

Lyle Lovett has always mixed keen observations about relationships and the human condition with either deep sentiment or wry, tongue in cheek humor that will have you laughing one moment and crying the next. This disc continues that trend. The reflective title track finds him fighting wanderlust and wondering if he’s worth the sacrifice made by the armed forces so that he can indulge himself. Just when you get lulled into the deeper questions raised by that cut he shifts hard into the novelty of the bawdy "Farmer Brown" and the twisted food metaphors that he uses for the age old request that it be kept in the pants on the catchy "Pantry" (which also appears at the end of the disc in an acoustic version). Back to the serious side of things, Lovett muses on lost love on "Empty Blues Shoes" and "Don’t You Think I Feel It Too", the inability to find a direction, "Whooping Crane", reminiscing about lost friends, "Sun and Moon and Stars" and having it all but moving on anyway on Townes Van Zandt’s "Loretta". While these later cuts are finely crafted, they all sound somewhat alike and tend to drag a bit when heard consecutively. On the more upbeat and musically diverse side is the steamy, steel guitar driven "Bohemia" and the positively rocking "It’s Rock and Roll" which re-unites him with old writing partner, Robert Earl Keen. Leaving the Big Band in the wings for this release, Lovett relies mostly on guitars, fiddles and mandolins to provide the musical backdrop that makes this a mostly fine listen. Smitty

MESHELL NDEGEOCELLO

Devil's Halo

October 23, 2009

Always the nonconformist, acclaimed bassist Meshell Ndegeocello says she's going back to her earlier rock/funk roots with this record after a series of forays into jazz territory. But "Devil's Halo" is no casual guitarfest; rather, the songs are reflective, almost brooding, as she sings about love fought for (and often lost). The most accessible song her is not her own, but a remake of the 1986 Flint, Michigan r-and-b band Ready for the World's "Love You Down." In addition, check out "White Girl" and "Blood on the Curb." The title track is unlike anything else on the record, a quiet instrumental. NO PLAY: cuts #3 and #5 (language). R-Esoteric(Funk)10-09 Michael J.

Quick Links:

• Meshell's homepage
• Meshell on Myspace

FORRO IN THE DARK

Light a Candle

October 19, 2009

This album is obviously Brazilian in origin, as dancing is the only thing I can think about while listening to this album. These Brazilian ex-patriots take an interesting Latin, traditional music, and modernize it. I can see people in New York, even here in West Michigan, dancing in a club to this music. It's a playful mix of different thoughts and styles, but the themes seem often serious, as often as they are fun, and I quite enjoyed it. From the cocky “Better than You” (featuring Guilherme Monteiro, vocals), to “Nonsensical” with its style reminiscent of reggae, to the fun “Perro Loco”, the album is very fun. However without an understanding of Portuguese much of the meaning will be missed, since most of the songs have Portuguese lyrics. They collaborate well, too. “Silence is a Garden” is a seductive track with guest vocals by Sabina Sciubba from Brazilian Girls, and Jesse Harris does the vocals on “Just Like Every Other Night”. I enjoyed this album thoroughly, despite its eclectic style. Recommends: ( 1, 4, 6, 8, 11, 13 ) – Chris Thomas

Quick Links:

• Home Page
• Video Link

MR. GROOVE BAND

ROCKET 88 TRIBUTE TO IKE TURNER

October 19, 2009

Nashville’s Mr. Groove Band led by producer, arranger and bassist Tim Smith has released a 13 track tribute CD that would certainly make the late great Ike Turner proud. The CD begins with the track many consider the first rock and roll single originally recorded in 1951 “Rocket 88”. The CD is primarily composed of tracks that were made famous during the Ike & Tina Turner days, including their hits “Proud Mary” and their signature track “Nutbush City Limits”. Mr. Groove Band also proves it knows how to lay out the funk on “Gold Soul Sister” and the Sly and the Family Stone classic “I Wanna Take You Higher”. Vocals and this disc are shared between Darryl Johnson and two Ikette’s. The first white Ikette Bonnie Bramlett from Delaney and Bonnie fame who worked with a who’s who of musicians for Stax records as well as a young Eric Clapton. Audrey Turner is the other who joined as an Ikette in the 1990’s and eventually became Ike’s wife. This tribute disc should prove to be a hit with fans of Ike Turner as well as those unfamiliar with this classic soul man. Reviewed By: Gregg Saur

Quick Links:

• Mr. Groove Band Home Page
• Amazon

ROSIE FLORES & THE PINE VALLEY COSMONAUTS

GIRL OF THE CENTURY

October 19, 2009

Rockabilly Filly Rosie Flores has teamed up with Waco Brother Jon Langford for a CD that covers blues, country, rock & rockabilly. The CD begins with the bluesy track “Chauffeur” where Rosie’s vocals sound a lot like a Sue Foley.” This Little Girls Gone Rockin” and “This Cat’s in the Doghouse” are classic Rockabilly Rosie. The track “Half Way Home” employs an underlying reggae beat and would be my pick the CD’s top single. “I Ain’t Got You” and “Dark Enough at Midnight” once again showcase Rosie’s bluesy side. “Get Rhythm” is an upbeat and well done version of the Johnny Cash classic. It is easy to see the influence Jon Langford has had on this CD especially on the rocking track “You’re The One”. This CD represents Americana Roots Music at its finest from two of its finest recording artists. Reviewed By: Gregg Saur

Quick Links:

• Rosie Flores Home Page
• Amazon

VARIOUS ARTISTS

Things About Comin' My Way: A Tribute to the Music of the Mississippi Sheiks

October 19, 2009

The Mississippi Sheiks were one of the most popular blues groups of the 1930s, centered around the duo of Walter Vinson and Lonnie Chatmon (with other members, mainly Lonnie's brothers Sam and Armenter). The Shieks' most famous tune, "Sittin' on Top of the World," has been recorded by everyone from Howlin' Wolf to Bob Dylan to Jack White. Canadian musician Steve Dawson assembles a predominately Canadian line-up of guests in this set to give the Sheiks' catalog either a straightforward or fresh delivery. The North Mississippi All-Stars get things rocking from the get-go with "It's Backfirin' Now" and there are solid entries from Bruce Cockburn, Kelly Joe Phelps and the Carolina Chocolate Drops. Two women on this disc deliver the best renditions: Madeline Peyroux's sultry "Please Baby" and the relatively unknown Ndidi Onukwulu on the title track. A great set and a fitting tribute to an important, yet overlooked, blues legacy group. Michael J. 10/09 B-Roots (Delta)

Quick Links:

• Black Hen page on this project
• Steve Dawson blog on the project

BRYAN LEE

SIX STRING THERAPY

October 17, 2009

Guitarist Bryan Lee, the “Braille Blues Daddy” has long been a mainstay of the New Orleans blues scene turning out blues for the tourists on Bourbon Street night after night. What sets him apart from the over-amped, paint by numbers, cover bands that mar that scene is the fact he avoids the standards and plays mostly original tunes or unknown gems. He’s also an adept guitarist with big gruff voice and a knack for a compelling story. Joined on this effort by a host of all-star guests, Lee weaves his way through the 12 cuts here like another night on the band stand with shouts of encouragement to the band interspersed with the lyrics. While the horns and keys added by the guests provide a dimension that doesn’t exist in his normal live shows there is still plenty of room for Lee to shine with stinging guitar work that is a treat from beginning to end. Albert Collins and the three Kings (Albert, B.B. and Freddie) can all take credit for the sounds that pour out of his guitar. Well worth the listen. Smitty

PONCHO SANCHEZ

PSYCHEDELIC BLUES

October 17, 2009

Poncho Sanchez is a fleet-handed percussionist who knows his way around almost any item that can be beaten, shaked or stirred. So, is this a disc featuring nothing but variations on the dreaded 10 minute drum solo? Not a chance. Sanchez has surrounded himself with a large horn section, a keyboardist and guitarist who end up being the featured course here with Sanchez adding the percussive spice. While the title suggests this to be a blues disc there isn’t a boogie or shuffle to be found. Instead, Sanchez and crew mix up an intoxicating brew of jazz and latin jazz with a number of smoking horn charts. Herbie Hancock’s "Cantaloupe Island", "Con Sabor Latino" and the "Willie Bobo Medley" (the later two featuring vocals from Sanchez) will transport you south of the border in no time while John Coltrane’s "Grand Central" aims more at the head than the hips with its free spirited chart. Those that do dig a short percussion interlude should check out "The One Ways", "Delifonse" and the title track. Each feature relatively brief solos by Sanchez which fit perfectly into the tunes without making you wonder if you should fade the cut before the sound of radios clicking off overwhelms you. Overall, a pretty decent listen. Smitty

BONERAMA

HARD TIMES

October 12, 2009

Four trombones, drums, guitar and bass equals 30 minutes of jazz, rock and soul bliss on this new offering from New Orleans Bonerama. It is easy to see that Bonerama is steering towards a more funky path on this disc and as I experienced watching them in the Crescent City that they know how to steam up a dance floor. The other difference you will notice on this disc is all but the excellent instrumental “Folly” are vocal tracks that are shared by Mark Mullins and Craig Klein. The other big change is the addition of the organ that adds to the funkiness of this disc especially on the cover of “Turn On Your Love Light”. “When the Levee Breaks” is a full out rock track originally penned by Jimmy Page and Robert Plant but certainly brings back the thoughts of Hurricane Katrina. This is certainly one “Hard Times” that you can really enjoy. Reviewed By: Gregg Saur

Quick Links:

• Bonerama Home Page

IRMA THOMAS

THE SOUL QUEEN OF NEW ORLEANS 50 Th ANNIVERSARY COLLECTION

October 12, 2009

It is almost impossible to sum up the past 25 years of wonderful music the undisputed soul queen of New Orleans Miss Irma Thomas has brought us on one disc, but this release certainly makes a valiant effort. The 15 tracks on this disc are pure music magic showcasing Irma’s finest work for Rounder records since 1985. In addition to the classics Irma recorded three new tracks for this release including “Got To Bring It With You”, “Let It Be Me” and “Your Ship Has Sailed”. For anybody unfamiliar with Irma Thomas this is an excellent place to start, for fans of Irma you may wish this release would have been a four disc box set. Reviewed By: Gregg Saur

Quick Links:

• Irma Thomas Home Page
• Amazon

AZAR LAWRENCE

Prayer For My Ancestors

October 6, 2009

Having performed and/or recorded for decades with the likes of Miles Davis, Stanley Turrentine, and later for Earth, Wind, and Fire, tenor saxophonist, Azar Lawrence has finally assembled a quartet and put out an album of his own (his first since the seventies). Some of this is almost bop such as "The Baker's Daughter", which is upbeat and features a short drum solo. Some of this is smooth jazz, such as "Open Sesame" and the quiet "Under Tanzanian Skies". The piece, "Prayer For My Ancestors", seems to be leading somewhere, but never quite seems to get there. However, the song "Thokole" steals the show. It's a quiet piece featuring nice interplay between guests Ibrahima Ba on vocals and guitar and Amadou Fall on the kora. This one song is definitely the highlight of the entire album and well worth a listen. Rebecca Ruth

Quick Links:

• Azar Lawrence's Website
• Furthermore Recordings Website

JOSHUA JAMES

Build Me This

October 6, 2009

Originally from Lincoln, Nebraska, Joshua James brings us stories of heartache from the heartland on this, his second full-length release. Singing in a whispery, almost feminine voice, James sings pretty songs of the difficulties of relationships and the hurt we often cause one another and ourselves. This is sad stuff, sometimes accompanied by folksy, acoustic instrumentation, such as that found on "Weeds" or "In the Middle". Other times being more electric, such as on "Black July" or "Kitchen Tile". Almost always, though, these songs start out soft and pretty, then crescendo into something louder, but strikingly fair to the ear. Rebecca Ruth

Quick Links:

• Joshua James' Website

Brian O'Neil

Daisy

October 6, 2009

BRIAN O’NEAL – Daisy Regional (Detroit) I have been to two of Brian O'Neal's concerts and both have been excellent musicianship. Brian connects with the audience during and after the concert. An example, he invited some kids up on stage at one of the last numbers to play various rhythm instruments. On his Facebook and Myspace sites he takes time to answer many of his fans comments. He plays the keyboards and drums occasionally. His band consists of another keyboardist, drummer, 2 guitar, saxophonist- alto tenor clarinet, conga player and sometimes brass. His music is jazz hard driving, easy listening and even funk. One of his newest songs "Islands in the Sun" with Rod Tate has a Caribbean beat. He tours with KEM on occasion as a keyboardist O'Neal has shared the stage with many great musicians over the past two decades including Will Downing, Morris Day and the Time, India Arie, Ledisi, Fantasia, Angela Bofill, Stevie Wonder, Maze (featuring Frankie Beverly), Alex Bugnon, George Duke, Pieces of a Dream, Chaka Kahn, Najee, Kindred the Family Soul, and Jeff Lorber. He has also composed and produced music for several artists abroad; including UNV, Kathy Avalon, Eddie Oliver and a host of other upcoming talents. I highly recommend Brian to the WYCE audience and would love to see him in one of GR great venues. – Lowell Anderson, a WYCE Listener

Quick Links:

• Home Page

HOPE SANDOVAL & THE WARM INVENTIONS

Through the Devil Softly

October 6, 2009

With several years in between (their last release was 2001's Bavarian Fruit Bread), Hope Sandoval & The Warm Inventions are back with their second full-length release. From the start, let's just say this: commercial music this is not! Picking up where they left off on their previous release, spare and subtle musical arrangements abound - accompanied by the gentle vocal style of Sandoval whose sensuous chords provide the major strength here. The opener, "Blanchard," showcases the tender and spooky folk found throughout. It also features the simple nature of the music that accompanies the soft-spoken songstress. "For the Rest of Your Life," is haunting, featuring eerie guitar effects and percussion. "Lady Jessica and Sam" is another song based on the simple. Still, with the singer/songwriter at the forefront, the acoustic background works well. "Things Like That" manages to pick things up a bit, with a tempo accentuated by the cello and the hypnotic violin. Near the end of this eleven-song set of music is the song "Trouble," which just might be the best of all. Here, the drums come out in all their fullness in order to add to the haunting nature of what is truly Sandoval at her vocal best. Overall, what seems to be lacking on this recording are songs that offer memorable hooks that beg the listener to come back time and time again. Still, Hope Sandoval and her "warm" counterparts have crafted a sound that might best be described as beautiful in all its eeriness. ~ Reviewed by Jeff Bouma

Quick Links:

• Hope's Official Site
• Wikipedia on Hope

BRUCE HORNSBY AND THE NOISEMAKERS

LEVITATE

October 6, 2009

When I heard Bruce Hornsby was debuting with Verve Records with a CD entitled Levitate, I was expecting an uplifting Jazz style release. Instead spider fingers has abandoned all his wonderful piano solos for a less then inspiring band release. The CD begins with a comical tale of ‘The Black Rats of London” that carries a Celtic flavor to it. “Prairie Dog Town” could easily be mistaken as a rocking Todd Snider tune. The third track “Cyclone” is one of the last up-tempo tracks and is able to blow some dust prior to the CD going into a string of less then inspiring mid tempo string of songs. The CD ends with “In the Low Country” one of the best tracks on this release and will bring Bruce’s listeners back to the glory days on the range. If you are searching for a safe Pop style release this may be a good pick, but it failed to levitate me and left me flat on the ground. Reviewed By: Gregg Saur

Quick Links:

• Bruce Hornsby Home Page
• Amazon

BRIAN SETZER ORCHESTRA

SONGS FROM LONELY AVENUE

October 5, 2009

It’s been two years since Brian Setzer took on Beethoven and other classical superstars on “Wolfgang’s Big Night Out” While that CD was loose interpolations of Classics, Songs From Lonely Avenue” is a soundtrack to an unwritten film. Brian’s love for not only the music of the 40’s and 50’s but the film noir from that era was the main inspiration for this CD. This is Brian’s most cohesive and arguably finest Orchestra release to date. The CD begins with the fiery sounds of Brian’s guitar on “Trouble Train” and proceeds into a full Orchestra assault. The title track “Lonely Avenue” has a classic 1940’s jazz sound. “Mr. Jazzer Goes Surfin” and “Mr. Surfer Goes Jazzin” are rocking instrumentals that showcase how terrific and underrated Brian Setzer is a guitarist. This is the first Orchestra release where Brian wrote all the tracks and if the movie is half as good as this release is you will not want to miss Lonely Avenue. Reviewed By: Gregg Saur

Quick Links:

• Brian Setzer Home Page
• Amazon

MATISYAHU

LIGHT

October 3, 2009

Born Matthew Miller but using his Hebrew name, Matisyahu, as a recording artist, this New York native melds reggae, dub, hip hop and rock into a mostly pleasing stew of sounds to support his pleas for peace, love, understanding and enlightenment. Those with an ear for the more challenging beats and changes in tempo will find much to like in "Smash Lies". Hip hop is the order of the day for "Escape" although the musical backdrop heads towards dub reggae. Other tracks such as "We Will Walk" and "For You" have a big production and rock hooks that wouldn’t be out of place on a Church or U2 disc. "One Day" has an easy groove that is reminiscent of Bob Marley’s "No Woman, No Cry" while "I Will Be Light" has a slow, percolating dub bass beat that propels the introspective lyrics about the search for identity, a theme repeated in "So Hi, So Lo" which has a big sing along chorus. "Motivate" and "On Nature" both grab a mid-tempo punk/reggae groove that sounds like vintage Joe Strummer and the Mescalaroes or even early Clash. Matisyahu proves himself to be a vocal mimic as well with the chorus to "Darkness Into Light" sounding eerily like solo Ozzie Osbourne and "Silence" echoing Paul Simon. While those who dislike hip hop or who insist on categorizing Matisyahu as a reggae artist will struggle with this disc most everyone else will find something to like. Smitty

DRIVE BY TRUCKERS

THE FINE PRINT

October 3, 2009

With everything from alternate takes of released material to tracks that simply didn’t fit into the final mix of tracks that made up some of their best discs, this collection is a treasure trove for Drive By Truckers fans. "Rebels" is the band’s take on the classic Tom Petty track that was used for the show King of the Hill. The jangly guitar work and high energy that fuel that track carry over to the rocking "Uncle Frank", "When the Well Runs Dry" and "Goode’s Field Road". Slowing things down the band gives a history lesson on the impact of the Tennessee Valley Authority on the acoustic "TVA" and weaves a stark first party tale of arson and other skullduggery on "The Great Car Dealer War". "Great Big Horse" is a whimsical tale based on an old dirty joke delivered like one of Todd Snider’s talking ballads. The mid-tempo take on Tom T. Hall’s Vietnam War era classic "Mama Bake A Pie (Daddy Kill a Chicken)" remains powerful today as we are mired in yet another war. "Mrs. Claus’ Kimono" probably won’t get many Christmas spins with its low down dirty groove, tales of sexual debauchery with Mrs. Claus and accusations about Santa’s activities with a reindeer but is a fun spin in a twisted kind of way. Taking no prisoners, the band tears into Warren Zevon’s "Play it All Night Long" with a desperate conviction befitting the fact the band had just recently learned of Zevon’s impending death and cut this as a tribute of sorts. Also potent is the band’s take on Dylan’s classic "Like a Rolling Stone" which features a hard hitting musical backdrop and every band member taking a turn at lead vocals. Overall, a solid collection that highlights the band’s versatility and unshackles it from the tight themes that can make it hard to pluck single songs out of the context of its regular albums. Smitty

CAROLYN WONDERLAND

BLOODLESS REVOLUTION

October 3, 2009

After a couple of mid-90’s discs fronting the Imperial Monkeys, Houston, Texas native Carolyn Wonderland moved to Austin and laid down her stake as a solo artist. This release is the first of her three to date. One listen and you’ll understand why she’s shared the stage with the likes of Bob Dylan, Buddy Guy, Los Lobos and most blues musicians who call Austin their home. Vocally, she’s a combination of Janis Joplin, Etta James and Ella Fitzgerald with big brassy rock and roll roars followed by a taste of soul stew and then sweet jazz runs. She’s also a social activist who’s not afraid to cut right to the point. "Annie’Scarlet Letter" uses a spare acoustic backdrop to rail against the injustice of a young single mother that is jailed for selling a little pot to make ends meet. "Homelessness in Austin" is a jazzy number that is far more upbeat than Wonderland’s real life tale of having to live in her van and busk on street corners to keep her belly full. The title track has a fun, mysterious groove that almost sounds like an outtake from the Rocky Horror Picture Show but tells a hopeful tale of a change in the status quo based on “love, not fear” (Remember, this was released during the Bush/Kerry election cycle- another shattered dream). Her ballads hit hard as well. "Unbroken" finds her too scared by the fear of rejection to express her love while "Heart" focuses on the need to abandon false hopes. Both give her a chance to shine vocally with an uncluttered musical backdrop and lots of room to soar. While she’s most often cast as a blues musician, many of the tracks here including "Smile", "Judgment Day Blues", "He Said, She Said" and "From a Waffle Booth Six" tend more towards raucous bar room rock in the style of the Faces or Stones. Great stuff that regrettably didn’t earn Wonderland the accolades that were deserved upon its release. Smitty

RODRIGO Y GABRIELA

11:11

September 27, 2009

These young Mexican guitarists -- some say the possessors of the fastest fingers on the planet -- deliver another set of acoustic instrumental excellence, each number dedicated to one of their musical heroes. Carlos Santana, Jimi Hendrix, Pink Floyd, Al Di Meola and others receive bouquets, but these kids are making their own mark. Known for their amazing speed on the strings, this release goes further and reveals more complicated songwriting, with layers of musical lines under other lines. Rodrigo typically handles the melody and Gabriela the rhythm, and that continues here but with more mood changes in the songs and the impression of a fully-conceived story to be told in each number. They took the album's concept seriously and wanted to honor the musicians who inspired them uniquely and expertly. Mission accomplished. 09/09 W-Latin (Mexico) Michael J.

Quick Links:

• Rod y Gab's Hompage
• Youtube video of the flying fingers

DAVID BAZAN

Curse Your Branches

September 18, 2009

Former front man of alternative Christian rock band Pedro the Lion, David Bazan has made a name for himself in recent years by battling alcoholism (with a few famous on-stage debacles) and a defiant turn against his earlier expressions of faith. His new solo disc is loaded with caustic lines aimed at religion ("With the threat of hell hanging over my head like a halo/I was made to believe in a couple of truths" from "When We Fell") along with a number of references to his battles with bottle (in "Bless This Mess," he wonders if his baby daughter would "soon despise the smell of the booze on my breath"). Personally, I don't find this music offensive at all; at times harrowing, yes, but it is the honest expression of fear, doubt and even anger that we all experience along life's journey. Sometimes tender and repentant, sometimes raging and table-pounding, Bazan examines the deep recesses of his soul -- and causes us to reflect on what we're made of in the process. Michael J. 09/09 R-Alternative

Quick Links:

• Bazan's homepage
• Barsuk Records page on Bazan

BOOKA AND THE FLAMING GECKOS

Baghdad Texas

September 17, 2009

Texan, producer/musician, Booka Michel has produced and performed music all over the world in just about every genre. Listed here as producer, composer, and drummer/percussionist, Booka used three musical genres for inspiration: Latin, Americana, and Middle Eastern, based on the three main characters in Baghdad Texas, the movie that this is the soundtrack to. Clocking in at under thirty minutes, with most of the songs less than three, this is mostly instrumentals and is of the Americana genre with Latin and Middle Eastern influences. I quite liked this and my only complaint would be that there be more than a half hour of music! Rebecca Ruth

Quick Links:

• Loudhouse Music Website
• Baghdad Texas Movie Website

THE INSTRUCTION

Failure By Design

September 17, 2009

Hailing from Louisville, Kentucky, this foursome offers morose, sophomoric lyrics set to a well-produced electric guitar and drums background. This adds up to rock that is sometimes interesting (occasionally even a bit reminiscent of Interpol, though nearly not as cool). It does tend to drag, though, before the disc if half finished. Best song here is "Into the Tomorrow". Though "Hello Darlin'" is supposed to be the focus track, I found it to be a dull ballad, even with its catchy chorus. Rebecca Ruth

Quick Links:

• Sonablast Website

ONE ESKIMO

ONE ESKIMO

September 16, 2009

Hot off the press is this, the self-titled debut from the London, England four-piece indie band calling themselves One Eskimo. Described as the brainchild of front-man Kristian Leontiou, who himself has had some commercial success on his own, reaching the top 10 on the UK charts back in 2004 with the hit "Story of My Life," the band has been tirelessly promoting their debut by touring with the likes of Tori Amos. The first single, "Kandi" was actually one of three songs featured on the 4-song EP released in July of 2009 ("Kandi" appears twice) and features a sample of Candi Staton's 1969 hit "He Called Me Baby." On the full-length, "Hometime" is the opener, a song that features an ethereal melody recognizable by Toyota's use of it in a commercial to promote their eco-friendly manufacturing process. Another standout is the soulful "Giving Up," which features the soft serenade of Leontiou's vocals coupled with a harmony that fits well. "All Balloons" is simple track, featuring a mostly acoustic sound, but one that seems to capture the "lightness" of life as Leontiou sings: "Maybe we're all balloons filled with air, and the reason we're deflated is to remind us that the ground is there." In the end, there's much to like here. The final song, "Amazing," doesn't disappoint as it shed's light on the amazing aspects of the heavenly life to come. On the whole, One Eskimo has created eleven songs that seem to get better each time through and will rightfully attract no small amount of attention in the months to come. ~Reviewed by Jeff Bouma

Quick Links:

• One Eskimo Website

MALCOLM HOLCOMBE

For the Mission Baby

September 15, 2009

Described by David Fricke of Rolling Stone Magazine as "not quite country, somewhere beyond folk...a kind of blues in motion," Malcolm Holcombe is just that - hard to compartmentalize. Still, that's what keeps things interesting on the singer/songwriter's eighth album release; a seemingly introspective and honest look at the realities of life and living. The raspy voice and gritty folk is prevalent from the start as Holcombe kicks things off with the catchy "Bigtime Blues." The second, the Americana inspired "Hannah's Trading Post" is equally pleasing to the ear. The short and heartfelt "You Have it All," captures the essence of a world where some win and some lose. Building on this theme, on the final song, the lush and beautiful "Someone Left Behind," Holcomb hopefully sings: "But there's better days ahead in time for someone, somewhere left behind." Expected by the record company to garner the "best reaction yet," Holcombe and the Grammy award winning producer Ray Kennedy don't disappoint. The reaction from Lucinda Williams was this: "From the first note I was drawn in. He is an old soul and a modern day blues poet." Make no mistake about it, from beginning to end, the reaction to Holcombe's latest is "right on." ~Reviewed by Jeff Bouma

Quick Links:

• Malcolm Holcombe Website

LEE HARVEY OSMOND

A QUIET EVIL

September 14, 2009

No Lee Harvey Osmond is not a new solo artist, but a super group formed between Tom Wilson from Blackie and the Rodeo Kings as well as members from the Cowboy Junkies. Their music is described as Acid folk and after it spinned for the fifth time in my CD player I have to admit it put its spell on me. My favorite track “Cuckoo’s Nest” with the bass lines from John Finlayson had an almost Morphine feel to it. Other tracks like “Blade of Grass” sounded a bit like Chris Isaak. Margo Timmins from the Junkies does a beautiful duet with Tom Wilson on “I’m Going to Stay That Way”. Other notables are some terrific Dobro playing through out the disc from the great Colin Linden. I have a strong feeling that this quiet evil may become extremely infectious. Reviewed By: Gregg Saur

Quick Links:

• Lee Harvey Osmond My Space
• Amazon

MONSTERS OF FOLK

MONSTERS OF FOLK

September 14, 2009

What happens when four friends each individually gifted solo artist with strong solo careers check their egos at the door and release a collaborative disc? The answer is pure magic Jim James aka Yim Yames, Mike Mogis, Conor Oberst and M. Ward have released a disc that is much larger than any of the individual components. The four friends share duties on lead vocals and play every single instrument on this release including some synthesizers and drums that were crafted during the course of the recording sessions. The CD is entitled Monsters of Folk, but elements of rock, country, blues and yes folk are intertwined through out the entire disc. The disc also has a certain spiritual feel to it and tracks such as “Dear God {Sincerely M.OF.}” and “Ahead of the Curve” have made me a true believer in these monsters. Reviewed By: Gregg Saur

Quick Links:

• Monters Of Folk Home Page
• Amazon

BIRDIE BUSCH

Pattern of Saturn

September 8, 2009

One word comes to mind after listening to the latest from Emily "Birdie" Busch titled Pattern of Saturn - POTENTIAL. Yes, this girl has great potential mostly because of her ability to coin catchy melodies with everyday life kind of lyrics. For you new comers, think of a Laura Veirs/Jenny Lewis kind of mix, and this is what you might have. On the opener, "Penny Arcade," what's immediately evident is the beauty of Birdie's voice along with a lush melody making for a really terrific song. On "Bordertown," Birdie takes on the voice of a Mexican dishwasher (Gabino) and creates another song well worthy of a listen or two. One of the best is the short but worthy "Roll It." Here, the singer/songwriter delves into what some might describe as 'rockabilly' as she sings: "This space between us / it's much too wide / I guess with earthquakes / come divides." Another effort deserving of 'Best Of' status is the song "Hometown Boredom," which scales things back a bit for a more mellow and melancholy sound. All in all, perhaps the biggest disappointment with Birdie's latest is the length of the effort as a whole. Coming in at just over thirty-three minutes - with two songs of extremely short length - what you're left with here is an album with nine songs that begs the question: Why not more? Great potential? You bet. Room for improvement? Absolutely. ~Reviewed by Jeff Bouma

Quick Links:

• Official Birdie Busch Website
• Birdie on Myspace

STRAWBS

DANCING TO THE DEVIL'S BEAT

September 8, 2009

The Strawbs were one of my favorite bands in the 1970’s. It was easy to classify their music at that time as progressive folk. During the next decade the Strawbs became one of England’s finest rock bands that dared to touch on political issues of the day. In 2009 this band has come together 40 years after their first release with a CD I would classify as one of the finest art rock discs of the past decade. David Cousins who actually founded the band in 1964 is joined by long time alumni Dave Lambert who joined the band in 1972 and drummer Chas Cronk who has been involved with the band since the early 1990’s. Oliver Wakeman the eldest son of Rick Wakeman who was part of the Strawbs in the 1970’s before joining Yes. This CD will certainly appeal to fans of the early non commercial Genesis sound. David Cousins still brings current political issues into the music such as climate change, greed and corruption. The Strawbs have gone through many changes over the last 40 years but the quality of the music on “Dancing to the Devil’s Beat” shows a band that has many great years ahead of them. Reviewed By: Gregg Saur

Quick Links:

• Strawbs Home Page
• Amazon

LAVAY SMITH & HER RED HOT SKILLET LICKERS

MISS SMITH TO YOU

September 6, 2009

It has been nine long years since we have been graced by a new CD from Lavay Smith & her red hot skillet lickers. This CD was well worth the wait. Lavay breathes new life into classics like the Duke Ellington tracks “It Don’t Mean a Thing” and “It Ain’t Nothin’ But The Blues” The Bluesy sounds of Clarence Williams track “Need A Little Sugar in My Bowl” and a rendition of “When The Saints Come Marching In” that will surely start a Bourbon Street Parade. As impressive as these covers are the three original tracks “Daddy” dedicated to the great Ray Charles features some terrific piano and trumpet solos. “With My Man” is dedicated to one of Lavays heroes and mentors Etta James. This is a slower jazz ballad that when closing your eyes you can picture an early Etta James singing in a Smokey bar. “I’m Not Evil” is an upbeat bluesy track dedicated to the incomparable Dinah Washington. With this disc Miss Smith has placed her name with the greatest jazz singers past and present and earned our respect. Her red hot band the skillet lickers may be the hottest backing band in the jazz world today. Reviewed By; Gregg Saur

Quick Links:

• Lavay's Home Page
• Amazon

FUNKTION

Funk Prelude

September 6, 2009

Out of Kalamazoo, Funktion offers soul-tinged blues on this, their debut release. Andrew Schrock does a nice job with the vocals, sometimes doing it soulfully, such as on "Hypnotyze" and sometimes doing it hip-hop style, such as on the title track. Horn solos abound, but are kept tastefully short, such as Terrence Massey's trumpet solo on "#4". Funky soul can be had on the track "Funk Spot" and on the slightly slower "Make You See". All in all, this is a fine debut album of dance floor-filling, radio-friendly blues. Rebecca Ruth

Quick Links:

• Funktion's Myspace

NII OTOO ANNAN AND STEVEN FELD

Bufo Variations

September 6, 2009

When Steven Feld traveled to Ghana in 2004, for musical studies, he took notice of the croaking of the frogs (Bufo regularis) emanating from the city's sewers. He recorded them and called it his "Bufo Aria". There, he also met multi-instrumentalist Nii Otoo Annan. Their collaboration consisted of Nii Otoo listening to the bufo aria in headphones, while recording his drummed responses. Essentially, this album consists of the Bufo Aria as the first song. The succeeding variations are all Nii Otoo drumming to the frogs, but with the frog track removed. The drums used are most often traditiona African hand drums with occassional use of guitar (Variation 6) or with the addition of sax and voice (Variation 10). This album is an interesting concept as experimentalist music, but it's not altogether radio-friendly. Rebecca Ruth.

Quick Links:

• Voxlox Website

GEOFF MULDAUR AND THE TEXAS SHEIKS

TEXAS SHEIKS

September 6, 2009

This is acoustic front porch blues at its finest. American roots musician Geoff Muldaur the Ex-husband of Maria & father to Jenni Muldaur has put together the Texas Sheiks an musical all-star ensemble that is sure to captivate the hearts and ears of all its listeners. Joining Geoff as a member of the Sheiks is the great Suzy Thompson on fiddle, Cindy Cashdollar who is now both a Sheik and a Guilty Women on both slide and steel guitars and the Texas legend the late great Stephen Bruton on guitar and mandolin. Geoff describes the Sheiks as old time back woods rhythm and soul. I couldn’t agree more. The Sheiks are all serious musicians but after the first listen it is easy to tell the fun that was had while making this recording and the sense of humor shown on tracks like “Under the Chicken Tree” and “Blues in the Bottle”. It is my hope that the Texas Sheiks will ride into your living room, take control of your stereo and be enjoyed on every front porch from Texas and beyond. Reviewed By: Gregg Saur

Quick Links:

• Geoff Muldaur Home Page
• Amazon

WILLIE NELSON

Lost Highway

September 4, 2009

As Willie Nelson departs his record company, Lost Highway, for another classic brand (Blue Note), the good folks at Lost Highway have released this "chestnuts" package with songs from previously released LH recordings -- along with four never-on-record-before cuts (one of which we can't play). The set starts out strong with assists from Rob Thomas and Lee Ann Womack, and the Jimmy Cliff tune from "Countryman" is always a treat. And of course, any duet with Lucinda is worth hearing again. The disc ends with two songs relating to the film "Brokeback Mountain," the first one an iTunes hit now on record; the second unplayable because of language. In all, a solid compilation of the latest Willie Era, on the cusp of him beginning yet another. Michael J. 09/09 F-Americana

Quick Links:

• Willie's homepage
• Wiki on Willie

DELBERT MCCLINTON

ACQUIRED TASTE

September 2, 2009

With a career that spans fifty years, a top 40 hit, "Giving It Up for Your Love", and a Grammy® to his credit for his 2005 release Cost of Living, Texas native Delbert McClinton has not only had a successful career; he’s covered a wide swath of the musical landscape with rock, country, blues and even a little gospel thrown into the mix. McClinton’s twangy, roughed up voice, adds a lived in feel that makes everything he does sound stone cold authentic. This release finds him raw and bruised by love gone sour with a number of ballads serving as the emotional touchstones. "On Never Saw It Comin’" he’s befuddled at missing the signs of a romance on the rocks. On "Until Then" he’s crushed by the reality of “lying alone in bed like butter without any bread” while on "Out Of My Mind" he’s haunted about not being able to get over a lost lover and on "Wouldn’t You Think (Should’ve Been Here By Now)" he’s stunned to find he’s the lover being dumped. "Starting a Rumor" is also a ballad but this time around his soulful croon is used plant the seeds of a new romance. While there’s also a Country weeper, "Can’t Nobody Say I Didn’t Try", there’s plenty of upbeat material here as well. "Willie" is rollicking tale of a hen-pecked buddy who’s just glad to have a woman after a long drought. "When She Cries at Night" is a soulful rocker with sweet background vocals that hide the sorrow of a woman who can’t get out the door. "Mama’s Little Baby" uses the old plantation tune "Shortnin’ Bread" as a musical backdrop to a tale about a woman so hot “she could pop corn just hold it in her hand.” "I Need to Know" has a tough John Lee Hooker beat while "People Just Love to Talk" is a jazzy tale about speculation run wild and "Do It" is a funky Muscle Shoals style soul work out. "She’s Not There Anymore" is a mid-tempo number with a cha-cha beat and the rocking "Cherry Street" finds McClinton regretting getting lured by alcohol and women into a set up that leaves him in the emergency room. While the musical backdrop covers much the same ground as prior releases, McClinton’s sharp eye for emotional detail and ability to make each tune a first person account make this worth adding to your collection. Smitty

KELLEY HUNT

MERCY

September 2, 2009

Singer, songwriter, piano player Kelley Hunt’s new release finds her mixing up the blues that were the bedrock of her prior three releases with gospel, blues, rock and heartfelt ballads. The disc starts out strong with the moody, atmospheric intro to "You Got to be the Vessel" which gives way to a mid-tempo gospel groove and then seamlessly shifts gears with the solid bass groove that propels the semi-spoken vocals of "Lone Star Road". Church is also in session with the big gospel delivery of "Mountain to Move". The big production number, "Freedom Day", has all the earmarks of a U2 cut with its intricate instrumentation, big vocals and build up to a majestic peak. The ballads "Love", "Mercy", "Drowning Man" and "You Can’t Fool Me Anymore" give Hunt a chance to showcase her lush vocals with the later of the four getting added heat from a tough sax solo and sounding as if it could have come from Angela Strehli or even Marcia Ball. Turning up the heat are the mambo tinged "Give Me A Sign" and the blues rock scorcher "Emerald City" which mixes references to Wizard of Oz characters with politics. Straight out blues and boogie make a welcome appearance on the funky "That Ain’t Love" and "Wig Chalet". With a voice equally comfortable belting out the blues or negotiating tender ballads with no instrumental cover to hide behind, Hunt is an easy listen no matter what musical muse strikes her. SMITTY

RICK ESTRIN & THE NIGHTCATS

TWISTED

September 2, 2009

With the departure of namesake Little Charlie Baty, this well seasoned West Coast blues band has morphed from Little Charlie and the Nightcats to Rick Estrin and the Nightcats. For occasional listeners, this isn’t much of a change since Estrin has been the band’s lead singer, harmonica ace and primary lyricist throughout the band’s history. Estrin’s top notch harmonica skills remain intact as evidenced on the rocking "Big Time" and "P.A. Slim Is Back", the aptly titled instrumental, "Cool Breeze" and the simmering "Take It Slow". His trademark wit and sly vocals have made the transition as well with "Back from the Dead leading" the charge with its tale of surviving all manner of debauchery. Those with more than a casual acquaintance with the band will notice a major change by virtue of the switch in guitarists. While Baty was an inventive, jazzy player in the vein of B’nois King, replacement Kid Andersen is more of a roots rocker with a taste for Rockabilly. The guitar fueled "ack From the Dead"could easily find a home on a Southern Culture on the Skids disc while the chicken scratch riffing on "UBU" is more Elvin Bishop than B.B. King. Andersen also proves to be comfortable in the spotlight: the instrumental "Earthquake" features dense slabs surf guitar worthy of Los Straitjackets while "Bigfoot" sounds like an homage to Link Wray. That’s not to say that Andersen is all rough and tumble. The slow grinding "Catchin’ Hell" and "Cool Breeze" both feature some restrained, yet tasty, string stretching. While Baty will surely be missed, this revamped version of the band stands tall against his legacy. Smitty

JOHN HAMMOND

ROUGH & TOUGH

September 2, 2009

John Hammond has made a career of covering first generation blues players. This disc features him not only covering their tunes but emulating their straight up and simple recording style as well with no overdubs, no production and a “what you play is what you get” performance. Recorded live, but without an audience, at St. Peter’s church in New York, Hammond applies his considerable instrumental skills and vocals to Muddy Waters’ "Still a Fool" and "I Can’t Be Satisfied", Howlin’ Wolf’s "My Mind is Ramblin’" and "No Place to Go", Little Walters’ "Up the Line" and "Got to Find My Baby", Jerry McCain’s "She’s Tough", Blind Willie McTell’s "Statesboro Blues" and a host of others. While recording live knowing that the safety net of studio tweaks isn’t going to be used to save the day causes many an artist to play it safe, Hammond seems inspired by the risk and plays with the abandon that makes live performances shine compared to over-scrubbed studio efforts. Hammond’s intricate National Steel guitar work is captivating throughout and age has added an edge of hard won wisdom to his voice. When he throws harmonica into the mix the interplay with his guitar is so tight that you could be forgiven for assuming that someone else must have jumped in to accompany him. While the tunes collected here have mostly been covered to the point that their names alone could evoke a "Mustang Sally" flinch by blues fans, Hammond has stripped them of their electric city roots and presents them as mesmerizing acoustic numbers. While you’ve heard them all before, most come across as almost new. Adding to the sense of new discovery is the re-imagined "Chattanooga Choo Choo" and the hard charging take on Tom Waits’ "Get behind Mule". You owe it to yourself to give these old tunes a new listen. Smitty

WILL HOGE

Even If It Breaks Your Heart

September 2, 2009

Being compared to the legendary Tom Petty isn't a bad place to be for the Franklin, TN born Will Hoge. In fact, "Long Gone" is guitar-driven, southern rock inspired song that easily brings Mr. Petty to mind. Nevertheless, Hoge is his own here too, on this his 4th studio release, as he mixes together a nice combo of what most would classify as straightforward American rock with a layer of folk, blues and soul mixed in as well. The first single from the new album Even if it Breaks Your Heart, is called "The Wreckage." This is a soft and down-tempo love song about a relationship gone awry - a characteristic of many of the songs here. Some other standout tracks include the opener, "Hard to Love," in which Hoge laments: "It's hard to love, but it's easy to hold you right by me." A couple of songs well deserving of a few spins are the title track, as well as the other noteworthy favorite and aptly named, "Favorite Waste of Time" - a faster moving song that rocks from beginning to end. While it's true that there's nothing truly fancy here, what Hoge has recorded are a strong collection of songs that really are a pleasure to listen to from beginning to end. ~Reviewed by Jeff Bouma

Quick Links:

• Official Will Hoge Website
• Will Hoge on Myspace

HUUN HUUR TU AND CARMEN RIZZO

Eternal

August 28, 2009

Eternal is a display of unique musical textures using rare instrumentation and throat singing that should make all Tuvans proud! (Tuva is a sparsely settled republic of the Russian Federation). With vocals that often sound like didgeridoos or old world bowed instruments, those who really dig a meditative “world beat” sound, will likely LOVE this. Huun Huur Tu is a quartet of Tuvan men who all practice this ancient throat singing and play a variety of traditional instruments, some of which are unfamiliar to most Americans. Here, they collaborate with electronic musician/producer, Carmen Rizzo. Rizzo does NOT turn this into electronica dance music; he accentuates and renders what the quartet already does. The result tempers Siberian folk music into something lush, haunting and mesmerizing. As reviewed in the Huffington Post, “envision powerful and tasteful low-end, percussively intelligent, moving and sweeping in the landscape while strings and voices grace the surface.” Becky 8/2009

Quick Links:

• Huun Huur Tu
• Carmen Rizzo
• Purchase Eternal
• Traditional Music of Tuva

CATIE CURTIS

Hello, Stranger

August 27, 2009

Over her 15-year music career, Catie Curtis has often played her catalog in a variety of ways, surprising fans with stripped-down versions of her songs. This disc is a collection of tunes she recorded earlier, as well as a number of covers, in a string-band setting featuring banjo player extraordinaire Alison Brown (and heavy on mandolin and fiddle, too). The opener, "100 Miles," and "Deliver Me" are originals that ring true in this setting. Interesting as well are the Cat Stevens song "Tuesday's Dead" and the John Martyn bluesy cut "I Don't Want to Know." Mary Gauthier joins Curtis on the country-fave title track. Michael J. 08/09 F-Americana

Quick Links:

• Catie Curtis home page
• Catie on myspace

K'NAAN

Troubadour

August 27, 2009

K'naan was born in Mogadishu, Somalia and lived there until he was 14, partly during the civil war of the early nineties. He fled with his family and wound up, eventually, in Toronto. He was discovered at the U.N. at a conference by Yossou N'Dour and later emerged with a record contract. His debut CD won Canada's Juno award for best rap record. K'naan's been in some song-skirmishes with other hip-hoppers who have ridiculed his choice of musical topics (often Africa and the have-nots), but the kid doesn't back down. He definitely has something important to say and the talent to bring a strong message. This sampler from "Troubadour" (recorded at Bob Marley's studio in Jamaica) gives you a taste of his approach. The reggae-tinged "Wavin' Flag" has become a bit of an anthem at his concerts. Michael J. 09/09 W-Hip Hop

Quick Links:

• K'naan home page
• K'naan on youtube

KATE SCHUTT

TELEPHONE GAME

August 25, 2009

Kate Schutt new CD Telephone Game is certainly one connection you don’t want to miss. This self produced CD from Ontario’s songstress combines elements of Jazz, Pop and rock to make a satisfying listen from the first track to the last. The opening track has a jazz-soul flavor to it and was inspired by the Eastern seaboard power outage in 2003. “Blackout” is the most rock oriented track starting with an almost Crazy Horse style guitar distortion and feedback and quickly opens to Kate’s beautiful vocals. “Who Is Young, Who Is Naive” combines Italian world beat sounds and could be featured at any street side café. Kate’s hand picked band has players who have worked with the likes of Herbie Hancock, Quincy Jones, Charlie Hunter and Kenny Barron. The whole CD very craft fully balances elements of Jazz & Pop to make this CD pleasing to fans of Diana Krall as well as Fiona Apple. After just one listen you will make the connection with this Telephone Game. Reviewed By: Gregg Saur

Quick Links:

• Kate's Home Page
• You Tube

JENNI MULDAUR

DEAREST DARLIN'

August 20, 2009

Backed by an all star cast including Sean Costello on guitar, Brian Jackson on keys, Lenny Pickett on sax, Catherine Russell, Teddy Thompson and Joseph Arthur on vocals, Jenni Muldaur, daughter of folk and blues icons Geoff and Maria Muldaur, has crafted a disc worthy of her rich linage. With most of the 12 cuts pre-dating the early 60’s you get the sense that Muldaur is channeling the soundtrack of growing up with parents immersed in music and having fun. The mostly upbeat tone of this disc is established from the opening notes of Big Maybelle’s classic, "I’ve Got a Feelin’", which is given a high energy reading that is matched by the jumping swing of Lee Dorsey’s "You’re Breaking Me Up", the girl group rave-up, "You’ve Got Me Uptight" and the rhythmic bounce of the Bo Diddley penned title cut. Vintage rock makes a fun filled appearance on "I’d Rather Live like a Hermit" which has a smoking sax chart straight off from L.A.’s Central Avenue and on the Charlie Rich classic, "There’s Another Place That I Can’t Go" which sounds like a first cousin to Sonny & Cher’s "Beat Goes On". In a different vein but still brimming with energy is the acapella field chant "Hopali". Even though soul numbers like "Just Ain’t No Love" have a percolating groove that leaves the crying to others while Muldaur shakes her tailfeather she can also pull out the Kleenex box as evidenced by "Lost Someone" and gets downright sultry on the bluesy "Just Kiss Me Once" and on the jazzy "Comatose Town". NRBQ’s "Blame it on the World" is somewhat of the odd song out with its popish sound and 70’s vibe. With a vocal style that sounds uncannily like her mother’s early work and occasionally like Rickie Lee Jones, Muldaur imbues every cut with sass, swing and, most importantly, honest emotion. Absolutely terrific from beginning to end. SMITTY

FIONA BOYES

BLUES WOMAN

August 20, 2009

Australian blues guitarist/vocalist Fiona Boyes follows up her successful 2006 stateside debut, Lucky 13, with another top notch release. With a core band featuring Derek O’Brien on guitar, Jimi Bott on drums and Ronnie James on bass, she has all the support she needs for a stellar effort. But, she doesn’t stop there: adding the colors and spice that separate this from the typical blues are special guests Watermelon Slim, Marcia Ball, Kaz Kazanoff, the Texas Horns and Pinetop Perkins. Boyes uses this massively talented crew to take a trip through a wide variety of blues styles. "Look Out Love!" is a hard hitting shuffle that gets added flair from Watermelon Slim’s cool dobro riffs. Slim also shows up as a crazed fire and brimstone preacher who condemns the deceased and all his mourners to a fiery grave on "The Barrelhouse Funeral". On the other end of the spectrum is the upbeat "Train to Hopesville" which features big horn grooves and rollicking piano from Marcia Ball. "Got My Eye on You" is a sexy, salacious number where Boyes’ lust for the boys in tattoos is almost as hot as Kazanoff’s guttural sax grooves. "Do You Feel Better" is a slow weeper with a 60’s girl group vibe while "Place of Milk and Honey" is a straight forward acoustic blues that features Boyes yearning for that hunk of easy street that blues musicians dream of but seldom reach. "Howlin’ At Your Door" has a tough, sinewy beat straight out of the Mississippi hill country while JB Lenoir’s "I Want to Go" is a romping stomping affair that gets plenty of propulsion from Jimi Bott’s bongos and heavy hand on a plastic trash can. Throughout, Boyes not only plays some hot wired guitar but also sings with both nuance and authority, sounding at times like a gritty version of Maria Muldaur and at others like a semi-tamed Robert Plant. It’s hard to imagine there will be many blues releases this year that hit so many bases so well. Smitty

PAUL BURCH

Still Your Man

August 19, 2009

With a sound described by USA Today as "thoroughly modern but completely unlike contemporary country," Paul Burch is back with his seventh full-length release titled Still Your Man. Along with help from his WPA Ballclub band, the singer-songwriter provides listeners a sound that, while labeled country, is undoubtedly influenced by 50's era honky tonk and the early rock and roll style known as rockabilly. Recorded in an old garage turned studio in Nashville, Burch and his band get off to the thoroughly likable and rockabilly start with the opener "Like a Train." Covering the late Little Walter on "It Ain't Right," Burch delves into the blues and doesn't disappoint. Another song that brings back memories of Roy Orbison is the short and mellow "Lead Me On." There's even the beautiful and lush "Honey Blue" that incorporates piano, guitar, and percussion all to make a sound that could largely be categorized as jazz. In truth, there's too much good here to comment on everything. In the end, all fourteen songs have their own uniqueness to them, making this a great recording to listen to again and again. ~Reviewed by Jeff Bouma

Quick Links:

• Paul Burch Website

POSITIVE CATASTROPHE

Garabatos Volume One

August 17, 2009

This ten-piece big band comes out of New York with its first release. This is adventurous stuff; indeed some of it might be a bit too challenging for the average radio listener. Many of these songs feature Latin-tinged percussion, such as that found on "Metro Mono" and on one of my favorites, "Plena Quicksand Monument". Another of my favorites, "Post Chordal", features an ascending and descending horn melody that is reminiscent of the Mingus piece, "Fables of Faubus". All in all, this is nice stuff for the discriminating jazz fan, and it just gets better with each listen. Rebecca Ruth

Quick Links:

• Cuneiform Records Website

CURT RAMM, DAN MORETTI, BILL CUNLIFFE

Foundations

August 17, 2009

This is a contemporary jazz release of all original compositions, a few of which could be categorized as bop ("Little Bit"), and some of which could be called smooth ("MM&D" and "Podunk"). Some of it can have a little soul ("K-Funk" and "Zone Seven") and some can have a nice groove ("Totem Dance" and "Get In Line"). There is nothing spectacular here. It is capably performed versions of uncomplicated, adequately-written pieces. Rebecca Ruth

Quick Links:

• Foundations Jazz Records Website

THE TWISTERS

COME OUT SWINGIN'

August 17, 2009

The Twisters remain one of Canada’s hottest exports. Mixing west coast jump blues, rockabilly, reggae and gospel the Twisters can really shake things up. The CD opens with their signature swing sound that will fill the dance floor after the first note. The track “Doghouse” combines western swing with rockabilly and sounds like a meeting of the Love Dogs and the Stray Cats. “Take My Own Advice” departs from the jump swing sounds and lays down a cool reggae beat. “I Refuse To Get Old” could be many of our theme song and showcases the talents of Dave Horel on harmonica. It will be easy to make comparisons of Dave to Rod Piazza or Magic Dick throughout this entire release. “Party Goin’ On” has a full blown high energy gospel sound to it and will have you in the aisles in a full sweat begging for more. The Twisters have truly Come Out Swingin’ on this disc and blew this kid away. Reviewed By: Gregg Saur

Quick Links:

• Twisters Home Page

MINDY SMITH

Stupid Love

August 14, 2009

On her third release (we're not counting her CD of Christmas songs), Mindy Smith -- who has been touted as being in the same league as Patty Griffin, Alison Krauss and Shawn Colvin -- bares her soul about love's ups and downs. And, as she does on her earlier sets, she doesn't spare herself or the others in her various relationships. All of the emotions, positive and negative, come out. It's like opening up someone's personal journal and following the story; but we don't feel like creepy lurkers, rather invited confidantes to share her grief and joy. Hard to pull off, but she manages to do it. Her mix of music and lyric are well done. I like the NY Times quote of her music: "Her voice carves melodies so sharp and fine you can almost see them." Suggestions: "What Went Wrong,""Highs and Lows,""If I Didn't Know" (a song of hers covered earlier by Alison Krauss), "Couldn't Stand the Rain" and "Love Chases After Me." 08/09 Michael J. F-Contemporary

Quick Links:

• Mindy's home page
• Her Myspace page

ANNIE & ROD CAPPS

My Blue Garden

August 14, 2009

Regional musicians (they're from Chelsea) Annie and Rod Capps deliver a set of "small town" American folk music, accentuated by Annie's high soprano and a familiar supporting cast made up of Rachael Davis, Jen Sygit, Jan Krist, Jim Alfredson (Organissimo) and others. While I appreciated their homespun originals, it is the two cover tunes that caught my attention -- Dave Carter's "Crocodile Man" and the gospel number "Soon Be Free." Folk music is alive and well in the hearts, voices and fingers of this couple. 08/09 Michael J. F-Traditional REGIONAL

Quick Links:

• Annie and Rod's homepage
• Their Myspace page

SILVEROOT

BIG DIFFERENCE

August 11, 2009

Multi instrumentalists Patrick Flynn and Darryl Webb have spent most of their lives in the wine country of Northern California and make up the core sound of Silveroot. This is acoustic folk music that has the wit of a Robert Earl Keen and at times the sounds of the gypsy song man Jerry Jeff Walker. Emily Palen a Michigan native that now resides in the San Francisco area nicely rounds out their sound with her excellent violin and vocals on one of my favorite tracks “Brazil”. This track has the most adventurous sound on the disc and reminded me of the 1960’s group It’s a Beautiful Day. Silveroot has delivered a fine release that should make a Big Difference in the world of acoustic folk music. Reviewed By: Gregg Saur

Quick Links:

• Silveroot My-Space Page

SONNY LANDRETH

LEVEE TOWN {EXPANDED EDITION}

August 11, 2009

In 2000 Sonny Ladreth released one of the finest discs of his career Levee Town. In 2009 we revisit this great recording that blended rock, blues, zydeco and even folk sounds that made this recording easily accessible to fans of Sonny’s signature slide guitar work as well as a new generation that was searching for some great Louisiana & Americana music. The expanded edition includes a bonus disc of five tracks recorded between 1998-2000 that would have fit beautifully on the original disc. The first track “Pedal To The Metal” is signature Sonny slide guitar mastery and shows how fast this mans fingers can fly. “For Who We Are” is the only vocal track of the five and is a nice sounding ballad featuring Jennifer Warnes”. The remaining three instrumentals prove that no words are required to show the beauty contained within one mans soul and his guitar. Reviewed By: Gregg Saur

Quick Links:

• Sonny Landreth Home Page

KIMI DJABATE

Karam

August 9, 2009

Kimi Djabate, a master of the balafon -- akin to our xylophone -- was born into a family of griots in the tiny African country of Gunau-Bissau. Griots are incredible African musicians who make it their life's work to tell the story of their people in song. As you might imagine, Djabate started his musical education early and played often. The artistry shows on this set. Although now living in Lisbon, Djabate's subject matter remains centered on Africa. Up-tempo songs on the disc are "Mussolu," "Manla" and "Bagi." Another interesting number is "Djalia," which features the balafon front and center. Even the smallest countries have much to teach us -- if we're willing to listen. W-Africa 08/09 Michael J.

Quick Links:

• Kimi's home page on Cumbancha
• Kimi's Myspace page

OR, THE WHALE

Self-Titled

August 8, 2009

This is the second album from the San Francisco seven-piece outfit, Or, the Whale. I find it to be a bit more "countryfied" than their first album, "Light Poles and Pines". This album of sometimes rocking, folk-country does have some good things to offer, such as nice production and vocal harmonies. Besides your basic guitar, drums, and vocals, Or, the Whale's brand of Americana also features dobro, pedal steel guitar and banjo. Most of the songs here are somewhat Starland Vocal Band-sounding in their country-pop harmonies. The more rocking songs are the album opener, "No Love Blues", the haunting "Keep Me Up", and the Jefferson Airplane-ish "Black Rabbit". Rebecca Ruth

Quick Links:

• Or, the Whale Website
• Seany Records Website

TIGRAN HAMASYAN with ARATTA REBIRTH

Red Hail

August 8, 2009

Only twenty-two years old and already having two albums under his belt, piano prodigy Tigran Hamasyan has moved from his native Armenia to the United States. He then assembled band of talented musicians, named them Aratta Rebirth, and recorded this rewarding album. This is challenging jazz with rock leanings and complicated time signatures. It offers tight musicianship, often featuring voice as instrument. Songs range from the heavy, guitar-oriented title track to the pretty "Love Song" which features sparse instrumentation, vocals, and piano. All these songs were composed by Tigran, except three Armenian folk songs. "Chinar Es", "Amran Gisher", and the album's opener were all arranged by Tigran with seeeming respect for their origin, using spare instrumentation. Rebecca Ruth

Quick Links:

• Tigran Hamasyan's Website
• Plus Loin Website

BOWERY

Our Love Is A Ghost

July 31, 2009

Here we go. Yes “here”. This is a local GR band. They present 8 alternative pop-rock tracks. (The word alternative being used in its current manifestation). The Bowery is Phill Kulas and Shanee Laurent. Phil Kulas also works with the bands, the Fred Thompson Trio and Japan 4. Our Love is a Ghost was recorded and mastered by 2 other local talents: Al McAvoy (who probably can claim producing half the music in this town) and Joel Ferguson (Papa Vegas). The songs are catchy and have a nice full layering of sounds. The style could be compared to that of the Dandy Warhols, or the Rosebuds; male and female vocal leads, some harmonizing, heavy electric guitar and percussion over top of some trippier, ambient sounds. The track I was most drawn to was the last one, #8; the moody tune The Needle Never Ends. Becky 7/2009

Quick Links:

• Bowery
• GR Press Review
• Purchase Our Love is Lost

IAN HUNTER

Man Overboard

July 29, 2009

You'd think that at age of seventy, the former Mott the Hoople front man would be calling it quits. You couldn't be more wrong. Following up the critically acclaimed 2007 solo release Shrunken Heads, Ian Hunter is back with another gem that doesn't take long to like. With his debut on New West Records, Hunter has written songs that are filled with guitar, mandolin, accordion, banjo, piano - all accompanied by a voice that still sounds strong. For sure, the singer/songwriter has his whole life to draw upon, both the good times and the bad. For instance, on the title track, "Man Overboard," Hunter laments the trouble filled life as he sings "man overboard, waves washing over me, sometimes it's a perilous sea." Another great track where you get a picture of Hunter's heart is the beautifully crafted and yet sad "Flowers," where he shares: "I can't see God, the trees are in the way. Can't see hope, can't find love." While melancholy abounds, there's also a few hope-filled gems as well. "These Feelings" reads like a greeting card as it reflects on a love that has lasted through the years. The short but positive "Win it All" almost sounds out of place here, but offers some much needed optimism to get through the difficult days of life. There's even the humorous opener "The Great Escape," in which Hunter shares his apparent 'escape' from an impending bar fight, perhaps reflecting on his younger days. On the whole, each track here is enjoyable in its own way - with songs made for just about any occasion and any mood. The result: a collection of songs that most listeners will come back to again and again. ~Reviewed by Jeff Bouma

Quick Links:

• Ian Hunter
• New West Records

THE BOTTLE ROCKETS

LEAN FORWARD

July 28, 2009

After 15 years of recording and touring, the Bottle Rockets are not relying on the past, but are leaning forward with a collection of12 tracks that will demand their listeners turn their amps up. This CD is Roots/Rock at some of it’s finest. The opening track “The Long Way” shows that life may take us on interesting & unexpected turns but there is always a bright light at the end of the tunnel. “Hard Times” is a great guitar driven rocker and could be one of life’s anthems as we all feel them, but they should be reasons for us to battle & get back on our feet. “Open Your Eyes” is the first ballad on this disc and Brian Heinemann shows he does have a nice soft sensitive side. “The Kid Next Door” is a song that can move listeners to tears at it explores the evil consequences of war. “The Way It used To Be” is a full assault rock tune that can make fans of country, rock & punk smile. “Slip Away” is a catchy track that reminded me of some of the best Del Amitri recordings. It is apparent that The Bottle Rockets have the desire to not only Lean Forward but to explode into the future with this excellent new release. Reviewed By: Gregg Saur

Quick Links:

• The Bottle Rockets Home Page

HOT CLUB OF COWTOWN

WISHFUL THINKING

July 27, 2009

It has been stated that good things are worth waiting for and after seven long years the first studio CD from the Hot Club Of Cowtown is no exception to that rule. The CD begins with HCCT’s signature western swing sound with a cover of the Bob Wills track “Cant Go On This Way”. This CD Is hard to categorize as it ventures into several different genres including the jazz influenced renditions of “Someone to Watch Over Me” and: One Step Closer”. “The Magic Violin” and “Heart of a Roman” are both instrumentals that showcase the classically trained fiddle work of Elana James”. Whit Smith’s guitar and vocals provide a wonderful rendition of the Hoagy Carmichael country ballad “Georgia” and the folk ballad “Carry Me Close”. This is also the first HCCT disc with drums provided by newcomer Damian Llanes. I hope it is not just “Wishful Thinking” that we won’t have to wait seven more years until we next hear from the Hot Club Of Cowtown. Reviewed By: Gregg Saur

Quick Links:

• Hot Club Of Cowtown Homepage

CHARLES WILSON

Troubled Child

July 25, 2009

On the blues/soul circuit since 1964, Charles Wilson seems to have hit his stride with Al Green-ish soul sets, with this disc following up on his award-nominated "If Heartaches Were Nickles." The nephew of the late Little Milton, Wilson knows his way around a song, as evidenced by the opener, "Where My Baby Went," a Bobby Bland tune or "The Good Side of My Girl." He gives homage to his departed uncle on "Somebody's Tears" and does an soul cover of Bob Marley's "Is This Love." Wilson has talent and pedigree, and most of this set is pleasingly smooth R&B. B-R&B 07/09 Michael J.

Quick Links:

• Charles Wilson bio
• Wilson Severn Records site

BOMBA ESTEREO

Blow Up

July 21, 2009

Out of Bogota, Columbia, Bomba Estereo exploded onto the scene at SXSW 2009 creating buzz for this, the debut album. Combining hip hop and Colombian rhythms with electronic dance music, they're sure to get you moving. Rebecca Ruth.

Quick Links:

• Nacional Records Website

ED PALERMO BIG BAND

Eddy Loves Frank

July 21, 2009

To put it in a nutshell, this is Ed Palermo's big band covering the compositions of Frank Zappa. After performing the music of Zappa for some fifteen years, this sixteen-piece band knows what it's doing. This isn't note-for-note covers. The band puts its own stamp on the music, while keeping it recognizable. This is Zappa for the big band jazz fan. It also satisfies this Zappa fan. I'm not all that into covers or tribute bands, but this band plays the complicated stuff well and with respect for the composer. Give it a listen, Zappa fan or not, you might just like it. Rebecca Ruth

Quick Links:

• Cuneiform Records Website
• Ed Palermo Website

SILA AND THE AFROFUNK EXPERIENCE

Black President

July 18, 2009

Out of San Fransisco and led by Kenyan native Sila Mutangi, Sila and the Afrofunk Experience offers funky afrobeat music. The band formed in 2003 and in 2007 they won "Funk Artist of the Year" at the Los Angeles Music Awards. Citing James Brown and Fela Kuti as influences, they perform socially and politically-aware songs to reggae and Latin-tinged rhythms. (The title track being the most obvious example of said politically-conscious lyrics.) Nice grooves can be found on the tracks "Kamakosa" and "Live It Up". You want reggae? Check out "You Love You". Upbeat Afropop? Then "Shelter" is your song. Afro-Cuban influences? Check out "Beauty Queen". Prince-channeling funk? "Chrome" is the best song of the bunch. Rebecca Ruth

Quick Links:

• Afrofunk Website
• Sila Website
• Myspace Site

THE TRACTORS

Trade Union

July 18, 2009

Showcasing their Oklahoma roots, The Tractors give us plenty of old-school country on this, their first release in six years. There are some interesting collaborations here, including Leon Russell (Good Old Days) and J.J. Cale (Rhythm Bone). There's also some cool honky-tonk on "What Makes Love Go Bad", which features a nice train snare, horn riffs, and dobro. They turn things up a notch on "It's Only Love" to end on a high note. Rebecca Ruth.

Quick Links:

• Koch Records Website
• The Tracors Website

LOS AMIGOS INVISIBLES

Commercial

July 15, 2009

With their latest and sixth studio release titled Commercial, the party continues with a little something for everyone as the six-piece known as Los Amigos Invisibles conjure up another album of danceable tunes. As a brief description, their sound is a blend of quite a bit of different stuff including but not limited to disco, jazz, funk as well an expected assortment of Latin rhythms. "Mentiras," essentially the opener after a short prequel, is the first single and arguably one of the better tracks from the Amigos. "Dulce" and "Plastic Woman" are simply made for the dance floor - two songs that blend the funk of Rick James and the disco of the Bee Gees to make for a wonderful listen. "Vivire Para Ti" sounds like a revamped Love Boat theme song and features the vocals of the Mexican pop artist Natalia Lafourcade. One of the standout songs here is the only one that we find written in English. "In Luv With U" is really just a simple love song that incorporates a bit of jazz and funk all with the underlying layer of Latin percussion. The fast-paced "Como Lo Haces Tu" utilizes some nice keyboards and what appears to be sirens, to produce perhaps the closest thing to a classic "pop" song here. Overall, from a pure sound standpoint, there's a lot to like here. The downside might be the suggestive themes littered throughout. Aside from that, get on your dancing shoes and hit play! ~Reviewed by Jeff Bouma

Quick Links:

• Official Website

WILLIE NILE

HOUSE OF A THOUSAND GUITARS

July 6, 2009

There are certain CD’s that you can leave in your player for months on end that you never grow tired of, Willie Nile’s new release is one of them. After 25 years since his first recording this is undeniably his finest disc to date. The CD begins with the rocking title track where Willie playing homage to some of his favorite musicians including Hendrix, Robert Johnson, Hank Williams, John Lee Hooker, Dylan and others. The Track “Run” has a real Tom Petty sound to it while the “Doomsday Dance” plain out rocks with lyrics that will catch you doing the twist underneath a mushroom cloud. “Now That the War is Over” unleashes that horrors that war plays on the minds and bodies of our veterans’ after they return home. Willie does show his more sensitive side on the tracks “Her Love Falls Like Rain” and “Touch Me”. There is nothing short of a dozen gems on this release and everyone deserves to be heard. Reviewed By: Gregg Saur

Quick Links:

• Willie Nile Home Page
• Amazon

OTHER LIVES

Other Lives

July 2, 2009

The first full-length album from this Stillwater, Oklahoma band is full of avant-garde instrumentation and sad lyrics to make for a melancholy sound. Nice production abounds as cello is layered over melotron is layered over harpsichord is layered over...you get the picture. This is a nice, quiet album that I would describe as prog-folk. The tracks "End of the Year" and "Matador" being a bit more prog-gy than the rest. Reviewed by Rebecca Ruth.

Quick Links:

• Other Lives Website
• TBD Records

LANDy

Eros And Omissions

June 30, 2009

LANDy is Adam Goldberg (actor, writer, producer, director). Along with some help from Aaron Espinoza of Earlimart and Stephen Drozd of The Flaming Lips, Goldberg sings in the range of what sounds like a cross between John Lennon and Jon Brion, except he can’t quite sing as well as either of them. Goldberg also takes on keyboards, guitar and drums on many of these tracks. Before taking a first listen, I expected equal parts irony and irreverence, injected with the actor’s signature dark humor. In a sense, Eros and Emissions does carry Goldberg’s black-humored irreverence, although he seems to take his music as seriously as any up-and-coming musician, and this debut is a surprisingly affective collection of moody, atmospheric dream pop that packs in a lot of sounds, vocal styles and personality. -LaRae

Quick Links:

• LANDy on MySpace

DUKE ROBILLARD

STOMP! THE BLUES TONIGHT

June 23, 2009

It is said that everything old is new again and Duke Robilard is bring back the Rockin R&B sounds of the 40’s and 50’s with vengeance. Joined by roomful of blues alumni Doug James, Rich Latiaille and Carl Querfurth on horns this could have been released as the finest Roomful CD in years. Sharing vocals with the terrific Sunny Crownover Duke plays homage to some of the finest vocalists of the era including Wynoie Harris, Roy Milton, Big Joe Turner and Helen Humes’ who originally recorded the “Million Dollar Secret”. Most of the tracks on this disc were originally recorded 40-60 years ago, but Duke brings them back to life and makes them sound as fresh as the day they were recoded. My advice is put on your dancing shoes and Stomp the Blues Tonight! Reviewed By: Gregg Saur

Quick Links:

• Dukes Official Web Sight

DIZZY GILLESPIE ALL STAR BIG BAND

I'm BeBoppin' Too

June 22, 2009

In celebration of Dizzy Gillespie's big band legacy, former Dizzy alums John Lee (bass) and Slide Hampton (trombone) got together to form the Dizzy Gillespie All Star Big Band. They updated the sound by bringing in new blood such as Antonio Hart (flute)and Roberta Gambarini (vocals) to perform Gillespie's compositions. Modern day trumpeter, Roy Hargrove, is also here, not only to blow his horn, (He's featured on "I Can't Get Started".) but also to blow his own pipes on vocals for the title track. There is other fine trumpeting here from Claudio Roditi as well on "Birk's Works". Rebecca Ruth

Quick Links:

• Dizzy Gillespie Website
• Blue Note Records

STARDEATH AND WHITE DWARFS

The Birth

June 22, 2009

There seems to be some Flaming Lips influence on this full-length debut from Oklahoma psych rockers Stardeath and White Dwarfs. How could there not be, when lead singer Dennis Coyne is Wayne Coyne's nephew and three members of this quartet were Lips roadies? This album features heavy guitars (The Birth), loud organ (The Sea Is On Fire), and nice production. The single, "New Heat", is the weakest song on this. Better choices might have been the quiet, Yes-like prog/rock of "Country Ballad" or the rocker "The March". Rebecca Ruth

Quick Links:

• Band Website
• Warner Bros. Website

BJ ALLEN & BLUE VOODOO

HEARTLESS

June 22, 2009

Kirksville Missouri musician BJ Allen and her band Blue Voodoo is certainly a force to be reckoned with. BJ has a dynamic vocal quality and range that could easily be compared to Ellen White, Liz Mandville or even Grand Rapids own Roberta Bradley. You can feel BJ pour her entire soul into each track on this fine release. The first track “Don’t Know What You’re Missin” is sure to fill the dance floor with its swinging sound. The track “Borderline” shows the funkier side of BJ and her excellent cover of Janis Joplin’s “Get It While You Can” has a certain gospel feel to it. BJ also slows things down a bit on Dinah Washington’s classic track “Sunday Kind Of Love” displaying her more sensitive side. The name of this CD is Heartless but after one listen you will discover that this Musician and her excellent band from Missouri have a whole lot of heart and lots of soul. Reviewed By: Gregg Saur

Quick Links:

• My Space
• Amazon

WANDA JACKSON

HEART TROUBLE

June 19, 2009

For those not hip to the tip, Wanda Jackson is literally the Queen of Rockabilly, turning the Country world on its head along with Elvis, Carl Perkins and Johnny Cash in the mid-1950’s with her wild stage antics and such classic hits as "Mean Mean Man", "Hard Headed Woman", "Rockabilly Fever" and "Let’s Have a Party". With her induction into the Rock and Roll Hall of Fame’s 2009 class, it is likely that a whole new generation will discover the sheer joy and abandon that marked her approach to a style of music that she was making up as she went along. This 2003 release marked Jackson’s first return to the recording studio in over 20 years after a long hiatus performing gospel and straight County. To mark the occasion she was joined by such roots rock luminaries as Dave Alvin, The Cramps, Lee Rocker, Rosie Flores and even Elvis Costello. With a wide sampling of her country and rockabilly hits, this disc is a journey into the past. While the flames don’t burn as bright as on her 50’s sides, there is still plenty of heat here. Play it loud, play it often. Smitty

TERRI HENDRIX

LEFT OVER ALLS

June 19, 2009

This release gives Terri Hendrix a place to showcase cuts that didn’t end up having a home on her prior discs or that have been reinvented so much on the road that they need revisiting. Make no mistake though, these aren’t mere cast offs or demos, they are full fledged efforts that stand tall on their own merits. Highlights include the tough, sinewy "Posey Road Stomp", her live show staples, "Wallet" and "Hole in my Pocket", the funky, semi-spoken, "Bottom of the Hill 2", the gypsy groove of Cheryl Wheeler’s "Summer Fly", the reggae bounce of "Wilderness Song" and the Little Feat style work out "Rockin’ on the River" where Hendrix sounds uncannily like a young Maria Muldaur. Also included are a couple of new cuts that paint a bright future for Hendrix: "Bring ‘Em All In" has multi-track vocals and features her best Dolores O’Riordan (the Cranberries) imitation to generally good effect while "Give Me Flowers" is the kind of earnest message song that seems to spring effortlessly from her pen. Like fellow Texan, Michelle Shocked, Hendrix has the ability to both enlighten and entertain. This disc has ample doses of both of these strengths. Smitty

LEVON HELM

ELECTRIC DIRT

June 19, 2009

After hitting a home run with his 2007 release, Dirt Farmer, Levon Helm returns with Electric Dirt. Featuring a cast of musicians that has a wide and deep background in roots music of all forms and tracks written or popularized by the likes of the Grateful Dead, Pops Staples, The Carter Brothers, Nina Simone, Ollabelle, Muddy Waters and Randy Newman, Helm has crafted a disc that is loose, organic and a solid delight from beginning to end. As always, tying all of the pieces together are the rough, gruff vocals that Rolling Stone Magazine has ranked in the top 100 of all time. With the ravages of time and throat cancer seemingly held in abeyance Helm gives a boisterous reading to Muddy’s "Stuff You Gotta Watch", goes deep into the delta for the field holler groove of Staple’s "Move Along Train", duplicates the good time vibe of the Band on "I Wish I Knew How It Would Feel To Be Free" and rocks out on guitarist Larry Campbell’s "When I Go Away". While there are contemporary flourishes and horns on many of the tracks that distinguish this disc from the stripped down folk of Dirt Farmer, Helms seldom veers too far from his past. On "Golden Bird" and "White Dove", Helm and crew move deep into Appalachia with dulcimers, fiddles and acoustic guitars providing the backdrop to odes about hard times and simple pleasures. Given his roots in rural Arkansas and long tutelage in folk and blues music Helm is able to perform these numbers with an authenticity that lays waste to the efforts of modern roots pretenders. Electric Dirt gets beneath your nails and won’t scrub out with a simple washing. Smitty Kingfish- “Shitkickers”, “Ass”

GREG NAGY

WALK THAT FINE THIN LINE

June 19, 2009

Greg Nagy is well known to mid-western audiences as the guitarist and occasional vocalist for Lansing, Michigan based Root Doctor. This disc reveals that if his main gig ever ends, Nagy will land quickly on his feet. Joined by Jim Alfredson (Root Doctor and Organissimo) and Al Hill (Bettye Lavette) on keys, Jen Sygit and Rachael Davis on vocals and a host of others, Nagy and crew rip through 10 mostly self-penned tunes that cover a broad range of blues styles. The Don Nix classic, "For The Love of A Woman" is not only funky, but has some scorching guitar work. The title cut plays closer to the Soul side of the spectrum while "M & O Blues" has a Hill Country feel to it and "You Can Love Yourself" will have Keb’ Mo’ smiling at Nagy’s adept cover. On "Sunrise", Nagy channels the Doobie Brothers with his supple vocals propelling the rocking groove. Closing things out is the ballad, "She’s My Baby" which showcases Nagy’s sensitive side. Overall, a fine release. Smitty

AMONG THE OAK & ASH

Among the Oak & Ash

June 19, 2009

Folk-rockers Josh Joplin and Garrison Starr team up on this interesting set of traditional folk tunes reworked (and many of them revved up) to give us a fresh take on these historic musical touchstones. "Peggy-O," "Angel Gabriel" and "The Water is Wide" are examples of famous songs that will re-engage you once you hear these two musicians take them down new avenues. Doomed legends such as Hiram Hubbard and Joe Hill have their stories retold by the troubadours; Joplin and Starr also contribute their own song to the genre -- "High, Low & Wide" -- and it fits perfectly in this company. Nice project, and they promise a reprise. MJVD 06/09 F-Neo-Traditional

Quick Links:

• ATO&A home page
• ATO&A Myspace site

SON VOLT

American Central Dust

June 15, 2009

With their first effort for Rounder Records, Son Volt offers up American Central Dust - their 6th full-length recording. While many of the band members have changed since Son Volt's debut Trace in 1995, one constant has been lead vocalist and primary songwriter, Jay Farrar. Continuing mostly in the genre and vein of Americana inspired rock, Farrar calls this effort a little more positive than previous recordings while still reflecting socio-politically on the past. Bringing back memories of early R.E.M., the Volt kicks things off with the short, harmonious and accordion driven "Dynamite." Then, inspired by Keith Richard's admission (later revoked) that he had smoked his father's ashes, "Cocaine and Ashes," brings to light the effects of addiction with a stripped down sound - mostly carried by the fiddle, piano and Farrar's heartfelt vocals. In the vein of Americana inspired music, "Sultana" brings the listener back to the maritime tragedy of 1865 wherein the greatest steamboat disaster in American history occurred - often referred to as the Titanic of the Mississippi. Perhaps the best song here, "When the Wheels Don't Move," delves into the socio-political realm highlighting the greed and avarice of the oil industry. Here, Farrar is admittedly inspired by the soaring gas prices of 2009 as he sings: "Who makes the decision / to feed the tanks and not the mouths / when the wheels don't move." Overall, while there's nothing spectacular here and there's a few missteps along the way, what Son Volt has recorded is a well rounded album that grows more interesting after each listen. ~ Reviewed by Jeff Bouma

Quick Links:

• Son Volt Official
• Son Volt on Myspace

BUTTERFLY BOUCHER

Scary Fragile

June 15, 2009

Aussie native, Butterfly Boucher, not only wrote and arranged everything on this album, she also played all the instruments. This is the follow-up to her first release, Flutterby, which had a song featured on Grey's Anatomy. "A Bitter Song" has now been re-released on this album. The song title pretty much says it all for this album. This is full of teenage angst, sung in over-produced vocals over power-pop guitars. There is nothing interesting or challenging here. If you like the bands Paramour or Evanescence, you might enjoy this one too. Rebecca Ruth

Quick Links:

• Nettwerk Records Website

DAVID LAST VS. MC ZULU

Musically Massive

June 15, 2009

Producer/performer David Last (The Agriculture, Goosehound) was already remixing albums for the Staubgold label when he was referred to Chicago native, MC Zulu. The emails flew between David in Sydney (and later in New York City) and MC Zulu in Chicago and a collaboration was begun. Before they knew it, they had a song completed and within twenty-four hours, the label in Berlin was ready to support the project and an album was made. This is MC Zulu's dancehall vocals combined with David Last's electronica arrangements to make reggae-tinged hip-hop for the dance floor. Rebecca Ruth

Quick Links:

• Staubgold Website
• David Last's Website
• MC Zulu's Website

RICHARD SWIFT

The Atlantic Ocean

June 15, 2009

After false starts and re-issues of previous material, multi-instrumentalist/singer/songwriter Richard Swift has released his second album on Polydor/Secretly Canadian (his fourth overall). This album came about after Richard Swift met Jeff Tweedy on the set of "Later with Jools Holland". Tweedy liked what he heard and invited Swift to open for Wilco on their US tour for Sky Blue Sky. Tweedy then invited Swift to record in Wilco's Chicago loft, resulting in this album. It is quiet, folky pop with occasional synthesizer, trombone, toy piano, banjo, and other pleasant surprises; and just because it's quiet doesn't mean that it's not upbeat either, because it often is. This is nice stuff. Rebecca Ruth

Quick Links:

• Richard Swift's Website
• Secretly Canadian Website

EELS

Hombre Lobo: 12 Songs Of Desire

June 9, 2009

This marks EELS’ 7th studio album. EELS is the ever-changing project of singer-songwriter and multi-instrumentalist Mark Oliver Everett (aka “E”), along with Koool G Murder (bass, keyboards and guitar) and Knuckles (drums and percussion). E says of the album, “I wanted to write a set of songs about desire…” written from the perspective of “a dignified old werewolf,” (a character from his 2001 release Souljacker was a dog-faced boy, now he has grown up). The songs form a conversation of big confidence answered by beta male panic, especially going from “Prizefighter” to “That Look You Give that Guy.” The album somewhat loses its steam halfway through, only because the flow starts to feel too predictable, but closes strongly with “Beginner’s Luck” (which reminded me of The Strokes) and “Ordinary Man.” Reviewed By LaRae

Quick Links:

• official EELS website
• EELS myspace page

GRIZZLY BEAR

Veckatimest

June 8, 2009

While only five years young, Grizzly Bear has surely attracted a good bit of attention, especially after their Yellow House release in 2006. Now in 2009, Grizzly Bear is back with their new collection of songs titled Veckatimest - named for a Massachusetts island the band visited while recording. Drawing some comparisons to Sigur Ros and Animal Collective, one possible label for this sort of music is Experimental Folk/Rock but even that doesn't quite capture the entirety of sound found here. At first listen, the collection seems like a mixed-bag both lyrically and musically. Even though drummer and vocalist Christopher Bear claims that in comparison to Yellow House, this release is clearer and thereby more accessible, the lyrics are still fairly cryptic and tough to really grasp. The greatest strength here is the bands ability to write songs that in most cases sound pretty good, and like a good wine, age well over time. One of the standouts, "Two Weeks," a gem that sounds almost Beach Boyish, showcases the backing vocals of Victoria LeGrand quite appropriately of Beach House fame. Another track worth a spin is the opener "Southern Point," a song that builds into an outbreak of percussion that is only matched in intensity by Ed Droste's vocals. Still, my favorite song just so happens to be the last, a piano focused track titled "Foreground." In fact, this is one of three songs that features the Brooklyn Youth Choir, lending their voices to the creation of the beautiful and majestic four-part singing that's found on this final piece. Overall, Grizzly Bear's willingness to embark into new waters of experimentation, even when it doesn't quite work, makes for a noble effort nonetheless. And on the whole, it's well worth a listen even though you'll probably have to live with it for awhile before the true beauty of the music sets in and truly grabs your attention. ~Reviewed by Jeff Bouma

Quick Links:

• Official Website
• Grizzly Bear on Myspace

KENDAL CARSON

Alright Dynamite

June 7, 2009

A native of Victoria, British Columbia, 24-year-old Kendal Carson started out musically as a violist in a youth symphony, then got involved in the folk scene first with her brother and later with The Paperboys. She struck up a mentorship with legendary songwriter/producer Chip Taylor, which has resulted in two strong Alt-Country discs, "Rearview Mirror Tears" and this new set. Carson employs her voice in a strong and soulful manner that recalls Shelby Lynne (check out "I Don't Wanna Be Your Mother" or "Ooh That Dress" for examples). Defiant yet dependent, confident yet questioning, Carson serves up some great songs, such as the languid "Oh Baby Lie Down," the toe-tapping "Belt Buckle," the confessional "Jesse James" and the rocker "Submarine." She does a nice take on the Janis Joplin classic "Mercedes Benz," too. Carson has obvious talent and it will be interesting to watch this career go. Michael J. 06/09 F-Alt Country

Quick Links:

• Kendal bio page (dated information)
• Kendal on Myspace

Ziggy Marley

Family Time

June 6, 2009

This album’s title says it all. The recording pours out warm, heartfelt songs about family, love, and life lessons as it focuses on music for children. Ziggy says of the album, “As a father and a son I know first hand how important music can be in a child’s growth and development, and how important it can be in a parent’s connection with their children…this record is really an extension of my family’s daily life.” Several guest stars show up on Family Time, including mother Rita Marley, sister Cedella Marley, and daughter Judah Marley. Also making appearances are Paul Simon, Toots Hibbert, Willie Nelson, Jack Johnson & Paula Fuga, Jamie Lee Curtis, and kids' music stars Elizabeth Mitchell and Laurie Berkner. Family Time is a great introduction to contemporary Reggae for kids, and Ziggy Marley's message of love and family just can't be beat. Ziggy's heart is in the right place, too: proceeds from the sale of Family Time will benefit Chepstowe Basic School in Port Antonio, Jamaica. ~Reviewed by LaRae

Quick Links:

• Official Website
• MySpace

BAT FOR LASHES

Two Suns

June 2, 2009

Are you like me and think split personality albums can be kind of pretentious? Bat For Lashes (aka Natasha Khan) has created another alter ego for her second album Two Suns, the follow-up to the Mercury-nominated Fur And Gold. Meet “Pearl,” a destructive blonde femme fatale who represents Natasha Khan's extreme nature. Khan says of the album, “(It) was born out of the coming together and journeying apart of two suns, two half hearts, celestial twins, a King and Queen…” (hmm…) That said, at least half of the songs here can stand repeated listens based on their quality, not on gimmicks or posturing. Khan’s beautiful yet creepy voice, along with cascading keyboard washes, and guest-star Yeasayer’s edgy beats make this album more than listenable, it’s quite lavish and dreamy. So ignore the dual-personalities and body paint and give the music a fair listen, you may actually enjoy it. ~Reviewed by LaRae

Quick Links:

• Official Website
• MySpace

THE WOODEN BIRDS

Magnolia

June 1, 2009

Andrew Kenny, best known to date as the singer/songwriter behind the indie band American Analog Set, is back at it with another new project - The Wooden Birds. Aside from Kenny, the Birds also include co-producer and guitarist Chris Michaels, vocalist and guitarist Leslie Sisson as well as the lyricist and composer David Wingo. At first listen, simplicity seems to capture the essence of what one finds here. With nice vocals from Kenny and simple and succinct arrangements, the songs here are mostly scaled back tunes of the melancholy sort. To get things started, the first four tracks offer a really nice opening set, featuring strong melodies and pleasant harmonies throughout. Having said that, the lyrics that the Birds have penned are mostly puzzling with their meaning veiled behind a mostly impenetrable layer that most listeners won't quite get. Other glaring problems here are that little seems to differentiate the songs from each other with arrangements that are all-together too similar. Moreover, what one can decipher from the lyrics is a message that is largely gloomy at best. On the whole, there's little flash here, and while Kenny and his fellow Birds have written some gems, the strong start unfortunately ends with little to write home about. ~Reviewed by Jeff Bouma

Quick Links:

• Offical Website
• The Wooden Birds on Myspace

NINO MOSCHELLA

Boom Shadow

June 1, 2009

Out of Oakland, CA, multi-instrumentalist Nino Moschella gives us a taste of his domestic life on this, his sophomore album. Being married with a new baby daughter, many of the songs here are about such things as tough relationships (We Fight) and his daughter (Stella). Don't let the personal lyrics fool you, though. This album rocks with plenty of neo-soul funk. Nino, having started out as a drummer, offers plenty of interesting percussive sounds. Check out "Sleep", "Running", or "New Orleans" for the best examples of what can be done with a drum kit and a desire to do anything but a pedestrian beat. I can't wait to see what this guy does next, but I'll be happy to listen to this in the mean-time. Rebecca Ruth

Quick Links:

• Ubiquity Recordings Website
• Nino's Website

THE REVOLUTION (VARIOUS)

Revolution

May 31, 2009

The Revolution is a collaboration of nine producers and various Cuban performers from Havana's hip-hop scene. The product gives us an idea of what the current music scene is about around the Havana area. This is no Buena Vista Social Club, but you definitely get that Latin essence. Most of this is ordinary-sounding dance-pop stuff such as "Cuba Boom". A few tracks do stand out, though, such as the danceable hip-hop of "14me" and "Guatanamero". There's also ambient rock in two songs from Rich File (from UNKLE). Norman Cook (aka Fatboy Slim) gets things started with "Shelter" and later with "Siente Mi Ritmo". (This, from what I can figure, means Feel My Rhythm.) This album should satisfy the person who is curious about the current grass-roots music scene around Havana. Rebecca Ruth

Quick Links:

• Rapster Records Website

VIVA VOCE

Rose City

May 31, 2009

Out of Portland, duo-used-to-be, Viva Voce is now a quartet for its second album on Barsuk Records. Combining guy-girl harmonies with dreamy guitar and dark lyrics, Viva Voce offers and ambient shoegaze-pop sound. This album was written, arranged and recorded within a month for an immediate sound. Best songs are the country-noir "Red Letter Day" and "Die A Little" with its cool "oooh, oooh, oooh" refrain. Nothing here beats "Devotion", though, the album's opener. Rebecca Ruth

Quick Links:

• Barsuk Records Website

JILL HENNESSY

Ghost in My Head

May 31, 2009

The star of the television shows "Crossing Jordan" and "Law & Order" goes back to her first loves, strumming a guitar and writing songs. Hennessy started out as a 17-year-old singing on the streets of Toronto and got into acting because she was cast in a musical about Buddy Holly -- and things took off from there (interestingly, she now lives with her husband and two kids in the same NYC apartment building as Buddy did in 1958). She shows off plenty of talent in this debut, both musically and lyrically. I would have appreciated more diversity in the set -- only the electric "4 Small Hands" strays from a basic country/folk approach -- but there are some solid songs here. I liked the first four entries, especially "10,000 Miles" and the aforementioned "Hands." Also impressive is "Holding On," which features musician extraordinaire Lloyd Maines and Dixie Chick Martie Maguire. Many actors try their hand at music and fail miserably. Not Hennessy -- a musician before the acting opportunity came along. 05/09 Michael J. F-Contemporary

Quick Links:

• Jill's homepage
• Myspace page

BIG BAD VOODOO DADDY

HOW BIG CAN YOU GET ?

May 26, 2009

BIG BAD VOODOO DADDY HOW BIG CAN YOU GET? This CD is tribute release to the late great Cab Calloway. The songs on this disc jump alive and bring back the charisma from one of the finest band leaders ever in the Jump Jazz genre. Cab passed away in 1994, but he passed his torch on and his music will live for generations to come. Big Bad Voodoo Daddy Would make Cab proud on this release with their signature high energy sound including a larger horn section then was found on the original tracks. Scotty Morris can not duplicate the authentic vocal sound that made Cab Calloway a legend but he can certainly bring his listeners back to a simpler time when Jazz was the music of the day. Reviewed By: Gregg Saur

Quick Links:

• BBVD Home Page

DAVE ALVIN AND THE GUILTY WOMEN

DAVE ALVIN AND THE GUILTY WOMEN

May 26, 2009

Dave Alvin and the Guilty Women Dave Alvin has been in the forefront of Americana music for the last three decades, heading up bands like the Blasters, the Knitters and the Guilty Men, Dave’s journey down the American highway has joined him with seven of the finest female musicians in Americana music today. The result is a superb collection of songs that range from the reworked Blasters classic “Marie Marie” done in a bluegrass format to the western swing sounds of “Boss of the Blues”, Dave’s tribute to the late great Big Joe Turner. Dave also gives leading vocal recognition to Christy McWilson and the guilty women on the tracks “Weight Of The World” and “Potters Field”. Every track on this disc is a little gem including the coolest version of “Que Sera Sera” you will ever hear. As that song ends asking what the future will bring, I only see good things for Dave Alvin and the Guilty Women. Que Sera Sera. Reviewed By: Gregg Saur

Quick Links:

• Dave Alvin Home Page

KATIE MELUA

Pictures

May 26, 2009

Katie Melua, born in Georgia (the country, not the U.S. state), burst on to the UK music scene with a voice and a debut mixture of folk, blues and jazz that called to mind the late Eva Cassidy. Melua's ability to turn any song into a soulful banquet made that release, "Call Off the Search," an English smash (and it is tucked in with most of Eva's catalog in our jazz section of the library). However, like Cassidy, Melua has always been pulled between genres and in this third release (like the one prior), the balance tips away from blues/jazz and toward singer-songwriter territory. "Mary Pickford" and "If the Lights Go Out" are examples of her storytelling side; "Perfect Circle" is a reminder of her jazz inclinations. "Ghost Town" is a reggae-inflected tune that also captures her soulful side and she closes with a smoky version of Leonard Cohen's "In My Secret Life." F-Contemporary 05/09 Michael J.

Quick Links:

• Katie's home page
• Youtube site of her song "If You Were a Sailboat"

BEARFOOT

Doors and Windows

May 25, 2009

We've heard of bluegrass and newgrass -- how about tundragrass? Bearfoot is a bluegrass ensemble from Anchorage, Alaska and they can fiddle, mandolin and harmonize just as well (maybe better) as their kin in the Lower 48. The band knocked around Alaska for a number of years, honing their skills, but things revved up when Californian lead vocalist and fiddle player Odessa Jorgensen joined the group late last year. Her vocals emote and soar and the rest of the Bearfooters ably provide a great musical backdrop. Everything on this disc is well done; check out "Single Girl," the haunting title track and tragic "Caroline," John Hiatt's "Before I Go," a cover of the Beatles' "Don't Let Me Down" and the coy closer "Good in the Kitchen." Michael J. 05-09 F-Bluegrass

Quick Links:

• Bearfoot homepage
• Bearfoot on My Space

LONESOME JANE

Once I Had

May 20, 2009

Grand Rapids-based Lonesome Jane has given us an album of nice melodies, sung sweetly and wrapped in a country-folk package. Most band members shared song-writing duties along with guest-writer Danger (of Dangerville). The album was self-produced by band member Chris Olsen (also of the Willeys) and the mix is a bit inconsistent, but all in all a well-done effort. Rebecca Ruth.

Quick Links:

• Lonesome Jane's Myspace

STAFF BENDA BILILI

Tres Tres Fort

May 17, 2009

Staff Benda Bilili is a band of homeless and disabled (four members are paraplegic) people living in the grounds of Kinshasa Zoo in Congo. Benda Bilili literally translates to "put forward what is hidden", which pretty much means to look beyond appearances. Playing mostly home-made and found instruments, including a plastic armchair drum kit, they were "discovered" when introduced to British and US musicians who visited Kinshasa as part of the Africa Express trip of 2007. They won the hearts of members of Massive Attack and Damon Albarn, with whom they performed. This is an album of amazingly optimistic songs that document everyday life for these people. Take the lyrics to "Tonkara", for instance. "I once slept on cardboard. Good luck hit me. I bought myself a mattress. It can happen to you..." Optimistic indeed! Rebecca Ruth.

Quick Links:

• Crammed Discs Website

NOMO

Invisible Cities

May 17, 2009

Most of this album was conceived and recorded during last year's Ghost Rock tour. Producer Warren Defever convinced these east coast boys (east coast of Michigan, that is) to come to his UFO Factory studio the morning after the tour ended. The studio is located in Detroit's Eastern Market and the streets were littered that morning with post-market garbage. Some of the refuse included street sweeper tines. Defever collected these and fashioned electric kalimbas. These and other re-purposed items can be heard throughout this production. This album has hot horns and percussion that are often accentuated by bamboo flute, synth noise box, and, of course, the aforementioned kalimbas. Hot tracks are the title track and "Bumbo", both of which provide a solid percussion base for the sometimes wandering horns. "Crescent" features home-made electric kalimbas and congas accentuated by a bamboo flute to make for a nice groove. Rebecca Ruth.

Quick Links:

• Ubiquity Records
• Nomo's Webesite
• Nomo Myspace

JARVIS COCKER

Further Complications

May 17, 2009

After fronting Pulp, semi-retirement in Paris, songwriting for the likes of Marianne Faithful and Charlotte Gainsbourg, appearing in Harry Potter and the Goblet of Fire (as lead singer for the Weird Sisters), Jarvis Cocker is finally having a go at his second solo release. Produced by Steve Albini (Nirvana, Pixies) and featuring plenty of tongue-in-cheek lyrics, this album rocks in all the right places. The vocals were mixed front and center and they can take some getting used to, but it works. Many songs can be compared to other artists such as "Angela" (Smithereens), "Homewrecker" (Virginia Plain-era Roxy Music), and the awesome "You're In My Eyes" (Flight of the Concords covering Bowie?). Incidentally, Jarvis is currently composing music for Wes Anderson's animated adaptation of Roald Dahl's "The Fantastic Mr. Fox". It is set to be released in Nov. 2009 and will feature Mr. Anderson's usual cast of actors including Jason Schwartzman, Bill Murray, and Angelica Huston. Rebecca Ruth

Quick Links:

• Rough Trade Records
• Jarvis Cocker' Site
• Jarvis Cocker's Myspace

CLOUD CULT

Feel Good Ghosts (Tea Partying Through Tornadoes)

May 11, 2009

With short and punchy songs, coupled with thought provoking lyrics, Minneapolis, Minnesota's Cloud Cult has certainly attracted a lot of attention over their decade and a half of existence. In fact, their last album, 2007's The Meaning of 8 was ranked by the Denver Post as one of the top ten albums of the past decade, along with bands like Modest Mouse, The Flaming Lips, and Radiohead. So, with the release of their latest recording titled Feel Good Ghosts, one wonders whether they can do it again? If you're unfamiliar with Cloud Cult, think the lyrical introspection of The Mountain Goats along with the musical ingenuity of The Flaming Lips, and you might just end up pretty close to what you find here. The brainchild behind the Cult is Craig Minowa whose lyrics are worth following if not for their profoundness, then for their sheer lyrical whit. For instance, on one of the best songs on the album, "The Ghost Inside Our House," Minowa writes: "We saw a ghost inside our house, or was it wishful thinking? Oh, God, don't leave us by ourselves, or we're bound to take up drinking. I said, "please send us a miracle, so I know that there is meaning." You said, "I think that it's a miracle just to be breathing."" Added to the lyrical attraction are melodies that catch you from the start. For instance, on the opener, "No One Said it Would be Easy," Minowa sings about the difficulties of life and yet somehow does so in jolly and melodic sort of way. Another song that sounds like the soundtrack to something beautiful is "When Water Comes to Life," a track that begins slowly and builds into something bigger. From start to finish, the genius of Cloud Cult is in keeping the listeners attention throughout. Overall, while not a perfect collection of songs, Cloud Cult's latest is certainly one of the most interesting releases of 2009 and one that is likely to engross you from beginning to end. ~Reviewed by Jeff Bouma

Quick Links:

• Cloud Cult Official Website
• Cloud Cult on Myspace

Branford Marsallis

Metamorphosen

May 11, 2009

As on his recording Requiem, dedicated to his longtime friend and pianist Kenny Kirkland, Branford Marsalis dedicates this recording to his mentors, friends, and jazz icons who had passed away prior to its recording. The CD varies between his tenor or alto saxophone celebratory-led post and neo-bop compositions, or the somber, reflective slower songs featuring the soprano sax of Marsalis. This exceptional band, together for ten years, with drummer Jeff Watts, bassist Eric Revis, and pianist Joey Calderazzo, communicate with utter confidence and the mastery of expert professional musicians who need few verbal or charted cues to spring forth into action. Thelonious Monk's influence is recognizable on the jagged edged, quirky Watts composition "The Return of the Jitney Man," the straight, no-frills hard bop chaser "Jabberwocky" where Marsalis borrows a page from the book of Charlie Rouse, a take of "Rhythm-A-Ning" moves from straight-ahead to staggering funk, with most of the intact original line phrase, while "Sphere," composed by Revis, is an original angular adaptation of Monk's style without much paraphrasing . A tribute to the late actor, "Abe Vigoda" is a crusty and dusty ballad, "The Blossom of Parting" a reverent, sad song for the departed, and "The Last Goodbye" a similarly themed ballad, all with Marsalis on the soprano. Perhaps the most original piece is "And Then He Was Gone/Samo," featuring an extended solo from Revis, intentionally messy and frustrated, followed by the finale, a funky 7/8 soul and spirit song. A fine, emotional and heartfelt effort from Marsalis, one of his best since Requiem, it faithfully pays tribute to those late heroes like Alvin Batiste, Michael Brecker, Freddie Hubbard, Dewey Redman, Max Roach, Willie Turbinton, et. al., while also staying true to himself.

The Living History Band

Chicago Blues: A Living History

May 11, 2009

This looks like a greatest hits compilation but it’s actually a retrospective performed by a modern Chicago collective calling themselves The Living History Band. They’re joined by 4 of Chicago’s great blues traditionalists – harp masters Billy Boy Arnold and Billy Branch; and guitarists Lurrie Bell and John Primer. Extensive liners explain the significance of the honored artists, none of whom, it could be pointed out, were born north of the Mason-Dixon.

JASON LYTLE

Yours Truly, The Commander

May 11, 2009

Jason Lytle’s new release, “Yours Truly, the Commuter” sounds accidental at times. Lyrics like those on track 11, “Flying Thru Canyons,” which simply read, “I saw you out there/ flying thru canyons/ high and alone/ I won’t dare imagine anymore” seem at odds with the dramatic music that accompanies them. The lyrics often seem like an excuse to make music, which isn’t all bad. The music sounds pretty good and Lytle performs it confidently. The performance is as it is billed: “hopeful and spirited.” But what isn’t clear is exactly what Lytle is so hopeful about. The album could have benefitted from more coherent lyrics, but it certainly isn’t a failure. “Yours Truly, the Commuter” is available from Anti Records in 2009. TRACK ONE NO PLAY

Bob Dylan

Together Through Life

May 11, 2009

Bob Dylan's latest CD is a real treat. Not sure if it will convert non-fans of Bob, but for anyone who enjoys really interesting, unique and cool sounds will enjoy this offering. This recording is certainly firmly planted in the blues-genre (check out My Wife's Home Town) and a bit like his latest recordings (Modern Times/Time out of Mind) but has it's own flavor. Check out the accordions...This Dream of You. Always original with his vocals, he is aging into a "blues maestro"...perfect pacing and high style. This CD has been well reviewed and received, and these songs getting better with each listen. It's All Good is the last song, and that says it all!

CAMERA OBSCURA

My Maudlin Career

May 11, 2009

Scottish rock/pop six-piece Camera Obscura are back with “My Maudlin Career,” their fourth full length album from 4AD Records. The album features more of Tracyanne Campbell’s hyper-introspective, self-deprecating lyrics and sparkly background arrangements. The music sounds as good as ever, though the lyrics are as depressing as ever. One wonders if Ms. Campbell were suddenly contented in life if she would be able to keep writing music. In any case, the album hits the mark the band seem to be shooting for, evoking images of young people standing alone against the bleachers on prom night as they’re blinded by swirling lights and deafened by echoing music. This release is available in April, 2009.

ALLEN TOUSSAINT

The Bright Mississippi

May 11, 2009

Legendary New Orleans jazz pianist, Allen Toussaint, puts muggy New Orleans evenings to music with his new release, “The Bright Mississippi.” Despite being his first solo jazz release in more than ten years, the album is confident and perfectly performed. Mr. Toussaint’s talent for understated arrangements comes out here. The accompanying performances, particularly that of Don Byron on clarinet, are equally impressive. “The Bright Mississippi” is available from Nonesuch Records in April, 2009.

LUBRIPHONIC

Soul Solution

May 11, 2009

Lubriphonic plays upbeat blues, oxymoron, or not. Out of Chicago and boasting a talented and experienced horn section, this band will get your booty on the dance floor. Except for four songs (Walls, Mexico City Blues, Depression Suite, and Waiting for a Change…all slow) this is a danceable and fun album. The song, Another Patch of Ground, in particular, starts out slow, but it works itself into a tight groove and features a nice trumpet solo.

CLUTCHY HOPKINS (Meets Lord Kenjamin)

Music is My Medicine

May 11, 2009

Multi-instrumentalist Clutchy Hopkins is still being promoted as a mystery man of sorts. If you seek information about him, you’ll find wild stories and unsubstantiated facts. Basically, he’s traveled the world, investigating consciousness and its relation to music. He’s studied under Zen monks in Japan, a Raja yogi in India, and a master percussionist in Nigeria, amongst others. Along the way, he’s made some great music, attempting to utilize the lessons he’s learned in the last thirty-some years. This is a typical Clutchy album. It’s full of drum ‘n bass beats, punctuated with organ, flute, electronics, melodica, and various home-made instruments. This is innovative and funky dub at its groovin’ best. Rebecca Ruth

CATHERINE MACLELLAN

Water in the Ground

May 11, 2009

Canadian folk singer/songwriter Catherine MacLellan’s newest release, “Water in the Ground” delivers just what its press release promises: poetic lyrics and vocal performances that may remind listeners of artists like Joni Mitchell. Ms. MacLellan is a fine writer and vocalist. This release, which features both her new album and a copy of her first, previously mail-order exclusive debut, “Dark Dream Midnight” is enough to keep folk fans happy for a long time. Both albums are available from True North Records in March of 2009.

Willie Nelson

Naked Willie

May 11, 2009

This "new" Willie CD will probably not add any new fans to his bus, but it certainly is a treat to Willie-lovers (like myself) . These songs were all recorded prior to his landmark release of Red Headed Stranger in 1975 and the beginning of the "outlaw" era of country music. Two things make this CD a must for Willie fans and historians: 1. The production - or a better term- the "unproduction". These songs were chosen by long time confidant Mickey Raphael and intentionally "unproduced", stripping them of the layers and layers of 1960's Nashville "sound". 2. The liner notes. These notes are a great read. It goes into detail about the early business of Nashville and country music, and it is a great introduction to the struggles of a recording artist like Willie in his early days. A couple sounds of note: The classic #11- The Party is Over - which is a staple of Willie concerts and the Kris Kristofferson written #16 Sunday Morning Coming Down (a classic!!!!) Let's appreciate Willie while he is here!!

GREENCARDS

Fascination

May 11, 2009

Okay, so you've been looking for a new favorite bluegrass band now that Nickel Creek is in hibernation. But you don't want a copy-cat knock-off of the Creek and, because you're a WYCE listener, you want evidence of a few other musical influences thrown in. Your search has ended. The Greencards, a trio made up of two Australians and a Brit, approaches bluegrass with the same guitar, mandolin, violin, harmony work that defines that corner of the library, but you'll hear homages to jazz, blues and world music throughout. Check the world influences of "The Avenue," the jazz feel of the title track and "Into the Blue" and the blusey "Three Four Time." If you need your traditional bluegrass fix, never fear: songs such as "Outskirts of Blue" and "Rivertown" get you where you want to be. Excellent throughout -- musically and lyrically. Welcome to the State of WYCE, Greencards! No pledge of allegiance needed.

Various Artists

Standing Together

May 11, 2009

In 2003, a group of about a dozen local artists came together to raise money for the Grand Rapids Public Schools through the release of a compilation album which was called “Standing Together.” Now, six years later, “Standing Together 2009,” a 17-track compilation featuring nationally known and locally known artists aims to raise more support for the same cause. Released on February 11, 2009 at a community gathering by Mackinaw Harvest Music Group and One World Music, the release was made available at Meijer stores and even at a handful of West Michigan McDonald’s restaurants. The compilation features an eclectic selection of talented musicians ranging from the Verve’s Brian VanderArk to Grand Rapids’s own Ralston Bowles.

Richard Shindell

Not Far Now

May 11, 2009

Shindell’s seventh studio release should please his fans, although I don’t think it’s his strongest release. None of the songs here have quite the lyrical power as “The Ballad of Mary Magdalene” or “Are You Happy Now?” although that’s not to say there’s nothing worthwhile here. “Parasol Ants” is an upbeat track that compares God to “a local hood” whose breath “is the gale.” You can guess who the ants symbolize. Unfortunately, the other standout track (in my opinion), “State of the Union,” contains the S-word, so it’s a no-play. On the whole this is a decent release; I just was expecting a little more from an artist who, at his best, writes some really great songs NO PLAY TRACK 7

MARK DUVAL

All Night Station

May 11, 2009

Michigan native Mark Duval’s newest release, “All Night Station,” is an impressive mixture of well performed horn arrangements, classy blues melodies, and steady rhythms. Excellent production and performances make this, Duval’s third release, a great success. Combining Latin, blues, rock, and pop sensibilities, this ambitious release has a lot to offer to a wide variety of listeners. The album is a departure from the stylistic qualities of his 2007 release, “Two-Track Mind,” which featured much folkier arrangements. “All Night Station” is available April 25, 2009.

JEN SYGIT

So Long Pollyanna

May 11, 2009

Very cool, iPod worthy, folk/pop/rock/country/blues CD by Lansing based singer-songwriter Jen Sygit. I played the CD for my wife, and listening to the first track; Lousy Bridge, she immediately said "who is this! I would pay to see her perform!" Jen reminded me of the Indigo Girls in several tracks and Michelle Shocked on others. Favorite tracks were her "country flavored" #1 Lousy Bridge , #2, Mockingbird, #7 The Whole Truth (reminded me of Levon Helm's last masterpiece) and #10- Never Existed. All songs are terrific. very well produced. Seth Bernard contributes on several tracks. There would be nothing better than a hot night at Meijer Garden, with Jen Sygit on stage.

THE INDIGO GIRLS

Poseidon and the Bitter Bug

May 11, 2009

The Indigo Girls' 13th album, "Poseidon and the Bitter Bug," is a summation of their 22 years of playing together. The album has an overall mellow folk-rock feel. The songs range in topic from love to death, but are generally darker in nature. Emily Saliers' and Amy Ray's experience together is apparent in their ability to anticipate each other's artistic and emotional direction. The album was recorded in two versions: a full band version, and an acoustic version with only Ray and Saliers. This, the full band version, accomplishes things impossible for an acoustic duo. Overall, the album has a refreshing, new feel.

THE MYSTIX

Down to the Shore

May 11, 2009

The Mystix's second album "Down to the Shore" is refreshing look at American roots rock. Down to the Shore is hard-edged enough to present a modern feel while still digging into the history of roots music. The album has a driving groove accompanied by gritty vocals. The band members (Jo Lily on guitar and vocals, Bobby Keyes on guitar, Marty Ballou on bass and vocals, Marty Richards on percussion, and Tom West on keyboards and vocals) have been playing together for three years, and individually long before that. This album is likely to become a standard as The Mystix gain fame across New England and the world.

ERNESTO HERNANDEZ

West Off Bridge

May 11, 2009

“West Off Bridge” is a collection of songs played by friends for friends. Led by local guitarist, lyricist, and vocalist Ernesto Hernandez, Jr., the four-piece blues/jazz ensemble interprets Hernandez’s songs and two covers with occasional imprecision but with constant sincerity. What the album lacks as a result of its sometimes accidental production quirks and performance errors, it makes up in genuineness and originality. The idea of a bunch of friends getting together to create something they love never gets old, and Mr. Hernandez and his band, while not likely to make a lot of audible noise over the sounds being made by countless bands like them, satisfy listeners with an appreciation for simple, artistic sincerity.

WALTER TROUT

The Outsider

May 11, 2009

Walter Trout's new album, The Outsider, is an amazing combination of lively blues and invigorating rock, but is confined to neither. It is hard to tell whether his music is a well orchestrated masterpiece or an inspired jam session. Trout draws from 35 of experience touring and recording in Europe and America, and enlists the help of Kenny Aranoff on drums, Hutch Hutchinson on bass, John Clearly on piano, Skip Edwards and Samuel Avila on the Hammond B3, and Jason Ricci on harmonica. This soulful outpouring of music cannot be taken lightly.

Jill Sobule

California Years

May 11, 2009

This is Jill Sobule’s first release on her own record label, and get this, this album was made possible by Sobule’s fans who came through with more than $89,000 in donations to finance it, how cool is that? On this record, Sobule documents her recent relocation to the West Coast with a series of songs that blend the hallmarks of her career: “storytelling marbled with telling details, sarcastic wit and easy-to-hum choruses.” Jill has songwriting skills that transcend her one-novelty-hit wonder status (1995’s ‘I Kissed A Girl’). -Reviewed by LaRae

Peter, Bjorn & John (PB&J)

Living Thing

May 11, 2009

This is the trio’s follow up to their 2006 release “Writer’s Block.” Take heed however, as this album is completely different to PB&J's persistently perky last album… There are no “whistling” tracks such as “Young Folks,” instead you will find relatively muted synthesized thrum, which snakes under each refrain without ever giving way to full-fledged reverie. The subtle, earthy sounds aptly create a “living” atmosphere on the album. -Reviewed By LaRae

N.A.S.A.

The Spirit of Apollo

May 11, 2009

The Spirit of Apollo is a hip hoppidelicous compilation of diverse voices amazingly paired together, layered over electronic instrumentation (including occasional outer-space sound effects) and infused with brazilian flavored percussion. This upbeat brainchild of Speak E. Clean and DJ Zegon was created over a 5 year time span. N.A.S.A is an acronym for North America / South America and represents the artists involved in this project. Check it out: #2 and 3 If there's anything David Byrne hasn't done yet, hip-hop isn't one of them. #8 O' Dirty Bastard's lyrics are cleaned up to the point of wondering what he's talking about. This recording may have been his last before his OD/death in 2004. #9 Tom Waits sounds very convincingly and meshes well with Kool Keith. #13 Whachadoin? (feat. Spank Rock, M.I.A., Santogold and Nick Zinner) #14 O Pato: Donald Duck like voice saying "Who's Yo' Daddy." The greatest strength (as well as a possible weakness) is that this album has a surprising element of uniformity and cohesion. It's possibily the coolest hip-hop album released this decade. - Victoria aka vudu Note: Track # 17 is not a 15:32 minute song. It starts out as a tribute to the Apollo mission then fades into a chant with crazy piano music at the 3:45 minute mark. There's nearly seven minutes of silence (except for a moment at the 7:23 mark where a male voice says "Uh, that sounds good", then at the 10:25 minute mark a totally different song starts. If that song had a name it would be "I Need You To Know I Need You."

The Sway Machinery

Hidden Melodies Revealed

May 11, 2009

A New York collective (supergroup? Jew-pergroup?), The Sway Machinery is lead by Jeremiah Lockwood of Balkan Beat Box, Stuart Bogie and Jordan McLean from the Antibalas horn section, Colin Stetson (Arcade Fire, Tom Waits) holding it down on bass sax and Brian Chase of Yeah Yeah Yeahs on drums. Colliding the tradional with the non-traditional, Lockwood sings Jewish cantorial lyrics over lush Afro-beat accompaniment, creating some sort of new mystical experience. Bluesy Malian-influenced guitar lines snake around deep horns (check out #5 Tell It All To Me) which blurt out over complex polyrhythms and even if you don't know what Lockwood is singing about (most of the album is sung in Hebrew), you can't help but be moved by it in some way. 3, 10 and 13 are spoken word pieces

Gomez

A New Time

May 11, 2009

Honestly, there's not a whole lot not to like from Gomez's latest, A New Tide. One of the major strengths of this album is their ability to mix things up quite literally, utilizing lead vocals from three different front-men - Ben Ottewell, Ian Ball and Tom Gray. Still, it's Ottewell's voice that surfaces the most here. Sounding remarkably like Dave Matthews, Ottewell carries the weight of lead vocals well, especially on the short but sweet "Little Pieces" where he belts: "Pieces falling from me / you can have them for free / I've never felt so complete / pieces falling from me." Some of the best stuff here, though, are when the two others take the reign. For instance, on the well-done opener "Mix," Ian Ball offers a completely different sound vocally while Tom Gray carries the vocals on another equally appealing track, "If I ask nicely." But it gets better, such as on the beautiful and violin backed "Win Park Slope" that even manages to incorporate some electronic elements as well. Another track to check out is the most commercially viable and quite appropriately their first single from this release - "Airstream Driver." Here, it's Ian Ball singing on the percussion heavy pop song that is sure to garner several spins. Overall, while there isn't really any theme musically or even lyrically, what Gomez has created here are songs that are simply a pleasure to listen to.

MELODY GARDOT

My One and Only Thrill

May 11, 2009

Cool, hip, sophisticated retro, jazzy, sultry, lush and did I mention cool. Put on your smoking jacket. This is date and martini night music. Melody Gardot is a 23 year old singer-songwriter hailing from Philadelphia. A standout track is #9 My One and Only Thrill. Her take on track #11 Over the Rainbow is Latin-cool....very enjoyable. What a voice. Welcome to Casablanca and play Melody Gardot again Sam.

WAYNE “THE TRAIN” HANCOCK

Viper of Melody

May 11, 2009

My first date with Wayne Hancock. Viper of Melody is literally a blend of Hank Sr., Asleep at the Wheel and The Stray Cats. (w/a little bit of Buck Owen's Bakersfield sound). Wayne puts the "T" in twang. If you like your country music "traditional" with a distinct rockabilly beat you should enjoy Wayne Hancock. If you don't, this probably isn't the sound for you!. Wayne has an intense retro- honkytonk/barroom vibe and it is no surprise he has a loyal following- especially for those liking their music unique and authentic. Here is a quote from Wayne: “I’m like a stab wound in the fabric of country music in Nashville. See that bloodstain slowly spreading? That’s me.” http://www.waynehancock.com/ Standout (and artist recommended) tracks include: #1 Jump the Blues. #4 Throwin Aawy My Money, #5 Your Love and His Blood, #6 Working at Working. There really is no need to describe the sound more than traditional honky tonking, rockabillying, country music swing. And don't forget the TWANG

SOUTHPAW PLAYERS

Avant EP

May 11, 2009

The Southpaw Players' debut album, Avant EP, is a refreshing combination of hip-hop, R&B, and funk. Rooted in tradition hip-hop, The Southpaw Players use live instruments rather than loops and synths. Their socially conscious lyrics analyze blue-collar life, incorporating humor and wry perception. Made up of keyboardist Ryan Wilson, guitarist Michael Sullivan, lyricist Rick Chyme, drummer Jacob Schaub, and bassist Coe Lacy, The Southpaw Players are adding a new flavor to the Grand Rapids music scene.

Quick Links:

• The Southpaw Players on MySpace
• The Southpaw Players on Facebook

SARA WATKINS

SARA WATKINS

May 11, 2009

Sara Watkins' self-titled debut album is a fresh look at modern bluegrass. Her album is collection of driving fiddle melodies and soulful ballads. She draws heavily from her near two decades of experience with the award-winning bluegrass trio Nickel Creek, who she included in her album. The album was produced by former Led Zeppelin bassist John Paul Jones, and includes Gillian Welch and Dave Rawlings, Benmont Tench, Pete Thomas, Tim O'Brien, Chris Eldridge, Ronnie McCoury, and Rayna Gellert. While the tracks are not all her own, Sara Watkins has an apparent emotional attachment to each one.

BUJU BANTON

Rasta Got Soul

May 11, 2009

This disc finds Buju delivering a captivating set of traditional and some dancehall tracks that explore his more conscious and spiritual side. The music on this CD is certainly meant to lift your spirits but leaves room to still get sinful on the dance floor. Buju also receives help from Wyclef Jean on the track Bedtime Story a story that would leave any child with nightmares as it is a story of a Childs father being murdered. The track “Sense of Purpose” is a dancehall love track featuring the great reggae band Third World. The Rastafarian religion has certainly provided Buju Banton with the soul to deliver his finest work to date.

Balkan Beat Box

Nu Made

May 11, 2009

This album is a fun collection of remixes from BBB's Nu Med (released in 2007). The did two of them on their own (Habibi Min Zaman and Joro Boro), but the others were remixed by various DJs from Brooklyn, Italy, and some currently unknown producers. There's also BBB's reinterpretation of Romanian band Mahala Raï Banda's Red Bula, as well as a brand-new track entitled Ramallah-Tel Aviv, a song with politically-charged lyrics in Arabic and Hebrew, urging the Israeli and Palestinian youth to distrust their respective leaders and look towards forging a new, peaceful future together. My favorites: Track #6 Joro Boro, track #8 Red Bula, track #9 Digital Monkey (Puzzel Remix) and track #11 Habibi Min Zaman. Track #7 Digital Monkey (Cheffy Chef Remix) is jam packed with monkey sounds, if you're looking for some jungle flavor.

Bell X1

Blue Lights on the Runway

May 11, 2009

Pronounced: “BELL X ONE” Bell X1, named after the first supersonic plane, is an Irish band. They were originally known as Juniper and included Damien Rice as a member. This is their fourth studio album and their sound has changed a bit since Mr. Rice’s leaving. Their sound has been compared to that of Talking Heads. I don’t buy the comparison, unless you are talking about the track “The Great Defector”. As the lead single from the album, it offers a lot of similarities, right down to the David Byrne-sounding vocals of Paul Noonan. Otherwise, this is electronic-infused pop with the best songs being the upbeat “A Better Band” and “Breastfed”. “Amelia” is a good one as well, it being about whom else but Amelia Earhart. The liner notes mention the ballad, “Light Catches Your Face” as a focus track that was once featured on a television show called One Tree Hill.

BLACK JOE LEWIS

Tell em What Your Name Is

May 11, 2009

This album works. Jim Eno’s competent production, tight instrumental performances, and emphatic vocal presentations make Black Joe Lewis and the Honeybears’ latest release, “Tell ‘em What Your Name Is” a success. The music is all blues, jazz, and soul, while simultaneously rejecting the industry-imposed conventions of those genres. The lyrics are blunt and the music is equally unrestrained. Unfortunately, almost the whole album is unsuitable for radio because of profanity. Of course, this doesn’t mean you shouldn’t listen to this great album over and over. The record is available from Lost Highway Records in March, 2009.

Seth Walker

Leap of Faith

May 11, 2009

Seth Walker's Leap of Faith is a rainy-day, jazzy americana record. With horn-inflected, poppy tunes like "Rewind" and the title track, Walker's music leaves the listener with visions of downtown jazz clubs and smokey blues joints. He clearly wants this record to conjure up nostalgia for a certain era, and often he delivers, like on the fun bluesy opener, "Can't Come With You". Walker isn't all Blues/Americana though, as he shows his range on slower numbers like the soulful "I Got a Song" and folky "Lay Down (River of Faith)". Still, Walker's forte is Jazz and Blues, like the New Orleans influenced "Falling Out of Love." Leap Of Faith is a perfect record for those looking for a laid-back, rootsy set of tunes on a spring afternoon

ALICE PEACOCK

Love Remains

May 11, 2009

On her fourth release, Chicagoan Alice Peacock starts the record by shouting out "I'd like to get stoned" on the opener "All About Me." But the irony is that the overriding theme of "Love Remains" is to get off your duff and do something important, that will make a mark -- and do it with faith and flair and family. "Real Life" and "City of Angels" juxtapose the choices we make in where and how we live. "If I Could Talk to God" and "Forgiveness" has her mixing it up with the Almighty, leading to a challenge to each one of us. "Fairborn" talks about moving forward, but not losing a sense of home. Sometimes Kasey Chambers, sometimes Steve Earle, all the time herself, Alice Peacock delivers a great set of songs that aren't only catchy; once they catch you, they might just change your thinking.

Cookie Bumstead & The Lonesome Space Cadets

Cookie Bumstead & The Lonesome Space Cadets

May 11, 2009

Young, vibrant, and truly ambitious Grand Rapids musicians still in high school, Cookie Bumstead & Co. play with a kind of energy only available in youth. Obviously, there is a nice lump of Daniel Johnston-esque earnestness to the sound of this debut. But really, the album kicks around a sound that rallies some truly great songwriters and bands. It's as if teen versions of Jonathan Richman, Violent Femmes, and Clem Snide all rowdy on soda pop, gum cigarettes, & Tom Hanks movies, because Danielson Family are the coolest babysitters. Watch out for these kids, er uh young adults. Lot's of heart on sleeve honest songs about love and like and awesome. In the band's own words; "Cookie Bumstead is ready to make you Dance, Sing, and be Merry!" No Play Track 4

Zach Vinson

Cracked Open

May 11, 2009

Zach Vinson's Cracked Open is a fun power-pop record full of catchy hooks and fun guitar-pop, with the occasional slower number like "All the Sins of Men" and "Locked Outside". Through and through it's pretty fun and energetic, with songs like the rocking opener "Little Birdie", the piano laden "So Much to Blame", and the danceable "Christee Christee", which is further proof that there aren't any songs with girls names in the title that don't rule.

Amadou & Mariam

Welcome to Mali

May 11, 2009

Amadou & Mariam's Welcome to Mali is a really cool mixture of traditional African music and contemporary music trends. The album was produced by Damon Albarn, of The Gorillaz and Blur, and he also plays many of the instruments. As one would expect, that adds a lot of depth to the record, turning otherwise basic worldbeat songs into a hybrid of modern western pop mixed with African music. When many of the songs start it sounds like anything on top 40 radio, until Mariam Doumbia's distinct voice breaks in her native language. There's nothing ordinary about these tunes, like opener "Sabali" and "Djuru, which mixes hand drumming with drum machine tracks for a nice effect.

Eleni Mandell

Artificial Fire

May 11, 2009

Album with abundant production, in that it's loaded with tracks (15 of them) and features divergent songs in degrees of jazz, funk, blues, rock, pop, and punk. Lots of sounds get released from what's primarily a guitars and drums core, though there are horns or strings on some tracks. Mandell's voice is breathy soft and sweet as she sings languidly, or with ache or even throaty vigor. Lovesick “Don't Let It Happen” (Track #9) is irresistibly catchy, with bluesy guitar and cooing refrain. There are a number of slow burners, including dreamy and sensual “In The Doorway” (Track #10), fuzz of amped blues on “I Love Planet Earth” (Track #13) and the throbbing, jazzy “Two Faces” (Track #14). Great up tempo tracks include the punchy “Little Foot” (Track #8) and growling “Cracked” (Track #15); the final track is a refreshment: even after 14 other tracks, you wish there were more songs with its snarl - a delivery that's quite becoming of Mandell

LEONARD COHEN

SELECTIONS FROM LIVE IN LONDON

May 11, 2009

In 2008 Leonard Cohen returned to the stage for his first time in over 15 years. On July 17 2008 this show was recorded in London documenting a tour that has received over 80 5-star reviews from music critics from all over the world. Over his 40 year career Leonard’s voice has definitely taken on a deeper and in my opinion a more attention grabbing quality that makes his songs that cover sex, power and religion more interesting. The tower of songs found on this disc cover classics from his entire career and the sound quality is the best I have ever heard on a live release. At 74 years of age this mysterious man of music proves that he is still the man.

SHIRLEY JOHNSON

Blues Attack

May 11, 2009

I remember seeing Shirley Johnson at the famous Blue Chicago club so many years ago in the windy city and thought she belted out some of the finest Chicago style blues I had ever heard. After 6 years between recordings the Killer Driller returns with a set that combines the great sound of Chicago blues with some hot R&B. Shirley’s voice has certain smoothness to it with the ability to still deliver a blues gospel that would make a church choir stand up and sing Hallelujah. Most of the tracks on this disc are Chicago originals, several were written by Shirley’s good friend and fellow musician Maurice Jon Vaughn. Shirley also delivers an excellent cover of Eddie Floyd’s “654-5789” and “Unchain My Heart” a track recorded by both Ray Charles and Joe Cocker. My advice is if you are under the influence of a Blues Attack consider yourself lucky.

ENTER THE HAGGIS

Gutter Anthems

May 11, 2009

This is the seventh studio album from Toronto-based Enter the Haggis. It is Celtic-rock that has everything from drinking songs with sing-along choruses (The Litter and the Leaves) to a traditional-style tin whistle and fiddle instrumental (Did You Call Me Albatross) to Jayhawks-inspired harmonies (DNA). Some songs can be a little heavy such as “The Death of Johnny Mooring” with its electric guitars, heavy drums and even some distortion on the fiddle! (Cool!) There is even an instrumental prog-rock piece (Murphy’s Ashes) that sounds as if some DJ mixed Dropkick Murphys with Pink Floyd.

ELVIS PERKINS

Elvis Perkins in Dearland

May 11, 2009

In what seems to be intended to be an afterthought following his first album, “Ash Wednesday,” Elvis Perkins, in his newest release, “Elvis Perkins in Dearland,” seems to be continuing his exploration of grief and death. Perkins and his very capable band explore those themes from a variety of directions at a wide variety of speeds and with a lot of different instruments. Occasionally experimental and with performances filled with spontaneity, there is nothing boring about this album. The release has interesting production choices and fine musicianship to its credit, and Perkins’ vocal performances are equally impressive.

COLIN LINDEN

From the Water

May 11, 2009

Chalk up another great CD from our Canadian friends. Legendary, prolific and veteran singer/songwriter/musician Colin Linden's From the Water is a terrific sound. And the crazy thing, this is the first I heard of him!! Colin is multiple Juno and Maple Award winner and a nominee for the Grammy's. He is one of the most in demand producers and players in Nashville- having worked with artists such as Bruce Cockburn, Emmylou Harris and Colin James. His songs have been recorded by The Band, Keb' Mo', The Blind Boys of Alabama and Michelle Wright (just to name a few) This CD has a lot of flavor. Sounds of The Band on tracks, #6 Between the Darkness and Light of Day (shades of a young Levon Helm!!!!) and #12. The CD also features some lowdown blues (#4) and a little Commander Codyish (# Trouble Only Comes In 3) . The CD ends with a soulful ( #14) God Will Always Remember Your Prayers. Highly recommend. Check out all the tracks, but #6 and #12 are my favorites.

JESSICA BURKS

Hollywood Sign EP

May 11, 2009

Sometimes shorter is better, at least when the results are this tantalizing. In this four-track EP consisting of two songs and a version of each, Indie artist Jessica Burks brings a fresh approach to reggae arrangements with her raw and yearning voice that sounds as if it had been plucked from the middle of the Ozarks. “Hollywood Sign” (#1) creates faux-Old Testament proverbs from a combination of trenchant physical observations and movie biz clichés. “Ride All Night” (#2) cruises Burks’ half-seductive, half-weary voice through a nice romantic metaphor. The power of the taut reggae arrangements comes front and center in the dub versions of these tracks and showcase the encyclopedic smarts of Jamaican music expert and columnist for The Beat magazine Chuck Foster. He recorded, mixed, and mastered this invigorating appetizer and co-wrote the tracks with Burks. Here’s hoping a full platter will soon come.

John Doe & The Sadies

Country Club

May 11, 2009

Although ex-punk rocker John Doe’s solo albums are country-rock, this CD with the Sadies is pure country. John Doe handles all the lead vocals, with The Sadies doing a fine job as his band. Most of the songs are classic, 60’s country songs, done with a “countypolitan” flavor. Doe has a soft, deep, rich voice. Fans of country music will recognize songs made famous by Waylon, Roger Miller, Tammy Wynette, Hank Snow, Ray Price, Johnny Cash, Porter Wagoner, Hank Williams, Merle Haggard, and Bobby Bare. There are four original songs here, including tracks 7 and 15 which are short bluegrass instrumentals. The others are tracks 4 and 8, of which I really liked track 4, “It Just Dawned On Me”, which fits right in. I find myself wishing that Doe’s vocals were a little stronger, and he seems to be straining on a few tracks, but maybe that’s the “sadness” being projected. Some folks will love this disk.

VIENNA TENG

Inland Territory

May 11, 2009

The singer/songwriter with the Stanford computer science degree is back with another set of piano-driven narratives, many of them decorated with lush string accompaniment and choral arrangements. In this set, she uses references to seasons, times and places to express her songs of emotions and relationships (her "inland territory"), mostly to impressive effect. Check out the wintry opener ("The Last Snowfall"), the "armistice" images ("Antebellum"), the time-jumping lovers ("In Another Life"), the Berlin Wall ("St. Stephen's Cross") and even a call to St. Augustine ("Augustine"). Here's an artist who uses history, philosophy and theology to full effect -- and creates gorgeous melodies and moods in the process. Note the contributions of Kaki King, too.

WILLIAM FITZSIMMONS

The Sparrow and the Crow

May 11, 2009

The Sparrow and the Crow “The Sparrow and the Crow,” William Fitzsimmons’ third release, is an apologetic, quiet collection of minimalist compositions that don’t concern themselves with lyrical subtlety. Simple harmonies, airy vocals, and finger picking form the album’s skeletal structure. Appearing after two self-produced albums, this, his first studio release is sure to remind listeners of the vocal and instrumental performances of artists like Iron and Wine’s Sam Beam or possibly some of Sufjan Stevens’ quieter compositions. Fans of such acts are likely to enjoy this release. “The Sparrow and the Crow” is available in 2008 from Dark Sparrow Records.

COMMANDER CODY

DOPERS,DRUNKS AND EVERYDAY LOSERS

May 5, 2009

COMANDER CODY DOPERS, DRUNKS AND EVERYDAY LOSERS Commander Cody remains an enigma of American roots music. On this release he combines new songs with redone classics to tell the stories of dopers, drunks and everyday losers. This CD is a combination of roots rock, outlaw country and a dash of western swing that should have a warning label. After one listen you may find yourself rolling your own, going for the liquor cabinet or enjoying one of your favorite unhealthy vices. Most tracks are Commander originals with the exceptions of the John Hiatt classic “Tennessee Plates” and the “No No Song” which was made famous by Ring Star. You will also find reworked versions of commander classics “Wine Do Yer Stuff” and “Seeds and Stems Again”. The Commander may have lost the Lost Planet Airmen but he sure hasn’t lost his sense of humor or ability to tell a story. Reviewed By: Gregg Saur

Quick Links:

• Commander Cody Home Page

PLAYING FOR CHANGE

Songs Around the World

May 5, 2009

An innovative music project released on both CD and DVD, Playing for Change founder Mark Johnson and friends spent 10 years recording artists all over the world performing the same song in out-of-doors locations and then edited the result to blend the music played by people of different cultures. The interesting result allows musicians separated by oceans, politics and economics to collaborate together. Only two of the artists recorded are household names: Bono on Bob Marley's "War/No More Trouble" and Keb' Mo' on "Better Man." While quite an amazing production feat, this project may be more effective as video than simply audio. Try both and come to your own conclusion. W-Fusion 5/09 Michael J.

Quick Links:

• Playing for Change home page
• Video of "War/No More Trouble"

RHETT MILLER

Rhett Miller

May 4, 2009

While this is Rhett Miller's fourth solo album, showcasing the good and bad of life and love, for some reason he's waited until now to release a self-titled collection of songs. In the end, it doesn't really matter as the acclaimed singer/songwriter and Old 97's front man gives his listeners a mostly enjoyable spin on this short but sweet twelve-song set. The first single, "I Need to Know Where I Stand," is certain to garner plenty of airplay as well as find its way onto a soundtrack or two. Nevertheless, there's better stuff here such as the equally appealing "If it's Not Love." Then there's the punk rock sounding "Happy Birthday Don't Die," which offers listeners a different side of Miller - an edgier and grungier aural experience that ends in what sounds like a jam session. My personal favorite is the nearly perfect "Refusing Temptation" that showcases the singer/songwriter at his best as he beckons: "Why am I refusing temptation / when it's all around me / it would be so easy to say 'yes' but I never say 'yes' / I just float here like ice." There's also the calm and mellow side of Miller that surfaces on tracks like the beautiful and melancholy "Bonfire" and then again on the lush and hope-filled "Lashes." While an initial listen of Miller's latest may prove less than exciting, let me suggest to you that this is the kind of recording that somehow sounds better after each listen. Give it a chance and I'm convinced that you won't be left wanting. ~ Reviewed by Jeff Bouma

Quick Links:

• Rhett's Official Website

HEADLESS HEROES

The Silence of Love

May 4, 2009

This album is a project put together by producer Eddie Bezalel. He sought out the musicians to make an album of (sometimes obscure) covers. This is indie-folk-pop with a dark, dreamy feel. The piece' de re'sistance, however, is singer Alela Diane on vocals. Her voice combined with the arrangements, production, and choice of covers is what makes this interesting. Some of the covers are classics, such as Nick Cave's "Nobody's Baby Now" and Jesus and Mary Chain's "Just Like Honey". There's older, obscure stuff here though, like Juicy Lucy's "Just One Time" and the Gentle Soul's "See My Love". All in all, this is a really nice production that would best be listened to late at night, after the party. Rebecca Ruth

Quick Links:

• Headlless Heroes Website

DAVE SIEBELS

With Gordon Goodwin's Big Phat Band

May 4, 2009

Composer, record producer, keyboardist Dave Siebels has been around, having composed for television, film, and having worked with the likes of BB King and Ray Charles. What's gotten him noticed, however, is his work on Pat Boone's "In a Metal Mood" release. (It was his concept and he produced it.) Gordon Goodwin heads a big band, and this band is tight. This is an album of B3-focused contemporary big band music. Most of these compositions are Dave Siebels'. The musicianship is admirable (Check out "The Cat" with Sal Lozano's cool flute solo.), but some of this comes awfully close to smooth-jazz. Rebecca Ruth

Quick Links:

• Big Phat Band Website

LUBRIPHONIC

Soul Solution

April 26, 2009

Lubriphonic plays upbeat blues, oxymoron, or not. Out of Chicago and boasting a talented and experienced horn section, this band will get your booty on the dance floor. Except for four songs (Walls, Mexico City Blues, Depression Suite, and Waiting For a Change...all slow), this is a danceable and fun album. The song, Another Patch of Ground, in particular, starts out slow, but it works itself into a tight groove and features a nice horn solo. Rebecca Ruth.

Quick Links:

• Lubriphonic's Website
• Lubriphonic Myspace

CLUTCHY HOPKINS (MEETS LORD KENJAMIN)

Music Is My Medicine

April 26, 2009

Multi-instrumentalist, Clutchy Hopkins, is still being promoted as a mystery man of sorts. If you seek information about him, you'll find wild stories and unsubstantiated facts. Basically, he's travelled the world, investigating consciousness and its relation to music. He's studied under Zen monks in Japan, a Raja yogi in India, and a master percussionist in Nigeria, amongst others. Along the way, he has made some great music, attempting to utilize the lessons he's learned in the last thirty-some years. This is a typical Clutchy album. It's full of drum 'n bass beats, punctuated with organ, flute, electronics, melodica, and various home-made instruments. This is innovative and funky dub at its groovin' best. Rebecca Ruth.

Quick Links:

• Ubiquity Records Website
• Clutchy's Website
• Clutchy's Myspace

ZACHARY RICHARD

LAST KISS

April 21, 2009

ZACHARY RICHARD LAST KISS Last Kiss is the first English disc from one of the premiere Louisiana storytellers and troubadour Zachary Richard. Zachary’s voice has never sounded better and his stories can still pull his listener’s into each song. The track “The Levee Broke” is another compelling Katrina track that features a full backing church choir where Zack proclaims that the only way he is leaving Louisiana is if he is swept away in the mud. The title track “Last Kiss’ is an up-tempo frightening track of looking for that last kiss before darkness comes. “Acadian Driftwood” is a cover of the classic Robbie Robertson preformed by the Band and features none other then Celine Dion on vocals. Avid fans of Zachary may miss the energy found on the classics “Snake Bite Love” and “Women in the Room” but will still be rewarded by the voice and stories of one of Louisiana’s finest. Reviewed By: Gregg Saur

Quick Links:

• Zachary Richard Home Page

RUTHIE AND THE WRANGLERS

AMERICANA EXPRESS

April 21, 2009

RUTHIE AND THE WRANGLERS AMERICANA EXPRESS Combining roots rock, rockabilly, honky tonk country and lots of fun Ruthie and the Wranglers have released a captivating CD that will make their listeners want to jump on board and take a ride. This band from the Washington DC area combines elements of Molly and the Makers, Asleep at the Wheel as well as Southern Culture on the Skids to make their own brand of Americana. Although this is a full band effort Ruthie Logsdon possesses a voice that has earned her the prestigious vocalist of the year Wammie award in Washington DC on at least 3 different occasions. The tracks on this disc are cleverly crafted with enough humor to keep their listeners smiling through all 12 tracks. Jump on board the Americana Express and leave all your troubles at the door you wont be disappointed. Reviewed By; Gregg Saur

Quick Links:

• Ruthie And The Wranglers Home Page

GOMEZ

A New Tide

April 20, 2009

Honestly, there's not a whole lot not to like from Gomez's latest, A New Tide. One of the major strengths of this album is their ability to mix things up quite literally, utilizing lead vocals from three different front-men - Ben Ottewell, Ian Ball and Tom Gray. Still, it's Ottewell's voice that surfaces the most here. Sounding remarkably like Dave Matthews, Ottewell carries the weight of lead vocals well, especially on the short but sweet "Little Pieces" where he belts: "Pieces falling from me / you can have them for free / I've never felt so complete / pieces falling from me." Some of the best stuff here, though, are when the two others take the reign. For instance, on the well-done opener "Mix," Ian Ball offers a completely different sound vocally while Tom Gray carries the vocals on another equally appealing track, "If I ask nicely." But it gets better, such as on the beautiful and violin backed "Win Park Slope" that even manages to incorporate some electronic elements as well. Another track to check out is the most commercially viable and quite appropriately their first single from this release - "Airstream Driver." Here, it's Ian Ball singing on the percussion heavy pop song that is sure to garner several spins. Overall, while there isn't really any theme musically or even lyrically, what Gomez has created here are songs that are simply a pleasure to listen to. -Reviewed by Jeff Bouma

Quick Links:

• Official Gomez Website
• Gomez on Myspace

THE GREENCARDS

Fascination

April 19, 2009

Okay, so you've been looking for a new favorite bluegrass band now that Nickel Creek is in hibernation. But you don't want a copy-cat knock-off of the Creek and, because you're a WYCE listener, you want evidence of a few other musical influences thrown in. Your search has ended. The Greencards, a trio made up of two Australians and a Brit, approaches bluegrass with the same guitar, mandolin, violin, harmony work that defines that corner of the library, but you'll hear homages to jazz, blues and world music throughout. Check the world influences of "The Avenue," the jazz feel of the title track and "Into the Blue" and the blusey "Three Four Time." If you need your traditional bluegrass fix, never fear: songs such as "Outskirts of Blue" and "Rivertown" get you where you want to be. Excellent throughout -- musically and lyrically. Welcome to the State of WYCE, Greencards! No pledge of allegiance needed. Michael J. 04/09 F-Bluegrass

Quick Links:

• Homepage for Greencards
• Greencards on NPR

EILEN JEWELL

SEA OF TEARS

April 15, 2009

With her unhurried vocals, sensual voice and incisive lyrics, Eilen Jewell made quite a splash with her 2006 debut "Boundary Country" and the 2007 follow up "Letters from Sinners and Strangers". While those discs often played on the country side of folk, this disc features a harder edge and almost rocks out at times with hints of Sun Records rockabilly thrown in for good measure. Johnny Kidd’s "Shakin’ All Over", which has been covered by the Who and countless others, bristles with energy while "One of These Days" has a swagger that matches her quest for revenge against an errant lover. Elsewhere, there are hints of the Byrds on "Rain Roll In" with its elegant guitar and Rickie Lee Jones on "Final Hour" where Jewell’s off hand vocals provide a nice counterpoint to the stinging guitar lines and chilled out B3 grooves. "Everywhere I Go" is driven by a simple, but catchy rhythm that does Buddy Holly proud. Not all of the sparks come from the music: while the title track laments to an ex-lover that getting dumped is going to leave her in a sea of tears, the hard edged musical backdrop and spit out vocals reveal a sarcasm that hits as hard as a Lucinda Williams track and mocks the sentiment of the words. Loretta Lynn’s "The Darkest Day" as well as "Nowhere in Time" and "Fading Memory" play closer to her earlier releases with a country twang. Smitty

NEIL YOUNG

FORK IN THE ROAD

April 15, 2009

From the anti-war protest of his early hit "Ohio" to the 2006 rant against the foreign policy of the Bush administration, "Living with War", Neil Young has demonstrated again and again that he’s not afraid to speak his mind when something strikes him as wrong. He’s also willing to be an advocate for causes that he believes will make a difference as on his 2003 concept disc "Greendale". This disc finds him in both protest and prophet mode. While railing against the insanity of our petroleum dependant nation and the choices it foists upon us, "Cough up the Bucks", he still yearns for the romance of the road and the freedom of being behind the wheel of a powerful car, "Get Behind the Wheel" and "Hit the Road". To keep that romance alive he advances a solution in the form of conversion to electrical vehicles, a tale told on "Fuel Line". Like his dream car, this disc crackles with the raw electrical energy that marks most of his work with Crazy Horse. Unfortunately, like the rants of Living with War, some of the lyrics like on the track "Fuel Line" are simply jammed into the groove and are more like a lecture than a sermon that would inspire you to do anything different. Overall, though, he hits more than he misses. On "Just Singing a Song" he acknowledges the futility of a rock star trying to change the world and makes a powerful pledge to real action. Likewise, on "Johnny Magic" his zeal for his electric heavy metal Continental shines through in no uncertain terms. The title track is Neil’s middle finger to bail outs, rich executives and the whole mess we are in. The anger quotient is reduced considerably when he takes his foot off the accelerator on the ballads "Off the Road" and "Light a Candle" both of which go down easy. Smitty Fork in the Road- NO PLAY-“Sounds like Shit”- not an editorial, a quote from the song!

JOHN SCOFIELD

PIETY STREET

April 15, 2009

Jazz guitarist John Scofield has channeled his long time desire to do a blues disc into this effort which is billed as a gospel release. Featuring songs by the “father of gospel music”, Thomas A. Dorsey, who first combined gospel with jazz and blues, "The Old Ship of Zion" and "Never Turn Back" as well as Dorthy Coates’ classic "99 and Half", Hank Williams, "The Angel of Death" and even a couple of self-penned numbers this set does, indeed, have gospel roots but for the most part isn’t driven by the high energy “testifying” you find at the House of Blues’ Gospel brunch. Instead, Scofield has joined forces with some of the funkiest musicians in New Orleans including Jon Cleary on keyboards and vocals, George Porter, Jr. on bass, Ricky Fataar on drums, John Boutte on vocals and Shannon Powell on tambourine and drums to craft a disc that will get your mind, body and soul all shaking at once. Ever the consummate musician, Scofield lays down impeccably tasty jazz oriented riffs that evoke George Benson and add rich sonic counterpoints to Cleary’s rollicking piano and the thoughtful lyrics. But this isn’t all just tasteful reserved stuff: Those who can’t imagine gospel without a bit of hand-clapping should proceed directly to the Rev. James Cleveland’s "Something’s Got a Hold On Me" while those who need that Gospel Brunch high should check out the upbeat "It’s a Big Army". Can I get an Amen!! Smitty

VARIOUS- TRIBUTE TO DOUG SAHM

SAVE YOUR SOUL

April 15, 2009

The late, great Doug Sahm was a musical juke box of sorts playing everything from British Invasion style pop as epitomized by his 1965 hit, "She’s About a Mover", to Country, Rock, Tex-Mex, blues and a side of Psychedelic Cowboy thrown in for good measure. This heartfelt tribute by roots rock “A” listers collects songs from every stage of his career including his solo releases and stints with the Sir Douglas Quintet, Freda & the Firedogs (featuring Marcia Ball) and the Texas Tornadoes. Highlights include Alejandro Escovedo’s rocking rework of "Too Little Too Late", which has a bit of an Elvis Costello snarl to it, Flaco Jimeniz and the West Side Horn’s Tex-Mex groover, "Ta Bueno Compadre (It’s Ok Friend)", Dave Alvin’s honky-tonk take on "Dynamite Woman", Delbert McClinton’s straight country take on "Texas Me", Freda and the Firedog’s soulful, "Be Real", Terry Allen’s rootsy "I’m Not That Kat Anymore", Joe “King” Carrasco & the Texas Tornados’ reprise of the Tornados’ 1990 hit "Adios Mexico" and Sahm’s son Shawn’s dead on version of "Mendocino" which, as in the original, is driven by Augie Myer’s timeless Vox organ. Dig this then go buy the originals. Smitty

BRUCE COCKBURN

SLICE OF LIFE

April 14, 2009

BRUCE COCKBURN SLIFE OF LIFE Slice of life could not be a more perfect title for this release. Bruce Cockburn has graced stages throughout the world for over 40 years, has played to millions and has written some of the finest folk & rebellious tunes to date. This CD features Bruce naked on stage with just his voice, his stories and his guitar. At first I was worried I would miss the band but after the first listen I was amazed on how brilliant his guitar work was and I realized it wasn’t the band but the man himself that made these songs come to life. The CD features a career retrospective of favorites including “Lovers In A Dangerous Time” “Wondering Where The Lions Are”, “Pacing The Cage” and the ever controversial “If I Had A Rocket Launcher”. The CD concludes with one of my favorites and lesser known tracks “Mama Just Wants To Barrelhouse All Night Long” Produced by Long time friend the great Colin Linden this live disc should please all Cockburn fans as he truly serves up a very tasty Slice Of His Life. Reviewed By: Gregg Saur

Quick Links:

• Bruce Cockburn Home Page
• Amazon

BELL X1

Blue Lights on the Runway

April 13, 2009

Bell X1, named after the first supersonic airplane, is an Irish band. They were originally known as Juniper and included Damien Rice as a member. This is their fourth studio album and their sound has changed a bit since Mr. Rice's leaving. Their sound has been compared to that of Talking Heads. I don't buy the comparison, unless you are talking about the track, "The Great Defector". As the lead single from the album, it offers a lot of similarities, right down to the David Byrne-sounding vocals of Paul Noonan. Otherwise, this is electronic-infused pop with the best songs being the upbeat "A Better Band" and "Breastfed". "Amelia" is a good one as well, it being about none other than Amelia Earhart. The liner notes mention the ballad, "Light Catches Your Face", as a focus track that was once featured on a television show called One Tree Hill. Reviewed by Rebecca Ruth.

Quick Links:

• Bell X1 Website
• YepRoc Site

PAPERCUTS

You Can Have What You Want

April 13, 2009

This is the third album from Jason Robert Quever (Beach House, Vetiver). This is a quiet album of cosmic lyrics sung with reverb-tinged vocals over vintage organs, big percussion, and lush string arrangements. The entire thing has a melancholy feel the grew on me with each listen. Incidentally, it was recorded entirely analog. There is no computer processing here at all. Give it a try when you are feeling quiet. It might suit your mood. Reviewed by Rebecca Ruth.

Quick Links:

• Gnomonsong Website

BUJU BANTON

RASTA GOT SOUL

April 13, 2009

BUJU BANTON RASTA GOT SOUL Buju Banton has bee considered one of the pioneers of Jamaican dancehall reggae music. He has often been criticized for his graphic sexual and homophobic lyrics. This disc finds Buju delivering a captivating set of traditional and some dancehall tracks that explore his more conscious and spiritual side. The music on this CD is certainly meant to lift your spirits but leaves room to still get sinful on the dance floor. Buju also receives help from Wyclef Jean on the track Bedtime Story a story that would leave any child with nightmares as it is a story of a Childs father being murdered. The track “Sense of Purpose” is a dancehall love track featuring the great reggae band Third World. The Rastafarian religion has certainly provided Buju Banton with the soul to deliver his finest work to date. Reviewed By: Gregg Saur

Quick Links:

• Buju Banton Home Page
• Amazon

VIENNA TENG

Inland Territory

April 12, 2009

The singer/songwriter with the Stanford computer science degree is back with another set of piano-driven narratives, many of them decorated with lush string accompaniment and choral arrangements. In this set, she uses references to seasons, times and places to express her songs of emotions and relationships (her "inland territory"), mostly to impressive effect. Check out the wintry opener ("The Last Snowfall"), the "armistice" images ("Antebellum"), the time-jumping lovers ("In Another Life"), the Berlin Wall ("St. Stephen's Cross") and even a call to St. Augustine ("Augustine"). Here's an artist who uses history, philosophy and theology to full effect -- and creates gorgeous melodies and moods in the process. Note the contributions of Kaki King, too. R-Contemporary 04/09 Michael J.

Quick Links:

• Vienna's homepage
• Vienna Teng on youtube

LEONARD COHEN

Selections From Live In London

April 7, 2009

LEONARD COHEN SELECTIONS FROM LIVE IN LONDON In 2008 Leonard Cohen returned to the stage for his first time in over 15 years. On July 17 2008 this show was recorded in London documenting a tour that has received over 80 5-star reviews from music critics from all over the world. Over his 40 year career Leonard’s voice has definitely taken on a deeper and in my opinion a more attention grabbing quality that makes his songs that cover sex, power and religion more interesting. The tower of songs found on this disc cover classics from his entire career and the sound quality is the best I have ever heard on a live release. At 74 years of age this mysterious man of music proves that he is still the man. Reviewed By: Gregg Saur

Quick Links:

• Leonard Cohen Home Page

SHIRLEY JOHNSON

BLUES ATTACK

April 7, 2009

SHIRLEY JOHNSON BLUES ATTACK I remember seeing Shirley Johnson at the famous Blue Chicago club so many years ago in the windy city and thought she belted out some of the finest Chicago style blues I had ever heard. After 6 years between recordings the Killer Driller returns with a set that combines the great sound of Chicago blues with some hot R&B. Shirley’s voice has certain smoothness to it with the ability to still deliver a blues gospel that would make a church choir stand up and sing Hallelujah. Most of the tracks on this disc are Chicago originals, several were written by Shirley’s good friend and fellow musician Maurice Jon Vaughn. Shirley also delivers an excellent cover of Eddie Floyd’s “654-5789” and “Unchain My Heart” a track recorded by both Ray Charles and Joe Cocker. My advice is if you are under the influence of a Blues Attack consider yourself lucky. Reviewed By: Gregg Saur

Quick Links:

• Todays Chicago Blues

ENTER THE HAGGIS

Gutter Anthems

April 6, 2009

This is the seventh studio album from Toronto-based Enter the Haggis. It is Celtic-rock that has everything from drinking songs with sing-along choruses (The Litter and the Leaves) to a traditional-style tin whistle and fiddle instrumental (Did You Call Me Albatross) to Jayhawks-inspired harmonies (DNA). Some songs can be a little heavy such as "The Death of Johnny Mooring" with its electric guitars, heavy drums, and even some distortion on the fiddle! (Cool!) There is even an instrumental prog-rock piece (Murhpy's Ashes) that sounds as if some DJ mixed Dropkick Murphys with Pink Floyd. Reviewed by Rebecca Ruth.

Quick Links:

• Enter the Haggis Website
• Enter the Haggis Myspace
• UFO Website

DESMOND AND THE TUTUS

Tuckshop

April 6, 2009

This debut album from this South African outfit rocks! All the songs here feature amusing lyrics and an energetic pace that one can't help but at least tap a foot (or two) to. Every song's a winner, but the best one is "Good and Guilty" with its danceable beat, rhythm guitar and fun vocals. Another one in the same vein is "German Modern". Both songs feature tongue-in-cheek lyrics, but other funny ones are "Crazy Rebel". ("You can finish a double cheese and bacon burger all by yourself...you my friend are a crazy rebel.") I'll bet many people could relate to the lyrics of "High Five". ("I'm excited to see you, but your high fives are far too hard.") This album is just plain, danceable fun. Enjoy! Reviewed by Rebecca Ruth.

Quick Links:

• Desmond and the Tutus at Awesomeland Records Site
• Desmond and the Tutus Myspace

ELLEN WHYTE

FOUR WAY STOP

April 1, 2009

On her fourth disc, Portland, Oregon based multi-instrumentalist (guitar, accordion, percussion) and vocalist Ellen Whyte unleashes 11 original cuts that explore remorse, fear, love and strength. Joined by the ESP Horns (Renato Caranto, Pete Petersen, Greg Garrett and Mike Kelly) and a large band Garry Meziere and Dave Mullany on guitars, Gene Houck on bass, Jean-Pierre Garau on organ, clavinet and piano and Reinhardt Melz on drums, Whyte delivers insightful, thought-provoking lyrics against a broad musical palette. There’s everything from dark rootsy rockers reminiscent of Eagle Glenn Frey’s solo work, "No One Knows Better Than Me", to upbeat soul on the title cut to spare ballads, "Last to Know", Tower of Power style funky horn grooves, "Thanks for the Ride", and straight up rock, "Falling". Whyte matches the band’s ample hooks with lyrical hooks that dig deep. While she mines the normal blues vein of heartache, despair and working under the thumb of the man, she does so without resorting to the tired clichés we’ve heard way too many times. On "Over My Shoulder" an errant lover is admonished that “you’re doing too much thinking/you ain’t got enough time to feel” as she relegates him to the scrap heap. "Jack & Jokers" not only rocks, but is a timely call to action against the havoc wrecked by “Men in fine suits/suiting just themselves.” "When You Walk Away From Love" is a tender ballad about making the right choices in love and making sure the “when you walk away from love/Just remember… move slow/Take a look around you/you will miss it when you go.” These pointed lyrics get delivered by Whyte with a voice of incredible depth ranging from the sophisticated jazz stylings of Nina Simone on "Last to Know" to the husky swagger of rockabilly queen Rosie Flores on the upbeat number about finding love, "Lucky in Love", to the sly sexiness of Maria Muldaur on the seductive, "Wide Awake Woman". Overall, a fine release that deserves plenty of attention. Smitty

Quick Links:

• Label Site
• Artist Site

DAN HICKS AND THE HOT LICKS

TANGLED TALES

April 1, 2009

DAN HICKS AND THE HOT LICKS With a voice that is often perilously close to being out of tune and a delivery that spits out words faster than bullets at a drive by shooting Dan Hicks can sometimes leave listeners in the dust which, of course, is part of the charm as you listen to his tunes over and over again to pick up the sly jokes and crazed ruminations on life. Making the repeated listening worthwhile is a musical backdrop that veers wildly between gypsy swing, jazz, jug band and blues Highlights of this set include Hicks trying to negotiate through a rude world on "The Diplomat", which gets extra sass from his female backing crew, the bass driven "Blues My Naughty Baby" and the title track, both of which feature Hicks trying his hand at Cab Calloway style scatting, the jazzy homage to his father, "Song for my Father", the bluesy tale of a party gal, "The Rounder" (featuring Charlie Musselwhite on harmonica), the tub-thumping, "Ragtime Cowboy Joe", the spot on cover of Dylan’s "Subterranean Homesick Blues" and the chill out vibe of "Let It Simmer". Smitty

ERNIE AND THE AUTOMATICS

LOW EXPECTATIONS

April 1, 2009

This six piece Boston based band has a pedigree that includes two former original members of the rock band Boston and a member of Peter Wolf’s House Party 5. So does the pedigree translate into something worth the listen? Well, it depends on what you are looking for. If you’re looking for straight blues then the pedigree doesn’t accomplish much: the blues appear only in "Back Around", which has the same swampy feel as some of Omar and the Howler’s early work. But, there’s plenty of other good music here. "The Good Times (Never Last)" and "I’m Gonna Haunt You" feature big Boston style guitar flourishes and layered vocals. "If I’d a Let You" is a funky R & B number while "Tappin’ On an Empty Head" and "Let It Go" feature tasty saxophone driven grooves. "Blues Town" is about the blues but plays more like rock while the title cut is the definition of the blues with lyrics sung from the point of view of someone so down and out that that low expectations of him by others are the best thing going for him. A bit of hope enters the picture on the soulful "The Best is up Ahead" where asking what else could go wrong is nothing but an invitation for trouble but the future nevertheless holds some promise. The two instrumentals on the disc play to opposite ends of the spectrum with "Hong Kong Shuffle" being all brawn and muscle while "Fly in the Milk" hits a lighter jazzy groove. Good, but file under rock. Smitty

J.C. SMITH BAND

DEFINING COOL

April 1, 2009

Hailing from the San Francisco Bay area, the J.C. Smith Band is a versatile six piece outfit (J.C. Smith on guitar and vocals, Donnie Green on drums, Paul Smith on B3 and keys, Robert Green on bass, Tommy Maitland on trumpet and Abraham Vasquez on tenor, alto and baritone sax) that can handle everything from straight guitar driven blues, "Bluezeman", to saxophone and b3 fueled funk, "Rite on Time", to jump/swing on the Roy Brown classic, "She Walks Right In", to mid-tempo scorchers care of Duke Robillard, "Lonesome Blues/Duke’s Blues" and Louis Jordan, "Outskirts of Town", to groove heavy reworks of the oft covered Don Nix tune, "Going Down", to a guitar and piano driven version of Albert King’s "I Walked All Night Long" to a slide laden version of Muddy Water’s "Satisfied". What holds this wide ranging set together is Smith’s powerfully elastic voice that swoops and glides with ease through not only the low down gritty numbers but also the ones that push the high end of his vocal chords. While this set is heavy on covers there are a couple of well done originals and the band adds enough new instrumental spark to the rest to make it an enjoyable listen. Smitty

ERIC LINDELL

GULF COAST HIGHWAY

April 1, 2009

On his third Alligator release guitarist Eric Lindell is joined by members of funk band Galactic (Stanton Moore on drums, Robert Mercurio on bass) and a host of other New Orleans based musicians including Marc Adams on Hammond b3, Jimmy Carpenter on Tenor sax, Derek Huston on Baritone sax, Chris Mule on guitars and Shelia Sanders, Tara Doughty and Sean Carey on backing vocals. Normally, getting more than two New Orleans based funk or jazz musicians together at a time results in long-winded jams and six songs to a disc. Not so here: five of the 15 tracks clock in at less than three minutes and none of the rest pass the four minute mark. So, does that mean that there isn’t much going on here musically? Not a chance. Sounding at times like a classic Delany and Bonnie disc or even a countrified Rolling Stones this is hard hitting soul and funk driven blues with hot horn charts, slamming rhythms and plenty of booty shakin’ fun. Rather than keeping a lid on the talents of the musicians, paring the songs to their essence allows Lindell and crew to keep your attention from cut to cut. Like John Fogerty’s short but catchy solos that drove the great Creedence Clearwater singles, Lindell has a knack for getting to the point with a few well placed guitar riffs and then getting out of the way for the horns, keys and vocals. While the charts are hot, Lindell is always cool with a vocal approach that alternates between the urgency of Chris Robinson of the Black Crowes and the unhurried vibe of mellow surf dude Jack Johnson. Lindell’s skill with the pen equals his prowess on guitar and vocals. With thirteen originals that fit seamlessly with classics by Waylon and Willie, "I Can Get Off on You", Buck Owens, "Crying Time", and Delbert McClinton, "Here Come the Blues Again", Lindell has crafted a disc that will stand the test of time. SMITTY

SUSAN WERNER

CLASSICS

April 1, 2009

This disc finds singer/songwriter Susan Werner mashing pop standards with a variety of strings and classical instruments. However, instead of simply doing string laden versions of the hits, Werner throws in references to classical composers on a number of the cuts: Simon & Garfunkel’s "A Hazy Shade of Winter" gets a snippet of Vivaldi, Stevie Wonder’s "All in Love is Fair" gets Chopin, Cat Steven’s "The Wind" quotes Bach and Bob Marley’s "Waiting in Vain" incorporates Satie. The intention here is to showcase the lyrics with a new musical backdrop so that they can be heard in a whole new light. Whether the result is hip or simply easy listening is subject to debate. Me? I’m looking forward to hearing this in the lobby at my next dental appointment. Smitty

MATT DUKE

Kingdom Underground

March 29, 2009

This second album from South Jersey youngster, Matt Duke, is your basic mild rock album that would fit in just fine on the soundtrack to American Idol or perhaps on my teenage niece's ipod. These are songs about every day life, sung earnestly over guitar, drums and keys. Reviewed by Rebecca Ruth.

Quick Links:

• Rycodisc Website
• Matt Duke Website
• Matt Duke's Myspace

DOVES

Kingdom of Rust

March 29, 2009

On this their fourth studio release, the threesome known as the Doves serves up what some might expect from a band finding its groove - a bigger and more mature sound. While the lyrics are merely okay - many of them have a veiled sort of meaning - what stands out on Kingdom of Rust is truly the sound. For instance, the first four songs are truly the four best tracks here and most definitely stand out from the rest. "Jetstream" is a great opener with a sound that builds and builds as it plugs along - a true pleasure to listen to. "Kingdom of Rust," the title track as well as the first single, is another good song that just plain sounds good. Next, "The Outsiders," begins in a Pink Floyd sort of way but then gradually moves into the more familiar Dove territory making for an interesting spin. Finally, "Winter Hill" is a love song of sorts as Jimi Goodwin sings and reminisces about days on Winter Hill. While the effort seems to taper off a bit midway through the eleven song set, it does end well with four pretty good songs. "House of Mirrors," one of the faster moving songs on the album and "Lifelines," a slower and yet well put together song, are the best of the final four. In the end, aside from the addition of a few "beats and blips" commonly found in electronic music, the Doves still sound like the Doves and have provided something well worth a few spins for fans both new and old. ~Reviewed by Jeff Bouma

Quick Links:

• The Doves Official Site

LIZ DURRETT

Outside Our Gates

March 27, 2009

Durrett has a warm soft voice, dark thoughtful lyrics, and music that is lush and penetrating with waltzy rhythms that hang in the air long after the album concludes. These rhythms are the driving undercurrent carrying this album to various heights, and depths. So many layers that some of them seem to be whispering to your brain…secretly…you won’t even know it until later. She’s the young niece of singer/songwriter Vic Chesnutt (they both hail from Athens, GA, like so many other musical greats). Uncle Vic helped her get started when she was quite young, and now that she’s a pro (this being her 3rd release, along with lots of rave reviews from reputable sources) he lends some of his talents on her album. In spite of the fact that she herself plays guitar, piano, drums, organ and xylophone, she has a large troupe of other talented musicians adding their stings, brass, beats and “space effects”. Her voice is low and whispery like that of Cat Power and Beth Orton. The songs are transporting. The album is beautiful. Becky Kenny 2009

Quick Links:

• Liz Durrett
• Outside Our Gates
• Vic Chesnutt

WAR CHILD-16 Of Todays Biggest Artists

HEROS

March 23, 2009

WAR CHILD PRESENTS HEROS Everything associated with this Disc is amazing. It assembles 16 classic artists including {Dylan, The Clash, Steve Wonder Leonard Cohen, U2, David Bowie and more} and has them pick 16 of today’s hottest artists Including {Beck, Duffy, Lilly Allen, Rufus Wainwright & the Scissor Sisters} to cover some of their classic tracks. Instead of trying to reproduce exact covers each artist takes their own liberties in making these classic tracks their own. It is fair to say there is not one missed target in this group. The other amazing thing is the proceeds from this disc go to an award winning charity that provides humanitarian assistance to war-affected children in some of the most devastated regions of the world. This leads me to only one question if children were left to their own devices and the power of the music provided on this disc would there ever be a thing called war? Reviewed By: Gregg Saur

Quick Links:

• War Child Home Page
• Amazon

THE BLIND BOYS OF ALABAMA

LIVE IN NEW ORLEANS

March 23, 2009

THE BLIND BOYS OF ALABAMA LIVE IN NEW ORLEANS Recorded live at the legendary Tipitina’s during the 2008 New Orleans Jazz and heritage festival this disc shows this legendary group in a high energy set that is sure to captivate and lift any listeners spirit. Joined on stage with the Blind Boys are the Preservation Hall Jazz Band, Henry Butler, Dr. John & others covering Norman Greebbaum’s “Spirit in the Sky”, Tom Waits “Down In The Hole” as well as other classic covers including their amazing version of “Amazing Grace”. Fans of their last release will also reveal in their version of the Crescent City classic “Bourbon St. Parade”. The Blind Boys have been putting out great music for 75 years and after one listen to this disc you can tell that some things just get better with age. The only complaint I have regarding this disc is it is only 31 minutes long and is missing four tracks from the store release of this disc. Reviewed By: Gregg Saur

Quick Links:

• Blind Boys Home Page
• Amazon

Luminescent Orchestrii

Neptune's Daughter

March 16, 2009

Neptune's Daughter, by NYC's Luminescent Orchestrii, is an intriguing blend of traditional Romanian Gypsy folk songs, punk rock rhythm, bluesy vocals, and jazz improvisation. The Orchestrii, or small ensemble with orchestral intentions, is made up of a fiddler and guitarist from the NYC Theatre underground, a free-jazz bassist, and an old-time fiddler. The group toured extensively in Europe for a time, gaining much. Their music is not something you would expect to hear in modern America, but certainly welcome nonetheless. – Matt Kwiek

Luka Bloom

Eleven Songs

March 16, 2009

My favorite new music of 2009! Luca is a veteran singer/songwriter out of Ireland. He has been compared to Van Morrison and Bono to some degree. I loved this CD- and the more I listened to it, the better. Track #11 - Don't be Afraid of the Light Shines Within You is a classic #7- When Loves Comes and #2 I'm On Your Side are a couple of other tunes highlighted by the label to promote. I can't disagree! Several songs highlight his Irish lilt, and are tender, moving and entirely enjoyable. – john Rumery

Nathan Kalish and The Wildfire

Waterbirds

March 16, 2009

From Grand Rapids’ own Nathan Kalish and the Wildfire comes their latest, full length album, “Waterbirds,” available 2009 from Caveman records. While this release may do little to expand the horizons of the world of rock music, it certainly stays true to the tested and time honored traditions of the genre. Wildfire sound like they could be The Rolling Stones’ nephews. A fine presentation by fine musicians, “Waterbirds” is a solid release from a band that bills itself as “The Last Rock Band in Grand Rapids.” – Mike Shade

Great Lakes Swimmers

Lost Channels

March 16, 2009

Toronto folk quintet Great Lake Swimmers return with quicker tempos and stronger rhythms in "Lost Channels," available March 31, 2009, from Nettwerk Records. Their fourth full-length release, "Lost Channels" is definately a Great Lakes Swimmers album, bearing all of the understated and folky hallmarks of their previous releases. The band offers a comparatively energetic and enthusiastic presentation with this release while somehow maintaining the relaxed and almost sleepy attitude of previous works. Fans of their earlier work are likely to find what they're listening for here, while low-fi purists may find themselves feeling betrayed by the extra attention the band seems to have payed to the album's post-production. – Mike Shade

GENTLEMAN REG

Jet Black

March 12, 2009

Recording on the label Arts & Crafts for the first time, Reg Vermue (a.k.a. Gentleman Reg) has certainly come up with a flavor all his own. Yes, the influences are evident - Elliot Smith, Morrissey, and others - still the quirkiness is largely Vermue. Also, evident are the sexual innuendos throughout as it's quite obvious that Vermue has no qualms about sharing even some of the most intimate details of his love life. Having said that, the strength of this singer/songwriter is found in his lyrics. While some of it is difficult to decipher, the overall beauty of them is best exemplified on one of the best tracks on the album, "To Some it Comes Easy." Here, with some help from Land of Talk's Elizabeth Powell, he sings: "It's too late / But I hope and pray for a co-misery / because in time, I'm gonna drink myself into a nursery rhyme." Another lyrically strong and introspective song is "Oh My God." Here Reg seems to wrestle with a God he's left behind for bigger and better things and now wonders whether or not God is still with him. A final track that's worth mentioning here is "Rewind," which this time showcases the vocals of Reg and Katie Sketch, along with a mostly subdued and yet beautiful sound. While the remainder of the tracks on this recording are good, it's unfortunate that three of the best sounding songs are unplayable due to language, making them inappropriate for radio play. Still, the gentleman known as Reg has given his listeners something to chew on if even it's certainly not for every-one's ears. ~Reviewed by Jeff Bouma

Quick Links:

• Official Website

HERMAN DUNE

NEXT YEAR IN ZION

March 11, 2009

HERMAN DUNE NEXY YEAR IN ZION After one listen to Herman Dune’s new release “Next Year In Zion” I couldn’t get Jonathan Richmans quirky part in the movie ‘There’s Something About Mary.” Herman Dune is composed of singer/songwriter/guitarist David-Ivar Herman Dune and drummer Neman Herman. This is actually their fifth full release and has earned them a strong European cult following. David’s warm voice, often humorous lyrics are both entertaining and engaging. Several of the tracks also including “Baby You’re My Baby,” and “Try To Think About Me {Don’t You Worry A Bit”} & “My Best Kiss” Include the warmth of a brass section. Though most tracks show David-Ivar Herman’s dry sense of humor, he delivers a serious and powerful environmental warning on {Nothing Left But} Poison In The Rain. Though I predict Herman Dune will remain a cult band I will be one of the first to sign up for their American chapter. Reviewed By: Gregg Saur

Quick Links:

• Heman Dune Web Sight

BLACK LIPS

Two Hundred Million Thousand

March 11, 2009

This is the fifth album from lo-fi garage rockers, Black Lips. The jangly guitars, barely discernible vocals and simple arrangements mixed with howls and screams add up to energetic awesomeness! It's reminiscent of the MC5 or Velvet Underground. The album starts strong with "Take My Heart", and upbeat rocker. "Short Fuse", the lead single, is one of the better songs on this album that is entirely made up of great songs. I also have to mention "Again and Again" as it was written by James Osterberg during his Iguanas days. (You may know him by his more famous name, Iggy Pop.) I loved this album and will most certainly be adding it to my personal collection. Reviewed by Rebecca Ruth.

Quick Links:

• Official Black Lips Website
• Black Lips Myspace
• Vice Records Website

ALICE PEACOCK

Love Remains

March 9, 2009

On her fourth release, Chicagoan Alice Peacock starts the record by shouting out "I'd like to get stoned" on the opener "All About Me." But the irony is that the overriding theme of "Love Remains" is to get off your duff and do something important, that will make a mark -- and do it with faith and flair and family. "Real Life" and "City of Angels" juxtapose the choices we make in where and how we live. "If I Could Talk to God" and "Forgiveness" has her mixing it up with the Almighty, leading to a challenge to each one of us. "Fairborn" talks about moving forward, but not losing a sense of home. Sometimes Kasey Chambers, sometimes Steve Earle, all the time herself, Alice Peacock delivers a great set of songs that aren't only catchy; once they catch you, they might just change your thinking. F-Rock 03/09 Michael J.

Quick Links:

• Alice Peacock home page
• Alice on Myspace

YOUTH GROUP

The Night is Ours

March 9, 2009

Hailing from Canberra, Australia, the foursome known as Youth Group have been at it for some time now - this being their 4th studio release. Turning an old boat into a recording studio and hiring several producers, including Death Cab for Cutie's Chris Walla to do some of the mixing would lead one to think that the effort should be top notch. In fact, the first three songs are just that. "Good Time" sets the tone for the remainder of the recording as it suggests a journey into a dark night of the soul. The second, "One For Another" delves into the realm of addiction and trading "one addiction for another" that so often entangles the addictive personality. One of the songs with the most 'pop' is the third, "Two Sides," which also showcases synthesizers and pounds out a sound reminiscent of The Killers. "All This Will Pass," perhaps the most positive here, is another song worth a listen and offers up encouragement to the one whose done something they've later regretted. The final song worth mentioning is their latest single, "In My Dreams," another offering of lush vocals by Toby Martin and an overall melody that makes you want to hear it again. While a solid effort, and one that's appreciated more and more after repeated listens, the Youth Group have given their fans something that should tide them over for awhile. Still, this album lacks the real "standouts" that would take them to the next level with many of the tracks barely rising above the "good" level. For that, we're left wanting and waiting patiently until next time. ~ Reviewed by Jeff Bouma

Quick Links:

• The Youth Group on Wikipedia
• The Youth Group on Myspace

WSNB

OKTIBBEHA COUNTY

March 9, 2009

WSNB OKIBBEHA COUNTY This is WSNB {We Sing Nasty Blues} second release and like the first one is a full platter of delta soul drenched blues rock. The best description I can use for WSNB would be to take the Texas sounds of Omar and the Howlers and bury them in the swamps of Mississippi. This CD is pure unadulterated blues rock that lacks all polish but will certainly grab its listeners. My advice is get some good greasy southern food, a cold beer and turn this CD up real loud. You won’t be disappointed. After one listen you will understand why WSNB is one of North Carolinas hottest acts and why they too will have you singing the nasty blues. Reviewed By: Gregg Saur

Quick Links:

• WSNB Home Page
• My Space

Franz Ferdinand

Tonight

March 9, 2009

This is the 3rd album by the Scot-popsters named for the ill-fated Archduke of Austria. This one’s been panned by critics a bit but mostly because of the high expectations their first two raised. This, to me, sounds like Franz Ferdinand (without a giant hit within) - Sort of New Wave-ish, British-accented, power pop. On the ‘YCE Rock scale, I’d give it a 7.4 - Gladden

David Egan

You Don't Know Your Mind

March 9, 2009

2008 Rhonda Sue Records David Egan is a Lafayette, LA piano man who covers a lot of territory on the 11 tracks collected on this, his second solo release, after a career playing for the likes of Lil’ Band O’ Gold, File′ and Jo-El Sonnier. While the title track has a straight forward cadence that would fit into a military March that only serves to highlight the second line groove of You’re Lying Again, the boogie of Money’s Farm and Smile and the rollicking good times of Proud Dog. While there isn’t much here to tie the disc to its bayou roots, the influence of the area is inescapable. The funky Love, Honor and Obey has a strong percolating beat that would fit nicely on a Radiators disc while the horn grooves of Sing It and the second line feel of You’re Lying Again reminds you that New Orleans is only a couple of hours over the horizon. As a tunesmith who’s written for Percy Sledge, Johnny Adams, Etta James, Joe Cocker and, most recently, for the Marcia Ball, Tracy Nelson and Irma Thomas collaboration, Sing It, Egan knows his way around the lyric sheet as evidenced here by the 11 original tunes including, most notably the scathing indictment of an errant spouse on Love, Honor and Obey and the pep talk for the down and out on Smile. With a voice that morphs from the soulful croon of Charles Brown on Bourbon In My Cup to a light Louis Prima style duet with Jennifer Nicely on If It Is What It Is (It’s Love) and then to a Paul Thorn style stuffy croak on Best of Love Turned Blue, Egan always finds just the right tone to get his point across. Based on the strength of this release, Egan is an artist deserving plenty of attention. - Smitty

M. WARD

Hold Time

March 9, 2009

I have a bit of a crush on Matt Ward anyway, so this might be a little biased: Hold Time, the seventh album under the name M. Ward, couldn’t have come out at a better time. Just under a year after the mad-talented guitarist/ vocalist/ songwriter/ producer/ artist decided (bravely…?) to release a rather iffy album with film actress Zooey Deschanel (under the name She & Him), I was wondering if the old boy finally sold out for good. But Hold Time is classic M. Ward like we all know and loved him. Maybe a little more loveable even, because this is notably cheerier than past efforts. He rocks out a little bit this time around, taking glam-riff cues and slappy, big drums from buddy Jack White on “One Hundred Million Years”, “Never Had Nobody Like You”, “Epistemology”, just plain bounciness on “Fisher of Men” and electricity on the standout “Rave On.” This guy has worked with everybody talented from the White Stripes to Connor Oberst to Norah Jones (both of whom he toured with recently), and chose well placed and humble collaborations with My Morning Jacket’s mastermind Jim James and Lucinda Williams (their duet “Oh Lonesome Me” is beautifully simple, and her gravelly vocals lend remarkable grace). Not to my surprise, however, the real strength on Hold Time lies in his ballads. The title track is filled with rich, ambient intrigue, and the lyrics to “Blake’s View” walk the fine line between kid’s book-simplicity and actual brilliance. Paired with his adorably tinkling guitar work, even on the upbeat stuff (which is also simple and excellent), his buttery warm vocals and cozy songwriting really work all over the place on this album, and will hopefully win back a little bit of the love that She & Him lost. – Stef

Lily Allen

It's Not Me, It's You

March 9, 2009

One time I played this joke on my Dad. Knowing he would eat it, I placed this Super Sour gumball on his dashboard and sat back and watched. This is much the same, it appears sugary and sweet, it contains a potent bite. And when I hear it played, I’ll laugh and laugh.- Gladden

Fula Flute

Mansa America

March 9, 2009

Sure, opening cut "Obama" (#1) feels like a bit of a novelty song after the 2008 election. But concentrate on the playing - especially Bailo Bah's and Sylvain Leroux's crazy good flute chops - instead of the foreign language words, and the track will win you over like everything else on the disc. This traditional-based Fulani music from the Fouta Djalon highlands of Guinea features complex balafon, kora, and flute solos that feel like the wellspring of American jazz, especially when paired with genuine jazz change-ups. But there's also a stateliness to the instrumentation that somehow seems classical. The two strains combine brilliantly on "Fouta Canada" (#5), thanks to a seamlessly integrated horn section. It's the Fulani flute that steals the show on "Lele"(#4) and "Boloba" (#6) via performances so physical, it's as if the flutist is trying to fit his entire body into the mouthpiece. The vocal interjections that punctuate these solos increase the crazy intensity of an already thrilling recording. - Bob Tarte

Jim White

A Funny Little Cross to Bear

March 9, 2009

Jim White's new EP, A Funny Little Cross to Bear, is a compilation of life stories collected through his many careers, set to a mellow blend of folk and rock music. In this live album, Jim is backed up by guitarist Pat Hargon and vocalist Fiona McBain. The album is marked by Jim's commentary on his work and life in between songs. A Funny Little Cross to Bear contrasts Jim White as a performer to Jim White as a songwriter.- Intern Matt

Mishka

Above the Bones

March 9, 2009

Mishka's third album, Above the Bones, is a socially charged reggae album reminiscent of Bob Marley. Mishka appeals to his Bermudian heritage for a funky reggae feel, but cannot escape the folk and rock influences of his Canadian heritage. Above the Bones was an independent project produced by Mishka with the help of guitarist Darryl Thompson and the creative assistance of Matthew McConaughey. It's a free-spirited album, bringing new light to the reggae genre. – Intern Matt

Liz Carroll and John Doyle

Double Play

March 9, 2009

Two of the finest Celtic musicians, Liz Carroll and John Doyle have teamed up again to produce a beautiful collection of tunes. Carroll’s fiddling is as superb as ever, and Doyle’s guitar (and voice on three tracks) complement it nicely. If you enjoy Celtic music at all, this disc is for you. Of the three tracks with singing, my preference is “Down at the Wakehouse/The True Love of My Heart,” but you really can’t pick a bad track here. - Tim Smith

Duncan Sheik

Whisper House

March 9, 2009

Based on a theatrical piece in the works, Duncan Sheik's Whisper House, released January 26th, 2009 unmistakably offers rich material similar to his previous recordings, including blends of orchestral, acoustic rock, and epherial folk. Not an album to spin with any firearms or sleeping pills nearby, a listener may long for a glimmer of hope. The album highlights Holly Brook's vocals throughout, which surely add a sweetness to a somewhat depressing experience. However, what he does, he masterfully. – Christian Borg

GRETEL

The Dregs

March 7, 2009

Out of Boston, this folky three-piece (occasionally four-piece) outfit offers heart-wrenching lyrics over a multitude of down-home instruments, including banjo, Wurlitzer, accordion, and guitar. Reva Williams wrote and produced this entire album. Her lead vocals are often accompanied by those of band mates Melissa Myers and Phil DuPertuis to create handsome harmonies that fit the music perfectly. This is a lovely album with lyrics that'll kick you in the gut, but the blow is softened with the delivery. Reviewed by Rebecca Ruth.

Quick Links:

• Gretel Website
• Gretel Myspace

BUMP

Forward

March 7, 2009

This is the fourth album from this Detroit-based rock band. It's not quite so proggy prog-rock. Their website compares them to Flaming Lips and Death Cab for Cutie, which I can see to some extent. The album starts nicely with "Everyone Knows", but it seems to fizzle halfway through as the songs begin to sound a bit too similar. It's a nice enough release, though, with decent production, good musicianship, and occasional odd time signatures. Reviewed by Rebecca Ruth.

Quick Links:

• Bump Website
• Bump Myspace
• Another Bump Website

DAVID EGAN

YOU DON'T KNOW YOUR MIND

March 6, 2009

David Egan is a Lafayette, LA piano man who covers a lot of territory on the 11 tracks collected on this, his second solo release, after a career playing for the likes of Lil�f Band O�f Gold, File�Œ and Jo-El Sonnier. While the title track has a straight forward cadence that would fit into a military March that only serves to highlight the second line groove of "You�fre Lying Again", the boogie of "Money�fs Farm" and "Smile" and the rollicking good times of "Proud Dog". While there isn�ft much here to tie the disc to its bayou roots, the influence of the area is inescapable. The funky "Love, Honor and Obey" has a strong percolating beat that would fit nicely on a Radiators disc while the horn grooves of "Sing It" and the second line feel of "You�fre Lying Again" reminds you that New Orleans is only a couple of hours over the horizon. As a tunesmith who�fs written for Percy Sledge, Johnny Adams, Etta James, Joe Cocker and, most recently, for the Marcia Ball, Tracy Nelson and Irma Thomas collaboration, Sing It, Egan knows his way around the lyric sheet as evidenced here by the 11 original tunes including, most notably the scathing indictment of an errant spouse on "Love, Honor and Obey" and the pep talk for the down and out on "Smile". With a voice that morphs from the soulful croon of Charles Brown on "Bourbon In My Cup" to a light Louis Prima style duet with Jennifer Nicely on "If It Is What It Is (It�fs Love)" and then to a Paul Thorn style stuffy croak on "Best of Love Turned Blue", Egan always finds just the right tone to get his point across. Based on the strength of this release, Egan is an artist deserving plenty of attention. Smitty

Quick Links:

• My Space
• Web Site

DAMON FOWLER

SUGAR SHACK

March 6, 2009

As one of the newest members of the Blind Pig records stable of artists, Damon Fowler brings more than blues to the party. The rollicking guitar licks of "Some Fun" that introduce the disc set you up for the fun that follows. Mixing things up between guitar and lap steel, Fowler conjures up a Lynyrd Skynyrd twist on the Merle Haggard classic, "Tonight the Bottle Let Me Down", a funky, Little Feat style take on the Amazing Rhythm Aces’ "Third Rate Romance", a couple of Chuck Berry style rockers, "VFW" and "Lonely Blues", and a host of other well-penned original numbers. Throughout, Fowler steadfastly avoids the predictability of most blues discs by skipping boogies and shuffles in favor of mostly upbeat southern fried roots rock and road house stomps that would fit nicely on a Delbert McClinton disc. "Sugar Shack" is a swamp rock ode to an after hours club while "Sugar Lee" is a happily ever after tale about a failed romance that blossoms anew after the cleansing effect of time does its magic. "Wrong Side of the Road", on the other hand, is a tale of a woman gone bad with $50 placed in the right hands leaving someone dead. With a smooth lap steel groove, the cut lacks only the overproduction to make it something from an Eagles disc. Slowing things down a bit, Fowler wraps some sacred steel licks around the lyrics of "James", a sympathetic ballad of a man who gets knocked around his entire life, adding just the right amount of anguish to pull you into that tale. While those looking for straight blues won’t find a whole lot here, they will find some well played guitar, soulful vocals and rocking tunes. And sometimes, that’s just what you need. Smitty

Quick Links:

• Blind Pig Records

THE NIGHTHAWKS

AMERICAN LANDSCAPE

March 6, 2009

The Nighthawks have been turbo-charging band stands around the world for over 36 years. Based in Maryland/Northern Virginia, this four piece outfit has always kept one foot in the blues but has never shied away from roots rock, country, R & B and soul, both on stage and on record. Johnny Cash, Elvis, Patsy Cline, James Brown, Leiber & Stoller and Frank Zappa are as likely to find their way into a Hawks set as Muddy, Howlin’ Wolf, Pinetop Perkins, Jimmy Reed, Elmore James or Otis Rush. Featuring original members Mark Wenner on Harmonica and vocals and Pete Ragusa on drums vocals and percussion as well as new members Paul Bell on guitar and vocals and Johnny Castle on bass, vocal and percussion this disc skips covers of the first generation blues legends and focuses more on the rock and roll era. As always, the Nighthawks cast a wide net for their material. Things start out blue with a Jimmy Reed style shuffle on "Big Boy" which features Wenner’s wracked out vocals and fine harmonica work along with plenty of Bell’s tasty guitar work. The blues also get a spin on Ike Turner’s "Matchbox" where Ragusa’s elastic vocals convey the tough minded defiance of being down but not out over some of the best harmonica work found on the disc. Steve Cropper’s "Don’t Turn Your Heater Down", featuring soulful vocals by Ragusa and the instant classic cheatin’ song, "Where Do You Go", which was penned by bassist Johnny Castle and features the great line “where do you go when you go where you go without me?” both dip into the Soul/R& B well. Keeping the stylistic juke box spinning, Castle’s "Jana Lea" takes the band into rockabilly territory and they even take a turn into the Tom Waits songbook with an atmospheric run through "Down in the Hole". But they don’t stop there: As befitting the inclusive title of the disc, cuts by Dan Penn, "Standing in the Way", Berry Gordy, "Try it Baby", and even the Mayberry RFD theme, "Fishin’ Hole Theme", are included along with rocking takes on Bob Dylan’s "She Belongs to Me" and "Most Likely You Go Your Way and I’ll Go Mine" both of which benefit from getting roughed up from their folk roots. As always, the Hawks play all these cuts on that thin edge between just right tight and overly polished to great effect. If you’re not hip to the Nighthawks this isn’t a bad place to start. If you like what you hear, and you will, check out the one of the many live releases by this crew. Your only regret will be that you let so many years go by without the adding the Nighthawks to your musical diet. Smitty

SHEMEKIA COPELAND

NEVER GOING BACK

March 6, 2009

When Shemekia Copeland burst onto the blues scene from Harlem in 1998 she was a 19 year old with a voice that could shout down a freight train. While she still has all that power, the ensuing years have taught her how to restrain it in service of her songs giving her the ability to deliver a broader range of material. This collection finds her taking on everything from Joni Mitchell’s jazzy "Black Crow" to Buddy and Julie Miller’s swampy "Dirty Water" to Paul Thorn’s rocking "Rise Up" to her father, Johnny Copeland’s, blues drenched "Circumstances". Copeland’s new found control also pays dividends in the service of her own tunes. On "Sounds Like the Devil" her disgust is evident as she takes an unflinching look at the use of God for political ends or as a tool for personal financial advancement. Her producer, John Hahn and guitarist Oliver Wood, who contribute several numbers here, give her a great vehicle to try out some edgy funk on "Never Going Back to Memphis". As good as these cuts are it is the R & B/Soul numbers where she shines brightest. "Broken World", "Born a Penny", "Big Brand New Religion" and Percy Mayfield’s 'River’s Invitation" reveal an upbeat sass to her voice that conjures up thoughts of Aretha. This one will get lots of spins. Smitty

JOHN NEMETH

LOVE ME TONIGHT

March 6, 2009

After a couple of independent discs and stints with the likes of Anson Funderburgh and Jr. Watson, harmonica player/vocalist John Nemeth hit the national scene with his 2007 release Magic Touch earning immediate accolades from critics and fans alike for its classic soul blues sound. This release follows the same path with Nemeth and crew laying down heaping doses of southern fried soul blues on "My Troubled Mind" and the Delbert McClinton style ballad, "Fuel for Your Fire". Soul isn’t the only trick in Nemeth’s bag: he charges through rootsy rock on "Love Me Tonight", "Just Like You" and "Too Good to Be True" with enough conviction that you know he’s not just filling space on the disc. He also dips into East Coast style beach music with "She’s My Heart’s Desire" which gets as much heat from Bobby Welsh’s fret work as Nemeth’s soaring vocals. While Nemeth spends the majority of this disc leading the charge with his elastic vocals that mimic the anguished plea of Buddy Guy one moment and the rollicking fun of a young John Fogerty or even Tommy Castro the next (look out American Idol!) he demonstrates his harmonica chops to great effect on "Love Gone Crazy", "Where You Been?" and "Daughter of the Devil" where he heats things up with special guest Elvin Bishop. With 10 of the 11 tunes written by Nemeth this disc is as fresh as its sounds are classic. Smitty

Quick Links:

• Blind Pig Records

JOSHUA REDMAN

Compass

March 4, 2009

Harvard-educated Joshua Redman provides an interesting musical experiment on this latest set -- employing two bassists for most the cuts, one in each channel, and at times doubling up on the drum section as well. The "double trio" format is unusual and Redman wasn't sure that the arrangements would work: Would the music be too "bottom-heavy" and weighted down? The results, on the contrary, are striking and most of the "doubling up" sessions made the record. I think the emphasis on the rhythm gives the songs a fresh feel and actually make Redman's fine sax playing stand out all the more. I liked the cuts that build up steam as they progress, such as "Faraway" and "Identity Thief," plus the generally upbeat selections "Hitchhiker's Guide" and "Round Reuben." For the upper crust, there's a unique interpretation of Beethoven's "Moonlight Sonata." J-Esoteric 03/09 Michael J.

Quick Links:

• Joshua's Web site
• Redman on youtube

LOS FABULOSOS CADILLACS

LA LUZ DEL RITMO

March 3, 2009

LOS FABULOSOS CADILLACS LA LUZ DEL RITMO Los Fabulosos Cadillacs has been described as “Argentina’s hippest musical export pumping Latin heat into punk, reggae and fun for a wild ride that demolishes borders.” I can’t agree more after a seven year absence LFC has provided us with this year’s ultimate party CD. Most tracks on this disc blend all the genres listed above into an infectious groove that would fill any dance floor with a lot of hot sweat drenched body’s. Most tracks are LFC originals with the exception of their masterful cover of the Clash’s “Should I Stay or Should I Go.” If the Jammies or Grammy’s adds a category for best party CD of the year this disc should walk away with the award. Reviewed By: Gregg Saur

Quick Links:

• Los Fabulosos Cadillacs Home Page
• Amazon

DONNA ULISSE

Walk This Mountain Down

March 2, 2009

The word "real" comes to mind as you listen to Donna Ulisse's latest release, "Walk This Mountain Down." There's nothing phony here as the singer/songwriter shares her life - both the ups and the downs. The title track, well worth a spin, was actually inspired by Ulisse watching her mother-in-law hold strong and steady after losing her husband and daughter all in the span of one year. The fast-paced opener, "In My Wildest Dreams" is a great way to get things moving, highlighting the banjo and Ulisse's country laced voice that fits well in the bluegrass genre of things. Things slow down a bit, as the singer/songwriter gets serious on the beautiful "Poor Mountain Boy." Another song worth checking out is the blues sounding "The Trouble With You." Most prevalent here, however, is the genre of bluegrass gospel such as found on "Dust to Dust," "The Key," and perhaps the best of them, "Everything Has Changed," but also included as an element in many of the other songs as well. Despite where you might be at in life, it seems like there's a little something for everyone here as Ulisse gives the listener a perfect mix of down-home cooking with a voice that leaves little else to be desired of it. If bluegrass is your thing, you can't miss with Donna Ulisse's latest offering. ~ Reviewed by Jeff Bouma

Quick Links:

• Official Donna Ulisse Website
• Myspace Page

Justin Townes Earle

Midnight at the Movies

March 1, 2009

Disambiguation between Justin and his father (Steve Earle) isn’t difficult. Justin hasn’t the vitriol, gruff or amplifiers of dear old dad. His strengths are heart and style - the styles being classic country, traditional-sounding originals and a hint of swing; the heart in the earnest, bleary-eyed love songs. He’s radio royalty and not leaving any time soon. Get to know him here. - Gladden #6 is The Replacements’ classic

Neko Case

Middle Cyclone

March 1, 2009

This is Neko Case’s sixth solo release and showcases an artist that is growing with each release. Where 2006’s Fox Confessor Brings the Flood brought Neko into the spotlight and showed a more Pop side of Neko, this CD goes even further. This CD is pure pop, rock and at times soulful candy. To help with this disc Neko brought an army of friends including M. Ward, & members of the New Pornographers, Los, Lobos, Calexico and the Sadies. The true magic of this disc remains Neko’s voice wrapped around some well crafted and written songs. It was 3 years between discs, but I think most will agree that the wait was worth it. - Gregg Saur

Oren LaVie

The Opposite Side of the Sea

March 1, 2009

Oren is Israeli born singer-songwriter, compared by some to Nick Drake. The Opposite Side of the Sea is pleasant CD. The reviews I have read have been very positive. His vocals are distinct- throaty, almost breathless. I can't say it was one of my favorite CD's to listen to..a bit too laid back. However, I think Oren will have a strong fan base the production values are high and he is a certainly a talented musician. Songs of note include Her Morning Elegance and Ruby Rises. I read one review that indicated the CD had a "broadway feel" to it, and I agree completely. I prefer my sounds a bit more "off-broadway", but for each their own! – John Rumery

Danny Schmidt

Instead the Forest Rose to Sing

March 1, 2009

More proof that Austin Texas is home to the hippest music scene in the U.S.. An independent singer/songwriter- folk/American artist, Danny has had his share of underground success. 2008 Falcon Ridge Emerging Artist Award Winner From the Austin Chronicle: "In today's underground folk world, Danny Schmidt is spoken of in reverent tones, drawing comparisons to Leonard Cohen, with a poetry that breathes naturally and without pretension, with results that are both attractive and intense." My first impressions were a bit Leonard Cohen with Townes Van Zandt thrown in. Besides a talented musician, Danny's lyrics read like a book and tell stories. Better of Broke, Grandpa Built Bridges (reminded me of John Prine Grandpa was a crpenter song!) and Southland Streets are all stories that resonate today. An artist like Danny can probably ride the success as an "underground" hero for many years, and to some degree I hope he stays off the radar charts. Mainstream success doesn't always improve the final product. – John Rumery

Dan Vaillancourt

Lovely Distractions

March 1, 2009

Nice technical guitar playing, played, produced, and released by Dan Vallancourt. It is a shame a major label has not pick him up yet, keep plugging away Dan and it may happen. I like Postcards as a strong ballad, Newspapers is pretty lyrical in it's own right. I Am Your Radio is from a slightly different perceptive from the norm. Worth a listen or two let the subtleties to sink in. - John Hardy

...AND YOU WILL KNOW US BY THE TRAIL OF DEAD

The Century of Self

February 27, 2009

This Austin-based rock band has made some changes in the seven years since their last release. Their line-up has gone from being a quartet to a trio and they've moved from a major label to their own start-up label. Their sound is not much different than on previous releases, but this album simply can't compare to 2002's "Source Tags and Codes". That album was a bit more accessible while this one is at times poorly mixed and over-produced. While I think this album is okay as a whole, there isn't a single stand-out track on this one. Reviewed by Rebecca Ruth.

Quick Links:

• Trail of Dead Website
• Justice Records Website

THE JAMES TAYLOR QUARTET

New World

February 24, 2009

While James Taylor may be considered a master of the Hammond, he says he was inspired to make this piano-based album by the baby grand piano that he was storing for a friend. There is, however, plenty of Hammond, clavinet, and Fender Rhodes here to go around. While this band may be tight with their studio recordings, I think this leans more toward smooth jazz than on their more upbeat and interesting live releases. (Check out the albums "Live at the Jazz Cafe" or "Whole Lotta Live".) There is still some mildly interesting stuff here such as the opening track which features Gareth Lockrane on flute. The best track most definitely is "Hotwire" with its quick horn bursts and high-hat taps. Reviewed by Rebecca Ruth.

Quick Links:

• James Taylor Quartet Website
• Kudos Records Website

NEKO CASE

MIDDLE CYCLONE