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OTHER LIVES

Other Lives

July 2, 2009

The first full-length album from this Stillwater, Oklahoma band is full of avant-garde instrumentation and sad lyrics to make for a melancholy sound. Nice production abounds as cello is layered over melotron is layered over harpsichord is layered over...you get the picture. This is a nice, quiet album that I would describe as prog-folk. The tracks "End of the Year" and "Matador" being a bit more prog-gy than the rest. Reviewed by Rebecca Ruth.

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SON VOLT

American Central Dust

June 15, 2009

With their first effort for Rounder Records, Son Volt offers up American Central Dust - their 6th full-length recording. While many of the band members have changed since Son Volt's debut Trace in 1995, one constant has been lead vocalist and primary songwriter, Jay Farrar. Continuing mostly in the genre and vein of Americana inspired rock, Farrar calls this effort a little more positive than previous recordings while still reflecting socio-politically on the past. Bringing back memories of early R.E.M., the Volt kicks things off with the short, harmonious and accordion driven "Dynamite." Then, inspired by Keith Richard's admission (later revoked) that he had smoked his father's ashes, "Cocaine and Ashes," brings to light the effects of addiction with a stripped down sound - mostly carried by the fiddle, piano and Farrar's heartfelt vocals. In the vein of Americana inspired music, "Sultana" brings the listener back to the maritime tragedy of 1865 wherein the greatest steamboat disaster in American history occurred - often referred to as the Titanic of the Mississippi. Perhaps the best song here, "When the Wheels Don't Move," delves into the socio-political realm highlighting the greed and avarice of the oil industry. Here, Farrar is admittedly inspired by the soaring gas prices of 2009 as he sings: "Who makes the decision / to feed the tanks and not the mouths / when the wheels don't move." Overall, while there's nothing spectacular here and there's a few missteps along the way, what Son Volt has recorded is a well rounded album that grows more interesting after each listen. ~ Reviewed by Jeff Bouma

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BUTTERFLY BOUCHER

Scary Fragile

June 15, 2009

Aussie native, Butterfly Boucher, not only wrote and arranged everything on this album, she also played all the instruments. This is the follow-up to her first release, Flutterby, which had a song featured on Grey's Anatomy. "A Bitter Song" has now been re-released on this album. The song title pretty much says it all for this album. This is full of teenage angst, sung in over-produced vocals over power-pop guitars. There is nothing interesting or challenging here. If you like the bands Paramour or Evanescence, you might enjoy this one too. Rebecca Ruth

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Nettwerk Records Website

Rapster Records Website

VIVA VOCE

Rose City

May 31, 2009

Out of Portland, duo-used-to-be, Viva Voce is now a quartet for its second album on Barsuk Records. Combining guy-girl harmonies with dreamy guitar and dark lyrics, Viva Voce offers and ambient shoegaze-pop sound. This album was written, arranged and recorded within a month for an immediate sound. Best songs are the country-noir "Red Letter Day" and "Die A Little" with its cool "oooh, oooh, oooh" refrain. Nothing here beats "Devotion", though, the album's opener. Rebecca Ruth

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Barsuk Records Website

BIG BAD VOODOO DADDY

HOW BIG CAN YOU GET ?

May 26, 2009

BIG BAD VOODOO DADDY HOW BIG CAN YOU GET? This CD is tribute release to the late great Cab Calloway. The songs on this disc jump alive and bring back the charisma from one of the finest band leaders ever in the Jump Jazz genre. Cab passed away in 1994, but he passed his torch on and his music will live for generations to come. Big Bad Voodoo Daddy Would make Cab proud on this release with their signature high energy sound including a larger horn section then was found on the original tracks. Scotty Morris can not duplicate the authentic vocal sound that made Cab Calloway a legend but he can certainly bring his listeners back to a simpler time when Jazz was the music of the day. Reviewed By: Gregg Saur

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BBVD Home Page

DAVE ALVIN AND THE GUILTY WOMEN

May 26, 2009

Dave Alvin and the Guilty Women Dave Alvin has been in the forefront of Americana music for the last three decades, heading up bands like the Blasters, the Knitters and the Guilty Men, Dave’s journey down the American highway has joined him with seven of the finest female musicians in Americana music today. The result is a superb collection of songs that range from the reworked Blasters classic “Marie Marie” done in a bluegrass format to the western swing sounds of “Boss of the Blues”, Dave’s tribute to the late great Big Joe Turner. Dave also gives leading vocal recognition to Christy McWilson and the guilty women on the tracks “Weight Of The World” and “Potters Field”. Every track on this disc is a little gem including the coolest version of “Que Sera Sera” you will ever hear. As that song ends asking what the future will bring, I only see good things for Dave Alvin and the Guilty Women. Que Sera Sera. Reviewed By: Gregg Saur

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Dave Alvin Home Page

BEARFOOT

Doors and Windows

May 25, 2009

We've heard of bluegrass and newgrass -- how about tundragrass? Bearfoot is a bluegrass ensemble from Anchorage, Alaska and they can fiddle, mandolin and harmonize just as well (maybe better) as their kin in the Lower 48. The band knocked around Alaska for a number of years, honing their skills, but things revved up when Californian lead vocalist and fiddle player Odessa Jorgensen joined the group late last year. Her vocals emote and soar and the rest of the Bearfooters ably provide a great musical backdrop. Everything on this disc is well done; check out "Single Girl," the haunting title track and tragic "Caroline," John Hiatt's "Before I Go," a cover of the Beatles' "Don't Let Me Down" and the coy closer "Good in the Kitchen." Michael J. 05-09 F-Bluegrass

May 5, 2009

COMANDER CODY DOPERS, DRUNKS AND EVERYDAY LOSERS Commander Cody remains an enigma of American roots music. On this release he combines new songs with redone classics to tell the stories of dopers, drunks and everyday losers. This CD is a combination of roots rock, outlaw country and a dash of western swing that should have a warning label. After one listen you may find yourself rolling your own, going for the liquor cabinet or enjoying one of your favorite unhealthy vices. Most tracks are Commander originals with the exceptions of the John Hiatt classic “Tennessee Plates” and the “No No Song” which was made famous by Ring Star. You will also find reworked versions of commander classics “Wine Do Yer Stuff” and “Seeds and Stems Again”. The Commander may have lost the Lost Planet Airmen but he sure hasn’t lost his sense of humor or ability to tell a story. Reviewed By: Gregg Saur

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Commander Cody Home Page

PLAYING FOR CHANGE

Songs Around the World

May 5, 2009

An innovative music project released on both CD and DVD, Playing for Change founder Mark Johnson and friends spent 10 years recording artists all over the world performing the same song in out-of-doors locations and then edited the result to blend the music played by people of different cultures. The interesting result allows musicians separated by oceans, politics and economics to collaborate together. Only two of the artists recorded are household names: Bono on Bob Marley's "War/No More Trouble" and Keb' Mo' on "Better Man." While quite an amazing production feat, this project may be more effective as video than simply audio. Try both and come to your own conclusion. W-Fusion 5/09 Michael J.

Zachary Richard Home Page

RUTHIE AND THE WRANGLERS

AMERICANA EXPRESS

April 21, 2009

RUTHIE AND THE WRANGLERS AMERICANA EXPRESS Combining roots rock, rockabilly, honky tonk country and lots of fun Ruthie and the Wranglers have released a captivating CD that will make their listeners want to jump on board and take a ride. This band from the Washington DC area combines elements of Molly and the Makers, Asleep at the Wheel as well as Southern Culture on the Skids to make their own brand of Americana. Although this is a full band effort Ruthie Logsdon possesses a voice that has earned her the prestigious vocalist of the year Wammie award in Washington DC on at least 3 different occasions. The tracks on this disc are cleverly crafted with enough humor to keep their listeners smiling through all 12 tracks. Jump on board the Americana Express and leave all your troubles at the door you wont be disappointed. Reviewed By; Gregg Saur

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Ruthie And The Wranglers Home Page

GOMEZ

A New Tide

April 20, 2009

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BELL X1

Blue Lights on the Runway

April 13, 2009

Bell X1, named after the first supersonic airplane, is an Irish band. They were originally known as Juniper and included Damien Rice as a member. This is their fourth studio album and their sound has changed a bit since Mr. Rice's leaving. Their sound has been compared to that of Talking Heads. I don't buy the comparison, unless you are talking about the track, "The Great Defector". As the lead single from the album, it offers a lot of similarities, right down to the David Byrne-sounding vocals of Paul Noonan. Otherwise, this is electronic-infused pop with the best songs being the upbeat "A Better Band" and "Breastfed". "Amelia" is a good one as well, it being about none other than Amelia Earhart. The liner notes mention the ballad, "Light Catches Your Face", as a focus track that was once featured on a television show called One Tree Hill. Reviewed by Rebecca Ruth.

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PAPERCUTS

You Can Have What You Want

April 13, 2009

This is the third album from Jason Robert Quever (Beach House, Vetiver). This is a quiet album of cosmic lyrics sung with reverb-tinged vocals over vintage organs, big percussion, and lush string arrangements. The entire thing has a melancholy feel the grew on me with each listen. Incidentally, it was recorded entirely analog. There is no computer processing here at all. Give it a try when you are feeling quiet. It might suit your mood. Reviewed by Rebecca Ruth.

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Gnomonsong Website

BUJU BANTON

RASTA GOT SOUL

April 13, 2009

BUJU BANTON RASTA GOT SOUL Buju Banton has bee considered one of the pioneers of Jamaican dancehall reggae music. He has often been criticized for his graphic sexual and homophobic lyrics. This disc finds Buju delivering a captivating set of traditional and some dancehall tracks that explore his more conscious and spiritual side. The music on this CD is certainly meant to lift your spirits but leaves room to still get sinful on the dance floor. Buju also receives help from Wyclef Jean on the track Bedtime Story a story that would leave any child with nightmares as it is a story of a Childs father being murdered. The track “Sense of Purpose” is a dancehall love track featuring the great reggae band Third World. The Rastafarian religion has certainly provided Buju Banton with the soul to deliver his finest work to date. Reviewed By: Gregg Saur

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VIENNA TENG

Inland Territory

April 12, 2009

DESMOND AND THE TUTUS

Tuckshop

April 6, 2009

This debut album from this South African outfit rocks! All the songs here feature amusing lyrics and an energetic pace that one can't help but at least tap a foot (or two) to. Every song's a winner, but the best one is "Good and Guilty" with its danceable beat, rhythm guitar and fun vocals. Another one in the same vein is "German Modern". Both songs feature tongue-in-cheek lyrics, but other funny ones are "Crazy Rebel". ("You can finish a double cheese and bacon burger all by yourself...you my friend are a crazy rebel.") I'll bet many people could relate to the lyrics of "High Five". ("I'm excited to see you, but your high fives are far too hard.") This album is just plain, danceable fun. Enjoy! Reviewed by Rebecca Ruth.

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ELLEN WHYTE

FOUR WAY STOP

April 1, 2009

On her fourth disc, Portland, Oregon based multi-instrumentalist (guitar, accordion, percussion) and vocalist Ellen Whyte unleashes 11 original cuts that explore remorse, fear, love and strength. Joined by the ESP Horns (Renato Caranto, Pete Petersen, Greg Garrett and Mike Kelly) and a large band Garry Meziere and Dave Mullany on guitars, Gene Houck on bass, Jean-Pierre Garau on organ, clavinet and piano and Reinhardt Melz on drums, Whyte delivers insightful, thought-provoking lyrics against a broad musical palette. There’s everything from dark rootsy rockers reminiscent of Eagle Glenn Frey’s solo work, "No One Knows Better Than Me", to upbeat soul on the title cut to spare ballads, "Last to Know", Tower of Power style funky horn grooves, "Thanks for the Ride", and straight up rock, "Falling". Whyte matches the band’s ample hooks with lyrical hooks that dig deep. While she mines the normal blues vein of heartache, despair and working under the thumb of the man, she does so without resorting to the tired clichés we’ve heard way too many times. On "Over My Shoulder" an errant lover is admonished that “you’re doing too much thinking/you ain’t got enough time to feel” as she relegates him to the scrap heap. "Jack & Jokers" not only rocks, but is a timely call to action against the havoc wrecked by “Men in fine suits/suiting just themselves.” "When You Walk Away From Love" is a tender ballad about making the right choices in love and making sure the “when you walk away from love/Just remember… move slow/Take a look around you/you will miss it when you go.” These pointed lyrics get delivered by Whyte with a voice of incredible depth ranging from the sophisticated jazz stylings of Nina Simone on "Last to Know" to the husky swagger of rockabilly queen Rosie Flores on the upbeat number about finding love, "Lucky in Love", to the sly sexiness of Maria Muldaur on the seductive, "Wide Awake Woman". Overall, a fine release that deserves plenty of attention. Smitty

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DAN HICKS AND THE HOT LICKS

TANGLED TALES

April 1, 2009

DAN HICKS AND THE HOT LICKS With a voice that is often perilously close to being out of tune and a delivery that spits out words faster than bullets at a drive by shooting Dan Hicks can sometimes leave listeners in the dust which, of course, is part of the charm as you listen to his tunes over and over again to pick up the sly jokes and crazed ruminations on life. Making the repeated listening worthwhile is a musical backdrop that veers wildly between gypsy swing, jazz, jug band and blues Highlights of this set include Hicks trying to negotiate through a rude world on "The Diplomat", which gets extra sass from his female backing crew, the bass driven "Blues My Naughty Baby" and the title track, both of which feature Hicks trying his hand at Cab Calloway style scatting, the jazzy homage to his father, "Song for my Father", the bluesy tale of a party gal, "The Rounder" (featuring Charlie Musselwhite on harmonica), the tub-thumping, "Ragtime Cowboy Joe", the spot on cover of Dylan’s "Subterranean Homesick Blues" and the chill out vibe of "Let It Simmer". Smitty

ERNIE AND THE AUTOMATICS

LOW EXPECTATIONS

This second album from South Jersey youngster, Matt Duke, is your basic mild rock album that would fit in just fine on the soundtrack to American Idol or perhaps on my teenage niece's ipod. These are songs about every day life, sung earnestly over guitar, drums and keys. Reviewed by Rebecca Ruth.

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DOVES

Kingdom of Rust

March 29, 2009

On this their fourth studio release, the threesome known as the Doves serves up what some might expect from a band finding its groove - a bigger and more mature sound. While the lyrics are merely okay - many of them have a veiled sort of meaning - what stands out on Kingdom of Rust is truly the sound. For instance, the first four songs are truly the four best tracks here and most definitely stand out from the rest. "Jetstream" is a great opener with a sound that builds and builds as it plugs along - a true pleasure to listen to. "Kingdom of Rust," the title track as well as the first single, is another good song that just plain sounds good. Next, "The Outsiders," begins in a Pink Floyd sort of way but then gradually moves into the more familiar Dove territory making for an interesting spin. Finally, "Winter Hill" is a love song of sorts as Jimi Goodwin sings and reminisces about days on Winter Hill. While the effort seems to taper off a bit midway through the eleven song set, it does end well with four pretty good songs. "House of Mirrors," one of the faster moving songs on the album and "Lifelines," a slower and yet well put together song, are the best of the final four. In the end, aside from the addition of a few "beats and blips" commonly found in electronic music, the Doves still sound like the Doves and have provided something well worth a few spins for fans both new and old. ~Reviewed by Jeff Bouma

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The Doves Official Site

LIZ DURRETT

Outside Our Gates

March 27, 2009

Durrett has a warm soft voice, dark thoughtful lyrics, and music that is lush and penetrating with waltzy rhythms that hang in the air long after the album concludes. These rhythms are the driving undercurrent carrying this album to various heights, and depths. So many layers that some of them seem to be whispering to your brain…secretly…you won’t even know it until later. She’s the young niece of singer/songwriter Vic Chesnutt (they both hail from Athens, GA, like so many other musical greats). Uncle Vic helped her get started when she was quite young, and now that she’s a pro (this being her 3rd release, along with lots of rave reviews from reputable sources) he lends some of his talents on her album. In spite of the fact that she herself plays guitar, piano, drums, organ and xylophone, she has a large troupe of other talented musicians adding their stings, brass, beats and “space effects”. Her voice is low and whispery like that of Cat Power and Beth Orton. The songs are transporting. The album is beautiful. Becky Kenny 2009

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WAR CHILD-16 Of Todays Biggest Artists

HEROS

March 23, 2009

WAR CHILD PRESENTS HEROS Everything associated with this Disc is amazing. It assembles 16 classic artists including {Dylan, The Clash, Steve Wonder Leonard Cohen, U2, David Bowie and more} and has them pick 16 of today’s hottest artists Including {Beck, Duffy, Lilly Allen, Rufus Wainwright & the Scissor Sisters} to cover some of their classic tracks. Instead of trying to reproduce exact covers each artist takes their own liberties in making these classic tracks their own. It is fair to say there is not one missed target in this group. The other amazing thing is the proceeds from this disc go to an award winning charity that provides humanitarian assistance to war-affected children in some of the most devastated regions of the world. This leads me to only one question if children were left to their own devices and the power of the music provided on this disc would there ever be a thing called war? Reviewed By: Gregg Saur

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THE BLIND BOYS OF ALABAMA

LIVE IN NEW ORLEANS

March 23, 2009

THE BLIND BOYS OF ALABAMA LIVE IN NEW ORLEANS Recorded live at the legendary Tipitina’s during the 2008 New Orleans Jazz and heritage festival this disc shows this legendary group in a high energy set that is sure to captivate and lift any listeners spirit. Joined on stage with the Blind Boys are the Preservation Hall Jazz Band, Henry Butler, Dr. John & others covering Norman Greebbaum’s “Spirit in the Sky”, Tom Waits “Down In The Hole” as well as other classic covers including their amazing version of “Amazing Grace”. Fans of their last release will also reveal in their version of the Crescent City classic “Bourbon St. Parade”. The Blind Boys have been putting out great music for 75 years and after one listen to this disc you can tell that some things just get better with age. The only complaint I have regarding this disc is it is only 31 minutes long and is missing four tracks from the store release of this disc. Reviewed By: Gregg Saur

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Luminescent Orchestrii

Neptune's Daughter

March 16, 2009

Neptune's Daughter, by NYC's Luminescent Orchestrii, is an intriguing blend of traditional Romanian Gypsy folk songs, punk rock rhythm, bluesy vocals, and jazz improvisation. The Orchestrii, or small ensemble with orchestral intentions, is made up of a fiddler and guitarist from the NYC Theatre underground, a free-jazz bassist, and an old-time fiddler. The group toured extensively in Europe for a time, gaining much. Their music is not something you would expect to hear in modern America, but certainly welcome nonetheless. – Matt Kwiek

Luka Bloom

Eleven Songs

March 16, 2009

My favorite new music of 2009! Luca is a veteran singer/songwriter out of Ireland. He has been compared to Van Morrison and Bono to some degree. I loved this CD- and the more I listened to it, the better. Track #11 - Don't be Afraid of the Light Shines Within You is a classic #7- When Loves Comes and #2 I'm On Your Side are a couple of other tunes highlighted by the label to promote. I can't disagree! Several songs highlight his Irish lilt, and are tender, moving and entirely enjoyable. – john Rumery

Nathan Kalish and The Wildfire

Waterbirds

March 16, 2009

From Grand Rapids’ own Nathan Kalish and the Wildfire comes their latest, full length album, “Waterbirds,” available 2009 from Caveman records. While this release may do little to expand the horizons of the world of rock music, it certainly stays true to the tested and time honored traditions of the genre. Wildfire sound like they could be The Rolling Stones’ nephews. A fine presentation by fine musicians, “Waterbirds” is a solid release from a band that bills itself as “The Last Rock Band in Grand Rapids.” – Mike Shade

Great Lakes Swimmers

Lost Channels

March 16, 2009

ALICE PEACOCK

Love Remains

Based on a theatrical piece in the works, Duncan Sheik's Whisper House, released January 26th, 2009 unmistakably offers rich material similar to his previous recordings, including blends of orchestral, acoustic rock, and epherial folk. Not an album to spin with any firearms or sleeping pills nearby, a listener may long for a glimmer of hope. The album highlights Holly Brook's vocals throughout, which surely add a sweetness to a somewhat depressing experience. However, what he does, he masterfully. – Christian Borg

GRETEL

The Dregs

March 7, 2009

Out of Boston, this folky three-piece (occasionally four-piece) outfit offers heart-wrenching lyrics over a multitude of down-home instruments, including banjo, Wurlitzer, accordion, and guitar. Reva Williams wrote and produced this entire album. Her lead vocals are often accompanied by those of band mates Melissa Myers and Phil DuPertuis to create handsome harmonies that fit the music perfectly. This is a lovely album with lyrics that'll kick you in the gut, but the blow is softened with the delivery. Reviewed by Rebecca Ruth.

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BUMP

Forward

March 7, 2009

This is the fourth album from this Detroit-based rock band. It's not quite so proggy prog-rock. Their website compares them to Flaming Lips and Death Cab for Cutie, which I can see to some extent. The album starts nicely with "Everyone Knows", but it seems to fizzle halfway through as the songs begin to sound a bit too similar. It's a nice enough release, though, with decent production, good musicianship, and occasional odd time signatures. Reviewed by Rebecca Ruth.

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DAVID EGAN

YOU DON'T KNOW YOUR MIND

March 6, 2009

David Egan is a Lafayette, LA piano man who covers a lot of territory on the 11 tracks collected on this, his second solo release, after a career playing for the likes of Lilf Band Of Gold, FileŒ and Jo-El Sonnier. While the title track has a straight forward cadence that would fit into a military March that only serves to highlight the second line groove of "Youfre Lying Again", the boogie of "Moneyfs Farm" and "Smile" and the rollicking good times of "Proud Dog". While there isnft much here to tie the disc to its bayou roots, the influence of the area is inescapable. The funky "Love, Honor and Obey" has a strong percolating beat that would fit nicely on a Radiators disc while the horn grooves of "Sing It" and the second line feel of "Youfre Lying Again" reminds you that New Orleans is only a couple of hours over the horizon. As a tunesmith whofs written for Percy Sledge, Johnny Adams, Etta James, Joe Cocker and, most recently, for the Marcia Ball, Tracy Nelson and Irma Thomas collaboration, Sing It, Egan knows his way around the lyric sheet as evidenced here by the 11 original tunes including, most notably the scathing indictment of an errant spouse on "Love, Honor and Obey" and the pep talk for the down and out on "Smile". With a voice that morphs from the soulful croon of Charles Brown on "Bourbon In My Cup" to a light Louis Prima style duet with Jennifer Nicely on "If It Is What It Is (Itfs Love)" and then to a Paul Thorn style stuffy croak on "Best of Love Turned Blue", Egan always finds just the right tone to get his point across. Based on the strength of this release, Egan is an artist deserving plenty of attention. Smitty

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DAMON FOWLER

SUGAR SHACK

March 6, 2009

As one of the newest members of the Blind Pig records stable of artists, Damon Fowler brings more than blues to the party. The rollicking guitar licks of "Some Fun" that introduce the disc set you up for the fun that follows. Mixing things up between guitar and lap steel, Fowler conjures up a Lynyrd Skynyrd twist on the Merle Haggard classic, "Tonight the Bottle Let Me Down", a funky, Little Feat style take on the Amazing Rhythm Aces’ "Third Rate Romance", a couple of Chuck Berry style rockers, "VFW" and "Lonely Blues", and a host of other well-penned original numbers. Throughout, Fowler steadfastly avoids the predictability of most blues discs by skipping boogies and shuffles in favor of mostly upbeat southern fried roots rock and road house stomps that would fit nicely on a Delbert McClinton disc. "Sugar Shack" is a swamp rock ode to an after hours club while "Sugar Lee" is a happily ever after tale about a failed romance that blossoms anew after the cleansing effect of time does its magic. "Wrong Side of the Road", on the other hand, is a tale of a woman gone bad with $50 placed in the right hands leaving someone dead. With a smooth lap steel groove, the cut lacks only the overproduction to make it something from an Eagles disc. Slowing things down a bit, Fowler wraps some sacred steel licks around the lyrics of "James", a sympathetic ballad of a man who gets knocked around his entire life, adding just the right amount of anguish to pull you into that tale. While those looking for straight blues won’t find a whole lot here, they will find some well played guitar, soulful vocals and rocking tunes. And sometimes, that’s just what you need. Smitty

Quick Links:

Blind Pig Records

Quick Links:

Blind Pig Records

JOSHUA REDMAN

Compass

March 4, 2009

Harvard-educated Joshua Redman provides an interesting musical experiment on this latest set -- employing two bassists for most the cuts, one in each channel, and at times doubling up on the drum section as well. The "double trio" format is unusual and Redman wasn't sure that the arrangements would work: Would the music be too "bottom-heavy" and weighted down? The results, on the contrary, are striking and most of the "doubling up" sessions made the record. I think the emphasis on the rhythm gives the songs a fresh feel and actually make Redman's fine sax playing stand out all the more. I liked the cuts that build up steam as they progress, such as "Faraway" and "Identity Thief," plus the generally upbeat selections "Hitchhiker's Guide" and "Round Reuben." For the upper crust, there's a unique interpretation of Beethoven's "Moonlight Sonata." J-Esoteric 03/09 Michael J.

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LOS FABULOSOS CADILLACS

LA LUZ DEL RITMO

March 3, 2009

LOS FABULOSOS CADILLACS LA LUZ DEL RITMO Los Fabulosos Cadillacs has been described as “Argentina’s hippest musical export pumping Latin heat into punk, reggae and fun for a wild ride that demolishes borders.” I can’t agree more after a seven year absence LFC has provided us with this year’s ultimate party CD. Most tracks on this disc blend all the genres listed above into an infectious groove that would fill any dance floor with a lot of hot sweat drenched body’s. Most tracks are LFC originals with the exception of their masterful cover of the Clash’s “Should I Stay or Should I Go.” If the Jammies or Grammy’s adds a category for best party CD of the year this disc should walk away with the award. Reviewed By: Gregg Saur

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DONNA ULISSE

Walk This Mountain Down

March 2, 2009

February 27, 2009

This Austin-based rock band has made some changes in the seven years since their last release. Their line-up has gone from being a quartet to a trio and they've moved from a major label to their own start-up label. Their sound is not much different than on previous releases, but this album simply can't compare to 2002's "Source Tags and Codes". That album was a bit more accessible while this one is at times poorly mixed and over-produced. While I think this album is okay as a whole, there isn't a single stand-out track on this one. Reviewed by Rebecca Ruth.

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THE JAMES TAYLOR QUARTET

New World

February 24, 2009

While James Taylor may be considered a master of the Hammond, he says he was inspired to make this piano-based album by the baby grand piano that he was storing for a friend. There is, however, plenty of Hammond, clavinet, and Fender Rhodes here to go around. While this band may be tight with their studio recordings, I think this leans more toward smooth jazz than on their more upbeat and interesting live releases. (Check out the albums "Live at the Jazz Cafe" or "Whole Lotta Live".) There is still some mildly interesting stuff here such as the opening track which features Gareth Lockrane on flute. The best track most definitely is "Hotwire" with its quick horn bursts and high-hat taps. Reviewed by Rebecca Ruth.

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NEKO CASE

MIDDLE CYCLONE

February 24, 2009

NEKO CASE MIDDLE CYCLONE This is Neko Case’s sixth solo release and showcases an artist that is growing with each release. Where 2006’s Fox Confessor Brings the Flood brought Neko into the spotlight and showed a more Pop side of Neko, this CD goes even further. This CD is pure pop, rock and at times soulful candy. To help with this disc Neko brought an army of friends including M. Ward, & members of the New Pornographers, Los, Lobos, Calexico and the Sadies. The true magic of this disc remains Neko’s voice wrapped around some well crafted and written songs. It was 3 years between discs, but I think most will agree that the wait was worth it. Reviewed By: Gregg Saur

Quick Links:

Neko Case Home Page

Keane's Official Website

Madeleine Peyroux Home Page

MO' HORIZONS

TEN YEARS OF

January 27, 2009

MO HORIZONS TEN YEARS OF Mo’Horizons music has always been a little hard to describe, so I am going to try; Sexy, Seductive, Bossa Nova, Jazz, Dance, Funky, Electronica, Caribbean Beats, Original and fun music are just a few adjectives that describe Mo’ Horizons. Located in Lower Saxony Germany or as they call Boss Hanover, the duo of Ralf Droesemeyer and Mark Foh Weizer have release 4 terrific studio discs over the past 10 years. This disc would represent a terrific place to start for the unfamiliar listener as it captures some of the finest on these discs. The bonus remix disc is also well done and will be a must for all fans of this duo. This disc should find a permanent spot in your CD changer for a long time to come. Reviewed By: Gregg Saur

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Raul Malo

Lucky One

January 26, 2009

RAUL MALO LUCKY ONE It’s been seven long years since we have had a full CD of all original tracks from one of music’s greatest voices. This disc doesn’t have the world beat influences found on 2001’s “Today” but is the closest thing to a Mavericks disc we have heard in years. These tracks were written and some recorded at Raul’s Nashville home over the past 2 years. The title track as well as “Moonlight Kiss” and “Hello Again” are all upbeat tracks and as solid as anything Raul had recorded with the Mavericks. “You Always Win” shows the softer Jazzy styling’s of Raul and in “Lonely Hearts” has the Tex-Mex sounds that have been a favorite of Raul’s. The track “Something Tells Me” has a certain Roy Orbison feel to it. Raul Malo has a voice that could make almost any song sound good, but this reviewer believes when he sings his own he is at his best. Reviewed By; Gregg Saur

Quick Links:

Raul Malo Home Page

Otis Gibbs Official Site

Official Alice Russell Website

JEB LOY NICHOLS

Parish Bar

January 10, 2009

Born in the Midwest and currently living in Wales, Jeb Loy Nichols has given us an album of ...um...folk/country/soul. I didn't know what to make of this until I found out his history and now, it all makes sense. Growing up, his mom listened to jazz and his dad listened to bluegrass. The Kansas City radio station he listened to as a child played country by day and soul at night. His teen years, were spent living in Austin, TX and sucking up the punk scene. Later, as a student at Parsons School of Design, in NY in the early 80's, the emerging rap scene influenced him. I can hear all these influences in this album. The opening track, "Countrymusicdisco45" tells a true story and has some soul in it. An interesting country/dub/reggae piece is "I'm Blue and I'm Lonesome Too". You want rock/blues/soul? Check out "'Neath the Cold Ground". One of my favorites is the soul groove of "Dr. Noblio". Reviewed by Rebecca Ruth

Quick Links:

Compass Records Website

The Parties on Myspace

Official Website

MARY RADEMACHER & RICK REUTHER

Two of a Kind

December 5, 2008

Local jazz musicians and long-time collaborators Mary Rademacher and Rick Reuther team up for a set of duets, mostly standards with an original (#10) and a chestnut or two thrown in for good measure. Maybe it's just my ear, but Mary seems to have the jazz chops here; I like her voice and phrasing. Rick's lines don't have the same zing. I also wish they would have resisted following the "Two of a Kind" theme to the nth degree -- with each trading lines back and forth on every song. That alone would have given the set some variety. Hard to recommend any one track here, although I liked their choice of late night comedian king Steve Allen's "Something Big" (#3). Song to avoid? "You Smell So Good" (#7), complete with sniffing sounds at the conclusion. 12/08 Michael J.

Quick Links:

Mary Rademacher's site

ERIN BODE

The Little Garden

December 5, 2008

St. Louis based Erin Bode's third release continues her journey from interpreter to songwriter. Her debut contained all covers as she modeled Eva Cassidy, an early influence; her second set contained a bunch of originals along with covers of Paul Simon and Mick Hucknall. This time, it's all Erin and/or her piano playing compatriot Adam Maness -- except for another Paul Simon song, "Born at the Right Time," which she does very, very well. She starts out strong with two fine compositions, "New England Friends" and "Chasing after You" -- and then pretty much keeps up the quality throughout. You can argue that this is NOT a jazz release, especially on the gently paced title track, but Bode and her band grew up steeped in the genre and those rhythms seem to be the basis for most of what's happening here. "Genre boundaries are being blurred these days," she says, and certainly at this station we applaud the creativity. 12/08 J-Contemporary (Vocal) Michael J.

Quick Links:

Erin's homepage

TRAVIS

Ode to J. Smith

December 2, 2008

For the eclectic ear and fans of the Brit Pop genre of music, Travis' latest release could be just what your ears have been craving. Led by singer and primary songwriter Fran Healy, the Scottish band from Glasgow, on this their sixth studio release of original songs, provides a set that captures the listeners attention throughout by keeping it fairly interesting. For instance, the first three pack quite a punch. "Chinese Blues" - the opener - a pop/rock and piano driven track is catchy and really quite good. This is followed by the title track, "J. Smith," - a song with a different sound that ends with a choir singing the final verse in Latin. The third, the short, sweet and grunge inspired "Something Anything" is surprisingly the first single off of the album - mostly because the previous tracks mentioned are stronger. Another song worth mentioning is the final one - "Before You Were Young." This is perhaps the most out-of-place song here, but maybe also the most beautiful as it accentuates Healy's depth and quality both lyrically and vocally. Aside from a few blunders such as the somber and vocally broken, "Broken Mirror," this collection of music from Travis is catchy and proves itself especially better with time. ~Reviewed by Jeff Bouma

Quick Links:

Official Travis Website

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PAUL REDDICK

SUGAR BIRD

December 2, 2008

Joined by the likes of Colin Linden, Hutch Hutchinson, Garth Hudson, Darrell Leonard and Joe Sublette, harmonica ace Paul Reddick has crafted a disc that continues the trend of his 2006 release "Villanelle", focusing on the edges of the blues rather than the well worn Little Walter path. There’s everything from "Morning Bell", which sounds like an outtake from a session with the Band, to slinky, atmospheric roots numbers, "I Will Vanish", to acoustic folk blues, "Breathless Girls", to big band style blues on the catchy "It’s Later than you Think". This rich musical backdrop serves to highlight Reddick’s finely honed writer’s eye for detail with tales of a woman as thin as turpentine, "Devilment", and a first person account of "John Lennon in New Orleans" where he imagines Lennon seeking anonymous comfort from loneliness with a Cajun girl. While Reddick made his initial splash as a harmonica player he unleashes it here more as an accent piece than a lead instrument with only the straight blues of "Block of Wood" featuring more than a quick flourish. Reddick’s nuanced vocals take center stage on most of the songs and weave a spell-binding web that the all-star musical cast pulls tight around the listener. Colin Linden’s production adds polish where needed but leaves enough edges to make these tunes stick. Smitty

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JOE LOUIS WALKER

WITNESS TO THE BLUES

December 2, 2008

With a long and storied career that has included stints with John Lee Hooker, Thelonius Monk, Steve Miller, Jimi Hendrix and others, singer/guitarist Joe Louis Walker has had the opportunity to soak up lots of influences which he shows off on this disc. Joined by numerous guests including Duke Robillard (guitar), Bruce Katz (keys), Doug James (sax) and Shemekia Copeland (vocals), Walker lays down some horn driven funk, "It’s a Shame", rockabilly, "Midnight Train", jazzy ballads, "Witness", blues filtered through the Rolling Stones, "Rollin’ & Tumblin’", acoustic blues, "I Got What You Need", harmonica driven shuffles, "Sugar Mama", and bluesy torch songs, "Lover’s Holiday". As if this diversity isn’t enough, the call and response of "Keep on Believin’" allows Walker to revisit his gospel days while the salacious "100% More Man" puts him firmly at the other end of the righteousness scale with the saucy lyrics made all the more potent by a smoking slide guitar that would have Muddy Waters grinning. Each of these cuts is delivered by Walker with a voice that evokes comparisons to Buddy Guy when he’s having fun and John Hiatt when he wants to get gruff. But, Walker doesn’t have to sing a word to take you on a musical journey: "Highview" is an instrumental scorcher that gives Walker and Robillard a chance to jam on guitars and Katz a chance to get the pot boiling at full steam with his scorching b3 breaks. Worthy of much play! Smitty

Quick Links:

Stony Plain

LUCKY DUBE

RETROSPECTIVE

December 2, 2008

Colbie Caillat's Official Website

THERESA ANDERSSON

Hummingbird, Go!

October 31, 2008

Born and raised on the Swedish island of Gotland, Theresa Andersson now calls New Orleans her home. This album was recorded in her kitchen and she often uses "found" instruments from her kitchen cupboards. The xylophone sound on "The Waltz" is actually soda bottles filled with varying levels of water. She also makes unconventional use of conventional instruments. Consider that the slide guitar sound in "Hi-Low" is actually a violin. All this adds up to a quirky indie-girl-pop sound that is both interesting and accessible. Reviewed by Rebecca Ruth.

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WINTERPILLS

Central Chambers

October 31, 2008

October 25, 2008

Rory Block was 15 and a guitar-playing prodigy when she met the 62-year-old Son House, recently rediscovered and back on the blues circuit. The experience left an indelible impact on her, and, more than 40 years later, she has released a set of Son House classics. The songs are played in the style of the great bluesman -- hard on the guitar and rough on the vocals. After all, if the blues were actually so real to you that they had actually taken on human form and you saw them "walkin' like a man," you'd sing with a bit of urgency, too. Son House always said he was the one who taught Robert Johnson how to play guitar; Rory doesn't doubt it and sees in the intracacies of the music (cf. "Jinx Blues," which she calls "an impossible series of strums and snaps") true genius. Her fine tribute to Son shows that Rory has the same stuff in her heart, soul -- and fingers. 10/08 Michael J.

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AQUALUNG

Words and Music

October 24, 2008

Commenting on his website, Matt Hales (aka Aqualung) writes: “I nearly called this album Heart Songs, because that’s sort of what they are...There’s something about the spirit of these recordings that feels like the start of something new. I don’t know exactly where it will take me, but it will be very interesting to find out.” What the singer/songwriter called the album instead is Words and Music and for good reason for what we find from this latest Aqualung collection are songs that are stripped down musically and yet heart-felt lyrically. This is no more noticeable than on the opener, "7 Keys." Hales sings: "Darling believe / You’re closer than anyone has even been / Oh baby don’t leave me alone / I'm yours for eternity / You hold the seven keys to my soul." An equally compelling tune is the lush and beautiful "On My Knees" - as the lyrics convey a focus on forgiveness and a yearning to make things right. The other standout track is the eloquent "When I Finally Get My Own Place," that paints life in relationship as a roller-coaster of emotions. Aside from the aforementioned, however, the majority of the album leaves the listener wanting something more - perhaps a little energy to combat the slow meandering of most of the songs. On the Paul Simon cover, "Slip Sliding Away," Hales finds some of this energy but the rendition as a whole doesn't seem to do justice to the original - a nearly perfect song that probably needs not be redone. So, while Hales may very well offer his heart, what is mostly lacking here are graceful, compelling, and beautiful melodies that will capture the heart of his listeners as well. For this, Aqualung fans may have to wait for something new or search someplace else. ~ Reviewed by Jeff Bouma

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TRUCKSTOP HONEYMOON

Great Big Family

October 21, 2008

TRUCKSTOP HONEYMOON GREAT BIG FAMILY Husband & Wife team Mike West & Katie Euliss otherwise known as Truckstop Honeymoon take off right where they left off with Diamonds in the Asphalt. There sound remains a mixture of old time country, bluegrass, folk & punk. Mike & Katie trade vocals on most tracks& the lyrics are at many times a humorous look at life, tragedy, love & themselves. This disc may not put them on the cover of the New York Times as they sing about on this disc, but it will certainly put a smile on your face as you listen to the 14 tracks on this very entertaining disc. Reviewed By: Gregg Saur

Quick Links:

Truckstop Honeymoon Home Page

JIMMY THACKERY & THE DRIVERS

– Inside Tracks

October 20, 2008

Jimmy Thackery and the drivers may simply be the finest 3 piece blues band recording today. This is Jimmy’s seventh release for Telrac and one of the finest from a blues man that has been a staple of the industry since the 1970’s. Jimmy mixes Blues, Rock, and Country & Jazz on this disc and keeps it interesting throughout all 10 tracks. This CD begins with a more laid back blues track “All Because Of You” & progresses into a rocking version of the “Promised Land” a track that could have easily been recorded by John Fogerty. Jimmy pens of his most political tracks on “Change the Rules” while Land Locked” is a terrific blues instrumental. On the” Blinking of an Eye” Jimmy explores his more sensitive country side. The ending track “{You got Me} Now What You Gonna Do” is a classic jazz instrumental with a real Chet Atkins feel to it. On this disc it doesn’t matter what genre Jimmy is playing you are listening to a guitar player, singer & song writer at the top of his game. - Gregg Saur

AMP FIDDLER SLY &ROBBIE

Inspiration Information

October 20, 2008

October 20, 2008

Meaty, invigorating blues/ jazz infused rock. There is great interaction between the different saxophones, bass, and percussion in particular; other guitar, flute, and vocals flesh out the already strong performances. Tracks are hook laden and groove from first through last on this complete album. Saxophones are the driving force, and whether it's an extended solo or simple flourish they remain prominent throughout. They are very smooth on the opener “Feeling Numb”, which has enough funky pep to herald the following “More Money”, where the sax solos take off. Then a shift, with a grungy, heavy push on “Dream Girl” (Track #3), a swanky tune about a movie starlet. “Let Me In” (Track #6) is a soft ballad and welcome breather; it's the one song you can slow dance to. Album finishes strong with its final tracks. “Woooh Me” (Track #9) begins innocently but becomes a sassy, rocking tune, leading perfectly into the deep grooves of the rowdy “Come To Daddy” (Track #10); any playfulness of the previous track turns naughty here. Pretty sexy stuff. - Michael Loffelman

SHAWN LEE

Under The Sun

October 16, 2008

This two-disc set is the soundtrack to the film of the same name. The film is about the surf scene in two communities on Australia's east coast. The first disc features Aussie musician Shawn Lee and except for the first song is all instrumental. These surf-inspired songs are all good, be they at times funky or mellow with a cool groove. The use of harmonica in many of them lends a refreshing retro feel. The second disc features a collective of musicians from various Australian bands. It may be slightly more serene, but it is just as compelling as the first disc. The second and third songs on disc two, "Dylan's Wings" and "Sol Train" could be considered blues/rock as they feature vocals and some funky electric guitar. They are quite different from the other songs, yet they still fit in nicely. This disc is all around a really good listen. Reviewed by Rebecca Ruth.

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RAY LA MONTAGNE

Gossip in the Grain

October 16, 2008

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HANS THEESSINK ANDTERRY EVANS

VISIONS

October 15, 2008

Dutch acoustic bluesman Hans Theessink is a virtual mirror image of J.J. Cale with his laid back vocals and unadorned, yet catchy picking. This disc pairs him up with Terry Evans who is perhaps best known for his work, along with Bobby King, as vocalists for Ry Cooder. With Theessink singing the low parts and Evans soaring above him the two take on a few of their own tunes plus a handful of covers and cook up a wonderful roots music stew. Even though the instrumentation is kept relatively spare, the two cover a pretty broad range of sounds. "Got to Keep Moving" is driven by a dark, slinky percolating groove that would be at home on a Tony Joe White disc while their take on the Fats Domino cut "Let the Four Winds blow" is all sunshine and light. "Mother Earth" and "Come to the River" have a gospel feel while "Going Back Home" and the J.B. Lenoir classic, "Talk to Your Daughter" are pure blues. Dan Penn’s "At the Dark End of the Street" moves along at a meditative pace that is a stark contrast to the driving beat of Willie Dixon’s "You Can’t Judge A Book By the Cover", which gets added punch at the end from Bo Diddley who encourages the duo to keep up the beat. "Vicksburg is my Home", while written by Theessink, gets its power from Evan’s soulful vocals about going home. While many acoustic blues discs can be somber affairs, this is an often upbeat release that clearly was a labor of love for Theessink and Evans: the twinkle in their eyes is never more evident than on their upbeat take on "Glory of Love". Smitty

Quick Links:

Hans Theessink

TAJ MAHAL

MAESTRO

October 15, 2008

With a career that has passed the four decade mark and with countless albums and a couple of Grammy’s ® to his credit, Taj Mahal is a bona fide icon of American music. This wide-ranging disc is another stellar part of his legacy and includes guest appearances by a number of “A” list bands and performers as well as frequent collaborators, The Phantom Blues Band. Kicking things off with the soulful "Scratch My Back", a track most often associated with Otis Redding, Mahal moves easily through Reggae on "Never Let You Go" (featuring Los Lobos) and "Black Man Brown Man" (featuring Ziggy Marley) , funk, "Dust Me Down", (featuring Ben Harper) R & B, "Further On Down the Road" (featuring Jack Johnson), complex African rhythms, "Zanzibar" (featuring Angelique Kidjo and Toumani Diabate), blues, "Diddy Wah Diddy" (featuring the Phantom Blues Band) and "TV Mama" (Los Lobos) and percolating New Orleans second line grooves on the Fats Domino classic "Hello Josephine" and "I Can Make You Happy" (both featuring the New Orleans Social Club). The broad range of material allows Mahal to try on different voices ranging from the Omar Dykes style gut bucket growl of "I Can Make You Happy" and "Strong Man Holler" to the smooth, laid back drawl that makes him almost undistinguishable from Jack Johnson on "Further On Down the Road". The breadth of Mahal’s talent is evident as he moves through these various vocal styles, genres and musical pairings without ever sounding out of place. You would think that he’s spent his life with this material rather than just visiting it on his way to another musical frontier. Let’s hope the journey continues. Smitty

Quick Links:

Quick Links:

The Official Smile Smile Website

THE IGUANAS – If You Should Ever Fall on Hard Times

October 13, 2008

Described by some as R&B, Conjunto, and Chicano Rock - meshed together with various Latin styles - The Iguanas undoubtedly carry with them such an eclectic sound on their latest and Katrina influenced release. With their first effort since 2003's Plastic Silver 9 Volt Heart, the foursome from New Orleans begin on a high-note with the Rock N' Roll infused title track, If You Should Ever Fall On Hard Times. Led by Rod Hodges on vocals, this song has a certain "flair" to it that warrants no small amount of attention while it showcases Hodge's vocals as kind of a Dylan/Springsteen hybrid. Another strong piece is Okemah, arguably the best sounding track that again shows the diverse sound of Hodge's voice that sounds something like Mark Knopfler meets Tom Petty. The Instrumental The Beep has a fun and yet mischevious sound to it that reminds one of the theme from Pink Panther. Another standout on this album is the accordion driven Back in the Limelight that highlights the opportunity for second chances in life as the lyrics imply with the following line: "I've done my time, it's my time to shine." Like their former release, The Iguana's also offer their listeners three Spanish language songs with the strongest of these being Celos Con Mezcal. However, neither one of these three is especially exciting enough to warrant repeated listens. Pelican Bay is another track worth mentioning as it offers up a care-free and electric piano laced ode to a place near and dear to ones heart. Rounding things off, the recording ends on a rather positive and hopeful note on the love song titled Warm Sun. While not their greatest set of music, considering what the group went through post-Katrina, The Iguanas do provide their fans with a noble effort and should be commended for it. – Jeff Bouma

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VARIOUS ARTISTS

– Les Paul and Friends: A Tribute to a Legend

October 13, 2008

This album featured a melting pot of great musicians paying tribute to Les Paul, and I liked the mixture of genres represented on this album. From Blues to Rock, this album doesn’t disappoint. My favorites tracks are 2-“The Walls Came Tumbling Down” (feat. Hiram Bullock) a bluesy piece with that patented Les Paul sound, (6)-69 Freedom Special, (7) Vocalise (feat. Slash), (8) I Love You more than You Know (feat. Mick Hucknall), and (9) How Long (feat. Jeff Golub) with just the collaborations alone on this album, you have a plethora of flavor for the listener. From lick to lick on the strings left me wishing I could play guitar like that and I actually enjoyed this album from top to bottom and would recommend it to anyone who loves guitar. –Corey Jones, WYCE Intern

Randy Brecker

- Randy in Brasil

October 13, 2008

Spectacular! A Melodic Latin Jazz recording from modern-day legend, the great Randy Brecker. Randy in Brazil was produced and arranged by Ruria Duprat at the popular Banda Sonora Studios in Brazil and features an amazing band formed around some of the best and most famous Brazilian musicians (including Ricardo Silveira) whose resumes read like a 'who's who' of Brazilian stars. Choosing the material from the files of Djavan, Ivan Lins, Gilberto Gil and Joao Bosco, Randy includes two smokin' hot originals for a tasty Latin production. You'll dig it; this is Brecker-Special! Randy Brecker has been shaping the sound of Jazz, R&B and Rock for decades. His trumpet and flugelhorn performances have graced hundreds of albums by a wide range of artists from James Taylor, Bruce Springsteen, Chaka Khan, George Benson and Parliament-Funkadelics to Frank Sinatra, Steely Dan, David Sanborn, Horace Silver, Jaco Pastorius and Frank Zappa. His solo recordings and rich performance history over the last five decades, as well as the wonderful Brecker Brothers efforts, have received international critical acclaim and have helped place Randy into a “living-legend" status. – AllAboutJazz.com

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ANAT COHEN

- Notes From The Village

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THE IGUANAS

If You Should Ever Fall On Hard Times

October 8, 2008

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ELEANOR MC EVOY

Love Must Be Tough

October 7, 2008

Dublin's Eleanor Mc Evoy gets grittier on this CD, using songs written by men (and not typically covered by women), as well as some new compositions of her own to convey some hard-learned and world-weary advice to those still fightin' for love and a decent life. The opener, "Mother's Little Helper" of Rolling Stones fame, starts with the famous line "What a drag it is getting old" and the hard-fought lessons of the narrator keep on coming throughout the tracks. But I didn't find the music depressing; rather it is delivered as sound -- if a bit lip-curled -- advice from a survivor. The title track sums it up, a fine new song by Eleanor, co-written with music legend Johnny Rivers (remember "Summer Rain"?). I liked the percussion-only background of Sly Stone's "If You Want Me to Stay" and the horns on the Van Morrison-ish "Roll Out Better Days." My hunch that Eleanor is, in the end, still encouraging us to keep on keepin' on was confirmed by the nod-and-a-wink rockabilly Nick Lowe closer "I Knew the Bride." Who needs Dr. Phil when we have Eleanor? 10/08 Michael J. F-Rock

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JOHN BROWN'S BODY

Amplify

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RATATAT

- LP3

October 6, 2008

This is RATATAT’s third studio album, a follow-up to 2006’s Classics. The duo, Mike Stroud and Evan Mast, recorded the album at Old Soul Studios, which is a large old house in upstate New York. The house was equipped with a wealth of keyboard instruments, but not so much in the way of hi-tech recording. Pretty much every instrument at Old Soul made it onto this record, giving it a broad palette of sounds. This record is much more dynamic than their previous two, with a leaning towards keyboards as opposed to guitars, and live percussion rather than programmed beats. The album was mixed down onto 1/4 inch tape, which has given it another layer of atmosphere. LP3 is timeless, yet very now.-LaRae

Quick Links:

Various Artists -

The Champions of R&B

October 6, 2008

This CD brings together artists who were legendary in the Nashville, Tennessee blues scene years ago. The 18 cuts are all rather banal down-home-blues style tunes (think Z.Z. Hill or Clarence Carter without their spunk) and many of the tunes are disappointingly predictable. For example, on track #12, Girlfriend Blues, Johnny Jones describes discovering his girlfriend in bed with another woman (who “ironically” is a woman he was having an affair with) and of course, he wraps up the song with the hope of joining in.

MARK ERELLI

– Delivered

October 6, 2008

Erelli reveals personal lyrics over simple, catchy melodies that address politics & Iraq ("Volunteers," "Shadowland," "Hope Dies Last"), driving along the east coast ("Baltimore," "Five Beer Moon"), and love ("Not Alone," "Delivered," "Once"). -Jon Lewandowski

Quick Links:

Lynn Thompson Band

– More Money

October 6, 2008

Eliza Gilkyson's website

EVA CASSIDY

– Somewhere

September 29, 2008

The Official Lambchop Website

ANNE McCUE

East of Electric

September 27, 2008

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TONY LUCCA

Canyon Songs

September 25, 2008

Michigan-born, Tony Lucca moved to Los Angeles after high school (by way of Orlando, FL) to work in movies and television. After some success, he decided to focus on his music. That focus must have worked because he won the LA Music Award for best male singer/songwriter in 2001. This, his fourth full-length album, is an album of songs about love or life on the road (and sometimes about the choice between the two). Tony plays guitar and sings with occasional forays into other instruments such as Wurlitzer and bass. He has the help of other musicians as well on such instruments as mandolin ad pedal steel. One of the best songs on this album is the first one, "Death of Me". It manages to combine melancholy lyrics with upbeat music and it actually works. Another good one is the happy-go-lucky "Sarah Jane". Reviewed by Rebecca Ruth

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MARK ERELLI

Delivered

September 25, 2008

Quick Links:

Mark Erelli's website

B.B. KING

One Kind Favor

September 25, 2008

Quick Links:

B.B. King's website

LEONA NAESS

Thirteens

September 24, 2008

Quick Links:

The Official Leona Naess Website

Aterciopelados

Río

September 23, 2008

The title of the Columbian duo Aterciopelados’ new record, Río (river), stands as a good metaphor for the release’s content. The songs flow organically, both in terms of style and subject matter – much of which is inspired by lead vocalist Andrea Echeverri’s recent experiences as a first-time mother. There is a lot of natural/environmental imagery in these songs. They celebrate the simple miracles of life (“28”, for example, tells the story of a woman’s joy and awe at discovering she’s pregnant), but they also mourn the loss of simplicity to modernity and multinational commerce (“Tréboles”, “Día Paranormal”, “Madre”). If you speak Spanish, you’ll appreciate the smart, potent and beautiful poetry of this record. And whether or not you understand the lyrics, you’ll dig the music. It’s a lovely album. ::arthur longrapids:: Notes: All lyrics in Spanish/No FCC problems. The song “Ataque de Risa” (Laugh Attack) is a little cutesy, as it features vocals by Echeverri’s six-year-old daughter, Milagros. - MRF

Quick Links:

Aterciopelados website

ANI DIFRANCO

- Red Letter Year

September 23, 2008

Red Letter Year is Ani DiFranco's 16th Studio Release and definitely doesn't disappoint. In a year where there has been a ton of great releases from a lot of my favorite artists, Red letter Year is on my top ten for 2008. The mood of Red Letter Year is lush musically with lots cool hooks/ melodies. Guest collaborators include Animal Prufrock of Bitch and Animal, Jenny Scheinman-Jazz Violinist and C.C. Adcock-cajun/zydeco musician. Smiling Underneath is the first release and is vintage moody/snapshot Ani. Upbeat, in your face Ani is present in Alla This, Emancipated Minor & Landing Gear. I really dig acoustic/ reflective Ani so I really enjoyed the cut Way Tight. Good Luck is a new fave too. Ani has made New Orleans her home since Katrina and there is cajun flavor on the Title cut and Red Letter Year Reprise. – Sherry C **Red Letter Year and Round A Pole great, but Airplay No-No's due to FCC/language.

Yep Roc Records

ROBIN MC KELLE

Modern Antique

Take a moment to read the karma warning on these two discs. Being one that finds such great things hard to resist, I’m currently headless? Unlike the normal or abnormal one man jam band Keller Williams. Live is a wee bit different. Joining up with ol’ time friends to assemble nothing but locked in grooves. Jamming through the entire Keller Library, Keller finally fronts his very own all star band. Keith Moseley’s String style cheese laced bass, Jeff Sipes leftover Salmon on rye, K dubs special sauce, and Gibb Droll licks all the rest of this right up off your plate. Bringing such Keller classics as The Juggler, Breathe, and You are What You Eat Alive in the four piece full on band experience! At first I was skeptical of what Live had in store, but Live is truly a comfortable wide eyed journey though tout the strictly strange world and mind of Keller Williams and his friends. Unfortunately this incredibly awesome adventure through the mind of Keller has quite a few long tracks for WYCE, but I think it’s about time to stretch the barriers a little and just play this! - Joe P

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Keller Williams with Mosley Droll and Sipes myspace website

VARIOUS ARTISTS

JOHNNY CASH REMIXED

September 15, 2008

The album remixes Cash’s classics from his first band, the Tennessee Two from Sun Records. John Carter Cash gave his blessing for the record saying “This is what my father was about: staying true to tradition while creating groundbreaking new music.” Snoop Dogg helped produced the album and is featured on the first track. The album is a good way to introduce Johnny Cash to a new crowd and while there are some fun tracks on here (#3, #6, #10) they don’t compare to the originals first put out by Johnny Cash --- Jerrod

Quick Links:

Johnny Cash-Remixed Official Website

FUNKADESI

– Yo Baba

September 15, 2008

Chicago’s Funkadesi is hard to fit into a little paragraph. Mashing music styles from the Carribbean to East Indian to Euro-American jazz and hip-hop, their third major release Yo Baba literally has something for every ear. Surprisingly enough considering the million different genres and sounds present, this album plays coherently, and frankly stone-solid, almost the whole way through. And it’s fun. Really fun. Every type of feel-good music is represented. Equal parts dub-style reggae and East Indian vocals mixed with jazz (“No Leans”) and a little hip-hop (Chicago MC Anacron guests on “Galsun”) makes for a captivating listen no matter where you start. There are half-naked slow jams like “Dolare” and scorching bongo solos all over the place, so don’t expect to just do one thing while this is on. The opening track “Crash da Party” is most essential for Funkadesi’s (pronounced funk-a-dessee) mixed-up sound, and absolutely electric. I’m also really digging the unexpected vocal presence of lead singer Navaraaz Basati, who lends interesting and frosting-like Bollywood vocals over hip-swaying, bass-heavy instrumentals. My Pashti is a little rusty so I can’t tell you if the language is 100% radio friendly, but the tracks in English are clean and these guys seem to be focused on well-initiated fun, not profanity. Even during the quiet times though, these guys know what they’re doing, making the whole album and intricate and riotous ride. Just a warning though, if you’re listening while attempting to clean your house, there will be bad dancing so make sure you’re alone. – Stef

Quick Links:

Funkadesi's Official Website

RAM DASS & KRIECE

- COSMIX

September 15, 2008

RAM DASS & KRIECE

- COSMIX

September 15, 2008

This is a collaboration between Australian Electronic DJ Kriece and 60s psychedelic guru Ram Dass. Although less relevant today then in the 90s when “chill-out” music first enjoyed huge popularity, this LP conjures visions of all night, drug fueled parties on distant beaches. The music is a trance mix of trip hop/tribal beats, dub baselines and vocal snippets of Ram Dass chopped and looped. While Ram Dass’ spoken words are few, they create a powerful mood and combine nicely with Kriece’s percussion heavy grooves. With a sound similar to The Orb, or DJ Shawdow, the tracks all reasonable in length and broadcast friendly. Check out tracks #2, #3, and #4, a mystical mantra about drug use and eventual enlightenment

Quick Links:

waveform records website

DUSTY SPRINGFIELD

– Dusty in Memphis

September 15, 2008

England meets Memphis. A valuable addition to our R&B historic selection. In the first 10 tracks it leans toward easy listening a few times. Those don’t work, avoid. “Son of a Preacher Man” is all too well known. Hits its stride between 4 and 7. The Bonus tracks are much more upbeat and tasty. This just might be all we need in order to capture the Dusty essence. – Glatt Madden

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Various Artists-Calypsoul 70: Caribbean and Calypso Crossover 1969-1979

Calypsoul 70: Caribbean and Calypso Crossover 1969-1979

September 15, 2008

The Caribbean is an incredibly diverse melting pot of cultures, and this collection of rare groove tracks shows not only the influence of various styles on Caribbean music (calypso, reggae, African, soul, and funk) but also the influence of Caribbean music on the world. Taking the listener on a non-stop island hop, the tracks go from steel pan rarities (#11 – Trinidad), third world social commentary (#5 by “rapso” pioneer Lancelot Lane), Latin dynamite (#13 – Martinique legend Marius Cultier), salsa (#3), and Afro Beat political jump ups (#17 ). There are also a couple disco fusion tracks that get funky and sweaty (#7 – St Lucia & 19). This collection captures the sound and the feel of the era, and every selection is worth a listen. It is funky, tropical, and some of the greatest calypso performers appear in rare form. – Tim Morgan

Ted Nash & Still Evolved

– In The Loop

September 15, 2008

A smooth jazz album that will instantly put you in a relaxed mood; a solid piece of music which seemingly flows from one track to another. Play this on a loud stereo and let it fill the room at a party or while reading a book. Check out tracks 1 “Kensington High”, and track 6 “The Cubist”. – Lane Z

Quick Links:

Ted Nash's website

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Severn Records

PISTOLERA

EN ESTE CAMINO

September 12, 2008

While latin music in a language I’d largely forgotten (despite my two years of Spanish in high school) isn’t necessarily my thing, after a couple of listens to the sophmore effort of Brooklyn based Pistolera, I was widely impressed. Thanks to their website that offered a translation of their lyrics into a more understandable form, I was able to listen with new ears the second time around. The album kicks off with the catchy and hope-filled dance track Nuevas Ojos (New Eyes). While this optomistic view is heard throughout, the second track, Piloto (Pilot) perhaps exemplifies this the most as it sheds some political light on border control by offering the following simple and yet heart-felt lyrics: “one door close and another opens. There is always a way out.” Another standout albeit melancholy track is the accordian driven Inquieta (Restless) which delves beautifully into reminiscing about the past. This is followed by the horn-driven and political Extranjero (Foreigner) that reminds us all that we are all foreigners so “don’t forget it.” As a fan of Bob Marley, I was pleasantly surprised to hear Pistolera tackle his Guerra (War) – yet another standout track on this recording. To hear raggae with the latin percussions and in another language was truly a treat and proved to be a winner on all accounts. Overall, Pistolera’s release En Este Camino was a pleasant surprise to me and I trust will offer you a bit of a surprise as well if you’re willing to give it a listen. ~Reviewed by Jeff Bouma

Quick Links:

The Official Pistolera Website

DELILAH DEWYLDE & THE LOST BOYS

Honky Tonk Heart

September 9, 2008

The signature "chugga-chugga" of the guitars and the bass and the steady drumbeat alerts you immediately you're in vintage Johnny Cash territory as local musicians Delilah and the boys churn out ten honky tonk tunes, three of them instrumentals (#2, #5 and #10). Adding to the drama, the Lost Boys happen to be Delilah's three ex-husbands (top that, Man in Black). Delilah sings about trucks, bars, busted hearts and Stonewall Jackson with alternately tough and pleading vocals and the boys, well, they just keep that train-like beat coming. One of the boys sings the vocal on "Adios" (#8), otherwise She Who Can Stand On Her Bass And Play It At The Same Time is in the driver's seat. Turn back your musical clock and give it a spin. MJVD 09/08 F-Honky Tonk LOCAL

Quick Links:

Delilah's Myspace page

MARK DEPREE

Like a River

August 29, 2008

On Depree’s very first album entitled HI, there was a wonderful instrumental song that jumped out at me called “Rattlesnake Eyes”. In my ears it’s been hard for him to top that tune. 3 CDs later, I see that same spirit behind this latest release; Like a River. It seems a daring move to put an almost 8 min. instrumental piece as the very first track; turns out to be a good move on this disc. I think that first song, River of the Sun, captures the soulful spirit of Depree’s music. The second song, Wisteria Blooms, is by local artist and Mark’s friend, Lucy Webster. He takes her song and wraps it in a warmth of his own, and it’s a stand-out track. I believe this album is his most eclectic: You’ll hear folk, blues, country, (Santana-esque) rock and there’s even a traditional Irish song. The music ungulates between tempos and moods quite comfortably, with the title track rounding things out nicely at the conclusion. There is some nice saxophone used throughout, and the prominent solidity of the lead electric guitar serves almost like a second vocalist. Many of the tunes themselves are resuscitated songs that Depree has had tucked away in his archives for quite a few years. When drummer Eddie Eicher met with Mark to try playing some of these tunes, it provided the motivation to finally record. Mark Depree has been a musician for many years, but he also wears the hat of music producer (he has recorded music for many other local musicians) and as an artist (the cover art is his own); he was an exceptional decorative painter in the Grand Rapids’ furniture industry. Kick back and enjoy some soulful tunes from one of our natives. [Note: His CD Release Party will be held at One Trick Pony on Sept. 10th from 8-10 p.m.] Becky Kenny 8/2008

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THE DANDY WARHOLS

Earth to the Dandy Warhols

August 25, 2008

The Dandy Warhols return with their sixth album, Earth to the Dandy Warhols. Here are 13 esoteric rock tracks that remind me of Beck and the Talking Heads. Track 7, “Love Song,” is an accessible, soft rock track. Track 9, “Mis Amigos,” is zippy, and makes me think of The Beach Boys. Track 10, the hit single “The Legend of the Last Outlaw Truckers aka the Ballad of Sheriff Shorty,” is pretty dark … and it’s pretty addictive, too. Reviewed by Sara Cosgrove

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ROB ROY PARNELL

LET'S START SOMETHING

August 22, 2008

Rob Roy Parnell is a vocalist and harmonica player from the old school road house tradition where blues, soul and rock flow out of the same well. A spin through the disc reveals that Parnell drinks from that well with a cup borrowed from Delbert McClinton. With a crack band featuring numerous musicians who have played with or continue to play with McClinton, including Kevin McKendree on keys, Don Wise on saxophone. James Pennebaker on guitar and Lynn Williams on drums, Parnell is surrounded by the right talent for this road house romp. Add his brother Lee Roy Parnell on slide guitar and Austin, Texas blues luminaries such as Sarah Brown on bass, Stephen Bruton on guitar and Jonell Mosser on background vocals and you have all the fixings for a major good time. Kicking things off with the horn and harmonica driven "I Know Better" Parnell wastes no time establishing the mostly upbeat groove of this release that lasts through the fade out on the jump blues of Roy Brown’s "Lollipop Mama". While many of the cuts travel the well worn blues path where every turn reveals cheatin,’ leavin’ or heartache, the wide-ranging but always top notch musical backdrop makes the trip worth taking. "If I Were You" is a dead ringer for any number of top notch McClinton songs with its bouncy, soul groove while "Long Distance Love" features plenty of brother Lee Roy’s slide guitar. "Come On Lil’ Baby" is swinging rocker that gives way to the gospel tinged background vocals of "That’s All She Wrote" which gives a fresh twist to cheating as the alley cat sneaks in at 3:00 am only to find his woman has left him cold with plans of her own. "If Mama Ain’t Happy" is redeemed from its T-shirt/ bumper sticker sentiments by the three way punch of McKendree’s rollicking piano, Pennebaker’s fluid guitar chops and Parnell’s own harmonica. Even slower numbers like loping ballad, "Rose Petals", feature enough instrumental heat to keep the dancers on the floor. With a voice that often recalls Rod Piazza with its sly drawl, Parnell is entirely comfortable with these tales and delivers his lines with enough conviction to reveal plenty of personal experience with the hard side of romance. There’s plenty to like about this disc. Smitty

MARIA MULDAUR

YES, WE CAN

August 22, 2008

Maria Muldaur has been a lot of things over the year: a hippie love goddess, a bawdy blues mama, a jug-band folkie and, in more recent years, a jazz chanteuse. This disc features her debut as a protest singer. Surrounded by a cast of sympathetic souls such as Bonnie Raitt, Joan Baez, Odetta, Phoebe Snow and even Jane Fonda and a smoking hot band, the Free Radicals. (David Torkanowsky on keys, Tony Braunagel on drums, Hutch Hutchinson on bass and Shane Theriot on guitar), Muldaur applies her well seasoned pipes to songs of both protest and hope. Picking three anti-war, anti-violence gems from the Dylan songbook, "John Brown", "License to Kill" and "Masters of War" and Edwin Starr’s "W.A.R." Muldaur gets right to the heart of her despair over current events. She also looks to Marvin Gaye’s classic, "Inner City Blues (Makes Me Wanna Holler)" and Timothy Thomas’ "Why Can’t We Live Together" to catalog other issues weighing her down. After staking out the problem, she affirms her sense of hope with Earl King’s "Make A Better World", Allan Touissant’s "Yes We Can", Buddy & Julie Miller’s "This Old World" and Garth Brook’s "We Shall Be Free". And what would a protest disc be without a couple of good old sing alongs? "Pray for the USA" and "Down by the Riverside" give the assembled mass their "We Are the World" moments. Muldaur delivers all this material with a sense of conviction that sounds as heartfelt as any role she has occupied over the years. While the original versions of many of these songs are so well known that their message glides right past without much impact, the re-worked, often funky, treatment given to them by Muldaur and friends allows them to be heard in a fresh light making many of them powerful all over again. Smitty

Quick Links:

Telarc

JOAN OSBORNE

LITTLE WILD ONE

August 22, 2008

After her 2006 venture into Country on "Pretty Little Stranger" and her 2007 Soul and R&B cover disc, "Breakfast in Bed", Joan Osborne reunites with the production team the helped her turn her debut, "Relish", into a multi-platinum affair and returns with a disc of all original tunes. Kicking off with the rootsy charm of "Hallelujah in the City" where the rich diversity of New York City serves as a metaphor for the many influences that shape your character, Osborne takes on a variety of subjects including the end of relationships on the mid-tempo rocker, "Sweeter Than the Rest", religion, on the scathing, "Cathedrals", where church leaders hope that those wounded by the church will just go home, and making the best of your time here, on the peppy, "Light of the World". The title track is haunting and troubling while "Daddy-O" finds her relishing the comfort of the past. In addition to her tour of various topics, Osborne also mixes things up musically and vocally. "Rodeo" is a rocker of first order while "Can’t Say No" has a strong Middle-Eastern groove. "Bury me on the Battery" is a folk/spiritual love song of sorts to New York City. "To the One I Love" is a sly, slinky number where she channels Sade while "Meet You in the Middle" could have come from Spy Boy era Emmylou Harris. This disc is solid from beginning to end. Smitty

Grand Rapids Community Media Center

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LANDy

Eros And Omissions

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DUKE ROBILLARD

STOMP! THE BLUES TONIGHT

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DIZZY GILLESPIE ALL STAR BIG BAND

I'm BeBoppin' Too

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STARDEATH AND WHITE DWARFS

The Birth

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BJ ALLEN & BLUE VOODOO

HEARTLESS

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WANDA JACKSON

HEART TROUBLE

TERRI HENDRIX

LEFT OVER ALLS

LEVON HELM

ELECTRIC DIRT

GREG NAGY

WALK THAT FINE THIN LINE

AMONG THE OAK & ASH

Among the Oak & Ash

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SON VOLT

American Central Dust

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BUTTERFLY BOUCHER

Scary Fragile

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DAVID LAST VS. MC ZULU

Musically Massive

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RICHARD SWIFT

The Atlantic Ocean

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EELS

Hombre Lobo: 12 Songs Of Desire

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GRIZZLY BEAR

Veckatimest

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KENDAL CARSON

Alright Dynamite

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Ziggy Marley

Family Time

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BAT FOR LASHES

Two Suns

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THE WOODEN BIRDS

Magnolia

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NINO MOSCHELLA

Boom Shadow

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THE REVOLUTION (VARIOUS)

Revolution

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VIVA VOCE

Rose City

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BIG BAD VOODOO DADDY

HOW BIG CAN YOU GET ?

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DAVE ALVIN AND THE GUILTY WOMEN

DAVE ALVIN AND THE GUILTY WOMEN

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BEARFOOT

Doors and Windows

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