PETER CASE

WIG!

July 21, 2010

Singer/Songwriter Peter Case has had a long career since fronting the LA based Plimsouls in the late 70’s and early 80’s. This new disc is a wild, wooly affair recorded in three days with DJ Bonebrake (X and the Knitters) on drums and Ron Franklin (Gasoline Silver) on lead guitar following Case’s release from the hospital following open heart surgery. With a buoyant looseness that recalls the band Leon Russell assembled for Joe Cocker’s Mad Dogs and Englishmen tour, Case and crew have crafted a disc that is pleasing from beginning to end. Stand out moments include the late 60’s feel of "Ain’t Got No Dough", the greasy blues shuffle of "Banks of the River", a reprise of his 1986 single, "Old Blue Car" which gets life here as "New Old Blue Car", the supremely funky, Creedence Clearwater style swamp rocker, "Somebody Told the Truth", the chiming Byrd’s style rocker, "The Words in Red" and cool grooves of "Colors of the Night". Smitty

BRANDI CARLILE

Give up the Ghost

July 15, 2010

Brandi Carlile’s cd ”Give up the Ghost” is damn good. According to Carlile her start in music was in Ravensdale, a small-town in Washington state. ““My family was really immersed in Grand Ole Opry stuff”, she says. “My grandfather and his brother were great yodelers. We had family jam nights.” That grounded quality is utilized with great skill here. Most of these songs are folk or folkrock territory but she’s in alt-country vibe on “Caroline”, “I will” and “Touching the Ground”. This is the “band's” 3rd full-length record although there are EPs and demos floating around. I use the word “band” because even though these 4 folks travel under Carlile's name alone, they aren’t an assortment of backup players, Tim and Phil Hanseroth, guitar and bass, respectively, and cellist Josh Neuman contribute songwriting, harmonies and their music really take the songs in a lovely direction. Carlile is a gifted songwriter showcased on “That Year” with beautiful lyrical phrasing matching the music utterly. She has achieved quiet beauty on “If there was no You” with a nice touch of whistling, plus on “Oh Dear “they used a uke, an instrument enjoying resurging popularity right now. This is quality stuff - use it well. – Anne Lamont

Quick Links:

• Carlile's website

STRYKERT AND SLAGLET

KEEPER

July 15, 2010

Dave Strykert and Saxophonist Steve Slaglet are on their fifth album together. ”Keeper” are on their fifth album together. ”Keeper” is the third with Jay Anderson on bass and Victor Lewis on drums. These artists compliment each other in terms of method and talent. I hear a blend of straight ahead jazz with more progressive sound baked into a fine mix. There is passion and you ride from bebop like on “ Sister” and “Convergence” to the mellow and smooth like “Bryce’s Peace” and “Ruby my Dear”, which is a Thelonious Monk tune and the only one they didn’t compose. In jazz, guitar and saxophone often vie with each other to be the main voice. Strykert and Slaglet find balance and more than that, a wonderful easy kind of intersection that makes this cd fun to hear. A bonus is the tracks are a very playable length. To me the excitement of seeing jazz performed can make a 10 minute song feel like a brief interlude but it not on recordings. This cd has a much more realistic time scale, one that works better for radio and (probably just me) attention span when you don’t have the artist right there with you. – Anne Lamont

Quick Links:

ERIC LINDELL

BETWEEN MOTION AND REST

July 5, 2010

It has always been said that is best to keep your audience wanting more and on this new release from Eric Lindell he certainly achieves that goal. This CD is a short 28 minutes of soul drenched blues and R&B from one of the finest voices of the crescent city. After three CD's with Alligator records, Eric has branched out on his own label and brought along with him some great musicians including Mr. Ivan Neville on organ and electric piano. Eric's vocals bring at times a slow sensuous sound throughout many of the tracks on this disk but still knows how to heat things up as on the track Matrimony. If you think about it if you can keep an upbeat sensuous feel even through matrimony you know you have a winning combination. If you are looking to find some of the finest New Orleans soul of 2010 look no further then Between Motion and Rest. Reviewed By: Gregg Saur

Quick Links:

• Eric Lindell Home Page

THE DEREK TRUCKS BAND

ROADSONGS

July 5, 2010

I had the great opportunity of seeing the Derek Trucks Band live on this tour and this CD captures all the magic of that evening. This very talented guitarist has gotten better with each release and hearing him stretch out on this release is no exception to the rule. This CD captures the driving improvisation of his guitar on the Dylan Cover "Down in The Flood". The track "Key to The Highway" has a bluesy jamming Allman Brothers sound and on "Sailing On" Derek shows slowhand that he has learned from the masters. The two biggest highlights for me on this disc were the cover of John Coltrane's "Afro Blue" this is a jazz track which features Derek's guitar as well as some terrific flute from Kofi Burbridge and saxophone from Mike Mattison. The "Rastaman Chant" as expected has a given reggae feel to it and proves you don't need dreads to feel the spirit. This CD is certainly one of the finest live recordings capturing a band at the peak of their creativity. Reviewed By: Gregg Saur

Quick Links:

• Derek Trucks Home Page

OTIS REDDING

LIVE ON THE SUNSET STRIP

June 29, 2010

Most people these days know Otis Redding by his pop hit, "Sittin’ on the Dock of the Bay". This disc is a reminder of Redding’s solid Soul credentials which had crowds sweating from coast to coast rather than simply whistling along with that great cut. Recorded in 1966 just a year before his unfortunate death this disc captures Redding in his prime in an intimate live venue, The Whiskey A Go Go. Featuring three complete sets recorded during the last two nights of a four night appearance Redding lights up the crowd with a number of his own hits as well as wild-eyed covers of the Rolling Stones, "Satisfaction", the Beatles, "A Hard Day’s Night" and James Brown, "Papa’s Got a Brand New Bag". With a ten piece band laying down the smoking grooves Redding took his audience to both church and the bedroom. Hearing his original version of "Respect" before it was co-opted by Aretha and his vocals pushing the hot horn charts of "I Can’t Turn You Loose" makes you realize just what a powerful performer he was. While the inclusion of three separate sets results in repeated performances of many of the tunes it is interesting to hear his consistent enthusiasm regardless of whether he was in first set or last set mode. The multi-set format of this release also gives you the chance to hear him mix up the pace and song selection from set to set to capture the maximum amount of audience enthusiasm. Thankfully, this release gives us a chance to share in the fun. Smitty

DR. LONNIE SMITH

SPIRAL

June 29, 2010

Joined by Jonathan Kreisberg on guitar and Jamire Williams on drums, B3 maestro Dr. Lonnie Smith lays down eight tracks that explore the rich variety of sounds that can be pulled from his chosen instrument. There’s everything here from quiet, introspective numbers where Smith adds color to Kreisberg’s jazzy guitar, "Frame for the Blues", to ecstatic sound blasts, "I’ve Never Been In Love Before", to percussive funk work outs, "I Didn’t Know What Time It Was", to the icy grooves of "Sweet & Lovely" and the silky smooth title cut. Smith’s cover of Harold Mabern’s "Beehive" will have you looking for the sting ointment with its hard hitting attack and frantic pace while his cover of the 1963 classic "Sukiyaki" plays the other end of the spectrum with its easy pace and mellow vibe. While Smith is clearly the focus of the disc, Kreisberg and Williams acquit themselves well throughout with Kreisberg’s guitar work often evoking comparisons to Pat Metheny with his rich, fluid lines and William’s drumming keeping the proceedings in solid order. Smitty

Quick Links:

• Dr. Lonnie Smith
• Palmetto Records

DR. JOHN AND THE LOWER 911

TRIBAL

June 29, 2010

Dr. John has always exemplified the rich musical stew that finds its origin in New Orleans with an eclectic combination of blues, jazz, funk, country, voodoo mysticism and rock. Coming on the heels of his Grammy© award winning "City that Care Forgot", a mostly political rant about the injustices foisted upon his beloved Crescent City, the good Dr. seems to have exorcised some demons and checks in here with one of his most exuberant discs in years. Joined by the Lower 911 and a host of guest horn players and background vocalists he sounds likes he’s having a whale of a time even though he continues to keep his keen eye on social issues. His enthusiasm is contagious with "Feel Good Music" setting the right tone by virtue of its nimble piano work and lyrics about how his music can heal your problems. The title cut incorporates Indian chanting into his muse about how like minded people need to band together and make their own progress. "Big Gap" looks at the distance between the rich and poor with the horns adding life to a cut that would be a dry civics lesson in lesser hands while "Lissen At Our Prayer" calls on the spirits to save us from those that profit by negativity and panic. "Change of Heart" and "Only In America" are surprisingly buoyant given their dead relationship and screwed up state of the state subject matter while "Music Came" celebrates the importance of music with a hot jazz chart and Philly Soul background vocals. "Jinky Jinx" and "Them" are funky work outs with "Them" exploring that mindset that attributes all of our problems to “them” rather than ourselves. "What’s Wit Dat" continues a line of questioning from his 1998 release Anutha Zone’s "Why Come" regarding why we do things such as eating white bread, chips and greasy fries and then wondering why the scales are screaming at us. "When I’m Right (I’m Wrong)" reprises the sentiment of his classic hit, "Right Place, Wrong Time" and is simply a fun listen. After a number of world weary discs where the twinkle in his eye seemed diminished, it’s great to hear the Dr. having a good time without losing his political edge. Smitty

TAD ROBINSON

BACK IN STYLE

June 29, 2010

Singer/harmonica player Tad Robinson has always played the soulful side of the blues. On this new disc he dives head first into the Soul music waters and executes a flawless entry into the deep end. With a big horn section including Wayne Jackson of the Memphis Horns and an all star crew of back up musicians (including Robb Stupka on drums, Steve Gomes on bass, Kevin Anker on B3 and other keys, Alex Schultz on guitar and a host of others) Robinson has all the groove he needs to propel his rich vocals to dizzying heights on track after track. Sounding like Al Green, Sam Cooke or even Otis Redding with a silky smooth voice that emotes both power and vulnerability, Robinson plays the boastful lover one moment, "I’m in Good", a thankful but still errant boyfriend the next, "Sunday Morning Woman", a man on the outs, "Rained All Night", and, finally, a man on the chase again on the slow, funky "Half Smile". While a number of the cuts burn with a slow passion, "Full Attention Blues" and "Just Out of My Reach", label mate Darrell Nulisch’s "Turn to the Music" as well as "I’m In Good" and "On and On" burn a bit brighter with the horns and Schultz’s stinging guitar adding vibrant color to the mix. Smoldering hot, this is music for both lovers and those with nothing more between them than lust. Even though I’m not sure Soul has ever really gone out of style, this release certainly makes a strong case for it being a vital part of our musical fabric. SMITTY

DEER TICK

The Black Dirt Sessions

June 26, 2010

Out of Providence, RI is Deer Tick with their third full-length release. Led by guitarist John McCauley and his distinctly grungy voice, the sound of Deer Tick is a mixture of folk, blues, country, and even some grunge as well. Showing this diversity, McCauley claims the wide range of influence of artists from the likes of Tom Petty to Sammy Davis, Jr. On this release, slow-tempo ballads are aplenty. For instance, on the opener, "Choir of Angels," the listener hears a mellow, interesting and introspective tune wrapped all in one. Another ballad worth checking out is the song "The Sad Sun." Here, McCauley shares the vocals with a female voice that adds an element to the song that works quite well. Things pick up a bit on the first single off the album - "Twenty Miles" - a song that sounds a little like early R.E.M. Here McCauley sings: "If you're running away, I'm looking for you. And if you've lost your way, I'm seeing you through." Things continue to heat up on the less likable but heavy and grunge tinged "Mange." While much of the album meanders along, the album ends on a high note with yet another ballad, the simple and yet sound, "Christ Jesus." Unlike a tick that proves hard to remove, many listeners of The Black Dirt Sessions will have no trouble removing this one from their CD players. While some songs are worthy of time and attention, sadly much here is mediocre at best and may prove too tough for many to plow through. ~Reviewed by Jeff Bouma

BROKEN SOCIAL SCENE

Forgiveness Rock Record

June 26, 2010

Broken Social Scene ~ Forgiveness Rock Record Broken Social Scene, the Canadian Indie Rock Band known to have as few as six and as many as nineteen members, return with their fourth release of new material - Forgiveness Rock Record. Led by founding member Kevin Drew, most of the members play some role in other groups and solo projects, including Emily Haines (Metric) and Amy Millan (Stars) and Feist as Feist. As one writer suggests, their music is characterized by "several sounds; grand orchestrations of guitars, horns, woodwinds and violins; crazy song structures and chaotic production." While that may be a bit dramatic, it's not too far off base. The opening track and the first single from the album, "World Sick," may be the best example of this. Here, percussion abound with interesting twists and turns melodically along the way. One of the more likable songs here is "Chase Scene," which features Drew, Feist and Millan in unison as the drum machine beats away and the violin adds an element that completes the "chase" feel. While filled with toe-tapers, lighter fare is here as well. For instance, "Sentimental X's" has a simple beginning that builds into a full-fledged sound as it incorporates the sweet sounds of Millan, Haines and Feist on vocals. Following this, on the equally compelling song titled "Sweetest Kill," Kevin Drew and Feist pair up for a ballad of sorts. Overall, this was a pleasure to listen to. Aside from a couple of missteps and no plays along the way, Broken Social Scene provide their fans a sound that should warrant repeated listens. Forgiveness granted! ~Reviewed by Jeff Bouma

Quick Links:

• Official Broken Social Scene Website
• Broken Social Scene on Myspace

PAUL THORN

PIMPS AND PREACHERS

June 25, 2010

To say that Paul Thorn is unique is like calling the Beatles a pretty good band. Hilarious one moment and deadly serious the next, he has a way of connecting the dots of relationships, politics and religion so that his songs about oddball characters and sticky situations ring true and often hit hard. One constant message is the power of hope and the need to take control of your own destiny. The autobiographical title cut finds him admiring both his preacher father and his pimp uncle for instilling a strong work ethic and the need to get into the game, whatever it may be. "On Better Days Ahead" he gives a nod to the misery suffered by the residents of New Orleans but notes it’s a waste of time crying about the past when there’s opportunity in the future. A similar sentiment emerges in "You’re Not the Only One" where misery loves company but he would rather focus on the blessing of being alive. On the relationship front, he rails against the troublesome "Weeds in My Roses", finds a liquid solution to crushed love, "Tequila Is Good For the Heart", examines the toxic mix of alcohol and tattoos, "Love Scar", takes a sympathetic look at a wasted relationship, "Walk A Mile in Rayann’s Shoes", takes a lusty look at a Dairy Queen girl, "Nona Lisa" and deals with changes that hurt but are just part of the deal, "That’s Life". Some of his best wit this time around comes from the all too true "I Don’t Like Half the Folks I Love" which will remind you of every family reunion you’ve suffered through. As usual Thorn also casts a few stones at religion by challenging those that are deadly sure that theirs is the only way to salvation, "You Might Be Wrong" and by wondering if all his good deeds will be enough in the final score book, "I Hope I’m Doing This Right". Like the best preachers and pimps, Thorn can talk you into his point of view. With a rocking band adding just the right sonic support these are songs that will stick with you. A great listen. Smitty

Quick Links:

• Paul Thorn

COWBOY JUNKIES

RENMIN PARK

June 25, 2010

Guitarist Michael Timmins spent three months in China where, among other things, he spent countless hours recording the day to day sounds of the intensely packed public spaces and listening to all manner of local musicians. By incorporating some of the sounds into these tracks and by covering two of the musicians, Zuoxial Zuzhou (ZXZZ) and Xu Wei on "I Cannot Sit Sadly by Your Side" and "My Fall" respectively, Timmons has crafted his own memento of the trip. While the disc preserves the dense, almost narcotic, haze that finds its way into most of the band’s work, the street sounds, kid’s voices and other sonic textures make for an interesting change of pace from the normal bill of fare. Even so, this isn’t the type of disc that will fire up a party. Think dim lights, incense and blissed out Hot Topics clerks and you’ll be closer to the overall vibe. The most accessible cuts are "Stranger Here", "Renmin Park (revisited)" and "My Fall" which are positively buoyant compared to the rest of the disc, albeit in a Cowboy Junkies kind of way. Made for rainy days, late nights or for those times where darkness fits better than sunshine. Smitty

NOBODYS DARLIN

Kitchen Girls

June 23, 2010

Nobody’s Darlin’ is an all-girl string band based right here in Grand Rapids, performers are: Janet Shelby (banjo), Sara Q (mandolin), Barb Weatherhead (upright bass), Sarah Jane (guitar), and Natalie Beversluis (fiddle). Kitchen Girls is their 2nd cd and this time out they do a wonderful job covering gospel, love songs, and Appalachian folk tunes—or as the band says, “Lots of songs about Drinkin’, Dyin’, and Jesus!” Their influences include The Carter Family, Doc Watson, Nitty Gritty Dirt Band, and The Bad Livers. I found lots of songs I hadn’t heard before, along with songs like “Bury Me Beneath the Willow” which has been recorded by everyone from The Carter Family in 1927 to a more recent Allison Krause version. Kitchen Girls is the embodiment of Americana music and these women use harmonizing vocals and delightfully simple arrangements to make this cd a pleasure. – Anne Lamont

Quick Links:

• My space

SALLY SELTMANN

Heart that's Pounding

June 23, 2010

Australian singer/songwriter Sally Seltmann , known prior as New Buffalo, presents a new cd, the first under her own name. Every mention of Sally Seltmann seems to start by saying that she co-wrote Feist’s hit “1234.” So now you know and we can move on. If this album aims to be sweet and sunny it succeeds to a somewhat alarming degree. From the opening track, “Harmony To My Heartbeat” with it’s clappy and happy sound to the end song “Dark Blue Angel” her voice is just so… pleasant. I really liked the lyrics on #2 “Set me Free”, “I’m holding the knife in my hand, I’m hurting the man who told me he’d love me & he’d understand.. a girl needs to be alone sometimes..so set me free”. I think this is a cd made to appear in Romcom movies. Lots of the lyrics seem repetitive but somehow it holds together. Probably the most interesting feature of this cd is a nice use of off the beaten path instrumentation. I think the addition of strings on #3 and #4 is really quite brilliant. I liked this cd over all but I od’d when I listened to it as a whole. There isn’t a song you can’t try but be aware if you’re looking for moody, deep music this is the wrong well. – Anne Lamont

Quick Links:

• Her website

ALEJANDRO ESCOVEDO

STREET SONGS OF LOVE

June 21, 2010

Alejandro Escovedo has written some terrific rock tracks many of which have combined punk with Alt-Country. On Street Songs Of Love, Alejandro once again joins with Tony Visconti to produce an album that relies less upon the Alt-Country and more on his rock sound that made Real Animal one of Alejandro's most successful discs to date. In my opinion every track on this disc which explores some very interesting takes on the subject of love is a real treasure, but if the Title Track along with "Down In The Bowery" where Alejandro receives vocal support from Ian Hunter and "Anchor" don't pull you in then just jump from the boat. Alejandro also receives support from the boss Bruce Springsteen on the rocker "Faith". Alejandro has just risen the bar and released one of his finest discs to date. It is my opinion that "Street Songs Of Love" will bring one of music's most talented players and songwriters to the masses. Reviewed By: Gregg Saur

Quick Links:

• Alejandro Escovedo Home Page

THE STANLEY CLARKE BAND

THE STANLEY CLARKE BAND

June 21, 2010

For those of you like myself who grew up listening to Return to Forever and the first three or four solo releases from Bass God Stanley Clarke, this CD will be a real treat. This is simply put a Jazz fusion masterpiece combining Stanley's electric bass with a whole host of talented players such as the lovely and talented Hiromi on acoustic piano and Ruslan on Synthesizers and electric piano. In addition to the new material, Stanley reworks a couple of his classics for this disc including "No Mystery" originally recorded with RTF in 1975 and the crowd favorite "I Wanna Play For You Too" which is a funky version of "I Wanna Play For You" originally released in 1979. On the track "How Is The Weather Up There?" Stanley mixes vocal spots which spotlights the evils created by global warming. "Sonny Rollins" is a very fitting tribute to the Jazz great. For those of you who have grown up with Stanley, you will love this disc, for those of you newly experiencing this Jazz great, take time to enjoy one of the pioneers of the Jazz fusion genre. Reviewed By: Gregg Saur

Quick Links:

• Stanley Clarke Home Page

TOM PETTY AND THE HEARTBREAKERS

MOJO

June 21, 2010

Like all good blues musicians, you need to get you MOJO working before going into the studio. On this release Tom Petty and the talented Heartbreakers do exactly that, mixing both acoustic and electronic blues with both rock and even a reggae track to make this a very worthy listen. The recording sounds raw as it was recorded live in the studio with very little polish. Tom rocks the hardest he has done in years on tracks like "I Should Have Known It". He gets sensitive on the country tinged "No Reason To Cry" and discovers the evils of marijuana and driving on the track "Don't Pull Me Over". Tom as always keeps his humor as on the opening track "Jefferson Jericho Blues" which is about a love affair experienced by Thomas Jefferson. I guess that means for the lucky people that discover this disc, they will get both a great listen and a history lesson all at the same time. Reviewed By: Gregg Saur

Quick Links:

• Tom Petty Home Page

CLOTHESLINE REVIVAL

They Came From Somewhere

June 21, 2010

Clothesline Revival (Conrad Praetzel & Robert Powell) create sounds that revive days gone by. Their first 2 albums; Of My Native Land and Long Gone were loaded with old field recordings that meshed with their own music. This album only uses one vocal sampling (on “Beautiful Home”; vocals by Orville McInturff). The rest of the songs are instrumental, and all the songs are original. Fiddle player Chris Rovetti and blues legend Charlie Musselwhite add their talents to a few songs also. It’s like someone bottled the mournful yearnings of early American hard times with the contentment of cricket filled breezy porch evenings. This album is the opening of that bottle. The enclosed moodiness is palpable. Some of it is similar to the atmospheric sounds Daniel Lanois likes to use in his music making. It stirs the emotions of untouchable memories. In spite of this moody factor, there is a whimsical twisting and bending in the instrumentation from time to time; just enough to let you know that these songs aren’t actually vintage recordings, and that they are all together unique. If you like any of what you hear on this album, you should listen to their first 2 albums. Like this one, they are also absolute treasures. Becky 6/2010

Quick Links:

• Clothesline Revival
• Paleo Music

TAD ROBINSON

BACK IN STYLE

June 15, 2010

With the release of this disc, Tad Robinson puts his stamp on being one of the finest Blues & Soul vocalists alive today. The vocals on this release will rival some of the finest Al Green, Otis Clay or even the late great Ray Charles releases. This CD begins with the track "Rained All Night" in my book an instant soul classic. The remaining nine tracks continues with Tad's laid back soul feeling and feature great performances from the likes of guitarist Alex Schultz {formerly of Rod Piazza & The Mighty Flyers} as well as Wayne Jackson and the Memphis horns. This disc should deservingly be nominated as one of the best soul/blues releases for 2010. Reviewed By: Gregg Saur

Quick Links:

• Tad Robinson Home Page

ORIGINAL BROADWAY CAST RECORDING FELA!

FELA! – ORIGINAL BROADWAY CAST RECORDING

June 15, 2010

Broadway recordings often don’t work for me as they tend to include dialogue that doesn’t mean much if you haven’t seen the show nor is it a normal musical cd. Fela! mixes 16 of Fela Kuti’s songs including the brilliant I.T.T. and Zombie with musically trying to describe the life of Fela, the late Nigerian political activist and inventor of Afro-beat. There are also songs sung by Lilas White, Fela’s mother and Saycon Sengbloh a girlfriend in the play. Actor Sahr Ngaujah infuses Fela! with his phenomenal voice, bringing all the material to life. The band “Antibalas” is genius slipping between jazz, funk and Afro-beat – sometimes all in one song. Warnings: The word ass is scattered around appearing at least once in #1, #9, and #16. Shit is in the dialogue for #5. #8 is a NO PLAY motherf##ker. Songs #12 “Torture” and #20” Coffin for Head of State” are about tough subjects so don’t play before 10pm. Does this cd work as a stand alone musical piece? Not for me but there are interesting pieces here. - Anne Lamont

Quick Links:

• nitting Factory Records website

VARIOUS ARTISTS

Next Stop...Soweto, Vol. 3: Giants, Ministers and Makers -- Jazz in South Aftrica 1963-1984

June 14, 2010

Strut Records concludes a three-CD set of early South African music by highlighting that country's jazz musicians of the '60s, '70s and '80s. While many prominent artists fled South Africa for the safer and richer shores of the U.S. and Europe, these musicians stayed and kept jazz alive. Some interesting stuff here -- you can hear the roots of what Hugh Masekela wound up doing with "Grazin' in the Grass" in 1968. The Malombo cuts are the ones that fuse jazz and African rhythms the most extensively. That these artists could play so skillfully during a time of great repression is amazing. Such is the power of music. 06/10 Michael J.

Quick Links:

• Strut Records site for this disc
• Review of the three-disc series

MISSISSIPPI HEAT

LET'S LIVE IT UP

June 14, 2010

Let's Live it up is the ninth full CD release from one of Chicago's premier blues outfits Mississippi Heat. Even though this band has seen many changes in their 19 years, the one constant has remained the extraordinary harp playing of Pierre Laccocque. Moving from Belgium to Chicago in 1969 Pierre was deeply influenced by the blues great Big Walter Horton. Big Walter entered blues heaven in 1981 but his sound and soul lives on through Pierre. This CD is a mixture of Chicago style blues, gospel, blues shuffles and some terrific boogie. John Primer lends his vocals on this disc on the tracks "Steadfast, Loyal and True", "Betty Sue" and "I Got Some News Today". His vocals mix it up with one of the strongest voices in Chicago Blues today, the great Inetta Visor. Innetta has the vocals that would stand out in a Baptist church choir or in the middle of a Smokey blues bar. The veteran blues man and guitar great Carl Weathersby also lends his signature sound to most tracks on this disc. It is truly the mixture of the different vocal styles with the leadership and harp playing of Pierre Lacocque that makes this band one of the finest blues outfits playing today. Reviewed By: Gregg Saur

Quick Links:

• Mississippi Heat Home Page

SERGIO MENDES

BOM TEMPO BRASIL REMIXED

June 14, 2010

Bom Tempo the new release from the legendary Sergio Mendes is the best summer listen of 2010. This accompanying CD should find it's way into every dance club from here to Brazil. These are very well done electronica remixes from the likes of Bimbo Jones, Paul Oakenfold, Kaskade and Moto Blanco. In my opinion, if picking one or the other go for the original; but after spending some time listening to modern Electronica dance music, this CD should steam up any dance floor and is yes both fun and very sensuous. Reviewed By: Gregg Saur

Quick Links:

• Sergio Mendes Home Page

JACK JOHNSON

To the Sea

June 13, 2010

Perhaps Jack Johnson is simply the current generation's Jimmy Buffet -- with a surfboard instead of a margarita -- but dude, the man churns out catchy tunes. After a slight detour into kids' music ("Curious George") and an attempt at more serious subject matter ("Sleep through the Static"), JJ returns to the sound that propelled his first few CDs into the beach radio stratosphere. While this may sound like a knock of the record, it isn't. Radio needs sounds for the sand as well as for city hall, the Beach Boys as well as the Beatles, the Stones and the Who. The opener, "You and Your Heart," along with "From the Clouds" and "The Upsetter" will be hammock music for years to come. Get the bonfire going and chill the case of Red Stripe! 06/10 Michael J.

Quick Links:

• Jack's homepage
• Jack playing 'You and Your Heart" on Youtube

ALICIA MENNINGA

Renewal

June 10, 2010

Local pianist and antiques saleswoman Alicia Menninga's third release expands on her first two "Dreamscape" discs -- solo piano with occasional string background to add emotion and light percussion here and there. Alicia calls her songs "dreaming out loud" and she takes off from the opening note of each number and keeps moving up and down the keyboard until the final chord sounds. Each song feels as though she is coaxing you to come along with her on a particular musical journey (and, usually, you're more than willing). Her expressive playing reminds me of Vienna Teng's, but there are no lyrics here to tell you the writer's intent; instead, like her, you're assigned to fill in your own story. The music is expansive enough to handle a variety of dreams, and in this age of bombastic noise and loud opinion, that's a welcome retreat. 06/10 MJVD J-New Age (Instrumental)

Quick Links:

• Alicia's homepage
• Alicia's Facebook fan page

JOHN NEMETH

Name the Day

June 7, 2010

“Name the Day” is John Nemeth’s 3rd release for Blind Pig Records. Nemeth has figured out how to mix blues and classic soul still making it feel fresh. The man has a VOICE and it almost overwhelms at times like in “I said too much” but I guess if you’ve got it you otta use it. He sounds like he’s channeling Sam Cooke or Otis Redding accompanied by a tough Chicago-style blues band with a great horns section. All the songs are original except “Home In Your Heart” written by Otis Blackwell, recorded by Solomon Burke. One of my favorites is #8 “Save a little love”. Nemeth’s is a great harp player and he uses it in just the right amount as in #10 “Why not me?” Weak tracks for me are “4 and #5 but they might hit the sweet spot for you. – Anne Lamont

Quick Links:

• John Nemeth's website

SERGIO MENDES

BOM TEMPO

June 6, 2010

In Portuguese Bom Tempo means a great time; there is not one place on this new disc where Sergio disappoints. Sergio is the absolute king of the summer listen and Bom Tempo is a CD that can take a permanent place in your CD player until next fall. On this disc Sergio relies less upon large name guests such as the Black Eyed Peas Will I Am and Fergie found on his last release. Instead he reinterprets Brazilian classics originally preformed by the like of the great Antonio Carlos Jobim and Gilberto Gil. There will be skeptics that will dislike some of his loose interpretations and Hip-Hop flavors found in several tracks. there is even one point in Ye-Me-Le where you can hear the sounds of Rod Stewarts "If You Think I'm Sexy", but then again this music was meant to not only be fun but very sensual as well. Reviewed By: Gregg Saur

Quick Links:

• Sergio Mendes Music Home Page

REGINA CARTER

Reverse Thread

June 4, 2010

Jazz violinist extraordinaire and Detroit native Regina Carter received MacArthur Foundation funding (better known as a "genius grant") to infuse traditional music with contemporary stylings -- and still remain true to the past. It appears she put that money to good use and met her goal. "Reverse Thread" takes African and African Diaspora songs and weaves them with current jazz to come up with a unique blend that displays both global roots and modern rhythms. Kora master Yacouba Sissoko provides an earthy foundation to many of the songs. Grand Rapids jazz musician Xavier Davis arranged two pieces in this set (#1 and #10, the latter of which is a combination of an African melody and the gospel standard "God Be With You 'Till We Meet Again"). On "Zerapiky" (#8), Will Holshouser's accordion almost gives the tune first a Cajun feel, then an Irish lilt; that song has the most energy in the set. The opener and the closer are based on field recordings from Ugandan Jews, a community in East Uganda that is not genetically or historically Jewish, but practice the Jewish faith. An amazing musical journey, led by one of the finest musicians -- jazz or any genre -- in the country. MJVD 06/10 J-Roots (Global Fusion)

Quick Links:

• Regina's home page
• "N'Teri" from "Reverse Thread" on video

INFAMOUS STRINGDUSTERS

THINGS THAT FLY

June 2, 2010

Generally speaking bluegrass music is best experienced live. There’s something about witnessing the complex interplay amongst the musicians as they trade leads with one another that elevates the routine into the sublime. Maybe it’s the urge to tap your toes and bop your head with abandon that is unleashed in the live setting and in the company of others but not in your living room that makes it happen? Some neurologist or anthropologist will have to figure it out. All I can do is comment on the little silver disc in my player. So, having said that, what’s the deal with this new release by the Infamous Stringdusters? Does it come close to capturing the infectious energy the six members routinely generate in their live shows? Well, mostly. Several of the tracks here including "Those Who’ve Gone On", "Take a Chance on the Truth", "The Deputy" and "17 Cents" (featuring Dierks Bentley on vocals) will get you moving regardless of the time or circumstance that has this disc in rotation. Others, like "Magic #9", or the U2 cover, "In God’s Country", feature lots of instrumental or vocal interplay that is pleasant but not attention grabbing and will likely fall into the background as the disc spins in your living room. Overall, a decent listen, but check out the band live for the true experience of these cuts. Smitty

PAUL WELLER

Wake Up the Nation

June 2, 2010

With a musical career spanning nearly four decades, Paul Weller has certainly earned the respect that would allow him to put out a recording such as his latest - "Wake Up The Nation" - that at times includes the weird and psychedelic poured over the more traditional fare that one comes to expect from the Englishman. In short, the former Jam and Style Council front-man expands and evolves once again in both style and grit. In brilliant fashion, the singer/songwriter opens things up with four tracks of exceptional quality and diversity. The title track - "Wake Up The Nation" is a call to action that finds Weller belting "wake up the nation and don't be not drag/shake up the station and out of their hands." Another one worth mentioning is the beautifully crafted "No Tears To Cry," which includes a vast array of stringed instruments throughout coupled with a sound that might best be described as R&B with a whole lot of soul thrown in as well. While the opening songs grab your attention, sadly the rest of the album falters as it meanders through the weird and often hard to follow. Another song worth some attention, however, is the fast-paced "Find The Torch, Burn the Plans." Here, Weller utilizes a community choir on a song that inspires the listener to "dream this dream if you can." On the David Byrne sound-a-like "Aim High," Weller creates perhaps the most complex musical arrangement here to elicit a sound that works well. While Weller can be commended for pushing the envelope once again, unfortunately while the experimentation continues, the quality gradually diminishes throughout the sixteen song set. Still, on those tracks that do work, keep in mind that they work really well and warrant some spins. ~ Reviewed by Jeff Bouma

Quick Links:

• Paul Weller Wikipedia Article
• Official Paul Weller Website

BETH NIELSEN CHAPMAN

Back to Love

May 31, 2010

Beth Nielsen Chapman, one of the best-known songwriters in Nashville, had writer's block while working on this record -- and for good reason. It turns out she had a brain tumor (gratefully benign) and surgery was successful. The words poured out and this set was the result. After plenty of tumult in her life (she lost her husband to cancer some years back and had an earlier bout with cancer), she has delivered a joy-filled series of songs, with the word "love" in five of the titles. Her voice is beautiful, very clear and precise. "Even as it All Goes By" is a big hit in the U.K. now. Check out "I Can See Me Loving You" (a nice duet with Darrell Scott), "More Than Love" and the lovely "Peace." MJVD 05/10 F-Contemporary

Quick Links:

• Beth's home page
• Youtube spot featuring Beth singing "Even as it All Goes By"

GIA NOTTE

Shades

May 31, 2010

Margie "Gia" Notte delivers a set of jazz standards with a solid group of session musicians -- in fact, it is the band that make these renditions interesting to the listener (how many times can you hear "Caravan" or "My Funny Valentine" in a fresh way?). Notte can, indeed, sing and she demonstrates her knowledge of the jazz songbook on each track, but thank goodness for Don Bradon on the sax and flutes and Freddie Hendrix on the trumpet and flugelhorn; they add the improvisational spice to these tunes. Prime examples are "Since I Fell for You," "Lover Come Back to Me" and "It Don't Mean a Thing." MJVD 05/10 J-Contemporary (vocal)

Quick Links:

• Gia's home page
• Gia on Myspace

BETTYE LaVETTE

Interpretations – The Great British Songbook

May 31, 2010

Ms. LaVette, a Muskegon native raised in Detroit had her first hit at age 16. Now after a career that spans 50 years she has again found some well deserved attention. By taking Pink Floyd, Rollingstones and other British musician songs she has complete a circle that began with the likes of Jagger and Clapton loving American blues music and taking it to a wider audience. Even though all these songs don’t always hit the mark for me, her voice is amazing. With Pete Townshend confessing her version of ‘Love Reign o’er me’ “…made me weep” you know Music’s power is being channeled to us through Bettye for our benefit. Favorite tracks were: 1. The Word, 4) All of My Love (loved the guitar!) 7. It Don’t Come Easy and 13- Love Reign O’er Me. Some of the others are pretty slow paced but have an energy you don’t want to miss. Anne Lamont

Quick Links:

• Bettye LaVette's website

KELLER (WILLIAMS) & THE KEELS

Thief

May 31, 2010

Keller & The Keels “Thief” The CD “Thief” marks the 2nd compilation project for Keller Williams with Larry and Jenny Keel. Taking bluegrass into strange ground they cover songs from The Butthole Surfers to Amy Winehouse. This 13-track album feels like an unlikely blend of songs. There are some wild rides here and I can’t say I love it but this is a solid WYCE choice. ‘Teen Angst" the Cracker cover made me smile but I thought ‘Rehab’ was weak. The strength of this cd is in these very talented musicians. I thought the vocal harmonies were outstanding, pair that with Larry Keel's fast-paced, precision flat-picking banjo and the guitar virtuosity of Keller, well, it takes this bluegrass cd into a new dimension. Give it a spin, especially if bluegrass is your forte. Anne Lamont

Quick Links:

• Keller Williams website

OTIS TAYLOR

Clovis People, Vol. 3

May 30, 2010

You have to approach an Otis Taylor record with more than an ear for the music. He's always reaching into the past and coming up with stories -- many based on fact, his own life or others from the rich history of African-Americans -- and bringing them into a context relevant for today. He calls his music "trance blues," described by one reviewer as full of "chugging, hypnotic rhythms, slowly changing harmonic patterns and passionate lyrics." This set is named after the Clovis People, so-named after an archeological find just yards from Taylor's property near Boulder, Colorado. The Clovis People apparently lived 13,000 years ago and then mysteriously vanished. The scientific discovery launched Taylor on another journey into the past, which he links to today's society. Great banjo and guitar playing with exquisite cornet lines by Ron Miles making appearances in strategic places. I think he;s one of the finest blues musicians in America today; he certainly has to be the among the most thoughtful. Some highlights are "Rain So Hard" (#1), "Little Willie" (#2), "She's Ice in the Desert" (#6), "Harry, Turn the Music Up" (#8) and "Babies Don't Lie" (#10). 05/10 MJVD B-Roots (Electric)

Quick Links:

• Otis Taylor home page
• Otis on Myspace

TERRI HENDRIX

CRY TILL YOU LAUGH

May 25, 2010

Listening to Terri Hendrix new release is much like listening to a perfect set on WYCE. Terri perfectly mixes folk, blues, jazz and pop in a way that most musicians can only dream of. What makes this CD so special is not only Terri's songwriting, guitar playing, harmonica or mandolin it is her personality and charisma that shines through on each of these tracks. The CD begins with Terri on harmonica in a bluesy track of Dorothy Parker poems set to music. "Slow Down" is classic Terri Hendrix with her more traditional folk-pop sounds. Terri reaches into her blues repertory on tracks like "Automatic", "Roll On", "Sometimes" and "Hand Me Down Blues". "You Belong In New Orleans" is an upbeat jazz track with horns and could be used as the theme song for the crescent city. "Take Me Places" is the perfect ending to the disc where Terri dives into the sounds of Jazz/Swing music where she scats the horns blow and you realize this talented artist has just taken your mind on a very satisfying musical journey. Reviewed By: Gregg Saur

Quick Links:

• Terri Hendrix Home Page

JACKIE GREENE

TILL THE LIGHT COMES

May 25, 2010

If you are searching for the bluesy or folk sounds found on past Jackie Greene releases this CD will surely disappoint. If you are looking for a well crafted rock release that encompasses both a classic pop and Americana sounds you will love this disc. This CD showcases an artist that is able to provide great melodies with songwriting that has enough hooks to reel you into his world and not let go. "Spooky Tina" is the story of a problematic lady and is meant to be a hit single. "1961" and "The Holy Land" are the most folk oriented tracks on this release and have a laid back sound that showcases Jackie's storytelling abilities. "Take Me Back In Time" sounds somewhere between a cross of the Beatles and the Grateful Dead. This CD is certainly meant to be heard more then once as it has grown on me after each listen. Reviewed By: Gregg Saur

Quick Links:

• Jackie Greene Home Page

DELTA SPIRIT

History From Below

May 24, 2010

After gigging with San Diego emo band, Noise Ratchet, Jon Jameson (bass) and Brandon Young (drums) had enough and ventured forth on their own. Joined by Matthew Vasquez (vocals), Sean Walker (guitar), and Kelly Winrich (multi-instrumentalist), they formed Delta Spirit and released their debut album, "Ode to Sunshine" in 2007. After three years of touring, they've become more comfortable with one another and it shows on their sophomore release, "History from Below". Featuring drums, guitar, and occasional keys, combined with sometimes gruff vocals (911), and sometimes sweet harmonies (Salt in the Wound, Devil Knows You're Dead), and even a combination of the two (Vivian), this is nicely produced rustic rock. Rebecca Ruth

Quick Links:

• Delta Spirit Site
• Rounder Records Website
• Delta Spirit Myspace

THE NEW PORNOGRAPHERS

Together

May 18, 2010

With success brewing on the individual front (A.C. Newman and Neko Case to name only two) the casual listener might be wondering why the need for the 5th album from the The New Pornographers. Well, the old adage that many heads make great stuff most certainly holds true here. With Together, the Canadian eight-some is back for perhaps their best effort yet. Relentless guitar work combined with the shared vocals of Newman and Case on the opener "Moves" makes for a great way to get things rolling in the right direction. "Crash Years" is nearly an instant classic with its catchy beat, Neko's always stirring vocals and a few whistles too. "Your Hands (Together)" - the first single from the album incorporates the multiple vocal talents of its members while also managing to write a song that moves along at a fast and fun pace. After a great start, the music remains consistently good. On the marching and upbeat "Up In The Dark," Newman and Case ask the question "What's Love?" and conclude that it's "What turns up in the dark." Enough can't be said about the range, diversity, and overall excellence of what one hears from the 2010 version of The New Pornographers. Yes, lyrics that are less cryptic in nature would be nice. Still, from start to finish, this is some really good stuff. Consider it my favorite release of 2010 so far! ~ Reviewed by Jeff Bouma

Quick Links:

• Matador Records
• Official New Pornographers Website

THE COAL MEN

BEAUTY IS A MOMENT

May 13, 2010

The Coal Men inhabit the same mid-tempo, soft rocking space as Jackson Browne, Bruce Cockburn and the Bodeans. While they occasionally turn up the guitars, for the most part the emphasis is on the vocals which, in the case of this disc, are focused on days gone by, "Beauty is a Moment", missing the boat on a relationship, "Outside Looking In", falling prey to a siren call, "Pretty Girls", looking for a second chance, "Sweet in the Pine" and other tales of heartbreak and regret. While the lyrics could find their way onto a blues disc, the musical backdrop is mostly buoyant and, with all three permanent band members contributing vocals, there’s plenty of harmonic ear candy to make this an enjoyable listen. Standout tracks include "Cleveland Sky" with its silky smooth slide guitar, "Outside Looking In" which sounds straight from the Bodeans catalogue, "Sweet in the Pines" with its Muscle Shoal vibe and "Louisiana" which uses accordion to evoke a sense of longing for the state, not as just a place, but as a frame of mind. Smitty

Quick Links:

• Coal Men
• My Space
• Fuzalo Records

LEGENDARY SHACK SHAKERS

AGRI - DUSTRIAL

May 13, 2010

The Legendary Shack Shakers rip through this 16 track set with the urgency of a man on the gallows with a lot still left to say as the floor falls away. While things lighten up a bit on the banjo fueled "Sugar Baby" and "Two Tickets to Hell" as well as on the aptly named "Dump Road Yodel" and the jug band/vaudeville evoking "Hoboes are my Heroes", for the most part these tracks rock hard with clanging hammers, chains, tongs and anvils providing extra percussive effects and chilling lyrics about big name politicians and “Mal Wart”, "Dixie Iron Fist", nighttime murders, "Greasy Creek", laws as sinister as the feared night riders, "Nightride", losing the righteous battle, "The Lost Cause" and the graphic violence of "The Hills of Hell" where whores are crucified and the family dog carries around your severed hand. Even when the lyrics aren’t chilling, the music and vocals are: "Hog-Eyed Man" and "Sin Eater" move at break neck speed with vocalist J.D White sounding as if he’s getting choked by the noose while trying to get his message out to the masses. Avoid while caffeinated. Smitty

Quick Links:

• The Legendary Shack Shakers
• Thirty Tigers Records

ANDERS OSBORNE

AMERICAN PATCHWORK

May 13, 2010

Guitarist Anders Osborne’s new disc on Alligator marks the label’s first real venture outside straight blues and marks a new beginning for Osborne who has been a mainstay of the New Orleans music scene but seemed destined to be a well kept secret. The ten fantastic cuts featured here should serve both Alligator and Osborne very well. Joined by Robert Walter on keys, Pepper Keenan on guitars and Stanton Moore (Galactic) on drums, Osborne has crafted a disc that explores not only his rebirth from personal dark times but serves as a path forward for his musical peers who are still seeking direction in the aftermath of their enormous loss at the hands of hurricane Katrina. As he sees it, it’s ok to acknowledge the past but to move forward you have to refuse to be trapped by it. Kicking things off is the insistent, rocking, cautionary tale of self destruction, "On the Road to Charlie Parker", which Osborne knows plenty about as explored in gut wrenching detail on "Darkness at the Bottom", where his lyrics cut as deep as the raw edged guitar, and on "Echoes of my Sins" where he comes to the slow realization that he owes his existence and success to the support of others as much as to his own efforts. All isn’t perfect though: Even as Osborne emerges from his walk through hell he gives half a thought to simply disappearing and starting over with a clean slate rather than to face up to those burned along the way, "Acapulco". Fortunately, he has chosen to stick around and is looking beyond his own issues as evidenced by the heartfelt homage to a fallen friend, "Standing with Angels". While he is obviously pleased with his new found sense of peace and is even willing to risk it by placing his heart in another’s hands as evidenced by the buoyant reggae tinged "Got Your Heart" and the funky, popish "Meet Me In New Mexico", he resists the easy proselytizing of claiming he’s got all the answers and, in fact, rails angrily against those who dare to turn their opinions into religion, "Killing Each Other". With his creative guitar work propelling these tunes and a voice that occasionally recalls Don Henley but with more grit, Anders Osborne has delivered the disc that should make him known well outside the confines of New Orleans. Smitty

KENNY WHITE

COMFORT IN STATIC

May 11, 2010

This is Kenny White's third solo release and even though the "Uninvited Guest" and "Symphony In 16 Bars' were some of the best overlooked discs, "Comfort In The Static" is stellar and should make Kenny White a household name. Kenny attacks the silver keys the way Bruce Hornsby used to and has the cynical storytelling of a Graham Parker or Elvis Costello at their best. The track "Out of My Element" is lyrically one of the finest tracks I have ever heard. "She's Coming On Saturday" showcases Kenny's Jazz styling's on the piano. On "Gotta Sing High" Kenny takes poke at bands like Five for Fighting on what it takes to get a hit single. " Carry You Home" was my favorite track showcasing Kenny's cynical storytelling with some of his best piano, background choirs and a powerful message for all mankind. Enjoy this CD as it features an artist on the verge of greatness. Reviewed By: Gregg Saur

Quick Links:

• Kenny White Home Page

CHRISTINE OHLMAN & REBEL MONTEZ

THE DEEP END

May 11, 2010

This may be the CD that doesn't leave my changer in 2010. There are so many "wow" moments on this disc that it would be impossible to say enough good things about it. Christine Ohlman otherwise known as the "Beehive Queen" from the Saturday Night Live band has never sounded better. This is Christine's first release of new material since 2004 and during that time she lost her friend and long time producer Doc Cavalier and Rebel Montez guitarist Eric Fletcher. Out of this loss Christine went back to the studio and recorded 15 tracks of some of the best blues, rock, R&B, and old time Do-Wop sounds being played today. This CD also features many special guests such as Ian Hunter on tracks 1&2, Catherine Russell on track 6, Marshall Crenshaw on Track 7 and Levon Helm on track 11. My advice is to dive into the Deep End and hold your breath for one great musical journey. Reviewed By: Gregg Saur

Quick Links:

• Christine Ohlman Home Page

JAMIE LIDELL

Compass

May 10, 2010

Having teamed with Mocky to produce his three previous albums, Jamie Lidell developed a new fan in Beck after opening for him on tour. After the tour, and at Beck's suggestion, they worked together at Beck's home studio in L.A. to produce Compass, Jamie's fourth album. Other notables had their fingers in this too, including Feist, Nikka Costa, Chris Taylor of Grizzly Bear, and Pat Sansone of Wilco. Mixing Motown vocals with electronic beats, Jamie Lidell has created an interesting combination. Often the songs here involve attention-provoking percussion (Completely Exposed, The Ring). There is even a song that is reminiscent of The Jackson Five (Enough's Enough). I like this release and have to wonder why I've never heard of this guy until now. Perhaps now that he's moved to New York (by way of Brighton, UK and Berlin), we'll be hearing more of him here in the States. Rebecca Ruth

Quick Links:

• Jamie Lidell Myspace
• Warp Records Website

NATHAN KALISH

Delicate Veins

May 10, 2010

This is Nathan Kalish, sans The Wildfire. Left to himself, he's crafted introspective songs that are a bit quieter than his previous work with his band-mates. Featuring your typical rock configuration of guitar, drums, and bass, (with occasional organ), Delicate Veins is essentially a folk-rock album in the key of Neil Young or perhaps a countryfied Tom Petty. Rebecca Ruth

Quick Links:

• Nathan Kalish Myspace

MEG HUTCHINSON

The Living Side

May 10, 2010

Meg Hutchinson graduated from college with a creative writing degree and then spent a long stretch as an organic lettuce farmer until the musical bug was too much to resist. Off to Boston and coffee houses and subway stations with her guitar. She's won awards at Kerrville, Telluride and Merlefest for songwriting and songsters such as John Gorka, Martin Sexton and Lori McKenna are fans. The songs are straightforward, her alto voice with little dressing and a focus on the lyrical images. The opener, "Hard to Change" mentions the "year of the billion dollar bailout" and "Gatekeeper" is based on the real-life story of a California motorcycle cop who has talked as many as 200 people out of jumping off the Golden Gate Bridge. "Yea Tho We Walk" contains the wise phrase, "Oh my friend the soul seems made from such a thread/No matter how hard it tears it always tries to mend." Probably graduated magna cum laude. 05/10 Michael J. F-Singer/Songwriter

Quick Links:

• Meg's home page
• Meg on Myspace

MEKLIT HADERO

On a Day Like This...

May 8, 2010

Meklit Hadero was born in Ethiopia and did her musical training in San Fransisco (after first getting a degree in political science from Yale). She's been touted as a cross between Joni Mitchell and Nina Simone -- and you can hear elements of Joni's poetry and lilting voice and Nina's tone and phrasing in some of these songs. The result, however, is a very unique sound and her lyric choices aren't run-of-the-mill, either. Her singular journey has brought a singular perspective and it's enriching to let it seep in. This is another CD that's impossible to classify: folk, world, jazz all work here. Certainly, "Abbay Mado," a song about her Ethiopian heritage, ought to be played as "World." A release like this is what we have WYCE for, to give airplay to these gems that otherwise don't get radio play. Michael J. 05/10 F-Soul

Quick Links:

• Meklit's homepage
• Her Myspace page
• NPR interview with Meklit

STANTON MOORE

GROOVE ALCHEMY

May 7, 2010

This all instrumental disc features Galactic drummer Stanton Moore, guitarist Will Bernard and keyboard player Robert Walter taking a spin through the roots of funk drumming. Inspired by pioneers like Jabo Starks, Clyde Stubblefield and Zigaboo Modeliste who powered the Meters and James Brown’s 1960’s bands, Moore and crew give modern day listeners a lesson in just how deep a band can get into a groove when it isn’t saddled with the verse/chorus/verse structure of songs involving vocals. Like his prior solo releases Moore is all over each of these tunes but doesn’t burden them with lengthy drum solos or showboating percussion work. Instead, this is a true ensemble recording with most of the color being added by Walter’s work on the Hammond B3. Fans of Jimmy Smith, Ron Levy’s Wild Kingdom or local band Organissimo will find themselves in familiar territory here. Stand out tracks include "Keep on Gwine" which sounds like it could have fallen straight off a Dr. John disc with its rollicking piano groove, "Neeps and Tatties" with its heavily accented beats and scatting guitar on the break, "Knocker" with its Shaft style overdriven guitar and Moore’s deft snare work, the eerie "Cleanse This House" and the down and dirty "Root Cellar". Smitty

SEASICK STEVE

MAN FROM ANOTHER TIME

May 7, 2010

Steve Wold a/k/a “Seasick” Steve has one of those resumes that seems made up by a marketing firm looking to promote a rags to riches story: He left home at 13, hopped freight trains, worked as a carnie, a cowboy and a migrant farmer, busked on street corners, spent three decades on a succession of marriages with a passel of kids, opened a studio and recorded with punk and grunge bands, had a heart attack and recuperated by recording a disc that went on to sell 200,000 units in the UK. He then released a second disc that sold even more and soon found himself playing the storied Royal Albert Hall. The cool thing is that the story is true and his music rocks! Like Watermelon Slim, this storied resume gives Steve a rich palette of personal experiences from which to draw his songs. "Big Green and Yeller" sounds like a classic blues double entendre, but it really is just about a John Deer Tractor. "Wenatchee" tells the tale of a migrant farmer while "Happy (To Have a Job)" is how a busking musician gets through the day. The title cut finds Steve worrying that by looking at the past he’ll turn into the kind of “boring old fart” that used to dampen his younger days. "That’s All" is a prisoner’s dream of an elusive freedom, a sentiment repeated in "Never Go West" where he finds himself on the wrong side of the law. With a vocal delivery somewhere between Ry Cooder and Omar Dykes and a penchant for hill country blues grooves, Steve plays with the skill of his many years but with the energy of musicians a fraction of his age. Most of the cuts are mid to up-tempo and hit hard despite the spare instrumentation of just Steve’s rattlesnake guitar and Dan Magnuysson’s percussion. It just doesn’t get much hotter than on "Diddley Bo" which features the Bo Diddley beat and razor sharp one string grooves. Change ups include the forlorn "The Banjo Song", the simmering "Dark" and the gentle "Just Because I Can (CSX)" where he takes a last chance to hop a freight train and ride for free. Oh, did I mention that I dig this disc? Smitty

KRISTY HANSON

Into the Quiet

May 5, 2010

Claiming influences such as Joni Mitchell, Joan Baez and a vast assortment of other notable female artists, Kristy Hanson's desire is that at the end of the day, what she'd rather sound like is "me." While influences do play a part here, the Los Angeles based Hanson is most certainly herself on this her fourth full-length release. While folk-pop might be the best description here - there's plenty of grit on this recording too. On the guitar-driven rocker - "Wrong Way," the singer/songwriter belts out "that's the wrong way sign, baby that's the wrong way." A couple of songs that preach encouragement despite tough times are the softer "Too Much" and the faster-paced "Dig." On the former, the nice melody is coupled with the songstress singing about coming back from reaching rock-bottom: "I'm so full of hope, too much hope." On the latter, the theme is similar as the artist encouragingly sings about digging out of whatever hole you might find yourself in. The album ends with the pleasant, soft and heartfelt title track "Into the Quiet." In the end, while a few more "rockers" would have been nice, Hanson puts together a nice blend of the fast and the slow for a mostly successful recording. Her voice is great and her songwriting is mostly spot-on. If you're a fan of the folk-pop genre, Hanson won't disappoint. ~Reviewed by Jeff Bouma

Quick Links:

• Kristy Hanson Official Site

CANASTA

The Fakeout, The Tease, and The Breather

May 3, 2010

The band name, Canasta, led me to believe that this might be dance music or maybe electronic music, or that it might at least be upbeat. (Maybe it's because the cover looks incredibly similar to Dengue Fever's "Venus on Earth" release.) With its second release, Chicago-based Canasta delivers quiet pop with orchestral elements. This is pretty and well-produced stuff with occasional bits of violin or cello shining through. Best song? "Mexico City", with its shouted "Go, go, go" chorus. Rebecca Ruth

Quick Links:

• Rwim Website
• Canasta Website

MINUS THE BEAR

Omni

May 3, 2010

This is the fourth album from Seattle band, Minus the Bear. Many of the songs here start out with interesting guitar layers ("Excuses" and "The Thief"). Others feature vintage synth sounds ("Into the Mirror" and "Animal Backwards"). They seem promising until the vocals come in and the songs deteriorate into your average synth and guitar radio-ready rock. The single here is the first track, "My Time". It doesn't particularly stand out from the crowd; but then, neither does this entire release. Rebecca Ruth

Quick Links:

• Minus the Bear Website
• Dangerbird Website

AJ Downing and The Buick 6

Way Back Home

May 2, 2010

If you are one that likes to do some honky-tonking in a Texas Roadhouse setting then AJ Downing's latest release "Way Back Home" will fill the bill quite nicely. Throw in some cajun accordion with slide guitar and you will think you are in Austin, TX which is exactly where this CD was recorded. When you listen to this disc it's not hard to see why AJ Downing has been called the voice of Americana Music. This is some good old days hillbilly writing that takes you through all the familiar struggles of life from being alone, to being done wrong, to finding love and then losing it, and chasing rainbows for life's pot of gold we all find at the end. I may be alone in this assessment but I hear Ricky Nelson coming through loud and clear on a number of tracks. "...Put your picture on Facebook, let the world know you're still around. Put your picture on facebook and soon you'll be the talk of the town...Downing sings tongue in cheek from a perspective of someone that isn't on facebook...........Way Back Home isn't all fun and games however. It's really about messages written between the lines as much as the lyrics themselves. All good songs have different meanings depending on each listener's own personal journey. So take the trip that AJ Downing takes you on and find your own way back home..........reviewed by Mike James

GOTAN PROJECT

Tango 3.0

April 29, 2010

With its third release, Gotan Project continues to meld traditional Argentine sounds with modern electronics to create a dynamic sound. From the reading of excerpts of Argentine author Jules Cortazar's novel, Rayuela, (in the song of the same name), to the liberal use of the bandoneon (an accordion-like instrument), there is plenty of Argentine flavor to this disc. Highlights include "La Gloria", which features legendary Argentine football commentator Victor Hugo Morales mimicking his famous "Goooooooal!" proclamation, but instead, he shouts, "Goooootaaaaan!". (It's awesome...check it out!) Another highlight is the song "Rayuela" (Hopscotch), which features children counting out a little hopscotch rhyme. I've always liked Gotan Project, but this release culminates into the best work they've done so far. Rebecca Ruth

Quick Links:

• Gotan Project Website
• XL Recordings Website

WOOKIEFOOT

Activate

April 29, 2010

This Minneapolis jam band, Wookiefoot's fourth release. Sometimes sounding reggae ("The Bitter End" or "Words in My Mouth"), sometimes sounding funky ("Third Side of the Coin" or "From the Sun"), sometimes sounding bluegrassy (the title track or "Move Over Now"), sometimes bringing an Eastern Indian feel to the music ("Dead in the Eyes"), Wookiefoot creates music with a message in an engaging way. The message is simple..."Be the change you want to see in the world." This is cool stuff and I have respect for a band that practices what it preaches (see video embedded in CD). Rebecca Ruth

Quick Links:

• Wookiefoot Website

Dave Barnes

What We Want, What We Get

April 27, 2010

"You can't always get what you want". There was a song made with that title by a particular rock group that for fear of dating myself too badly will remain nameless. Said another way might be "What We Want, What We Get" the new CD by Dave Barnes. This CD exposes his audience to a spiritual wisdom beyond his years. What We Want, What We Get may just be the first Summer record of 2010 and possesses the pop hooks that stay with you as they will be playing in your head long after you have stopped listening. The opening track "Little Lies" will have you bouncing at the beach and yes even sipping on a few Jamaican margaritas. Welcome Summer! But one only has to look deeper to discover lyrics that speak about the struggle of marriage and relationships. When you hear Motown horns, segueing to reggae and molded together with wonderful pop hooks and melodies you will realize that Dave Barnes has grown as an artist as well as a man!..........reviewed by Mike James

JIMMY THACKERY AND THE DRIVERS

LIVE IN DETROIT

April 27, 2010

It has always been that Detroit is one of the original Rock & Roll city's, after Jimmy Thackery and the Drivers comes to town it is a Rock and Blues city. Jimmy is a master of the power three piece blues and recorded live he mixes his masterful, and at times relentless guitar with the bass and drums provided by the drivers who have become one of the tightest units in the industry. Jimmy's guitar during some of the instrumentals on this disc are so energized and hot it would be advisable to keep the fire extinguisher next to the CD player. This also is Jimmy's first release on his own label as he not only shreds his guitar but also throws out all the rules of the record companies. Reviewed By: Gregg Saur

Quick Links:

• Jimmy Thackery Home Page

HOLLY GOLIGHTLY & THE BROKEOFFS

Medicine County

April 26, 2010

Entering the music scene in the early 1990's, British singer-songwriter Holly Golightly Smith has been nothing short of prolific releasing thirteen albums on her own. In recent years, Holly has teamed up with the Brokeoffs - made up of one man, Lawyer Dave, the Texas singer and multi-instrumentalist. Together they've now released three albums to date with the addition of this release - 2010's Medicine County. Combining rhythm and blues, country, rockabilly, and the sounds of the 1960's, what you end with here is a pretty diverse set of sounds. In recent years, Golightly has relocated from her native Britain and has found solace and a home in Georgia. It's no wonder that a southern influence is found throughout this release. The short but extremely fun "I Can't Lose" has a bluegrass feel, utilizing the fiddle and banjo that works wonderfully with the singer-songwriters voice. On "When He Comes," - Golightly and the Brokeoffs delve into a blues laced southern gospel song that works really well. Another track worth some attention is the opener - the haunting "Forget It" - featuring Golightly's captivating voice accompanied with some ghostly effects on the organ. "Don't Fail Me Know" a simple and melancholy track, sounds like a rockabilly song right out of the 50's or 60's. All in all, each song here has its own distinct flavor. If one song doesn't catch your fancy, the next one probably will. A pleasant listen from start to finish! ~Reviewed by Jeff Bouma

Quick Links:

• Holly Golightly

SOLOMON BURKE

Nothing's Impossible

April 26, 2010

Everyone associates long-time Memphis producer Willie Mitchell with the Rev. Al Green, and well they should since those two rewrote the book on satin-smooth soul during a productive partnership at Royal Recording Studios in the '70s and '80s, with a recent reunion this decade. But it was always the dream of both Mitchell and another king of soul, Solomon Burke, to partner up, too. That planned collaboration never happened -- until 2008, and now the CD's here. It is interesting to listen to those trademark Willie Mitchell strings and rhythm tracks come in and then, instead of the high-register voice of Al Green your hear the lower tones of Mr. Burke. It works, for the most part, although I still can't figure out their love for the Anne Murray weeper "You Needed Me" (can we make that a 'No Play"?). Good thing these R&B giants finally got together, since Mr. Mitchell passed away this January, making this set an unique treasure. Michael J. 04/10 B-R&B

Quick Links:

• Solomon Burke's homepage
• Wiki bio of Solomon Burke

JOHNNY MOELLER

BLOO GA LOO

April 26, 2010

Johnny Moeller is the newly crowned Austin guitar wizard. His guitar playing is certainly one part Stevie Ray, one part Anders Osborne and another Freddie King. Johnny is a current member of the Fabulous Thunderbirds where fellow member Kim Wilson describes Johnny as a "monster and should be recognized as one of the worlds top musicians". Johnny mixes electric blues with rock and plenty of soul on this disc to keep his audience on the edge of their seats in anticipation of the next note that is going to be played. Johnny has also assembles a first rate band on this disc which includes special guests Kim Wilson of the T-Birds, fellow Texans Louann Barton and Shawn Pittman. It is still early, but this will be an easy pick as one of the best blues discs for 2010. Reviewed By: Gregg Saur

Quick Links:

• Allmusic

SPEAK

Speak

April 19, 2010

Out of Seattle, Speak presents interesting and sometimes improvisational jazz. Featuring keys, reeds, drums, and bass, this quintet offers edgy jazz that while usually melodic, sometimes delves into a tasteful free-form style. The disc starts out strong with "Amalgam in the Middle", a song that rocks with plenty of effects/distortion on Cuong Vu's trumpet. The slower, "People or Cats" is a pretty composition. My favorite piece, however, is the busy "Polypockets", which reminds me of a hive of bees. Rebecca Ruth

Quick Links:

• Speak Website
• Origin Records Website

GUITAR SHORTY

BARE KNUCKLES

April 13, 2010

With a career that includes stints with blues/soul luminaries such as Ray Charles and Sam Cooke and, in his earlier years, a stage show that included mid-solo back flips and somersaults, Guitar Shorty has always been a force to be reckoned with. While the theatrics may have helped put him on the map, his guitar skills are what caught the attention of both a young Jimi Hendrix and a well seasoned Willie Dixon with Hendrix going AWOL from the army to catch his club shows and Dixon bringing a young Shorty to Chicago to record with the great Otis Rush as his backup! Shorty’s new release reveals that his guitar chops have remained inventive and hot-wired even as many of his mentors have passed on and his contemporaries have mellowed. Like Buddy Guy, Shorty spends most of his time in the higher registers with fluid, yet intense bursts of guitar adding spice to the 12 tracks collected here. With topical lyrics addressing the recession’s impact on the man on the street, "Please Mr. President" and the unfair hardships visited upon our veterans (Viet Nam vets take note: different war, same post-war crap), "Slow Burn", Shorty strikes a populist chord. He also ventures down the well worn blues highway where he’s got something for the ladies, "Temporary Man", and "Texas Women" are the best but there are plenty of others who will cheat, "True Lies", and break your heart, "Betrayed". Most of these tracks move at a solid mid-tempo pace with the rollicking "Get Off" kicking into a higher gear that wouldn’t be out of place on a Little Richard disc. Shorty’s vocals are not as adept as his guitar work but work well in the service of the hard rocking blues found on this set. As the title suggests this is an unadorned effort that packs a pretty good punch. Smitty

DRIVE BY TRUCKERS

THE BIG TO DO

April 13, 2010

The Drive By Truckers marry big rock hooks with dark and often twisted chronicles of modern life that hit hard with sharp attention to detail and big doses of everyday truth. "The Wig He Made Her Wear" is a true life tale of a preacher’s wife who made the SOB pay for making her dress like a cheap hooker while "Birthday Boy" is a hooker’s lament about a promising life gone bad. "Drag the Lake Charlie" is a rollicking tale of a feckless duo hoping to escape the wrath of a friend’s honked off spouse. "Daddy Learned to Fly" is a heartfelt reflection on the loss of a father. The sense of despair of that song creeps into the wistful homage to the tragic death of famous circus troop, "The Flying Wallendas". Despair of another sort finds its way into the mix on "After the Scene Dies" where the death of a music club to make way for the pre-fab world of chain stores is chronicled with riffs that would make Neil Young proud. "This Fucking Job" hits hard with its slamming guitar riffs and ranting lyrics about getting trapped into a dead end routine. Of course, the only thing worse than a bad job is having no job at all and having to face the spite of a resentful mate as happens on "Get Downtown". While Patterson Hood and Mike Cooley handle most of the vocal duties, Shonna Tucker steps up on the majestic, almost symphonic "You Got Another" and on the 50’s style girl group rocker, "(It’s Gonna Be) I Told You So". From beginning to end, these are tunes that stick. Smitty

MGMT

Congratulations

April 12, 2010

Is this sophomore release from MGMT adventurous, or self-indulgent? Listen to "Congratulations" and decide for yourself. However, don't expect to hear anything like 2008's "Oracular Spectacular". There are no catchy electro-rock tunes to be had on this release. "Congratulations" is fun for a song or two, and it certainly has its shining moments, but listening to this throwback to the late 60's psych-rock era gets a bit tedious when taken in its entirety. I give the guys credit for not following a formula, though, and it only whets my appetite to see what MGMT might have in store for the future. Rebecca Ruth

Quick Links:

• MGMT Website
• Columbia Records Website

CLUTCHY HOPKINS

The Storyteller

April 12, 2010

Clutchy hasn't broached any new territory with this release and I don't buy the melodramatic tale told in the liner notes of how "The Storyteller" came to be. I like the music anyway. This is simply more cool instrumental grooves, as expected from the man of mystery. Rebecca Ruth

Quick Links:

• Ubiquity Records

Dr, Dog

Shame Shame

April 12, 2010

Venturing outside of their Philadelphia home studio for the first time Dr. Dog's Shame Shame release on Anti captures the band's energy of their live performances. The band's wonderful almost "Beach Boy" like harmonies are found through out the album beginning with the opening track Stranger. The haunting lyrics of Shadow People may cause more than one listener to glance over their shoulder attempting to find "where the Shadow People go". You will discover a mix of genre's ranging from country to alternative and the quality of vocals will remind one of Ian Hunter of Mott The Hoople fame. Even though the harmonies are most uplifting there remains a hint of darkness sprinkled amid tight guitar riffs and bright melodies which might leave one a bit confused. I for one believe that this level of confusion means this band has left themselves a lot of room to grow for future releases............reviewed by Mike James

Quick Links:

MAYER HAWTHORNE

A Strange Arrangement

April 10, 2010

Born and raised in Ann Arbor and in the shadows of Motown, 29-year-old Mayer Hawthorne looks like a junior accountant, not the reincarnation of all of the Miracles singing "Tears of a Clown." But the kid is following in the footsteps of his R&B idols with a debut that is all soul falsetto and harmonies, augmented by piano, drums and horns. These tracks do bring to mind Smokey Robinson, as well as Teddy Pendergrass (remember "If You Don't Know Me By Now"?) and the Chi-Lites (remember "Have You Seen Her?" and "Oh, Girl"?). Now Mayer Hawthorne is no Smokey Robinson and that's telling on some of the higher-pitched tunes but he's got the formula down pat and the songs (newly written by him, with most of the instrumentation and singing by him) sound right out of 1969. It isn't fair to compare anyone to Smokey on smooth-factor-falsetto anyway. Check out "Just Ain't Gonna Work Out" (#3), "Maybe So, Maybe No" (#4), "Your Easy Lovin'" (#5) and "Make Her Mine" (#7). Michael J. 04/10 R-Soul

Quick Links:

• Mayer's page on Stones Throw Records
• Mayer's Myspace page

SHELBY LYNNE

Tears, Lies and Alibis

April 8, 2010

After her stunning bulls-eye set of Dusty Springfield hits ("Just a Little Lovin'"), Shelby Lynne gets back to her roots-rock acoustic self with this solid release of her own music. The songs are closer to her albums "Identity Crisis" and "Suit Yourself" than the more lushly produced "I Am Shelby Lynne." Not only is she the writer, she's also the producer and the sound is great. The record opens up with the simple, yet exquisite "Something to Be Said" and "Home Sweet Home" and jumps with "Rains Came" and "Why Didn't You Call Me" before the soul-bearing of "Like a Fool" and "Alibi." I also liked the backwoods feel of "Old #7." Lynne's music retains the soulful feel of her Dusty and "I Am Shelby" records; she subtracts the orchestra and emphasizes the guitars this go round and it doesn't hurt one little bit. A talented artist. Michael J. 03/10 R-Roots

Quick Links:

• Shelby's homepage
• Shelby's Myspace page
• Shelby doing "Alibi" on Youtube

THE BIRD & THE BEE

Interpreting the Masters, Volume 1: A Tribute to Daryl Hall and John Oates

April 8, 2010

Vocalist Inara George (“the bird”) and multi-instrumentalist Greg Kurstin (“the bee”) have released an eclectic mix of music over the last few years, and if one adds Inara's out-of-left-field jazz-related work, what will come out of the studio when these two are in it is anyone's guess. So what is next? Out of right-field comes a set of Hall & Oates hits from the '70s and '80s with Inara handling the Daryl Hall vocals and Greg adding a variety of electronica to the background. It's my guess programmers (and listeners) are either going to like this time-travel experience or avoid it like the plague. I like the unpredictability of this release and enjoy hearing Inara's great vocals on these pop tunes, especially "I Can't Go For That," "Sara Smile," "She's Gone" and "One On One." The opener, "Heard It On the Radio" is the only original of the set, B&B's attempt to "write a '80s pop song," they say. Important, world-changing messaging this ain't; just a homage to pop songwriting, soulful vocals and the three-minute single. Michael J. 04-10 R-Roots (Neo-Soul)

Quick Links:

• The Bird & The Bee homepage
• B&B doing "I Can't Go for That" live

RAZIA SAID

Zebu Nation

April 6, 2010

Razia Said has lived in many countries over the course of her life and even holds a doctorate in pharmacology (received in France), but it is her native Madagascar that has always inspired her musical work. In this effort, she returns to the land of her birth to draw attention to the "slash and burn" agricultural practices that have ravaged her native land. Most of the themes of "Zebu Nation" are environmentally directed, lovingly yet pointedly delivered. "Slash and Burn" is the only English language cut in the set, and has an Indian-music feel. The up-tempo numbers are "Babonao," "Yoyoyo," "Salamalama Aby" and the closer "Mifohaza." Michael J. 03/10 W-Madagascar

Quick Links:

• Razia's homepage
• Razia bio
• "Yoyoyo" video

GRAHAM PARKER

IMAGINARY TELEVISION

March 30, 2010

It has been asked who needs reality television if you can have Graham Parker's Imaginary Television? Graham was asked to write a jingle for an upcoming TV sitcom, after being rejected twice by the television executives Graham in typical style said the hell with ya and wrote a complete concept CD. In typical style Graham has created a host of characters in his songs that may not fit into the typical mainstream including the gentlemen in the opening track "Weather Report" who watches the weather channel as he stares out the window at the crazy world. Who doesn't know somebody like that ? This CD in usual Graham fashion has more hooks in it's short 35 minutes then most bands include in an entire box set. It is my recommendation that the next time you go to watch the television, turn on some Imaginary Television and you will not be disappointed. Reviewed By: Gregg Saur

Quick Links:

• Bloodshot Records

CARRIE RODRIGUEZ

LOVE AND CIRCUMSTANCE

March 28, 2010

On Carrie's third solo release "Love And Circumstance" she has chosen to a cover song release from some of the worlds greatest American roots musicians. These are beautifully polished tracks where Carrie brings her beautiful voice and soul and makes them her own. The CD begins with a terrific interpolation of the Little Village classic" Big Love" penned by Ry Cooder, John Hiatt, Jim Keltner and Nick Lowe. This track along with Julie Millers "Wide River To Cross" and the Gillian Welch and David Rawlings track "I made A Lovers Prayer" are the most upbeat and spirited covers on the release. Along with paying tribute to some of her modern day heroes such as Lucinda Williams on "Steal Your Love", Carrie ventures into the classics with Merle Haggard's "I Started Loving You Again" as well as Hank Williams "I'm So Lonesome I Could Cry". This is Carries most roots driven solo release and shows an artist that is confident in her abilities to make her listeners as well as some of the worlds greatest song writers proud. Reviewed By: Gregg Saur

Quick Links:

• Carrie Rodriguez Home Page

LONELADY

Nerve Up

March 26, 2010

Hailing from Manchester, England is newcomer Lonelady (aka Julie Campbell.) With a sound inspired from a plethora of places, including the post-punk scene of her hometown, Lonelady manages to capture a sound largely categorized as synth laced pop-rock with some guitar thrown in as well. She first began making waves with her debut single, “Hi Ho Bastard/Fear No More” (released June 2005). This was followed that October with the “Have No Past” EP. LoneLady’s first show outside Manchester was at 2006’s SXSW festival in Texas - where she was invited to play on the strength of these 4-track recordings. Billboard listed LoneLady as one of their ‘Ones to watch’ in their SXSW 2007 preview feature. LoneLady signed to Warp Records in 2009 and now we have "Nerve Up" - her first full-length release. Quite noticeable throughout is the guitar work that manages to bring back memories of the early B-52's. This is especially notable on the track "Intuition" that combines the biting vocals of Campbell with an overall catchy beat. The opener, "If Not Now" is also worth a few spins as Cambell's somewhat unique voice immediately comes to the forefront. The title track "Nerve Up" incorporates a drum-machine and an attitude from Lonelady that makes for a really good song. Another track that especially stands out here is the beautiful "Marble" with its electro-pop feel and reverb effects. In the end, while the guitars and the same overall sound can be a bit tiresome, the debut of Lonelady is pretty good as Campbell recaptures a sound from the past and makes it relevant for today's music scene! ~ Reviewed by Jeff Bouma

Quick Links:

• Lonelady on Myspace

PETER WOLF

MIDNIGHT SOUVENIRS

March 24, 2010

While Peter Wolf will forever be known as the hip, irreverent voice of the J.Geils Band, the mostly inactive status of that band over the past couple of decades hasn’t left him on the sidelines. Starting with his 1984 solo debut, "Lights Out", he’s had a successful, if not overly active, solo career. Focusing on quality rather than quantity, he’s released six discs including 2002’s "Sleepless" and 1998’s "Fools Parade" which Rolling Stone named in the top 500 albums of all time and top 50 of the 1990’s respectively. This disc marks his 7th release and is well worth the wait. With 14 songs that cover the sonic waterfront from country (as channeled by the Faces or Stones), "I’m Always Asking For You" and "Tragedy" (with Shelby Lynne), folk, "Leaves Us All Behind", classic singer song-writer ballads, "It’s Too Late For Me" (with Merle Haggard) rock, "I Don’t Wanna Know" and "The Night Comes Down", pop, "The Greenfields of Summer" (with Neko Case), sexy soul, "Overnight Lows", and meaty slabs of funk, "Everything I Do Gonna Be Funky" and "Watch Her Move", the latter of which recalls the Rolling Stone’s "Miss You" with its rubbery bass groove, Wolf doesn’t hit a false note. While his trademark sense of humor is in place: check out the semi-rapped interludes on "Overnight Lows" where he reprises the stream of consciousness that made the intro to the J.Geils live classic, "Must Have Got Lost", such a fun listen- only this time he doesn’t get Rapuntzel; instead he’s sitting alone in his underwear in the dark eating baloney sandwiches, he’s also reflective as he examines opportunities to be pursued, "There’s Still Time", and the folly of remaking someone, "Don’t Try Any Change Her". Despite the passage of time, Wolf’s voice and delivery remains as supple as ever with emotional nuances that got lost in J. Geils’ harder rock. Solid from start to finish, this is a terrific release. Smitty

NICK CURRAN AND THE LOWLIFES

REFORM SCHOOL GIRL

March 24, 2010

Having earned his stripes as guitarist for Ronnie Dawson, Kim Lenz and, most recently, the Fabulous Thunderbirds, one might expect that Nick Curran would be turning out yet another blues based guitar disc. One might expect wrong! Kicking things off with the Little Richard style rave-up, "Tough Lover", Curran rips through 14 tracks of hot-wired 50’s rock, rockabilly, surf and punk with hardly a nod towards traditional blues- and that’s not a bad thing. With loads of attitude and both the vocal and guitar chops to back it up, Curran puts on one hell of a party. The rhythm section is supplemented by keys, a horn section and Ronettes style girl group back-up vocals, giving Curran the sonic company he needs to take the tunes beyond mere stylistic covers of the various genres. Hearing the buoyant fun of these tracks makes you wonder how music this raw and compelling ever fell out of favor to be replaced by the overwrought mess that often passed for rock in the late 70’s and then again in the 80’s and 90’s. Looking back through time it is clear why punk rock and bands like the Ramones had to emerge to blast the dust off the music. Curran takes on the same task for the new decade. Put this on, turn it up loud and remember what it feels like to surrender to wild abandon. Smitty

AMY COOK

Let The Light In

March 22, 2010

Out of Austin and veteran of over twenty song placements in television and film, Amy Cook has released this album of guitar-driven folk-rock. With the help of producer Alejandro Escovedo, Amy Cook has created accessible folk with catchy pop and rock elements. When I heard the first track, "Get It Right", I thought I was going to have a difficult time making it through the entire album; but the second track, "Moonrise", caught my interest, with its country-noir feel and Alejandro himself helping out on the vocals. Some of the songs here I simply do not like, but there are some highlights. Both, "I Like To Go To Parties" and "Strange Birds" are interesting in their simplicity and the slow-building "Mescaline" features nice string elements: also I don't know who Marianne is, but I might like to meet her after hearing "I Wanna Be Your Marianne". While Amy Cook is being touted as a singer/songwriter, I think she has more than that to offer on this release. Rebecca Ruth

Quick Links:

• Amy Cook's Website
• Amy Cook Myspace

SOLID GOLD

Synchronize

March 22, 2010

Minneapolis-based trio, Solid Gold, sometimes sounding a bit like a not-so-edgy Kasabian, delivers synth-rock on this release. Singer, Zach Coulter's often double-tracked vocals add to the atmospheric feel of the first song, "One in a Million", one of the stronger offerings here. The title track, "Synchronize", is electronic rock that seems almost suitable for the dance floor. The song is remixed later in the album to a slower, more synthesized mix. I have to mention the remake of "Danger Zone", a song that I have always hated, but that this band makes almost tolerable. "Sharpshooter", another highlight of this disc, is a moody instrumental that I rather liked. Rebecca Ruth

Quick Links:

• Solid Gold Website
• Solid Gold Myspace

ROGUE WAVE

Permalight

March 17, 2010

The Indie Rock of singer/songwriter Zach Rogue and his band Rogue Wave are back. While not garnering the attention of more notable acts such as Death Cab for Cutie and The Shins, the now five-some from Oakland, California returns with a sound well worthy of such comparisons and yet distinctly their own. In comparison to 2007's more subdued and ethereal "Asleep at Heaven's Gate," this effort is far more pop/rock and perhaps more accessible for some. Produced by Dennis Herring (Jars of Clay, Ben Folds, Modest Mouse) and on Jack Johnson's Brushfire Records, the idea here is quite obviously to have a bit more fun. The opener "Solitary Gun" is a catchy song with a steady melody making it well worth a few spins. The first single of the album is the synth and electronic infused "Good Morning (The Future)" - an upbeat and fun track that even manages to incorporate a drum machine to give it the full electro feel. Three songs in, things slow down a bit with the softer but equally compelling "Sleepwalker." "We Will Make A Song Destroy" is a nice mixture of both the softer and sometimes lethargic Rogue Wave and the new and more upbeat sound that is largely found here. Perhaps the best song here is the soft and sometimes haunting "Fear Itself" - a track that showcases Rogue's vocals for what they are - captivating in all their quietness. About half-way through "Permalight," the Wave's fourth full-length effort, the songs grow less interesting and of a slightly lesser quality. Still, "Pemalight" is a nice recording worthy of a good bit of play, and may just put Rogue Wave on a bigger map. ~Reviewed by Jeff Bouma

Quick Links:

• Official Rogue Wave
• Brushfire Records

BEN HARPER AND THE RELENTLESS SEVEN

Live From the Montreal International Jazz Festival

March 15, 2010

If you're familiar with Ben Harper and the Relentless Seven's "White Lies for Dark Times", then you're familiar with this release of pretty much that whole album, recorded live in Montreal in July 2009. If you are not familiar, well, this is basically singer/songwriter Ben Harper rocking out with his harder-edged band of his last two releases, the Relentless 7. Most of these songs are blues-tinged rock, including a cover of Jimi Hendrix's "Red House" and the Bowie/Mercury collaboration, "Under Pressure". There's nothing special here, just a rockin' good time. Rebecca Ruth

Quick Links:

• Ben Harper's Website
• Virgin Records

JOHN ELLIS AND DOUBLE-WIDE

Puppet Mischief

March 15, 2010

This is only saxophonist John Ellis' second release as leader of the quartet, Double-Wide. This guy has been around the block a few times, though, having played for five years with Charlie Hunter, regularly touring with the John Patitucci Trio, and guesting on Gilfema's 2008 release, "Gilfema + 2". This album starts out strong with the funky "Okra and Tomatoes". It then moves to the fun, punchy organ highlights of my favorite, "Fauxfessor". The slower, "Dewey Dah" is a nice minor-key piece with haunting organ throughout. If you like your jazz more bluesy, the last track, "This Too Shall Pass", might suit your taste. Both trombone and sousaphone give some tracks a New Orleans feel; but it's the occasional use of the harmonica that really makes this release stand out from the crowd. Rebecca Ruth

Quick Links:

• John Ellis' Website
• Oblio Sound Site

THE STEEL WHEELS

RED WING

March 9, 2010

The Steel Wheels have rolled out one great release of old time sounding folk, blues and gospel to capture their audience through all fourteen tracks. Fans of bands such as the old Crow Medicine Show will appreciate how this four person band from Virginia can make their old time acoustic music sound as if it could have been recorded 50-60 years ago, yet still sound fresh today. Trent Wagler's raspy vocals sound as if he had just returned from the old west during the middle of a dust bowl. It is this lack of polish accompanied with some terrific fiddle, guitar, mandolin and upright bass playing that makes this release a terrific slice of American roots music. Reviewed By: Gregg Saur

Quick Links:

• The Steel Wheels Home Page

CARRIE NEWCOMER

Before and After

March 7, 2010

I'm sure it is easy to dismiss Carrie Newcomer's earnestness and quiet diplomacy of thoughtful living in these days of picking sides and yelling our opinions. Perhaps her music is too gentle for you, her observations too quaint. Too bad. Her 12th release for Rounder is another set of well-written and -delivered folk songs that counsel, "Courage doesn't always shout/But whispers and reminds/When we get up one more morning/And try one more time." Her rich alto has never sounded better, and the opening title track has her duet with another fine singer/songwriter, Mary Chapin Carpenter. She retains her gift of seeing the larger meaning in common daily experiences, best illustrated in "I Do Not Know Its Name." The song "Hush" is a beautiful rumination on forgiveness. The closer gives Eve credit for naming the animals (tough luck, Adam). If more of us would turn off cable news and listen to a Carrie Newcomer CD, we'd live in a better country. Try getting that through Congress. F-Contemporary 03/10 Michael J.

Quick Links:

• Carrie's homepage
• Carrie on Myspace

BO DEANS

Mr. Sad Clown

March 6, 2010

It was 1979 in Waukesha, Wisconsin, that Kurt Neumann and Sam Llanas formed what is now the Bo Deans, and their voices still harmonize in a distinctive way that feels like summer, the windows rolled down in your car and a cold beer on the front porch. They scored first in 1986, teaming up with T-Bone Burnett for "Love & Hope & Sex & Dreams" and continue the legacy of great songs with this, their ninth studio CD (they have two live discs, a best-of and some b-side collections, too). This set opens with a traditional Bo Deans rocker, "Stay," which also introduces something new for the guys, a bit of trumpet on the chorus. You'll find more of that rock harmony on "Say Goodbye," "Let it Ride," "Feel 'Lil Love" and "Back Then." The other cuts are more reflective in nature, but still feature flashes of that blend of voices that keep them -- and us -- coming back for more. New Bo Deans = Must Be Getting Warmer Outside! R-Contemporary 03/10 Michael J.

Quick Links:

• Bo Deans official site
• Bo Deans Myspace site

FYFE DANGERFIELD

Fly Yellow Moon

March 6, 2010

This is the first solo release from Guillemots front man, Fyfe Dangerfield. I didn't want to like this, simply based on the guy's name; but the opening track blew me away. The catchy, piano-driven pop of "When You Walk into the Room" has "hit" written all over it. As far as the rest of this goes, it is sometimes quiet pop, such as "Firebird" and "High on the Tide". Sometimes it's mid-tempo stuff like "So Brand New". Sometimes it is a little more rock, like "She Needs Me" or the Coldplay sound-alike "Faster Than the Setting Sun". Overall, this is catchy pop rock, featuring nice production and Fyfe's sometimes shaky (though not in a bad way) vocals. Rebecca Ruth

THE SOULJAZZ ORCHESTRA

Rising Sun

March 6, 2010

Out of Ottawa, The Souljazz Orchestra has released its third album. Melding Afro-Cuban rhythms with hot musicianship and sometimes odd time signatures, Rising Sun is jazz to be reckoned with. The quiet intro leads to one of the highlights of the disc, "Agbara". The next song, "Negus Nagast" was inspired by label-mate Mulatu Astatke...reason enough to like the song; but the fact that it rocks just adds to the pleasure! The slower "Lotus Flower" has a nice groove and features the muted trumpet of guest, Nicholas Dyson (Gladys Knight and the Pips, The Coasters). The rest of this release gets a little quieter. The best of these quieter pieces is "Serenity", with its flute highlights and with the clarinet helping out on the back-beat. This is nice stuff. Rebecca Ruth

Quick Links:

• Strut Records Website
• Souljazz Orchestra Website

NOAH BAERMAN, WAYNE ESCOFFERY, AMANDA MONACO, VINNIE SPERRAZZA, HENRY LUGO

Playdate

March 5, 2010

This is the debut release from childhood friends, Noah Baerman, Wayne Escoffery, Amanda Monaco, Vinnie Sperrazza, and Henry Lugo. While I loved the playful tone of this cd package, the music inside was anything but. This is quiet, melodic jazz, fronted by hollow-bodied guitar, accompanied by piano and occasional saxophone, bass, and drums. Playdate starts out with the almost upbeat "Coppertone", and it gets quieter from there. Don't let the look of this cd fool you! This is music to snooze to. Rebecca Ruth

Quick Links:

• Positone Website

BLACK 47

Bankers and Gangsters

March 3, 2010

After twenty years together, Black 47 has mellowed a bit with age. On this, it's fourteenth release, the band offers a slew of medium-tempo Celtic-rock songs and ballads. Larry Kirwan still writes humorous songs full of rock band debauchery (Celtic Rocker) and drink-fueled visions (Long Lost Tapes of Hendrix). There's even a fun kiss-off song from a woman's point of view (Wedding Reel). The crew still utilizes classic Irish instrumentation combined with rock elements. They just seem to have matured a bit compared to past releases. I guess after two decades of doing this, though, they should be allowed to slow it down a bit. Rebecca Ruth

Quick Links:

• Black 47 Website
• Black 47 Myspace

JOHN HIATT

THE OPEN ROAD

March 3, 2010

After 2008’s somewhat listless "Same Old Man" John Hiatt returns to form with this disc. Not only does the disc pack a muscular musical punch, compliments of Kenneth Blevins on drums, Doug Lancio on electric guitar and Patrick O’Hearn on bass, it features some of Hiatt’s sharpest writing in years. When he’s on his game he’s almost peerless in his ability to conjure up images that stick with you. Take "The Open Road" with its reference to “Midnight falling like a bag of bones” and you get the idea real soon that it is a road to nowhere. Likewise, you can easily imagine the hard edged girl that “puts her hairspray on with a lit cigarette in her mouth/Takes her fingernail polish off Speeding down some rural route” on "My Babe" or the ghosts who get no rest in "Homeland" because “You can’t bury anything, men or nations/Old memories, old vibrations/The pain doesn’t stop just because the killing ceased”. Elsewhere, he reveals he’s not all he seems to be on the rocking "What Kind of Man" and channels both Dylan and Petty on "Go Down Swinging". As with most Hiatt discs, he also explores the rocky path faced by most relationships. While he broods about lost opportunities on the blues grinder Like a "Freight Train" and the stark "Wonder of Love" and kisses off another relationship on "Fireball Roberts" he also affirms that all is not lost in love. On "Haulin’" he liberates a Benjamin from a club owner and rushes to his baby for some hot loving and on "Carry You Back Home" he finds the courage to return the love he gets. Overall, a stellar release that should stand tall against his already solid catalog of great songs. Smitty

ELMORE JAMES, JR AND THE BLUESDUSTERS

BABY PLEASE SET A DATE

March 3, 2010

As one of nearly 30 children fathered by legendary slide guitarist, Elmore James, Earnest Johnson got to spend time with first generation blues masters such as Sonny Boy Williamson, Willie Dixon, Walter Horton and even Robert Johnson. Capitalizing on his linage and education in the roots of the blues, Johnson has made a career of touring as Elmore James, Jr. Of course having the right name doesn’t mean a thing without the chops to back it up. This disc reveals he was an adept student of the barb-wire taut licks that were his father’s stock in trade. While he plays with more restraint than his father, he certainly knows how to charge hard when the song demands it. Joined here by a hard charging band with keys and a saxophone to spice up the guitar oriented mix, Johnson gives a 13 song lesson in traditional electric Chicago blues. The only downside is that he includes a number of his father’s hits such as "Dust My Broom", "The Sky is Crying" and "Mean Mistreater", that have been covered so often that even his blood connection to the tunes can’t shake off the weariness of hearing them yet another time. Apart from that, his originals have a spark to them that keeps them interesting even though the musical path they follow is pretty well worn. Smitty

PRESERVATION HALL JAZZ BAND

PRESERVATION

March 3, 2010

Since 1961, Preservation Hall in New Orleans has showcased traditional jazz to the delight of fans from around the world. While part of its charm has always been its stark, decrepit warehouse feel (six benches, no running water, no A/C), the post Katrina era found the venerable hall falling into further disrepair and out of the limelight as a “must see” stop in New Orleans. Worse yet, the musical tradition represented by the Hall faced extinction as displaced musicians followed the receding flood waters to other locations. This benefit disc is intended to reverse both trends by pairing the well oiled blend of upbeat, toe-tapping roots jazz featured night after night at Preservation Hall with vocals from a wide cast of characters from the pop, country, folk, rock, gospel and blues worlds. With a generous 19 tracks, featuring everyone from My Morning Jacket’s Jim James (appearing as his alter ego Yim Yames) to Louis Armstrong and Angelique Kidjo, the disc is not only a pleasurable listen but at times a revelation. Who knew that Ani DiFranco had the playful side evidenced on "Freight Train" or that Tom Waits could sing around his gravelly vocals with such flourish and enthusiasm as on "Tootie Ma Was A Big Fine Thing"? Steve Earle even lightens up from his recent soapboxing for the classic "T’ain’t Nobody’s Business". Other standout tracks includes Pete Seeger’s buoyant take on "Blue Skies", Angelique Kidjo’s torchy jazz on "La Vie En Rose" and the Blind Boys of Alabama’s gospel scorcher, "There Is a Light". While the guests add commercial appeal, they never get in the way of the classic charts laid down by the band. I dare you to sit still while this disc is spinning. Smitty

SWEET TALK RADIO

My Hallelujah

March 2, 2010

Sweet Talk Radio is the Los Angeles based husband and wife team of Kathrin Shorr and Tim Burlingame out with their debut on Two Pop Music titled "My Hallelujah." The sound here is sometimes upbeat but mostly more on the mellow side of things as the duo combines elements of folk, americana, country, blues and even jazz. The vocals are predominantly Shorr's with her husband providing the backing vocals occasionally. On the uptempo tracks "Labor of Love" and "Lovesick," the singer/songwriters pull together two really nice songs. While not "pop" songs in their fullest expression, these two represent the closest thing to a "pop" sound found here. On the opener and title track, Shorr laments the loss of one she calls "My Hallelujah" as she sadly and yet passionately sings: "All that I have left / Is his voice and it's fading fast / Grey Sky, brown box, black dress." Such is the essence of many of the songs here - relationships that for whatever reason, haven't quite worked out. "The Good Life" takes things in a more positive direction as the soulful voice of Shorr sings "He's all I need to live the good life." Here, the sound has much more of a jazz feel with the soft combinations of percussion, piano, and guitar used to create a lush and cool atmosphere. "Ballad of Hank Williams" is an interesting take on the life of the troubled Williams, and is written from his viewpoint. Here Shorr and Burlingame write: "And I think I speak the gospel / When I tell you this truth / If Jesus wore my shoes / He'd reach for the bottle too." Overall, the mixture of uptempo and the slower and more melodic songs here is nearly perfect. The production is superb and the voice of Shorr is nothing short of infectious. In the end, most of the songs here are really well done and sound like a soundtrack to a mostly sad movie that somehow ends with a sliver of hope. ~Reviewed by Jeff Bouma

Quick Links:

• Official Sweet Talk Radio Website

THE HOLMES BROTHERS

FEED MY SOUL

March 2, 2010

Brothers Sherman and Wendell Holmes, along with drummer Popsy Dixon otherwise known as the Holmes Brothers have been recording together since 1980. In 2008 Wendell faced with what appeared to be incurable cancer and it appears we may have hears the last of their great harmonies. The powerful track “Fair Weather Friend” addresses the feelings how people may run or disappear when hearing about cancer and treating their friends as if they had some kind of plague. With this release, the Holmes Brothers have fed all of our souls with an uplifting platter of Blues & R&B that shows the power of the human spirit. Most songs are originals with the exception of their excellent cover of the Beatles “I’ll Be Back” and the R&B sounds of “Pledging My Love”. Produced by the great Joan Osborne, if this disc does not lift your soul and spirits please seek professional counseling. Reviewed By: Gregg Saur

Quick Links:

• The Holmes Brothers Home Page

TEXAS TORNADOS

ESTA BUENO!

March 2, 2010

Esta Buenos definition is this is good, and The Texas Tornados have always believed in truth in advertising. It has been 14 years since their last studio release and during that time we lost two of the founding members, the late great Doug Sahm and Freddy Fender. For this release Shawn Sahm has filled into his fathers footsteps and the band has resurrected five previously unreleased vocal performances by Freddy Fender. The result brings back all the magic created by this Tex-Mex super group over 20 years ago. This CD is a real Tex-Mex party release and catches Augie Meyers and Flaco Jimenez relaxed and once again having fun making the music that made the Texas Tornados one of the most energetic and creative bands of the 1990’s. Esta Bueno will hopefully be the beginning of the next chapter for the Texas Tornados, because if this is any indication, it’s good. Reviewed By: Gregg Saur

Quick Links:

• Texas Tornados Home Page

CAROLINA CHOCOLATE DROPS

Genuine Negro Jig

March 1, 2010

This interesting trio were all drawn, individually, to the Piedmont musical jam sessions run by old-time fiddling legend Joe Thompson. Don Flemons came from Arizona; Rhiannon Giddens was classically trained from Oberlin College in Ohio; and linguistics major Justin Robinson from in-state North Carolina. They wound up going to old Joe's house every other week and developed into a band that respects its historical roots, but also takes liberties to expand the black string band tradition's boundaries. The group's name is a tip of the cap to the Tennessee Chocolate Drops who played to mixed audiences in the '20s and '30s. They are fully aware of the provocative nature of their band's name and even this CD's title, but that's part of the education they hope to achieve in getting people to listen and to dialogue. This set is terrific, with gems such as "Hit 'em Up Style" (#4), "Snowden's Jig" (#6), "Kissin' and Cussin'" (#9) -- as well as a new take on the Tom Waits tune "Trampled Rose" (#12). Outstanding. 03/10 Michael J. F-Traditional

Quick Links:

• Chocolate Drops homepage

JOY KILLS SORROW

Darkness Sure Becomes This City

February 25, 2010

This Boston-based band takes a bluegrass foundation and adds innovation in both songwriting and musicianship. At times, the cuts seem "old-timey," like the Gary, Indiana* radio station WJKS, from when comes the band's name (cf. "New Shoes" and "We Will Have Our Day"). In other moments, the break from the expected brings added interest and depth (cf. title track, "All the Buildings"). The group is kind of an "acoustic all-star" configuration: the mandolin player is the first-ever graduate from the prestigious Berklee School of Music on that instrument; the guitarist has a "flatpicking championship" under his belt; the primary lyricist is a John Lennon Songwriting Award winner; and the main vocalist won a national Canadian folk music performing honor. Nice that they all found one another. Give this disc a spin. Michael J. 02/10 F-Americana [*How a Gary, Indiana station got away with playing bluegrass might be interesting research sometime.]

Quick Links:

• Joy Kills Sorrow homepage
• JKS on Youtube

RJD2

The Colossus

February 22, 2010

Perhaps best known as the man who gave us the theme for the Mad Men television show, RJD2 is Philadelphia DJ/producer, Ramble John Krohn. The Colossus is his fourth solo release. This is essentially a rock album with an urban edge. Half the songs here are instrumentals. Some feature heavy beats such as "Small Plans" or "A Spaceship for Now". Others feature electronic orchestration such as the harpsichord on "Giant Squid" or the strings on the album's opener. There are songs featuring soulful pop vocals, too, such as "Crumbs Off the Table" or "Walk With Me". All in all, I rather liked this album. Rebecca Ruth

TOKYO ROSENTHAL

GHOSTS

February 22, 2010

When I first picked up this release from a man named Tokyo Rosenthal, the last thing I expected to hear was a terrific release from an Americana singer/songwriter. Tokyo otherwise known as Toke starts this release with the most rock oriented track “Inside Your Skull” a track that is so catchy it may never leave. “There Is No Love” is a folk track that features the fiery fiddle of Bobby Britt who is also featured on “Mister Tell Me About The Great Depression” and “Goin’ On Saturday” two tracks that have a certain Willey’s feel to them. “Feelings Don’t Know Any Age” begins slow and builds to an up-tempo jazz sound that reminded me of Dave Brubecks classic Take Five and featured some great flute from Lisa Lecheau. This Ghost from North Carolina may get inside your skull and not leave, but don’t worry, it’s a good thing. Reviewed By: Gregg Saur

Quick Links:

• Tokyo Rosenthal Home Page

CHARLIE HUNTER

GENTLEMEN I NEGLECTED TO INFORM YOU YOU WILL NOT BE GETTING PAID

February 22, 2010

This CD certainly has the longest title of any new release and is one of the most accessible Charlie Hunter releases to date. This CD recorded in glorious mono is a guitar player’s masterpiece featuring the signature style of Charlie’s seven string guitar. This release does feature a three piece horn section. But with the exception of the New Orleans track “Antoine” and “High Pockets And A Fanny Pack” and “Drop A Dime” they have a more subdued backing sound. Drummer Eric Kalb joins Charlie for the first time and keeps the rhythm section sound through all nine tracks. It is hard to believe that one guitar can feel the room with this much sound, but then again it is Charlie Hunter. Reviewed By: Gregg Saur

Quick Links:

• Charlie Hunter Home Page

GRP (GABRIEL RIESCO PROJECT)

Sculptures in Time

February 20, 2010

Considering that both music and sculpting utilize the concepts of space, limited by form...blah, blah, blah...this album is a tribute to sculptor Eduardo Chilada, according to the liner notes. This is instrumental jazz, not unlike something you would hear on your weekly smooth jazz radio show or at your coffee shop. Originally from Spain, guitarist, Gabriel Riesco,, has surrounded himself with able musicians from all over the world and who encompass loads of credentials. The musicianship here is admirable, but there is nothing the least bit challenging about this release, except the liner notes, of course. Rebecca Ruth

Quick Links:

• GRP Website

VARIOUS

The BYG Deal

February 20, 2010

In 1967, three frustrated French record label executives decided to start their own label. The acronym, BYG, became its name. This is a compilation of the many artists they produced until the label's demise in 1975. This release is full of French psych-rock and early prog-rock. The booklet included with the disc is full of fun history. Many of the artists later became synonymous with bands you may be familiar with such as Soft Machine, Vangelis, Serge Gainsbourg, Procul Harum, and Don Cherry. Some of the production here sounds a bit dated and the music itself certainly sounds like the era from which it came; but this is fun stuff and it's just weird enough to hold my interest. Rebecca Ruth

Quick Links:

• B-Music Website

THE VERBS

Trip

February 6, 2010

Percussionist/producer Steve Jordan has again teamed up with ex-Antionettes guitarist/singer Meegan Voss to create The Verbs' second release, Trip. I would describe this as garage-pop that definitely echoes both artists' New York roots. Some tracks are harder rock such as the guitar and drums-driven "Hey hey Uh-Huh". Other tracks are more pop-oriented such as the focus track "Burnt Out Star", which reminds me of something that the band Metric would produce. My favorite track...the 60's noir piece "This is How the Song Goes". Trip is all-in-all an album worth checking out. Rebecca Ruth

Quick Links:

• The Verbs Website

VITAMIN-D

Bridge

February 6, 2010

While I appreciate the use of trumpet in a pop song, that seems to be the only interesting thing about this release from Brooklyn-based Vitamin-D. Wielding such instruments as vibraphonette and accordion, Dennis Cronin and company have created surprisingly average pop-rock. Sure, it's pretty and well-produced and there's certainly nothing offensive here; but nothing on "Bridge" makes me want to come back for a second listen. Rebecca Ruth

Quick Links:

• Vitamin-D Website

SISTA MONICA PARKER

SOUL BLUES & BALLADS

February 3, 2010

Sista Monica Parker calls Soul Blues & Ballads her tribute disc to three of her heroes, the late greats Koko Taylor, Ruth Brown and Katie Webster. On this disc she brings the best of these three artists to life with one of the best female vocal performances of 2009. Her voice has all the soul and grace you would discover on a 1950’s or 1960’s Ruth Brown soul recording for Atlantic Records. The power of Etta James or Koko Taylor when she sings the Willie Mitchell classic “Come to Mama” or “A Chance To Breathe” a track originally released on Sista Monica’s 2000 release “People Love the Blues”. On “Never Say Never” Sista Monica leads you into the sensuous side of the blues and ends with a powerful blues explosion. “Pussy Cat Moan” is a blues jewel that Katie Webster performed and made her own, with the powerful vocal delivery Sista Monica gives to this gem it would make the queen of the Louisiana swamp blues proud. It doesn’t matter if Sista Monica Parker is singing Soul, Gospel, Ballads or Blues her voice will warm you and make you feel oh so good inside. Reviewed By: Gregg Saur

Quick Links:

• Sista Monica Parker Home Page

RAY WYLIE HUBBARD

A. ENLIGHTENMENT, B. ENDARKENMENT (HINT: THERE IS NO C)

February 2, 2010

Is Ray Wylie Hubbard one of those “outlaw country” guys? Is he a smart ass Texas Troubadour? Is he a blues guy? Is he a hippy cowboy? Yes to all of the above. Ray Wylie Hubbard is a Texas based storyteller who draws from a deep well of musical inspiration that includes blues, country and twangy rock. With a gruff delivery that is equally comfortable delivering a Neil Young style ballad, "Black Wings", as a jazzy hodge podge of sound that could fall off a Chuck E. Weiss or Tom Waits disc, "Pot and Pans", or a mid-tempo rocker that sounds eerily like Ian Hunter, "Loose", Hubbard weaves tales about naked women on the crunchy, "Drunken Poet’s Dream", the end times on the gospel inspired, "The Four Horses of the Apocalypse", pesky wasps on the slow stomper, "Wasps Nest", and even draws inspiration from Edgar Allen Poe’s The Raven on the rootsy title cut. Elsewhere, Hubbard mixes things up with an a cappella rave up, "Whoop and Hollar", an eerie folk blues, "Tornado Ripe", a hot-wired, slinky blues, "Down Home Country Blues", and a lumbering number that stomps and jerks like a zombie on the prowl, "Every Day is the Day of the Dead". While his wide ranging repertoire makes him difficult to peg, his talent has no problem shining through on this release. Smitty

JEFF HEALEY

SONGS FROM THE ROAD

February 2, 2010

This live disc features Jeff Healey working his way through eleven well known cuts that range from blues standards, "I’m Ready", "Hoochie Coochie Man" and "Stop Breaking Down", to classic rock, "White Room" and "Whipping Post", folk rock, "Teach Your Children Well" and even a couple of Beatles related tunes, "Come Together" and "While My Guitar Gently Weeps". Throughout, the tracks are propelled by Healey’s fluid guitar chops and rich, emotive voice. While he doesn’t have the vocal grit to be anything other than a decent cover artist on the early blues numbers, and wisely abdicates the microphone to others so as to focus on his smoking guitar riffs on "White Room" and "Whipping Post", his voice is well suited to most of the material here and is spot on for his signature tune, the John Hiatt penned "Angel Eyes". Even though Healey’s recorded output for the several years preceding this release explored other genres, most notably jazz, it is clear that he was never far from the blues rock that first brought him to the international stage. Listen to him cutting heads with BTO’s Randy Bachman on "Hoochie Coochie Man" for a great example of his blues rock prowess. Sadly, Healey passed away from cancer within a year of these recordings. Unless a cache of unreleased material finds its way onto disc, this release will serve as his epitaph. Not a bad way to go out. Smitty

DUKE ROBILLARD & SUNNY CROWNOVER

TALES FROM THE TIKI LOUNGE

February 2, 2010

The ever prolific Duke Robillard follows up last year’s successful pairing with vocalist Sunny Crownover, Sunny & Her Joy Boys, by pairing with her again for this tribute to Les Paul. Modeled loosely after Paul’s recordings with Mary Ford, Robillard provides a jazzy, backdrop to Crownover’s silky rich vocals. Those with a taste for exotic Tiki Lounge music should head straight to the rumba/swing of "Tico Tico", the mysterious sounding "Occidental Woman" first performed by none other than Mae West, the flamenco fueled "Besame Mucho", the strutting "Kiss of Fire" and the percussive "Sway" which get both a straight reading and an edgier re-mix. "Put the Blame on Mame (parts 1 and 2)" puts you firmly into the Rita Hayworth/Glenn Ford film noir classic “Gilda” from which it came while "Smoke Rings" is an unhurried, sexy come on. Robillard and Crownover make the oft covered Willie Nelson classic "Crazy" seem positively fresh with jazzy guitar riffs and vocals that drip emotion. As good as that track is, the duo’s take on the bluesy "I’m Still in Love With You" is so perfectly realized that the song should move from the obscure to the oft covered. While most of the material moves along at an unhurried pace, "Bye Bye Blues" swings pretty hard and "Goody Goody" hits a higher gear as Crownover plots her revenge against an errant lover. Classy from beginning to end this disc evokes thoughts of low lights, hard drinks and close dancing. Based on the strength of this release, we should be hearing plenty from this duo in the future. Smitty

GALACTIC

YA-KA-MAY

February 2, 2010

Galactic has become synonymous with modern New Orleans funk. Escaping the penchant of too many New Orleans bands to recycle the rich catalog that makes up the City’s musical heritage (really, do we need another "Hey Pocky Way" or "Mardi Gras Mambo"?) this disc features the band taking on an aggressive program of all new original material. With body slamming grooves that would make even your bed-ridden aunt Matilda shake her booty, the band joins forces with multiple vocalists to create a disc that veers wildly over the musical landscape. Irma Thomas and John Boutte work their soul magic around the bottom heavy groove of "Heart of Steel" and "Dark Water" respectively. Allen Toussaint takes a break from his normal jazz piano duties to add synthesized vocals to the spacey "Bacchus". Big Chief Bo Dollis powers his way through the rubbery "Wild Man" while Big Freedia checks in with a variation on hip hop known as bounce and Walter “Wolfman” Washington gets sinister to the ambient, moody, "Speaks His Mind". Elsewhere, Josh Cohen and Ryan Scully of The Morning 40 Federation lay down wise guy vocals over the Godzilla stomp of "Liquor Pang". While the guest vocalists get plenty of time to shine, the band doesn’t simply provide a backup groove: it jumps in hard on the instrumental tracks, "Boe Money", featuring Rebirth Brass Band, and "Cineramascope", featuring Trombone Shorty and Corey Henry both of which will warm the hearts of those that have been fortunate enough to see and feel the power of a brass band in action. Always striving to push the envelope, Galactic succeeds here with a disc that will find favor with those with a taste for edgy funk. Smitty

THE DIAMOND UNDERGROUND

Serve the Song

February 1, 2010

Any band with the word "underground" in its title should be an electronic, or dub, or possibly funk or jam band, right? That seemed to be my preconceived notion when I first popped this CD into my player. The Diamond Underground is none of these things. After getting over my initial disappointment, I realized that this is pretty stuff. Cincinnati musician, John Wagner, who writes and records under the name, The Diamond Underground, has made a decent first album. With effects on his vocals and the help of studio musicians in guitar, drums, bass, and keys, this is sweet, sad rock music. Add well-crafted production and you have something here that ever so slightly resembles the Jesus and Mary Chain. Rebecca Ruth

Quick Links:

• The Diamond Underground Website
• Follow Your Plan Website

OUT TO LUNCH

Melvin's Rockpile

February 1, 2010

David Levy has done it again as leader of Out To Lunch and given us another album of groove-oriented jazz. Assembled here is a crack team of musicians whose apparent age belies their experience. Out To Lunch takes us on a journey when this album is played from beginning to end. Melvin's Rockpile starts with the slow, ambient piece "Song for the Solstice", goes into the smooth jazz of "Little Neddie Knickers", then works up to the late-night groove of "To the Queen". Things really start kicking with "Sunday in Sausalito", "The Diminutive Swashbuckler", and "Captain Stilts" before the denouement of "Black Tea on Francis Street". Rebecca Ruth

Quick Links:

• Out To Lunch Website
• Accurate Records Website

HARLEM PARLOR MUSIC CLUB

SALT OF THE EARTH

February 1, 2010

There are certain discs that just uplift you and leave you with a joyous feeling after listening too; Harlem Parlor Music Club’s Salt of The Earth is certainly one of them. This superb gathering of 15 friends and musicians from the New York area includes WYCE favorites Darden Smith and Mary Lee Kortes from the band Mary Lee’s Corvette. HPMC combines traditional folk, gospel and just a pinch of funk to keep their sound fresh through all 11 tracks. HPMC sound could easily be compared to the band Ollabelle as they use six different vocalists, traditional strings, three different dobro players and a terrific rhythm section to round out their sound. Out of the 11 tracks 10 are originals with the exception of the masterful job done to Sly And The Family Stone classic “Thank You {forlettinmebemiceelfagin}” This CD was recorded in an 1890’s Harlem townhouse with very little overdubs leaving it with a warmth felt when 15 friends join together to make great music. Reviewed By: Gregg Saur

Quick Links:

• Harlem Parlor Music Club My Space

ALEXIS HARTE

Big Red Sun

January 31, 2010

Bay Area native Alexis Harte has used his experience in environmental studies and his time living in Brazil to conjure up four releases full of birds, flowers and planets with a Jack Johnson delivery that shows off the rhythms of South America. Harte has a master's degree in ecology and spent three years working in Brazil, with his guitar never far away -- that actually sounds like a Paul Simon, Rhythm of the Saints combination, doesn't it? He has drawn kudos from Performing Songwriter and Acoustic Guitar magazines along the way. In this set, the opener, "Mayflies," gets your attention immediately with a lush beginning and rhythmic backbeat. "Pot of Rainbow," "A Moment's Peace" and "Temporary Tattoo" are other standouts. If you think he's getting too Cat Stevens on you, check out the manic beat of "Send a Robot." There's a hidden track #13 on this record, entitled "How Can I Find You?" 01/10 Michael J. F-Contemporary

Quick Links:

• Harte's homepage
• Harte's Myspace site

MOLINA AND JOHNSON

MOLINA AND JOHNSON

January 27, 2010

On their self-titled and alt country debut, Molina and Johnson share their combined talents on fourteen soothing and often sad songs. Known for his work with Magnolia Electric Co., Jason Molina's baleful cry is found in varying ways here. One of the best is the haunting "32 Blues" wherein Molina cries about the vast unknown of the after world. Will Johnson, of Centro-matic and South San Gabriel fame is a nice contrast to Molina with his husky growl. While surfacing throughout, perhaps the song the best exemplifies Johnson's talents is the one that he shares with the Texan songstress Sarah Jaffe - "All Gone, All Gone." In the background on this one is an instrument known by some as the crying saw. In this case, it produces a haunting and chilling effect. Another song worthy of some attention is the opener, "Twenty Cycles to the Ground." Here, both Molina and Johnson share the vocals on the laid back and organ accompanied song. Minimalism is again in full-force but it shines brightly on "Almost Let You In." Here, Molina and Johnson combine the best of their vocal talents and add it to their knack for songwriting to create a track that deserves its just due. On the whole, there are certainly no toe-tappers here. The fact is, these are two markedly talented but mournful men that have chosen to create a bare sound that's often a little too dark and depressing. While the sound and the mood do grow on you, it's probably not enough for most to give it their time. ~Reviewed by Jeff Bouma

Quick Links:

• Official Molina and Johnson Website
• Dusted Magazine Review

MATT THE ELECTRICIAN

Animal Boy

January 26, 2010

Anyone who thanks chickens in their album liner notes is alright with me. Texas musician, Matt Sever (who really was an electrician at one time) does just that on this, his sixth album. I'll forgive him for covering "Faithfully", because I quite liked the rest of this release. It's full of fun instrumentation provided by Matt, his producer, Mark Addison, and occasional guests. The narrative lyrics are fun and hold my interest...I want to know what happens next. It's hard for me to pick a favorite here, but check out "For Angela" or the title track for starters. Rebecca Ruth

Quick Links:

• Matt the Electrician Website

MIDLAKE

The Courage of Others

January 26, 2010

With pensive, poetic lyrics and keen musicianship, Tim Smith and crew have created dark, pretty prog-rock on this, their fourth release. Brooding on dark and desolate themes, this well-crafted album might leave you with an otherworldly sense of melancholy. Rebecca Ruth

Quick Links:

• Midlake Website
• Bella Union Website

LAURIE MORVAN BAND

FIRE IT UP!

January 26, 2010

I couldn’t think of a better title to this disc then “Fire It Up” because it sizzles from the opening note. The opening track ‘Nothin’ But The Blues” expresses the joy that only the blues can bring. “Come On Over To My BBQ” is saucy blues at its very best filled with double entendres such as “I’m gonna put up my tenderloins and let you fire up my grill” It left me wondering what would be left for dessert. “Skinny Chicks” may be Laurie’s answer to the Fiona Boyes track “Celebrate the Curves”. “Let Me Carry Your Troubles” has an almost Rory Block sound to it and certainly represents the heartfelt sensitive side of Laurie Morvan. This Gal from California certainly can play a screaming’ guitar, write great blues songs, and lead her top notch band through twelve tracks of sizzling blues. My recommendation is grab this disc and Fire It Up!!! Reviewed By: Gregg Saur

Quick Links:

• Laurie Morvan Home Page

THE WATSON TWINS

TALKING TO YOU, TALKING TO ME

January 26, 2010

Twin sisters Chandra Watson and Leigh Watson have been combining great harmonies with folk, country and roots sounds since 1998. In 2010 the harmonies couldn’t be more perfect, but their sound has taken on a distinctive pop edge. The track “Harpeth River” has a unique reggae backbeat and combines an uncharacteristic funk sound to it. “Forever Me” is a beautifully laid back track with a soft Jazz feel to it. The track “Midnight” starts slow and builds to one of the more rock sounds on this disc. The Watson Twins have taken an adventurous turn on this disc and their listeners will be fully rewarded with what is truly a beautiful recording. Reviewed By: Gregg Saur

Quick Links:

• The Watson Twins Home Page

THE WATSON TWINS

TALKING TO YOU, TALKING TO ME

January 26, 2010

Twin sisters Chandra Watson and Leigh Watson have been combining great harmonies with folk, country and roots sounds since 1998. In 2010 the harmonies couldn’t be more perfect, but their sound has taken on a distinctive pop edge. The track “Harpeth River” has a unique reggae backbeat and combines an uncharacteristic funk sound to it. “Forever Me” is a beautifully laid back track with a soft Jazz feel to it. The track “Midnight” starts slow and builds to one of the more rock sounds on this disc. The Watson Twins have taken an adventurous turn on this disc and their listeners will be fully rewarded with what is truly a beautiful recording. Reviewed By: Gregg Saur

Quick Links:

• The Watson Twins Home Page

MANU CHAO

Baionarena

January 22, 2010

This EP captures Manu Chao and his band, Radio Bemba, performing live during their two-year international tour. Sometimes singing in Spanish, sometimes in French, Manu Chao feeds of the energy of the live audience, adding vigor to an already energetic set of music. Rebecca Ruth

Quick Links:

• Nacional Records
• Manu Chao Website

EELS

End Times

January 19, 2010

After only a few short months since their last release, the Eels are back with their eighth studio album with a large focus on the "End Times" - the aptly named title. Here, the focus isn't on the end of the world per say, but on the end of singer/songwriter Mark Oliver Everett's marriage. Most, if not all of the songs deal with this in one way or another - some more explicitly than others. It's as if Everett has opened up his journal for everyone to read only instead of reading it he turns them into songs and he sings them for us. The opener, "The Beginning," reflects on past circumstances and younger days when "everything was beautiful and free." "In My Younger Days," continues the lament with an element of anger surfacing over losing someone he still wants back. The songs "Mansions of Los Feliz" and the title track "End Times," diverts from personal issues ever so slightly and focuses on the larger and increasingly hostile world that finds itself (from Everett's point of view) teetering on the verge of self-destruction. In all its simplicity, "A Line in the Dirt" is one of the better sounding songs her with Everett's voice paired with a piano to offer another sad take on the trek called "life." Perhaps the best song here is "Unhinged" - one of only a couple of songs that has an upbeat edge to it. Sadly, five of the songs with a sound that would normally garner a lot of play and attention (Gone Man, Paradise Blues, Nowadays, Little Bird and On My Feet) are unplayable due to the lyrical content. Nevertheless, they're worth checking out on your own if you've got the time and the Eels are worth your attention. Overall, this effort from Eels is a heartfelt memoir that may work for some but might just be a little too sad for most. ~Reviewed by Jeff Bouma

Quick Links:

• Official EELS page
• EELS on Wikipedia

SCHOOL OF SEVEN BELLS

Prince of Peace EP

January 19, 2010

Benjamin Curtis (Secret Machines) and the sisters Alejandra and Claudia Dehaza (On! Air! Library!) make up the three piece known as the School of Seven Bells. Often drawing comparisons to the Cocteau Twins, consider the ethereal music from this duo more interesting. On the heels of their successful debut Alpinisms, the School now offers us a ten-song E.P. that captures the essence of their debut with a few additions/subtractions that includes alternate versions of many of the originals. The album kicks off with one of the standout's from the original - "Prince of Peace" - a song with a mesh of influences albeit a largely electronic one. Throughout their debut, dreams and sleep take front and center on many of the songs. One of the better ones that emphasizes this theme is the catchy and dreamy "Half-Asleep." Here, Curtis' guitar takes a backseat to keyboards, electronic drums, and of course, the Dehaza sisters. Another highlight is the lush vocals of the duo on the electronically driven and slightly modified "Iamundernodisguise." While probably not garnering a lot of airplay due to its length (over 11 minutes long), the song "Sempiternal" is one you won't want to miss. With a great place to start from, (there's not a bad song on the original!) this E.P. only adds to the accomplishments of Alpinisms and offers their fans maybe just enough to hold them over until 2010's release titled "Disconnect from Desire." ~ Reviewed by Jeff Bouma

Quick Links:

• The School of Seven Bells on Myspace

CHRIS KASPER

Chasing another Sundown

January 18, 2010

Chris Kasper’s new cd “Chasing another Sundown” is a folksy, harmonious set of graceful melodies. On guitar or banjo, Kasper's skillfull playing highlights his bluegrass and folk influences. This album is both quiet and bright, his ability to get your toe tapping balancing the delicate ballads that gives his vocals the perfect setting. Manayunk, PA is Kasper home. He’s shared festival bills with Bela Fleck and Keller Williams and opened for Amos Lee. I’ve never heard Kasper’s previous albums (FlyingBoy and Trust the Tale, Not the Teller) but I will now. He seems to finds enchantment in ordinary situations. If you crave innovative music, give this a try. I loved the melodies and lyrics. It’s really hard to pick favorite songs because I really loved them all. #7 has a bit of funk, #8 Loosely Pray (you don’t fade away) is a quiet, beautiful song, and the slide guitar is perfect. #9, the last song, has a little ditty that comes on at 6.11 into it – just a bit of fun. I hope you enjoy this as much as I do. Anne Lamont

Quick Links:

• Chris Kasper's My Space page

ALLISON MOORER

CROWS

January 18, 2010

In 2003 Shelby Lynne, Allison Moorer’s sister released a CD entitled Identity Crisis as she was wavering between country and pop sounds. In 2010 Allison Moorer has shed the country and released a lush pop CD that focuses on the piano and her most beautiful instrument, her voice. This CD represents a major change from Allison’s prior releases as this sophisticated Pop release has no traces of the folk- country sounds that have earned her both Grammy nominations and critical acclaim. The track “Broken Girl” could rank as one of this years finest vocal performances and could easily be a top single. Allison’s voice has never sounded better and “Crows” should earn her legions of new fans and dedicated fans need to enjoy the changes from one of music’s sweetest voices. Reviewed By: Gregg Saur

Quick Links:

• Allison Moorer Home Page

MATTHEW RYAN

DEAR LOVER

January 18, 2010

Matthew Ryan writes some of his best songs when faced by personal tragedies or situations. Matthew was sitting in an emergency room with a good friend. Thinking it was too soon to loose this friend, he sat down with a pen and wrote 10 songs dedicated to saying things to lovers that often go unsaid. The heartfelt emotion felt in this release is gripping. Matthew teeters between slower folk songs like “Your Museum” and “The World is” to tracks that have a U2 rock quality such as “The Wilderness” and “Spark” a slower dance trance track featuring DJ Perch. The raspy quality in Matthews’s voice is perfectly suited for the emotions felt in this disc and he brings you into his heart on each of the tracks. After just one listen to this disc it is easy to understand why Matthew Ryan is one of the most underrated recording artists recording today. Reviewed By: Gregg Saur

Quick Links:

• Matthew Ryan Home Page

DAPHNE WILLIS

What to Say

January 17, 2010

Chicago-based Daphne Wells has a soulful, bouncy narrative style of delivering a tune that has some pegging her as a female Jack Johnson. I pick up some Laura Love vibes in the music; there's careful attention to the instruments providing a percussive backbeat to the song-stories she is telling. The set starts off with a roar on "Everybody Else," settles into the solid folk-rocker "Bluff" and then she's off to the races. In addition to these openers, I particularly liked "Swirl" and "Yellow Dress" for their spot-on match of lyric and music. Not a clinker in the bunch, a fresh new talent with spunk and style. F-Soul 01/10 Michael J.

Quick Links:

• Vanguard page for Daphne
• Daphne's Myspace page

JASON LINDNER

Now vs. Now

January 15, 2010

Child prodigy Jason Lindner, began formal study of piano, guitar, flute, sax, bass and drums at F.H. LaGuardia High School of Music and Art in Brooklyn. (The school was the location for television series,"Fame".) Since then, he has worked with many big music names, including Wynton and Branford Marsalis, Chick Corea, Jimmy Cobb, and Roy Haynes. Focusing on keys, he has put out several albums; this being the first with his trio, Now vs. Now. This focused team of musicians has put together an album of sometimes ambient jazz. The best example here is "Big Pump" which features Baba Israel doing beat-box vocals and guest sax-man Yosvany Terry. There is also the Latin-tinged "Seven Ways", which has a rockin' moog solo in the middle and nice trumpet work from guest Avishai Cohen. My favorite, though, has to be the ballad, "Friendship and Love". It features the gypsy vocals of bassist Panagiotis Andreou and Lindners' percussive use of the piano toward the end of the piece adds an interesting touch. Rebecca Ruth

Quick Links:

• Anzic Records Website
• Now Vs. Now Myspace
• Jason Lidner's Website

SUFJAN STEVENS

The BQE

January 12, 2010

After the amazing collections of "Michigan" and "Illinois," leave it to Sufjan Stevens to tackle another historic-driven musical venture: the Brooklyn-Queens Expressway (or BQE). Commissioned to do music and a film documentary, Stevens did meticulous research and delivered an instrumental soundtrack that intends to tell the story of this controversial roadway (which cuts through neighborhoods with hair-raising turns that make our own S-Curve look like a garden path). If you liked the instrumental passages in his previous discs, you will appreciate the layers of instruments and themes that he presents here. If you're wondering what's with the women with hula hoops on the CD jacket, Stevens makes the connection and contrast between the BQE and the invention of the hula hoop, invented the same year the expressway was completed. Hard to imagine what this guy will do next! Amazingly talented, often hyper-intellectual, never boring. 01/10 F-Esoteric (Instrumental) Michael J.

Quick Links:

• More on the BQE project
• NPR story on Stevens and the BQE
• Sufjan's homepage

VARIOUS ARTISTS

Keep the Light Alive: Celebrating the Music of Lowen and Navarro

January 12, 2010

As we've been doing for our good friend and local Godfather of Folk Music, Ralston, the friends of Eric Lowen (of Lowen and Navarro fame) have banded together to help the singer-songwriter in his battle with ALS (Lou Gehrig's disease). This tribute CD raises dollars for Lowen and his family and for ALS research. Not only is this a nice thing to do, the artists do a great job on the L&N songbook, with Jackson Browne leading off and including Keb Mo, The Bangles, The Refugees and Eddie from Ohio. Two artists I didn't know before -- the Andy Chase Band and Charlie Wadhams -- do particularly fine jobs in this set. I remember when L&N were in town at One Trick Pony and Lowen commented that "We Belong" (the song of theirs Pat Benatar made into a megahit) "put his kids through college." This time, a musical project is attempting to lift his spirits during a challenging struggle. P.S. Lowen can no longer perform live; Navarro is going on solo. 01/10 F-Contemporary Michael J.

Quick Links:

• More on the tribute project
• Lowen and Navarro Web site

Mumiy Troll

Comrade Ambassador

January 6, 2010

Out of the depths of the Vladivostok music scene comes a band that Russian rock aficionados will undoubtedly recognize - they formed in 1983, have had eight full-length releases and are often referred to as "Russia's most popular rock band." For most of us, however, Mumiy Troll (pronounced "Moo - Me - Troll") is still a bit obscure and largely unheard of. Recorded mostly in England, their music has often been described as a mesh between Russian rock and Brit pop. With their first American release - actually a compilation of their 7th and 8th full-lengths - perhaps these veterans are about to make their mark on U.S. soil. One of the better tracks is "Hey Tovarishch!" Here, producer, vocalist and chief songwriter Ilya Laguntenko sounds cocky and confident as he belts out "You're drinking up your aphrodisiac, and reading through your zodiac, putting lilies in your Cadillac!" "A bit of fun" is an apt description of "Musician" - a song that seems to be about the ups and downs of a singers life. Another track worthy of consideration is "Snowstorm." It's a bit hard to decipher the songs true meaning and intent but the sound here is top-notch with a nice mix of guitar, backing vocals and percussion. Perhaps the best song here is the pop-driven and yet serious "Nuclear Stations." It's a song filled with energy and features Laguntenko at his sinister best. A final bonus here is the American classic "California Dreaming" - my first time hearing the Mama's and the Papa's sung in Russian. Choosing to record outside of Russia as well as their willingness to work with foreign producers has made Mumiy Troll far more accessible than they would otherwise be. While this may not be for everyone, as all of the songs are recorded in Russian, the overall sound alone is worthy of a good deal of attention. Will you give the Troll a chance? ~Reviewed by Jeff Bouma

Quick Links:

• Official Mumiy Troll
• Mumiy Troll on Myspace

JON TROAST

Living Room

December 25, 2009

Jon Troast forever wrote himself into road musician history this year by performing 100 house concerts in 100 days, an amazing accomplishment considering the myriad of details that could derail such a feat. On his fourth release, Troast (who's from Wisconsin, but attended elementary school and college in West Michigan) shares some glimpses of his recent travels -- looking at family pictures on someone's fridge ("Living Room Tour"), driving from town to town ("Another Mile"), trying to rank the states he's seen ("Favorites") and the wandering troubadour's life ("Somewhere Down the Road"). His songs describe thoughts and emotions common to us all, yet he delivers the music and lyric in an uncommonly fresh and forthcoming way, as if, well, he was just chatting with us in our living room. It's a rewarding experience to invite him in. 12/09 Michael J. F-Contemporary

Quick Links:

• Jon's homepage
• Jon's myspace page

BOCA CHICA

Lace Up Your Workboots

December 19, 2009

It’s two years after the release of their 1st full length album, Transform into Beasts, and I’m still trying to knock that title track song out of my head in order to make room for this new album of Boca Chica’s titled Lace Up Your Workboots. This alternative folk band from Pittsburgh is mainly Hallie Pritts, with a loose rotating cast of musicians. On this album the line-up includes Susanna Meyer (a Boca Chica constant) and Matt Miller from “Beasts”, plus Jeff Baron of The Essex Green and Ladybug Transistor, as well as a slue of other talented Pennsylvania musicians. The music is light and airy, while keeping one foot firm on this American ground. The sounds weave nicely between sparse and simple to full, lush string collages. Pins and Needles and Valentine both have a very pleasing build in sound. As the Pittsburgh Paper accurately described them: “A Steinbeckian blend of Appalachian, alt-country and folk rock”. Their overall sound could be compared to the Be Good Tanyas, Jolie Holland, Hank Dogs or HEM. Their album Transform into Beasts transformed me into a fan a couple years ago, now Lace Up Your Workboots will definitely keep me listening. Becky Kenny 12/2009

Quick Links:

• Boca Chica on Myspace
• Lace Up Your Workboots in Pittsburgh City Paper
• Shut Eye Records

ZEVIOUS

After the Air Raid

December 18, 2009

This New York three-piece started out as a jazz trio in New Jersey. After releasing their first album in 2008, they ditched their acoustic instruments, picked up electronic gear and went metal. Heavy guitar, distortion, and occasional introspective segments combined with retained jazz elements such as complex time signatures and improvisation make for brooding, weighty instrumental prog-rock. Rebecca Ruth

Quick Links:

• Zevious Website
• Zevious Myspace
• Cuneiform Records Website

FUNDUBMENTALS

FunDubMentals

December 18, 2009

Fundubmentals makes the most unlikely music from the great white north...reggae. This release is light on the dub, though. Despite the band's name, the only dub to be found here is the cool instrumental, "Dye Ditty Dub". Otherwise, this five-piece band from Traverse City seems to have created straight-up reggae rock. Rebecca Ruth

Quick Links:

• Fundubmentals Myspace

JOE SWANK & THE ZEN PIRATES

HANK WILLIAMS DIED FOR MY SINS

December 15, 2009

Joe Sank describes his music with the Zen Pirates as country, punk, southern rock and aggressive hillbilly music. I say the 10 tracks on this release would make Hank Williams proud. It is a combination of the Drive-By Truckers, The Bottle Rockets and Scott Miller and the Commonwealth all wrapped up together. As Joe takes his listeners through beer drenched halls and the church of perpetual neon he may not make a lot of new converts, but fans of this style of Americana will surely be converted. Joe even tackles a lesser known Kiss tune on”Strutter” the closing track on this release. Reviewed By: Gregg Saur

Quick Links:

• Joe Swank My Space Page

DARRELL NULISCH

JUST FOR YOU

December 14, 2009

Combine an eight piece horn section, three back ground vocalists, a solid rhythm section and one of the best blues soul singers alive and you have a combination that will not disappoint. Darrell returns to his more soulful roots after his Blues Music Award nominated “Goin’ Back to Dallas”. Combining six original tracks and four covers Darrell has made a CD that would make his influences Otis Redding and Al Green proud. The track “Work for Love” originally recorded by Lou Pride in the 1970’s is the soul highlight on the disc, while “Just a Little Blues” you can feel Darrell channeling the blues of Robert Cray. Whether singing the blues or R&B Darrell Nulisch has one of the finest voices in music today. Reviewed By: Gregg Saur

Quick Links:

• Darrell Nulisch Home Page

Eugene "Hideaway" Bridges

LIVE IN SAN ANTONIO

December 7, 2009

Recorded live at Chango’s Havana Club in San Antonio, Texas, this disc features singer/guitarist Eugene Hideaway Bridges backed by a swinging band including keys and a horn section. With a guitar sound that draws on the smooth lyrical styles of B.B. King and Robert Cray but with fleet fingered flourishes thrown in to add a sonic punch, Bridges makes each of the 15 cuts collected here an enjoyable listen. Far from just another night of 12 bar blues, (although straight blues gets is due on "Real Hero" and several other tracks), Bridges and crew treated the audience to everything from shades of Otis Redding style soul, "Learn How To Let You Go", to Roadhouse rockers a la Delbert McClinton, "Giving Up On Love", to Sam Cooke’s "Rome Wasn’t Built in a Day" to jump blues, "Jump the Joint" and even a bit of East Coast beach style music, "Movin’ and a Groovin’". Interestingly, Bridges shares more than a guitar style with B.B. King: he also has a big, expressive voice that, like King, can sound notes of despair one moment and outright glee just as effectively the next. While Bridges is clearly the star of the show he gives the band plenty of room to shine throughout the disc but most prominently on the smoking "I Know That you Love Me" which features punchy solos from each band member that show their skills but don’t overstay their welcome. With one hot tune after another there’s no doubt that the crowd at this show were sweat soaked and happy at the end of the night. Smitty

CLARENCE BUCARO

NEW ORLEANS

December 7, 2009

While New Orleans is ground zero for some of the most upbeat party music you’ll ever hear, it is also home to plenty of great Soul and R & B. The likes of Irma Thomas, John Boutte, Johnny Adams and Aaron Neville provide a welcome respite from the hip-shaking dance floor with songs that burn low, slow and sweet. Ohio native Clarence Bucaro became smitten with the soulful side of New Orleans and joined forces with Anders Osborne (guitar and vocals), Kirk Joseph (Sousaphone), Mike Burkart (B3/keys) and Doug Belote (drums) from the local scene to lay down the 10 tracks collected here. Like all good Soul music, this set is intensely personal and lures you into its emotional web. While most of the cuts are low key and focus more on the vocals than the groove, there are a few semi-upbeat exceptions including "Light in Your Eyes", "The Other End", "Let me Let Go of You" and "Red Herring". While Bucaro has a ways to go to be mentioned in the same breath with long term members of the scene, his supple voice and the well crafted tunes collected here have him on the right path. A good bet when it’s time to move the party from the dance floor to the dark and quiet corner. Smitty

Quick Links:

• Hyena Records
• Clarence Bucaro

COREY HARRIS

BLU.BLACK

December 7, 2009

Corey Harris has always been an adventuresome artist. First making his mark as a straight out acoustic blues guitarist, he’s played everything from acoustic folk and Cajun country to tripped out electric versions of delta blues standards and, more recently, reggae. This disc finds him still delving into reggae grooves on "Conquering Lion", "Blessed Seed", "Run Around Girl", "Babylon Walls" and "Backlash" and using Rastafarian first person references to declare to Jah that "Columbus is a liar": he didn’t find anything that wasn’t already there. Elsewhere, as on "Black", "King and Queen" and "My Song" he applies his rich vocals to ballads and even a bit of gospel. Of the 14 cuts only the electric "Blues" is a straight out blues tune. Overall, the vibe here is a decidedly mellow, Jack Johnson type of experience. Maybe it was the novelty of hearing him taking on reggae as a new musical style but 2007’s Zion Crossroads was a more compelling listen. Hopefully, Harris will move on to his next muse in short order. Smitty

JOHN MAYER

BATTLE STUDIES

December 7, 2009

This relatively stripped down affair finds John Mayer keeping his hot-wired guitar skills in check and focusing on the abject misery of lost love and the self-recrimination that accompanies the realization that it is him, not them, that is to blame for his resulting loneliness. While on paper this sounds like a blues disc most of the cuts putter along in an all too tasteful, mid-tempo adult contemporary vein. Hints of the rock power of Mayer and his back up crew (Steve Jordan on drums, Pino Palladino on bass and Ian McLagan on keys) creep only into "Assassin" and the Robert Johnson classic, "Crossroads". "Who Says" also has a bit of life to it. This might be a great disc in Cougar-town where the quest for a reflective man who is willing to take the blame for a failed relationship is the Holy Grail of finds. Everywhere else, it’s the soundtrack to an elevator or dentist’s lobby. Smitty

DESOTO RUST

Highway Gothic

December 7, 2009

Naming their third album after the font used by the federal highway commission for its road signs, DeSoto Rust makes music that sounds fit for a long drive down the highway. Based in Philadelphia, but sounding as if they honed their chops in Texas, DeSoto Rust makes roots-rock that would sound at home in any honky-tonk dive in America. Rebecca Ruth

Quick Links:

• DeSoto Rust Website

METTA

Metta-mor-phi-ohm

December 7, 2009

The first album from this Grand Rapids five-piece is a rock album with the usual suspects of guitar, vocals, drums, keys, and bass. With the addition of guest artists on mandolin, slide guitar, Wurlitzer, Hammond B3, and violin, the bar is raised. Add the Phil Collins-sounding vocals and the we-take-ourselves-oh-so-seriously lyrics, and you have what sounds like mid-eighties Genesis meets mid-nineties emo. I wouldn't be quick to dismiss this band though, when they've matured a bit, they might just be a band worth consideration. Rebecca Ruth

Quick Links:

• Metta Website
• Metta Myspace

LAURA LOVE & ORVILLE JOHNSON

The Sweeter the Juice

December 6, 2009

Laura Love teams up with country bluesman and dobro master Orville Johnson to do a set of (mostly) traditional American folk, gospel and civil rights music -- an acoustic version of what Mavis Staples did a couple of years back with "We'll Never Turn Back." The two sometimes develop two distinct songs into a medley, with Laura leading on one and Orville the other; on some songs they harmonize. Laura's always included some of these early classics in her concert sets and decided to release a disc that's full of 'em. These familiar songs are all done well, with Laura's thick bass playing and Orville's dexterity blending nicely. Check out "Load Up/Eyes on the Prize" and "Swing Low Sweet Chariot/Swing Down Chariot." "Livin' in a Dream" is an old Robbie Robertson song. F-Traditional 12/09 Michael J.

Quick Links:

• Laura's home page
• Laura's bio

TUNE-YARDS

Bird-Brains

November 25, 2009

Using little more than vocals, acoustic guitar, found percussion instruments, and the occasional drum loop/electronics, Merrill Garbus, calling herself Tune-Yards, has crafted something interesting. Combining African rhythms with pop sensibilities, Tune-Yards offers quirky songs that hold my interest from beginning to end. Her minimalist style belies her wide-ranging delivery and engages the listener. This is really cool stuff! Rebecca Ruth

Quick Links:

• Tune-Yards Website
• 4AD Website

PROFESSOR LOUIE AND THE CROWMATIX

Whispering Pines

November 25, 2009

Professor Louie (Aaron Hurwitz) has recorded and/or performed with such classic rock acts as Commander Cody and The Band. He's surrounded himself with like-minded musicians such as Frank Campbell who toured with the Rick Danko/Levon Helm duo of the 70's-80's and with Miss Marie, who also performed in some of The Band's recordings. While this album features fine musicianship, vocal harmonies, and production; given the credentials of the musicians, I'm not surprised that it sounds like classic rock. There are plenty of covers here, including the oft-recorded/performed "The Weight" and Bob Dylan's "Serve Somebody". (Two songs that, while classics, I really don't need to hear again.) Rebecca Ruth

Quick Links:

• Crowmatix Website
• Professor Louie Website
• Woodstock Records Website

AFROSKULL

To Obscurity and Beyond

November 25, 2009

Originally from New Orleans and now with its stakes firmly planted in New York, Afroskull has released it second album; its first in nine years. I knew I was going to like this from the moment I read the band name and title. Listening to it, I wasn't disappointed. This is jazzy, prog-rock involving complicated time signatures and a big horn section. Indeed, the horn section includes non other than Zappa alumnus Ronnie Cuber (also of Mingus Big Band fame). I can certainly hear both influences in this, though it's not all complicated instrumentals. There are a couple of vocal blue-neo-soul-funk pieces here in the tracks "Waste Management" and "Everything" as well. I like this entire thing, but if I were to pick favorites, I'd go with "Escape from Rome" and "The Curse". Rebecca Ruth

Quick Links:

• Afroskull Website

ECHO AND THE BUNNYMEN

The Fountain

November 24, 2009

With The Fountain, Ian McCulloch and his fellow Liverpool Bunnymen are back for their 11th full-length release. While there's nothing profound here, simple and succinct melodic hooks abound. The opener and the first single off of the album, "Think I Need It Too," is initially a song that seemingly warrants several spins but sadly grows a bit tiresome over time. The short and upbeat "Do You Know Who I Am" works better as McCulloch belts "Do you know who I am? Do you know what I've got? Do you know who I am? Cause I know what you're not." Another track worth mentioning is the arresting "Life Of A Thousand Crimes," which manages to create a hook that is nothing less than infectious. Still, the best song here might just be "Everlasting Neverendless," capturing the best of McCulloch with a tempo that makes you want to return again and again. In the end, without prior knowledge of the Bunnymen's legacy, there's little to dislike here. However, with a history in mind, it's a little tougher to get on the bandwagon. Still, while this ten-song set of music ends with the longest and least compelling piece of music titled "The Idolness of Gods," long before reaching this point, the Bunnymen have already sold you on their ability to make good music despite being several years removed from their 80's heyday. In the end, what we have here is some pretty "good stuff." ~ Reviewed by Jeff Bouma

Quick Links:

• Official Echo and the Bunnymen Site

IVAN "FUNKBOY" BODLEY

PIGS FEET & POTTED MEAT

November 24, 2009

When it comes to Bass players that know how to funk it up, it is easy to name Stanley Clarke and Victor Wooten, on this disc Ivan “Funkboy” Bodley demonstrates he is very capable of laying down one of 2009’s funkiest discs. Ivan is no stranger to either funk or jazz as he has been the musical director for the likes of Sam Moore, Martha Reeves & the Shirelles and has preformed with The Temptations, Solomon Burke, Ben E. King and Bo Diddley. His Bass playing most resembles the late 1970’s and early 80’s Stanley Clarke on discs like “I Wanna Play For You”. Ivan describes this disc as feel-good funky music that is unapologetically buoyant and fun, I can’t agree more. I suggest picking up a jar of “Pigs Feet & Potted Meat” at your local record store. Reviewed By: Gregg Saur

Quick Links:

• Ivan "Funkboy" Bodley Home Page

DIAMOND JIM GREENE

HOLDIN' ON

November 24, 2009

Chicago blues man Diamond Jim Greene offers a dozen delta style blues tracks mixed with some gospel. The CD begins with his covering of the classic Percy Mayfield track “Please Send Me Someone To Love”. It is Diamond Jim’s best vocal track on the disc, as many of the others reminded me of what would happen if Leon Russell released a blues disc. “Oh Glory {How Happy I Am} is a cover of Reverend Gary Davis gospel track and leaves you feeling that you have just attended a southern Baptist church service. “Girlfriend Blues” is the tale of a mans girlfriend discovering his girlfriend also has a girlfriend, it may be catchy but seems a bit clicheé. This certainly is not a diamond standard offering in the world of blues music, but it is good to see musicians like Diamond Jim Greene continue to bring the sounds of Delta Blues to a new generation. Reviewed By; Gregg Saur

Quick Links:

• Diamond Jim Greene Home Page

AGGROLITES

AGGROLITES

November 22, 2009

Southern Califorian’s Aggrolites play an appealing mix of ska and what they call “dirty” reggae (raw, stripped down). Here is their 2006 self titled sophomore cd. These are very talented guys - keyboardist Roger Rivas steals certain songs (Sound of a Bombshell) and the throaty voice of Jesse Wagner sounds like Jamaica to me. With 19 tracks the instrumental songs (4,7,9,11,13,14) started to sound the same and I believe it’s the weakest part of this offering. The first two tracks were brilliant and the last song is their very own cheer. I think you‘ll find this Reggae cd offers something a bit different and at WYCE that means it’s all good! Anne Lamont

Quick Links:

• Aggrolites website

JOEY DeFRANCESCO

SNAP SHOT

November 17, 2009

Certain Jazz recordings fit the timeless category and this is certainly one of them. Joey DeFrancesco a true master of the Hammond B3 reunites with Paul Bollenback on guitar and Byron Landham on drums. It is easy to compare Joey’s B3 sound to the late great Jimmy Smith; Paul has a cool Wes Montgomery or Kenny Burrell sound to his guitar, while Byron Landham rounds out the band with his relaxed approached to the drums. Even though this is a 2009 live recording it has the feel of a Smokey jazz club found in the 1960’s. It is easy to tell that this original trio can anticipate each other as they improvise through seven terrific tracks. I guess that is why I call this recording timeless. Reviewed By: Gregg Saur

Quick Links:

• Joey DeFrancesco Home Page
• Amazon

Paul McCartney

Good Evening New York City

November 17, 2009

Recorded 40 years after the Beatles played Shea Stadium, it appears that Sir. Paul McCartney has not lost a thing as he opens New York’s new Citi Field with this memorable performance. This CD well represents material from the Beatles, Wings and of course Paul’s numerous solo efforts. His voice is amazingly crisp for the 67 year old McCartney. The track “Hey Jude” Paul relies too much on the effort of the audience to carry the well know vocals other then that Paul and his outstanding band provided their audience with 2½ hours of pure music magic. Reviewed By: Gregg Saur

Quick Links:

• Paul McCartney Home Page
• Amazon

DEAD SCENE RADIO

Self-Titled EP

November 15, 2009

Producer, Ian Walker, compared this Kalamazoo band's sound to that of Ted Leo and the Pharmacists. In some instances, I would agree, particularly the track "Demand". The track "Fuck the Times" sounds a bit like Old 97's. They've included a clean version of the song as well, so it can get some airplay, but I don't know how one would get around the title. So, I guess I'd sum up their sound as roots-rock or even just straight-up rock. There's nothing here that particularly grabbed my ear. It's refreshingly simple stuff, though, that might inspire some toe-tapping from the listener. Rebecca Ruth

Quick Links:

• Dead Scene Radio Website
• Attraction Records Website

LOS CENZONTLES WITH DAVID HIDALGO & TAJ MAHAL

American Horizon

November 15, 2009

Los Cenzontles (The Mockingbirds) is a group of musicians based at the Los Cenzontles Mexican Arts Center in California. Their goal is to celebrate their Mexican roots while adding their own voices to the mix. On this release, with the help of David Hidalgo and Taj Mahal, they succeed in forming an updated traditional sound. Whether they are performing conventional music or their own compositions, they've given the music a contemporary feel by adding modern blues and rock touches. The album starts out strong with the Latin-noir "La Luna". Another good one is the rocker "Overtime". Electric bass and violin give the traditional tune "Cascabel" a modern feel. If you don't like the sound of one song, stick around for the next one, as it'll likely be quite different. These songs range from blues ballads (La Fuerza) to traditional Latin (Pajaro Cu) to spoken word (No Hay Trabajo) to contemporary Latin (Solo Quiero Bailar). Rebecca Ruth

Quick Links:

• Los Cenzontles Productions Website

DEBBIE DAVIS

Holdin’ court

November 13, 2009

Debbie Davies’s new cd “Holdin’ court” lets the electric blues guitar goddess shine. I’ve always enjoyed her music but not her vocals so much. Davis’s music heritage includes her father working with people like Ray Charles and Frank Sinatra, her mother a classical pianist, and Davis spent 3 years with Albert Collins in his Ice Breakers band. Since 1991 she’s been on her own. After 22 years of performing, Davies brings her road tested licks and music appreciation to her 12th solo offering. This VizzTone release is a collection of originals songs packed with homage’s to electric blues players of the 1960s including Otis Rush, Albert Collins, and Gatemouth Brown. I think this cd has something for everyone from the opening horns backed blues tune “Fishnet” to the last “Zoom-in” surf guitar style song. I recommend you Play Often!

Quick Links:

• Debbie Davis website

SHELLEY KING

Welcome Home

November 13, 2009

Shelley King was the 2008 Official State Musician of Texas; she was the first woman to hold that honor. "Welcome Home", her 5th cd shows why. This solidly Delta Blues cd started out as an informal gathering of friends to record a few demos. Her friends are the Subdudes; John Magnie, Tim Cook, & Steve Amedee and together they took this cd to a Texas style, bigger than life, recording. King has a VOICE and adding the harmonies from the Subdudes creates a WYCE perfect cd. I loved the first song “Summer Wine” best - maybe after the fall we had it just hit me right. I hope you’ll find something that is as appealing to you. Anne Lamont

Quick Links:

• Shelly's home web page

GRANDPA ELLIOT

Sugar Sweet

November 13, 2009

Grandpa Elliots cd “Sugar Sweet” produced by Playing For Change, which is based on the simple idea that the world can find peace through music. Mark Johnson, the founder said “Grandpa Elliott embodies everything the Playing For Change project is about,….Soul, Talent, and perseverance.” I agree. The title to this cd is just right. “Sugar Sweet” is a sweet sounding blues cd. This man has been performing since he was 6 on the streets of New Orleans and I heard ‘Orleans in each song. He adds good harmonica licks and lights up the music with his resonant voice. “This little light of Mine” medley is perfect for Sunday morning. If there was a church you could find this music being played I’d be there every week. His voice reminds me somewhat of Keb Mo’ but I don’t want to sell this man short. His style is his own. Start to finish this is a gem. Sweet indeed! Anne Lamont

Quick Links:

• Playing for Change
• Grandpa Elliot

DEVENDRA BANHART

What Will We Be

November 11, 2009

Devendra Banhart's first album on Warner/Reprise titled What Will We Be continues the freak-folk of prior efforts but perhaps in a more straight-forward kind of way. Still, there's plenty of the weird and the psychedelic here too - especially on the track "Rats," in which Banhart sings about love and relationships and not necessarily about rats. The opener, "Can't Help But Smiling," sets the mostly gleeful tone. "Angelika," makes for a great follow-up as Banhart tones things down a little to make a truly beautiful sound. On the song "Baby," happiness is again the topic as he sings: "Baby, I finally know what I'm going after, I'm learning to let in all the laughter, holy moly, yer so funny, you crack me up." The most rock oriented song here is "16th and Valencia Roxy Music," which highlights the electric guitar and the drums to make for a faster-paced song that you just might find yourself dancing to. The final song, "Foolin" has a reggae and Caribbean sort of feel that makes for an apt conclusion to an effort that seems to maintain a largely positive tone. In a nutshell, creativity abounds with the singer/songwriter making most of his shots here. Yes, there's a few missed shots too but Banhart's willingness to venture into the crazy and weird makes him look more like a genius than anything else. For the sheer adventurousness that we find here alone, Banhart wins! ~Reviewed by Jeff Bouma

Quick Links:

• Official Website
• Banhart on Myspace

LOS FABULOSOS CADILLACS

El Arte De La Elegancia De LFC

November 9, 2009

What began some twenty years ago as a ska band in Argentina became one of the top-selling Spanish language bands in Latin America. Having put out more than ten albums over the years, and having worked with such artists as Chris Frantz, Tina Weymouth, Debbie Harry, and Mick Jones, the band called it quits to persue independent projects in 2002. With this, their first album since reuiniting in 2006, they contiue their tradition of performing ska-flavored rock. Rebecca Ruth

Quick Links:

• Nacional Records Website
• Los Fabulosos Cadillacs Website

CHANCE JONES

The Incident at Primrose and West

November 9, 2009

For the first time (in four albums), Chance Jones, the band, has recorded an album as a band and as a vehicle for the band as opposed to previous albums which were geared toward performance by Chance Jones (Joshua Burge) himself. I get the impression that this release is by and for the band from beginning to end. There is a general sense of cohesiveness here. Fun, engaging lyrics are surrounded by upbeat pop-rock instrumentation throughout. Even the slower songs refuse to plod along as one might expect them to and they fit quite nicely, thank-you very much. This is one of the better and more interesting local rock releases this year. Rebecca Ruth

Quick Links:

• Friction Records Website

CARRIE RODRIGUEZ

LIVE IN LOUISVILLE

November 9, 2009

This live recording was made in 2007 when Carrie Rodriguez was opening for Lucinda Williams. It is easy to hear after one listen how this Austin Texas fiddler who has spent much of her recording career with partner Chip Taylor has moved into a more edgy side of the Alt-Country world. The Tracks “I Don’t Want to Play House Anymore” and “You Won’t Be Satisfied That Way” have a Lucinda feel to them or Patty Griffin during the days of Red. Carrie also releases her sexual energy on “50’s French Movie” a track that reminded me of Lucinda Williams song “Righteously” The tracks“ Mask Of Moses” which begins slow and works up to a full steam boil and “Never Gonna Be Your Bride” demonstrates that this country gal from Austin sure knows how to rock. Carrie’s last Studio CD’s have brought attention to her as a solo artist and this live recording should solidify the talents of this underrated performer. Reviewed By: Gregg Saur

Quick Links:

• Carrie Rodriguez Home Page

TOM WAITS

GLITTER AND DOOM LIVE

November 9, 2009

In 2008 Paste magazine called Tom Waits Glitter and Doom tour the best live show of that year. The 17 tracks on this disc were recorded in 10 different locations and showcase some of Tom’s finest works. This CD will bring smiles to fans that were with him during Closing Time all the way to his Real Gone Days. The CD includes crowd favorites from “Get Behind The Mule” originally found on Mule Variations and “Singapore” from the now classic Rain Dogs release. “Dirt In The Ground” from Bone Machine may be one of the most captivating songs ever recorded by Mr. Waits. Tracks like “Fannin Street”, “Lucky Day” and “I’ll Shoot The Moon” are all tracks that will bring smiles to fans who liked Tom’s early years. “Live Circus” certainly represents the off kilter story telling side of Tom. This release will set along with some of Tom’s finest works and that’s saying a lot. Reviewed By: Gregg Saur

Quick Links:

• Tom Waits Home Page

PACHA MASSIVE

If You Want It

November 6, 2009

Out of New York, by way of the Dominican Republic, single-monikered musician, Nova, writes, produces, and records his style of hip hop under the name Pacha Massive. Singing bilingual lyrics and often joined by female guest vocalists, Nova gives his Latin groove and R&B feel on this, his second album. Rebecca Ruth

Quick Links:

• Nacional Records Website
• Pacha Massive Website

PALO!

This Is Afro-Cuban Funk

November 6, 2009

This band formed in 2002 and finally put their Latin-tinged, percussion-laden sound to disc for the first time with this release. Between the band name and the title of this album, I think 'nuff said about this south Florida five-piece. Rebecca Ruth

Quick Links:

• Palo! Website

AMANDA SHIRES

West Cross Timbers

November 6, 2009

Amanda Shires is a fiddle-and-guitar-playing young woman from Lubbock who cut her teeth playing on the side for the legendary western swing band the Texas Playboys at the age of 16. This is her first real solo outing and it is drawing praise from musicians such as Chris Isaak, Justin Townes Earle and Slaid Cleves -- as well as innumerable marriage offers from the (in)famous singer/humorist Kinky Friedman. The opening songs starts with her asserting, "I hope I haunt you good," and even though that tune is not representative of the entire set, Amanda's higher-register delivery and fondness for traditional folk storytelling grow on you. The dark "I Kept watch Like the Doves" and the outstanding "Mineral Wells" show a special talent. I hope she gets her chance to build a national audience; there's a lot more here than we can take in from these 11 songs. 11/09 Michael J. F-Americana

Quick Links:

• Amanda's home page

LE VENT DU NORD

LA PART DU FEU

November 2, 2009

Le Vent Du Nord has been described as one of the hippest exports from the music scene in Quebec. Combining original and traditional folk tunes all done in French, this band will certainly have a multi-cultural appeal. Along with the traditional French folk lore, the listener will certainly find large amounts of Celtic influences as well as dabbling in some country sounds that keeps their sound fresh and keep the boots on the dance floor through all 13 tracks. In addition to the excellent musicianship the 4 part harmonies are a real treat even if you are like me and don’t understand a single word of French. This Juno award winning band is sure to grow their world wide appeal with this fine effort. Reviewed By: Gregg Saur

Quick Links:

• LE VENT DU NORD HOME PAGE

DAVID MAXWELL & LOUISIANA RED

YOU GOT TO MOVE

November 2, 2009

David Maxwell & Louisiana Red take you deep into the heart of the Delta on this release which is sure to move you. This is a raw recording between two blues masters who met on a warm afternoon with no pre fabricated song list and only a small baffle separating the guitar and vocals of Louisiana Red and the piano of David Maxwell. The result of this session was “You Got to Move”. This CD is pure honest, raw Delta style blues recorded and preformed the way it was done decades before the studios added all the polish and if that won’t move you, please check your pulse. Reviewed By: Gregg Saur

Quick Links:

• Louisiana Red Home Page
• David Maxwell Home Page

AIR

Love 2

October 28, 2009

The French duo (Jean-Benoit Dunckel and Nicolas Godin) are back! Never known for their profound lyricism, Air has always been about creating sounds that keep their listening audience coming back time and time again. Their self-produced latest, Love 2, is no different. A Combination of New Age, Rock, Pop, Electronica and even Jazz makes for an interesting, if not entirely pleasurable twelve song set of music. The Armageddon inspired opener "Do the Joy" is a song that exhorts us to do just that, "do the joy" amidst impending destruction. Another fun track is "Be a Bee," a song reminiscent of the sound captured in the 70's by the British rockers The Stranglers. The jazz influenced "Tropical Disease" is the longest song on the album with only a few choice words - "woman, woman, make me feel warm inside." The lyrics alone quite obviously don't make the song but the lush and building instrumental pieces within the track work quite well. One of three pure instrumentals on the album, "Night Hunter" is well worth a try as the hand-claps are magnified beautifully by a host of other blips, bleeps and other sounds. A final song worth mentioning is the Dream Pop of "Sing Sang Sung." Described by one reviewer as "preposterously catchy," the sound is perhaps just that - catchy with perhaps some of the strongest lyricism to back it up. The overall bright spot about this album is that it is surprisingly eclectic with a different feel found on virtually every song. An additional selling point is that each song somehow begs another listen. Without a doubt, Air's latest offering seems to capture what has made them a worldwide success - a sound that many have come to love. Thanks to Love 2, the love continues. ~Reviewed by Jeff Bouma

Quick Links:

• Air's official site
• Air's Myspace

THE PANTONES

Inside the Sun's Wild Flame

October 25, 2009

The Pantones recorded this, their third album in Eaton Rapids, Michigan. Much of this seems like contemporary country, such as the twangy tunes, "You've Lost the Sun" and "Less of Me". The album does offer intriguing instrumentation, though, without seeming crowded. "Nightingale" is nicely produced with its violin and vocals. "A Thousand Yards" prominently features Rhodes and horns and "Back To My Old Ways" has nice snare work and banjo. This entire album offers nice production and vocal harmonies. Rebecca Ruth

Quick Links:

• The Pantones' Website

DIGITAL PRIMITIVES

Hum, Crackle, and Pop

October 25, 2009

This third album from modern jazz trio, Digital Primitives, offers original compositions performed on both modern and primitive instruments, thus the band name. It's fun listening to this just to figure out what's being played. There's not much detail in the liner notes here, but the first song, "Walkabout", is one of the best offerings and, from what I can figure, uses the m'bira and the mouth bow to help keep the beat and a bass clarinet to play the repetitive melody. The effects on the tenor sax make the track "Crackle and Pop" seem more rock than jazz with its kit drums and awesome noise. "Love Truth" is a pretty ballad with tenor sax that crescendos into the ethereal. Is that a "twinger didly bow" that's being used on the track "Hum"? Whatever it is, it reminds me a bit of the sounds that Adrian Belew pulls out of his guitar. Digital Primitives is doing its part to keep the jazz genre fresh with this release. Rebecca Ruth

LYLE LOVETT

NATURAL FORCES

October 23, 2009

Lyle Lovett has always mixed keen observations about relationships and the human condition with either deep sentiment or wry, tongue in cheek humor that will have you laughing one moment and crying the next. This disc continues that trend. The reflective title track finds him fighting wanderlust and wondering if he’s worth the sacrifice made by the armed forces so that he can indulge himself. Just when you get lulled into the deeper questions raised by that cut he shifts hard into the novelty of the bawdy "Farmer Brown" and the twisted food metaphors that he uses for the age old request that it be kept in the pants on the catchy "Pantry" (which also appears at the end of the disc in an acoustic version). Back to the serious side of things, Lovett muses on lost love on "Empty Blues Shoes" and "Don’t You Think I Feel It Too", the inability to find a direction, "Whooping Crane", reminiscing about lost friends, "Sun and Moon and Stars" and having it all but moving on anyway on Townes Van Zandt’s "Loretta". While these later cuts are finely crafted, they all sound somewhat alike and tend to drag a bit when heard consecutively. On the more upbeat and musically diverse side is the steamy, steel guitar driven "Bohemia" and the positively rocking "It’s Rock and Roll" which re-unites him with old writing partner, Robert Earl Keen. Leaving the Big Band in the wings for this release, Lovett relies mostly on guitars, fiddles and mandolins to provide the musical backdrop that makes this a mostly fine listen. Smitty

MESHELL NDEGEOCELLO

Devil's Halo

October 23, 2009

Always the nonconformist, acclaimed bassist Meshell Ndegeocello says she's going back to her earlier rock/funk roots with this record after a series of forays into jazz territory. But "Devil's Halo" is no casual guitarfest; rather, the songs are reflective, almost brooding, as she sings about love fought for (and often lost). The most accessible song her is not her own, but a remake of the 1986 Flint, Michigan r-and-b band Ready for the World's "Love You Down." In addition, check out "White Girl" and "Blood on the Curb." The title track is unlike anything else on the record, a quiet instrumental. NO PLAY: cuts #3 and #5 (language). R-Esoteric(Funk)10-09 Michael J.

Quick Links:

• Meshell's homepage
• Meshell on Myspace

FORRO IN THE DARK

Light a Candle

October 19, 2009

This album is obviously Brazilian in origin, as dancing is the only thing I can think about while listening to this album. These Brazilian ex-patriots take an interesting Latin, traditional music, and modernize it. I can see people in New York, even here in West Michigan, dancing in a club to this music. It's a playful mix of different thoughts and styles, but the themes seem often serious, as often as they are fun, and I quite enjoyed it. From the cocky “Better than You” (featuring Guilherme Monteiro, vocals), to “Nonsensical” with its style reminiscent of reggae, to the fun “Perro Loco”, the album is very fun. However without an understanding of Portuguese much of the meaning will be missed, since most of the songs have Portuguese lyrics. They collaborate well, too. “Silence is a Garden” is a seductive track with guest vocals by Sabina Sciubba from Brazilian Girls, and Jesse Harris does the vocals on “Just Like Every Other Night”. I enjoyed this album thoroughly, despite its eclectic style. Recommends: ( 1, 4, 6, 8, 11, 13 ) – Chris Thomas

Quick Links:

• Home Page
• Video Link

MR. GROOVE BAND

ROCKET 88 TRIBUTE TO IKE TURNER

October 19, 2009

Nashville’s Mr. Groove Band led by producer, arranger and bassist Tim Smith has released a 13 track tribute CD that would certainly make the late great Ike Turner proud. The CD begins with the track many consider the first rock and roll single originally recorded in 1951 “Rocket 88”. The CD is primarily composed of tracks that were made famous during the Ike & Tina Turner days, including their hits “Proud Mary” and their signature track “Nutbush City Limits”. Mr. Groove Band also proves it knows how to lay out the funk on “Gold Soul Sister” and the Sly and the Family Stone classic “I Wanna Take You Higher”. Vocals and this disc are shared between Darryl Johnson and two Ikette’s. The first white Ikette Bonnie Bramlett from Delaney and Bonnie fame who worked with a who’s who of musicians for Stax records as well as a young Eric Clapton. Audrey Turner is the other who joined as an Ikette in the 1990’s and eventually became Ike’s wife. This tribute disc should prove to be a hit with fans of Ike Turner as well as those unfamiliar with this classic soul man. Reviewed By: Gregg Saur

Quick Links:

• Mr. Groove Band Home Page
• Amazon

ROSIE FLORES & THE PINE VALLEY COSMONAUTS

GIRL OF THE CENTURY

October 19, 2009

Rockabilly Filly Rosie Flores has teamed up with Waco Brother Jon Langford for a CD that covers blues, country, rock & rockabilly. The CD begins with the bluesy track “Chauffeur” where Rosie’s vocals sound a lot like a Sue Foley.” This Little Girls Gone Rockin” and “This Cat’s in the Doghouse” are classic Rockabilly Rosie. The track “Half Way Home” employs an underlying reggae beat and would be my pick the CD’s top single. “I Ain’t Got You” and “Dark Enough at Midnight” once again showcase Rosie’s bluesy side. “Get Rhythm” is an upbeat and well done version of the Johnny Cash classic. It is easy to see the influence Jon Langford has had on this CD especially on the rocking track “You’re The One”. This CD represents Americana Roots Music at its finest from two of its finest recording artists. Reviewed By: Gregg Saur

Quick Links:

• Rosie Flores Home Page
• Amazon

VARIOUS ARTISTS

Things About Comin' My Way: A Tribute to the Music of the Mississippi Sheiks

October 19, 2009

The Mississippi Sheiks were one of the most popular blues groups of the 1930s, centered around the duo of Walter Vinson and Lonnie Chatmon (with other members, mainly Lonnie's brothers Sam and Armenter). The Shieks' most famous tune, "Sittin' on Top of the World," has been recorded by everyone from Howlin' Wolf to Bob Dylan to Jack White. Canadian musician Steve Dawson assembles a predominately Canadian line-up of guests in this set to give the Sheiks' catalog either a straightforward or fresh delivery. The North Mississippi All-Stars get things rocking from the get-go with "It's Backfirin' Now" and there are solid entries from Bruce Cockburn, Kelly Joe Phelps and the Carolina Chocolate Drops. Two women on this disc deliver the best renditions: Madeline Peyroux's sultry "Please Baby" and the relatively unknown Ndidi Onukwulu on the title track. A great set and a fitting tribute to an important, yet overlooked, blues legacy group. Michael J. 10/09 B-Roots (Delta)

Quick Links:

• Black Hen page on this project
• Steve Dawson blog on the project

BRYAN LEE

SIX STRING THERAPY

October 17, 2009

Guitarist Bryan Lee, the “Braille Blues Daddy” has long been a mainstay of the New Orleans blues scene turning out blues for the tourists on Bourbon Street night after night. What sets him apart from the over-amped, paint by numbers, cover bands that mar that scene is the fact he avoids the standards and plays mostly original tunes or unknown gems. He’s also an adept guitarist with big gruff voice and a knack for a compelling story. Joined on this effort by a host of all-star guests, Lee weaves his way through the 12 cuts here like another night on the band stand with shouts of encouragement to the band interspersed with the lyrics. While the horns and keys added by the guests provide a dimension that doesn’t exist in his normal live shows there is still plenty of room for Lee to shine with stinging guitar work that is a treat from beginning to end. Albert Collins and the three Kings (Albert, B.B. and Freddie) can all take credit for the sounds that pour out of his guitar. Well worth the listen. Smitty

PONCHO SANCHEZ

PSYCHEDELIC BLUES

October 17, 2009

Poncho Sanchez is a fleet-handed percussionist who knows his way around almost any item that can be beaten, shaked or stirred. So, is this a disc featuring nothing but variations on the dreaded 10 minute drum solo? Not a chance. Sanchez has surrounded himself with a large horn section, a keyboardist and guitarist who end up being the featured course here with Sanchez adding the percussive spice. While the title suggests this to be a blues disc there isn’t a boogie or shuffle to be found. Instead, Sanchez and crew mix up an intoxicating brew of jazz and latin jazz with a number of smoking horn charts. Herbie Hancock’s "Cantaloupe Island", "Con Sabor Latino" and the "Willie Bobo Medley" (the later two featuring vocals from Sanchez) will transport you south of the border in no time while John Coltrane’s "Grand Central" aims more at the head than the hips with its free spirited chart. Those that do dig a short percussion interlude should check out "The One Ways", "Delifonse" and the title track. Each feature relatively brief solos by Sanchez which fit perfectly into the tunes without making you wonder if you should fade the cut before the sound of radios clicking off overwhelms you. Overall, a pretty decent listen. Smitty

BONERAMA

HARD TIMES

October 12, 2009

Four trombones, drums, guitar and bass equals 30 minutes of jazz, rock and soul bliss on this new offering from New Orleans Bonerama. It is easy to see that Bonerama is steering towards a more funky path on this disc and as I experienced watching them in the Crescent City that they know how to steam up a dance floor. The other difference you will notice on this disc is all but the excellent instrumental “Folly” are vocal tracks that are shared by Mark Mullins and Craig Klein. The other big change is the addition of the organ that adds to the funkiness of this disc especially on the cover of “Turn On Your Love Light”. “When the Levee Breaks” is a full out rock track originally penned by Jimmy Page and Robert Plant but certainly brings back the thoughts of Hurricane Katrina. This is certainly one “Hard Times” that you can really enjoy. Reviewed By: Gregg Saur

Quick Links:

• Bonerama Home Page

IRMA THOMAS

THE SOUL QUEEN OF NEW ORLEANS 50 Th ANNIVERSARY COLLECTION

October 12, 2009

It is almost impossible to sum up the past 25 years of wonderful music the undisputed soul queen of New Orleans Miss Irma Thomas has brought us on one disc, but this release certainly makes a valiant effort. The 15 tracks on this disc are pure music magic showcasing Irma’s finest work for Rounder records since 1985. In addition to the classics Irma recorded three new tracks for this release including “Got To Bring It With You”, “Let It Be Me” and “Your Ship Has Sailed”. For anybody unfamiliar with Irma Thomas this is an excellent place to start, for fans of Irma you may wish this release would have been a four disc box set. Reviewed By: Gregg Saur

Quick Links:

• Irma Thomas Home Page
• Amazon

AZAR LAWRENCE

Prayer For My Ancestors

October 6, 2009

Having performed and/or recorded for decades with the likes of Miles Davis, Stanley Turrentine, and later for Earth, Wind, and Fire, tenor saxophonist, Azar Lawrence has finally assembled a quartet and put out an album of his own (his first since the seventies). Some of this is almost bop such as "The Baker's Daughter", which is upbeat and features a short drum solo. Some of this is smooth jazz, such as "Open Sesame" and the quiet "Under Tanzanian Skies". The piece, "Prayer For My Ancestors", seems to be leading somewhere, but never quite seems to get there. However, the song "Thokole" steals the show. It's a quiet piece featuring nice interplay between guests Ibrahima Ba on vocals and guitar and Amadou Fall on the kora. This one song is definitely the highlight of the entire album and well worth a listen. Rebecca Ruth

Quick Links:

• Azar Lawrence's Website
• Furthermore Recordings Website

JOSHUA JAMES

Build Me This

October 6, 2009

Originally from Lincoln, Nebraska, Joshua James brings us stories of heartache from the heartland on this, his second full-length release. Singing in a whispery, almost feminine voice, James sings pretty songs of the difficulties of relationships and the hurt we often cause one another and ourselves. This is sad stuff, sometimes accompanied by folksy, acoustic instrumentation, such as that found on "Weeds" or "In the Middle". Other times being more electric, such as on "Black July" or "Kitchen Tile". Almost always, though, these songs start out soft and pretty, then crescendo into something louder, but strikingly fair to the ear. Rebecca Ruth

Quick Links:

• Joshua James' Website

Brian O'Neil

Daisy

October 6, 2009

BRIAN O’NEAL – Daisy Regional (Detroit) I have been to two of Brian O'Neal's concerts and both have been excellent musicianship. Brian connects with the audience during and after the concert. An example, he invited some kids up on stage at one of the last numbers to play various rhythm instruments. On his Facebook and Myspace sites he takes time to answer many of his fans comments. He plays the keyboards and drums occasionally. His band consists of another keyboardist, drummer, 2 guitar, saxophonist- alto tenor clarinet, conga player and sometimes brass. His music is jazz hard driving, easy listening and even funk. One of his newest songs "Islands in the Sun" with Rod Tate has a Caribbean beat. He tours with KEM on occasion as a keyboardist O'Neal has shared the stage with many great musicians over the past two decades including Will Downing, Morris Day and the Time, India Arie, Ledisi, Fantasia, Angela Bofill, Stevie Wonder, Maze (featuring Frankie Beverly), Alex Bugnon, George Duke, Pieces of a Dream, Chaka Kahn, Najee, Kindred the Family Soul, and Jeff Lorber. He has also composed and produced music for several artists abroad; including UNV, Kathy Avalon, Eddie Oliver and a host of other upcoming talents. I highly recommend Brian to the WYCE audience and would love to see him in one of GR great venues. – Lowell Anderson, a WYCE Listener

Quick Links:

• Home Page

HOPE SANDOVAL & THE WARM INVENTIONS

Through the Devil Softly

October 6, 2009

With several years in between (their last release was 2001's Bavarian Fruit Bread), Hope Sandoval & The Warm Inventions are back with their second full-length release. From the start, let's just say this: commercial music this is not! Picking up where they left off on their previous release, spare and subtle musical arrangements abound - accompanied by the gentle vocal style of Sandoval whose sensuous chords provide the major strength here. The opener, "Blanchard," showcases the tender and spooky folk found throughout. It also features the simple nature of the music that accompanies the soft-spoken songstress. "For the Rest of Your Life," is haunting, featuring eerie guitar effects and percussion. "Lady Jessica and Sam" is another song based on the simple. Still, with the singer/songwriter at the forefront, the acoustic background works well. "Things Like That" manages to pick things up a bit, with a tempo accentuated by the cello and the hypnotic violin. Near the end of this eleven-song set of music is the song "Trouble," which just might be the best of all. Here, the drums come out in all their fullness in order to add to the haunting nature of what is truly Sandoval at her vocal best. Overall, what seems to be lacking on this recording are songs that offer memorable hooks that beg the listener to come back time and time again. Still, Hope Sandoval and her "warm" counterparts have crafted a sound that might best be described as beautiful in all its eeriness. ~ Reviewed by Jeff Bouma

Quick Links:

• Hope's Official Site
• Wikipedia on Hope

BRUCE HORNSBY AND THE NOISEMAKERS

LEVITATE

October 6, 2009

When I heard Bruce Hornsby was debuting with Verve Records with a CD entitled Levitate, I was expecting an uplifting Jazz style release. Instead spider fingers has abandoned all his wonderful piano solos for a less then inspiring band release. The CD begins with a comical tale of ‘The Black Rats of London” that carries a Celtic flavor to it. “Prairie Dog Town” could easily be mistaken as a rocking Todd Snider tune. The third track “Cyclone” is one of the last up-tempo tracks and is able to blow some dust prior to the CD going into a string of less then inspiring mid tempo string of songs. The CD ends with “In the Low Country” one of the best tracks on this release and will bring Bruce’s listeners back to the glory days on the range. If you are searching for a safe Pop style release this may be a good pick, but it failed to levitate me and left me flat on the ground. Reviewed By: Gregg Saur

Quick Links:

• Bruce Hornsby Home Page
• Amazon

BRIAN SETZER ORCHESTRA

SONGS FROM LONELY AVENUE

October 5, 2009

It’s been two years since Brian Setzer took on Beethoven and other classical superstars on “Wolfgang’s Big Night Out” While that CD was loose interpolations of Classics, Songs From Lonely Avenue” is a soundtrack to an unwritten film. Brian’s love for not only the music of the 40’s and 50’s but the film noir from that era was the main inspiration for this CD. This is Brian’s most cohesive and arguably finest Orchestra release to date. The CD begins with the fiery sounds of Brian’s guitar on “Trouble Train” and proceeds into a full Orchestra assault. The title track “Lonely Avenue” has a classic 1940’s jazz sound. “Mr. Jazzer Goes Surfin” and “Mr. Surfer Goes Jazzin” are rocking instrumentals that showcase how terrific and underrated Brian Setzer is a guitarist. This is the first Orchestra release where Brian wrote all the tracks and if the movie is half as good as this release is you will not want to miss Lonely Avenue. Reviewed By: Gregg Saur

Quick Links:

• Brian Setzer Home Page
• Amazon

MATISYAHU

LIGHT

October 3, 2009

Born Matthew Miller but using his Hebrew name, Matisyahu, as a recording artist, this New York native melds reggae, dub, hip hop and rock into a mostly pleasing stew of sounds to support his pleas for peace, love, understanding and enlightenment. Those with an ear for the more challenging beats and changes in tempo will find much to like in "Smash Lies". Hip hop is the order of the day for "Escape" although the musical backdrop heads towards dub reggae. Other tracks such as "We Will Walk" and "For You" have a big production and rock hooks that wouldn’t be out of place on a Church or U2 disc. "One Day" has an easy groove that is reminiscent of Bob Marley’s "No Woman, No Cry" while "I Will Be Light" has a slow, percolating dub bass beat that propels the introspective lyrics about the search for identity, a theme repeated in "So Hi, So Lo" which has a big sing along chorus. "Motivate" and "On Nature" both grab a mid-tempo punk/reggae groove that sounds like vintage Joe Strummer and the Mescalaroes or even early Clash. Matisyahu proves himself to be a vocal mimic as well with the chorus to "Darkness Into Light" sounding eerily like solo Ozzie Osbourne and "Silence" echoing Paul Simon. While those who dislike hip hop or who insist on categorizing Matisyahu as a reggae artist will struggle with this disc most everyone else will find something to like. Smitty

DRIVE BY TRUCKERS

THE FINE PRINT

October 3, 2009

With everything from alternate takes of released material to tracks that simply didn’t fit into the final mix of tracks that made up some of their best discs, this collection is a treasure trove for Drive By Truckers fans. "Rebels" is the band’s take on the classic Tom Petty track that was used for the show King of the Hill. The jangly guitar work and high energy that fuel that track carry over to the rocking "Uncle Frank", "When the Well Runs Dry" and "Goode’s Field Road". Slowing things down the band gives a history lesson on the impact of the Tennessee Valley Authority on the acoustic "TVA" and weaves a stark first party tale of arson and other skullduggery on "The Great Car Dealer War". "Great Big Horse" is a whimsical tale based on an old dirty joke delivered like one of Todd Snider’s talking ballads. The mid-tempo take on Tom T. Hall’s Vietnam War era classic "Mama Bake A Pie (Daddy Kill a Chicken)" remains powerful today as we are mired in yet another war. "Mrs. Claus’ Kimono" probably won’t get many Christmas spins with its low down dirty groove, tales of sexual debauchery with Mrs. Claus and accusations about Santa’s activities with a reindeer but is a fun spin in a twisted kind of way. Taking no prisoners, the band tears into Warren Zevon’s "Play it All Night Long" with a desperate conviction befitting the fact the band had just recently learned of Zevon’s impending death and cut this as a tribute of sorts. Also potent is the band’s take on Dylan’s classic "Like a Rolling Stone" which features a hard hitting musical backdrop and every band member taking a turn at lead vocals. Overall, a solid collection that highlights the band’s versatility and unshackles it from the tight themes that can make it hard to pluck single songs out of the context of its regular albums. Smitty

CAROLYN WONDERLAND

BLOODLESS REVOLUTION

October 3, 2009

After a couple of mid-90’s discs fronting the Imperial Monkeys, Houston, Texas native Carolyn Wonderland moved to Austin and laid down her stake as a solo artist. This release is the first of her three to date. One listen and you’ll understand why she’s shared the stage with the likes of Bob Dylan, Buddy Guy, Los Lobos and most blues musicians who call Austin their home. Vocally, she’s a combination of Janis Joplin, Etta James and Ella Fitzgerald with big brassy rock and roll roars followed by a taste of soul stew and then sweet jazz runs. She’s also a social activist who’s not afraid to cut right to the point. "Annie’Scarlet Letter" uses a spare acoustic backdrop to rail against the injustice of a young single mother that is jailed for selling a little pot to make ends meet. "Homelessness in Austin" is a jazzy number that is far more upbeat than Wonderland’s real life tale of having to live in her van and busk on street corners to keep her belly full. The title track has a fun, mysterious groove that almost sounds like an outtake from the Rocky Horror Picture Show but tells a hopeful tale of a change in the status quo based on “love, not fear” (Remember, this was released during the Bush/Kerry election cycle- another shattered dream). Her ballads hit hard as well. "Unbroken" finds her too scared by the fear of rejection to express her love while "Heart" focuses on the need to abandon false hopes. Both give her a chance to shine vocally with an uncluttered musical backdrop and lots of room to soar. While she’s most often cast as a blues musician, many of the tracks here including "Smile", "Judgment Day Blues", "He Said, She Said" and "From a Waffle Booth Six" tend more towards raucous bar room rock in the style of the Faces or Stones. Great stuff that regrettably didn’t earn Wonderland the accolades that were deserved upon its release. Smitty

RODRIGO Y GABRIELA

11:11

September 27, 2009

These young Mexican guitarists -- some say the possessors of the fastest fingers on the planet -- deliver another set of acoustic instrumental excellence, each number dedicated to one of their musical heroes. Carlos Santana, Jimi Hendrix, Pink Floyd, Al Di Meola and others receive bouquets, but these kids are making their own mark. Known for their amazing speed on the strings, this release goes further and reveals more complicated songwriting, with layers of musical lines under other lines. Rodrigo typically handles the melody and Gabriela the rhythm, and that continues here but with more mood changes in the songs and the impression of a fully-conceived story to be told in each number. They took the album's concept seriously and wanted to honor the musicians who inspired them uniquely and expertly. Mission accomplished. 09/09 W-Latin (Mexico) Michael J.

Quick Links:

• Rod y Gab's Hompage
• Youtube video of the flying fingers

DAVID BAZAN

Curse Your Branches

September 18, 2009

Former front man of alternative Christian rock band Pedro the Lion, David Bazan has made a name for himself in recent years by battling alcoholism (with a few famous on-stage debacles) and a defiant turn against his earlier expressions of faith. His new solo disc is loaded with caustic lines aimed at religion ("With the threat of hell hanging over my head like a halo/I was made to believe in a couple of truths" from "When We Fell") along with a number of references to his battles with bottle (in "Bless This Mess," he wonders if his baby daughter would "soon despise the smell of the booze on my breath"). Personally, I don't find this music offensive at all; at times harrowing, yes, but it is the honest expression of fear, doubt and even anger that we all experience along life's journey. Sometimes tender and repentant, sometimes raging and table-pounding, Bazan examines the deep recesses of his soul -- and causes us to reflect on what we're made of in the process. Michael J. 09/09 R-Alternative

Quick Links:

• Bazan's homepage
• Barsuk Records page on Bazan

BOOKA AND THE FLAMING GECKOS

Baghdad Texas

September 17, 2009

Texan, producer/musician, Booka Michel has produced and performed music all over the world in just about every genre. Listed here as producer, composer, and drummer/percussionist, Booka used three musical genres for inspiration: Latin, Americana, and Middle Eastern, based on the three main characters in Baghdad Texas, the movie that this is the soundtrack to. Clocking in at under thirty minutes, with most of the songs less than three, this is mostly instrumentals and is of the Americana genre with Latin and Middle Eastern influences. I quite liked this and my only complaint would be that there be more than a half hour of music! Rebecca Ruth

Quick Links:

• Loudhouse Music Website
• Baghdad Texas Movie Website

THE INSTRUCTION

Failure By Design

September 17, 2009

Hailing from Louisville, Kentucky, this foursome offers morose, sophomoric lyrics set to a well-produced electric guitar and drums background. This adds up to rock that is sometimes interesting (occasionally even a bit reminiscent of Interpol, though nearly not as cool). It does tend to drag, though, before the disc if half finished. Best song here is "Into the Tomorrow". Though "Hello Darlin'" is supposed to be the focus track, I found it to be a dull ballad, even with its catchy chorus. Rebecca Ruth

Quick Links:

• Sonablast Website

ONE ESKIMO

ONE ESKIMO

September 16, 2009

Hot off the press is this, the self-titled debut from the London, England four-piece indie band calling themselves One Eskimo. Described as the brainchild of front-man Kristian Leontiou, who himself has had some commercial success on his own, reaching the top 10 on the UK charts back in 2004 with the hit "Story of My Life," the band has been tirelessly promoting their debut by touring with the likes of Tori Amos. The first single, "Kandi" was actually one of three songs featured on the 4-song EP released in July of 2009 ("Kandi" appears twice) and features a sample of Candi Staton's 1969 hit "He Called Me Baby." On the full-length, "Hometime" is the opener, a song that features an ethereal melody recognizable by Toyota's use of it in a commercial to promote their eco-friendly manufacturing process. Another standout is the soulful "Giving Up," which features the soft serenade of Leontiou's vocals coupled with a harmony that fits well. "All Balloons" is simple track, featuring a mostly acoustic sound, but one that seems to capture the "lightness" of life as Leontiou sings: "Maybe we're all balloons filled with air, and the reason we're deflated is to remind us that the ground is there." In the end, there's much to like here. The final song, "Amazing," doesn't disappoint as it shed's light on the amazing aspects of the heavenly life to come. On the whole, One Eskimo has created eleven songs that seem to get better each time through and will rightfully attract no small amount of attention in the months to come. ~Reviewed by Jeff Bouma

Quick Links:

• One Eskimo Website

MALCOLM HOLCOMBE

For the Mission Baby

September 15, 2009

Described by David Fricke of Rolling Stone Magazine as "not quite country, somewhere beyond folk...a kind of blues in motion," Malcolm Holcombe is just that - hard to compartmentalize. Still, that's what keeps things interesting on the singer/songwriter's eighth album release; a seemingly introspective and honest look at the realities of life and living. The raspy voice and gritty folk is prevalent from the start as Holcombe kicks things off with the catchy "Bigtime Blues." The second, the Americana inspired "Hannah's Trading Post" is equally pleasing to the ear. The short and heartfelt "You Have it All," captures the essence of a world where some win and some lose. Building on this theme, on the final song, the lush and beautiful "Someone Left Behind," Holcomb hopefully sings: "But there's better days ahead in time for someone, somewhere left behind." Expected by the record company to garner the "best reaction yet," Holcombe and the Grammy award winning producer Ray Kennedy don't disappoint. The reaction from Lucinda Williams was this: "From the first note I was drawn in. He is an old soul and a modern day blues poet." Make no mistake about it, from beginning to end, the reaction to Holcombe's latest is "right on." ~Reviewed by Jeff Bouma

Quick Links:

• Malcolm Holcombe Website

LEE HARVEY OSMOND

A QUIET EVIL

September 14, 2009

No Lee Harvey Osmond is not a new solo artist, but a super group formed between Tom Wilson from Blackie and the Rodeo Kings as well as members from the Cowboy Junkies. Their music is described as Acid folk and after it spinned for the fifth time in my CD player I have to admit it put its spell on me. My favorite track “Cuckoo’s Nest” with the bass lines from John Finlayson had an almost Morphine feel to it. Other tracks like “Blade of Grass” sounded a bit like Chris Isaak. Margo Timmins from the Junkies does a beautiful duet with Tom Wilson on “I’m Going to Stay That Way”. Other notables are some terrific Dobro playing through out the disc from the great Colin Linden. I have a strong feeling that this quiet evil may become extremely infectious. Reviewed By: Gregg Saur

Quick Links:

• Lee Harvey Osmond My Space
• Amazon

MONSTERS OF FOLK

MONSTERS OF FOLK

September 14, 2009

What happens when four friends each individually gifted solo artist with strong solo careers check their egos at the door and release a collaborative disc? The answer is pure magic Jim James aka Yim Yames, Mike Mogis, Conor Oberst and M. Ward have released a disc that is much larger than any of the individual components. The four friends share duties on lead vocals and play every single instrument on this release including some synthesizers and drums that were crafted during the course of the recording sessions. The CD is entitled Monsters of Folk, but elements of rock, country, blues and yes folk are intertwined through out the entire disc. The disc also has a certain spiritual feel to it and tracks such as “Dear God {Sincerely M.OF.}” and “Ahead of the Curve” have made me a true believer in these monsters. Reviewed By: Gregg Saur

Quick Links:

• Monters Of Folk Home Page
• Amazon

BIRDIE BUSCH

Pattern of Saturn

September 8, 2009

One word comes to mind after listening to the latest from Emily "Birdie" Busch titled Pattern of Saturn - POTENTIAL. Yes, this girl has great potential mostly because of her ability to coin catchy melodies with everyday life kind of lyrics. For you new comers, think of a Laura Veirs/Jenny Lewis kind of mix, and this is what you might have. On the opener, "Penny Arcade," what's immediately evident is the beauty of Birdie's voice along with a lush melody making for a really terrific song. On "Bordertown," Birdie takes on the voice of a Mexican dishwasher (Gabino) and creates another song well worthy of a listen or two. One of the best is the short but worthy "Roll It." Here, the singer/songwriter delves into what some might describe as 'rockabilly' as she sings: "This space between us / it's much too wide / I guess with earthquakes / come divides." Another effort deserving of 'Best Of' status is the song "Hometown Boredom," which scales things back a bit for a more mellow and melancholy sound. All in all, perhaps the biggest disappointment with Birdie's latest is the length of the effort as a whole. Coming in at just over thirty-three minutes - with two songs of extremely short length - what you're left with here is an album with nine songs that begs the question: Why not more? Great potential? You bet. Room for improvement? Absolutely. ~Reviewed by Jeff Bouma

Quick Links:

• Official Birdie Busch Website
• Birdie on Myspace

STRAWBS

DANCING TO THE DEVIL'S BEAT

September 8, 2009

The Strawbs were one of my favorite bands in the 1970’s. It was easy to classify their music at that time as progressive folk. During the next decade the Strawbs became one of England’s finest rock bands that dared to touch on political issues of the day. In 2009 this band has come together 40 years after their first release with a CD I would classify as one of the finest art rock discs of the past decade. David Cousins who actually founded the band in 1964 is joined by long time alumni Dave Lambert who joined the band in 1972 and drummer Chas Cronk who has been involved with the band since the early 1990’s. Oliver Wakeman the eldest son of Rick Wakeman who was part of the Strawbs in the 1970’s before joining Yes. This CD will certainly appeal to fans of the early non commercial Genesis sound. David Cousins still brings current political issues into the music such as climate change, greed and corruption. The Strawbs have gone through many changes over the last 40 years but the quality of the music on “Dancing to the Devil’s Beat” shows a band that has many great years ahead of them. Reviewed By: Gregg Saur

Quick Links:

• Strawbs Home Page
• Amazon

LAVAY SMITH & HER RED HOT SKILLET LICKERS

MISS SMITH TO YOU

September 6, 2009

It has been nine long years since we have been graced by a new CD from Lavay Smith & her red hot skillet lickers. This CD was well worth the wait. Lavay breathes new life into classics like the Duke Ellington tracks “It Don’t Mean a Thing” and “It Ain’t Nothin’ But The Blues” The Bluesy sounds of Clarence Williams track “Need A Little Sugar in My Bowl” and a rendition of “When The Saints Come Marching In” that will surely start a Bourbon Street Parade. As impressive as these covers are the three original tracks “Daddy” dedicated to the great Ray Charles features some terrific piano and trumpet solos. “With My Man” is dedicated to one of Lavays heroes and mentors Etta James. This is a slower jazz ballad that when closing your eyes you can picture an early Etta James singing in a Smokey bar. “I’m Not Evil” is an upbeat bluesy track dedicated to the incomparable Dinah Washington. With this disc Miss Smith has placed her name with the greatest jazz singers past and present and earned our respect. Her red hot band the skillet lickers may be the hottest backing band in the jazz world today. Reviewed By; Gregg Saur

Quick Links:

• Lavay's Home Page
• Amazon

FUNKTION

Funk Prelude

September 6, 2009

Out of Kalamazoo, Funktion offers soul-tinged blues on this, their debut release. Andrew Schrock does a nice job with the vocals, sometimes doing it soulfully, such as on "Hypnotyze" and sometimes doing it hip-hop style, such as on the title track. Horn solos abound, but are kept tastefully short, such as Terrence Massey's trumpet solo on "#4". Funky soul can be had on the track "Funk Spot" and on the slightly slower "Make You See". All in all, this is a fine debut album of dance floor-filling, radio-friendly blues. Rebecca Ruth

Quick Links:

• Funktion's Myspace

NII OTOO ANNAN AND STEVEN FELD

Bufo Variations

September 6, 2009

When Steven Feld traveled to Ghana in 2004, for musical studies, he took notice of the croaking of the frogs (Bufo regularis) emanating from the city's sewers. He recorded them and called it his "Bufo Aria". There, he also met multi-instrumentalist Nii Otoo Annan. Their collaboration consisted of Nii Otoo listening to the bufo aria in headphones, while recording his drummed responses. Essentially, this album consists of the Bufo Aria as the first song. The succeeding variations are all Nii Otoo drumming to the frogs, but with the frog track removed. The drums used are most often traditiona African hand drums with occassional use of guitar (Variation 6) or with the addition of sax and voice (Variation 10). This album is an interesting concept as experimentalist music, but it's not altogether radio-friendly. Rebecca Ruth.

Quick Links:

• Voxlox Website

GEOFF MULDAUR AND THE TEXAS SHEIKS

TEXAS SHEIKS

September 6, 2009

This is acoustic front porch blues at its finest. American roots musician Geoff Muldaur the Ex-husband of Maria & father to Jenni Muldaur has put together the Texas Sheiks an musical all-star ensemble that is sure to captivate the hearts and ears of all its listeners. Joining Geoff as a member of the Sheiks is the great Suzy Thompson on fiddle, Cindy Cashdollar who is now both a Sheik and a Guilty Women on both slide and steel guitars and the Texas legend the late great Stephen Bruton on guitar and mandolin. Geoff describes the Sheiks as old time back woods rhythm and soul. I couldn’t agree more. The Sheiks are all serious musicians but after the first listen it is easy to tell the fun that was had while making this recording and the sense of humor shown on tracks like “Under the Chicken Tree” and “Blues in the Bottle”. It is my hope that the Texas Sheiks will ride into your living room, take control of your stereo and be enjoyed on every front porch from Texas and beyond. Reviewed By: Gregg Saur

Quick Links:

• Geoff Muldaur Home Page
• Amazon

WILLIE NELSON

Lost Highway

September 4, 2009

As Willie Nelson departs his record company, Lost Highway, for another classic brand (Blue Note), the good folks at Lost Highway have released this "chestnuts" package with songs from previously released LH recordings -- along with four never-on-record-before cuts (one of which we can't play). The set starts out strong with assists from Rob Thomas and Lee Ann Womack, and the Jimmy Cliff tune from "Countryman" is always a treat. And of course, any duet with Lucinda is worth hearing again. The disc ends with two songs relating to the film "Brokeback Mountain," the first one an iTunes hit now on record; the second unplayable because of language. In all, a solid compilation of the latest Willie Era, on the cusp of him beginning yet another. Michael J. 09/09 F-Americana

Quick Links:

• Willie's homepage
• Wiki on Willie

DELBERT MCCLINTON

ACQUIRED TASTE

September 2, 2009

With a career that spans fifty years, a top 40 hit, "Giving It Up for Your Love", and a Grammy® to his credit for his 2005 release Cost of Living, Texas native Delbert McClinton has not only had a successful career; he’s covered a wide swath of the musical landscape with rock, country, blues and even a little gospel thrown into the mix. McClinton’s twangy, roughed up voice, adds a lived in feel that makes everything he does sound stone cold authentic. This release finds him raw and bruised by love gone sour with a number of ballads serving as the emotional touchstones. "On Never Saw It Comin’" he’s befuddled at missing the signs of a romance on the rocks. On "Until Then" he’s crushed by the reality of “lying alone in bed like butter without any bread” while on "Out Of My Mind" he’s haunted about not being able to get over a lost lover and on "Wouldn’t You Think (Should’ve Been Here By Now)" he’s stunned to find he’s the lover being dumped. "Starting a Rumor" is also a ballad but this time around his soulful croon is used plant the seeds of a new romance. While there’s also a Country weeper, "Can’t Nobody Say I Didn’t Try", there’s plenty of upbeat material here as well. "Willie" is rollicking tale of a hen-pecked buddy who’s just glad to have a woman after a long drought. "When She Cries at Night" is a soulful rocker with sweet background vocals that hide the sorrow of a woman who can’t get out the door. "Mama’s Little Baby" uses the old plantation tune "Shortnin’ Bread" as a musical backdrop to a tale about a woman so hot “she could pop corn just hold it in her hand.” "I Need to Know" has a tough John Lee Hooker beat while "People Just Love to Talk" is a jazzy tale about speculation run wild and "Do It" is a funky Muscle Shoals style soul work out. "She’s Not There Anymore" is a mid-tempo number with a cha-cha beat and the rocking "Cherry Street" finds McClinton regretting getting lured by alcohol and women into a set up that leaves him in the emergency room. While the musical backdrop covers much the same ground as prior releases, McClinton’s sharp eye for emotional detail and ability to make each tune a first person account make this worth adding to your collection. Smitty

KELLEY HUNT

MERCY

September 2, 2009

Singer, songwriter, piano player Kelley Hunt’s new release finds her mixing up the blues that were the bedrock of her prior three releases with gospel, blues, rock and heartfelt ballads. The disc starts out strong with the moody, atmospheric intro to "You Got to be the Vessel" which gives way to a mid-tempo gospel groove and then seamlessly shifts gears with the solid bass groove that propels the semi-spoken vocals of "Lone Star Road". Church is also in session with the big gospel delivery of "Mountain to Move". The big production number, "Freedom Day", has all the earmarks of a U2 cut with its intricate instrumentation, big vocals and build up to a majestic peak. The ballads "Love", "Mercy", "Drowning Man" and "You Can’t Fool Me Anymore" give Hunt a chance to showcase her lush vocals with the later of the four getting added heat from a tough sax solo and sounding as if it could have come from Angela Strehli or even Marcia Ball. Turning up the heat are the mambo tinged "Give Me A Sign" and the blues rock scorcher "Emerald City" which mixes references to Wizard of Oz characters with politics. Straight out blues and boogie make a welcome appearance on the funky "That Ain’t Love" and "Wig Chalet". With a voice equally comfortable belting out the blues or negotiating tender ballads with no instrumental cover to hide behind, Hunt is an easy listen no matter what musical muse strikes her. SMITTY

RICK ESTRIN & THE NIGHTCATS

TWISTED

September 2, 2009

With the departure of namesake Little Charlie Baty, this well seasoned West Coast blues band has morphed from Little Charlie and the Nightcats to Rick Estrin and the Nightcats. For occasional listeners, this isn’t much of a change since Estrin has been the band’s lead singer, harmonica ace and primary lyricist throughout the band’s history. Estrin’s top notch harmonica skills remain intact as evidenced on the rocking "Big Time" and "P.A. Slim Is Back", the aptly titled instrumental, "Cool Breeze" and the simmering "Take It Slow". His trademark wit and sly vocals have made the transition as well with "Back from the Dead leading" the charge with its tale of surviving all manner of debauchery. Those with more than a casual acquaintance with the band will notice a major change by virtue of the switch in guitarists. While Baty was an inventive, jazzy player in the vein of B’nois King, replacement Kid Andersen is more of a roots rocker with a taste for Rockabilly. The guitar fueled "ack From the Dead"could easily find a home on a Southern Culture on the Skids disc while the chicken scratch riffing on "UBU" is more Elvin Bishop than B.B. King. Andersen also proves to be comfortable in the spotlight: the instrumental "Earthquake" features dense slabs surf guitar worthy of Los Straitjackets while "Bigfoot" sounds like an homage to Link Wray. That’s not to say that Andersen is all rough and tumble. The slow grinding "Catchin’ Hell" and "Cool Breeze" both feature some restrained, yet tasty, string stretching. While Baty will surely be missed, this revamped version of the band stands tall against his legacy. Smitty

JOHN HAMMOND

ROUGH & TOUGH

September 2, 2009

John Hammond has made a career of covering first generation blues players. This disc features him not only covering their tunes but emulating their straight up and simple recording style as well with no overdubs, no production and a “what you play is what you get” performance. Recorded live, but without an audience, at St. Peter’s church in New York, Hammond applies his considerable instrumental skills and vocals to Muddy Waters’ "Still a Fool" and "I Can’t Be Satisfied", Howlin’ Wolf’s "My Mind is Ramblin’" and "No Place to Go", Little Walters’ "Up the Line" and "Got to Find My Baby", Jerry McCain’s "She’s Tough", Blind Willie McTell’s "Statesboro Blues" and a host of others. While recording live knowing that the safety net of studio tweaks isn’t going to be used to save the day causes many an artist to play it safe, Hammond seems inspired by the risk and plays with the abandon that makes live performances shine compared to over-scrubbed studio efforts. Hammond’s intricate National Steel guitar work is captivating throughout and age has added an edge of hard won wisdom to his voice. When he throws harmonica into the mix the interplay with his guitar is so tight that you could be forgiven for assuming that someone else must have jumped in to accompany him. While the tunes collected here have mostly been covered to the point that their names alone could evoke a "Mustang Sally" flinch by blues fans, Hammond has stripped them of their electric city roots and presents them as mesmerizing acoustic numbers. While you’ve heard them all before, most come across as almost new. Adding to the sense of new discovery is the re-imagined "Chattanooga Choo Choo" and the hard charging take on Tom Waits’ "Get behind Mule". You owe it to yourself to give these old tunes a new listen. Smitty

WILL HOGE

Even If It Breaks Your Heart

September 2, 2009

Being compared to the legendary Tom Petty isn't a bad place to be for the Franklin, TN born Will Hoge. In fact, "Long Gone" is guitar-driven, southern rock inspired song that easily brings Mr. Petty to mind. Nevertheless, Hoge is his own here too, on this his 4th studio release, as he mixes together a nice combo of what most would classify as straightforward American rock with a layer of folk, blues and soul mixed in as well. The first single from the new album Even if it Breaks Your Heart, is called "The Wreckage." This is a soft and down-tempo love song about a relationship gone awry - a characteristic of many of the songs here. Some other standout tracks include the opener, "Hard to Love," in which Hoge laments: "It's hard to love, but it's easy to hold you right by me." A couple of songs well deserving of a few spins are the title track, as well as the other noteworthy favorite and aptly named, "Favorite Waste of Time" - a faster moving song that rocks from beginning to end. While it's true that there's nothing truly fancy here, what Hoge has recorded are a strong collection of songs that really are a pleasure to listen to from beginning to end. ~Reviewed by Jeff Bouma

Quick Links:

• Official Will Hoge Website
• Will Hoge on Myspace

HUUN HUUR TU AND CARMEN RIZZO

Eternal

August 28, 2009

Eternal is a display of unique musical textures using rare instrumentation and throat singing that should make all Tuvans proud! (Tuva is a sparsely settled republic of the Russian Federation). With vocals that often sound like didgeridoos or old world bowed instruments, those who really dig a meditative “world beat” sound, will likely LOVE this. Huun Huur Tu is a quartet of Tuvan men who all practice this ancient throat singing and play a variety of traditional instruments, some of which are unfamiliar to most Americans. Here, they collaborate with electronic musician/producer, Carmen Rizzo. Rizzo does NOT turn this into electronica dance music; he accentuates and renders what the quartet already does. The result tempers Siberian folk music into something lush, haunting and mesmerizing. As reviewed in the Huffington Post, “envision powerful and tasteful low-end, percussively intelligent, moving and sweeping in the landscape while strings and voices grace the surface.” Becky 8/2009

Quick Links:

• Huun Huur Tu
• Carmen Rizzo
• Purchase Eternal
• Traditional Music of Tuva

CATIE CURTIS

Hello, Stranger

August 27, 2009

Over her 15-year music career, Catie Curtis has often played her catalog in a variety of ways, surprising fans with stripped-down versions of her songs. This disc is a collection of tunes she recorded earlier, as well as a number of covers, in a string-band setting featuring banjo player extraordinaire Alison Brown (and heavy on mandolin and fiddle, too). The opener, "100 Miles," and "Deliver Me" are originals that ring true in this setting. Interesting as well are the Cat Stevens song "Tuesday's Dead" and the John Martyn bluesy cut "I Don't Want to Know." Mary Gauthier joins Curtis on the country-fave title track. Michael J. 08/09 F-Americana

Quick Links:

• Catie Curtis home page
• Catie on myspace

K'NAAN

Troubadour

August 27, 2009

K'naan was born in Mogadishu, Somalia and lived there until he was 14, partly during the civil war of the early nineties. He fled with his family and wound up, eventually, in Toronto. He was discovered at the U.N. at a conference by Yossou N'Dour and later emerged with a record contract. His debut CD won Canada's Juno award for best rap record. K'naan's been in some song-skirmishes with other hip-hoppers who have ridiculed his choice of musical topics (often Africa and the have-nots), but the kid doesn't back down. He definitely has something important to say and the talent to bring a strong message. This sampler from "Troubadour" (recorded at Bob Marley's studio in Jamaica) gives you a taste of his approach. The reggae-tinged "Wavin' Flag" has become a bit of an anthem at his concerts. Michael J. 09/09 W-Hip Hop

Quick Links:

• K'naan home page
• K'naan on youtube

KATE SCHUTT

TELEPHONE GAME

August 25, 2009

Kate Schutt new CD Telephone Game is certainly one connection you don’t want to miss. This self produced CD from Ontario’s songstress combines elements of Jazz, Pop and rock to make a satisfying listen from the first track to the last. The opening track has a jazz-soul flavor to it and was inspired by the Eastern seaboard power outage in 2003. “Blackout” is the most rock oriented track starting with an almost Crazy Horse style guitar distortion and feedback and quickly opens to Kate’s beautiful vocals. “Who Is Young, Who Is Naive” combines Italian world beat sounds and could be featured at any street side café. Kate’s hand picked band has players who have worked with the likes of Herbie Hancock, Quincy Jones, Charlie Hunter and Kenny Barron. The whole CD very craft fully balances elements of Jazz & Pop to make this CD pleasing to fans of Diana Krall as well as Fiona Apple. After just one listen you will make the connection with this Telephone Game. Reviewed By: Gregg Saur

Quick Links:

• Kate's Home Page
• You Tube

JENNI MULDAUR

DEAREST DARLIN'

August 20, 2009

Backed by an all star cast including Sean Costello on guitar, Brian Jackson on keys, Lenny Pickett on sax, Catherine Russell, Teddy Thompson and Joseph Arthur on vocals, Jenni Muldaur, daughter of folk and blues icons Geoff and Maria Muldaur, has crafted a disc worthy of her rich linage. With most of the 12 cuts pre-dating the early 60’s you get the sense that Muldaur is channeling the soundtrack of growing up with parents immersed in music and having fun. The mostly upbeat tone of this disc is established from the opening notes of Big Maybelle’s classic, "I’ve Got a Feelin’", which is given a high energy reading that is matched by the jumping swing of Lee Dorsey’s "You’re Breaking Me Up", the girl group rave-up, "You’ve Got Me Uptight" and the rhythmic bounce of the Bo Diddley penned title cut. Vintage rock makes a fun filled appearance on "I’d Rather Live like a Hermit" which has a smoking sax chart straight off from L.A.’s Central Avenue and on the Charlie Rich classic, "There’s Another Place That I Can’t Go" which sounds like a first cousin to Sonny & Cher’s "Beat Goes On". In a different vein but still brimming with energy is the acapella field chant "Hopali". Even though soul numbers like "Just Ain’t No Love" have a percolating groove that leaves the crying to others while Muldaur shakes her tailfeather she can also pull out the Kleenex box as evidenced by "Lost Someone" and gets downright sultry on the bluesy "Just Kiss Me Once" and on the jazzy "Comatose Town". NRBQ’s "Blame it on the World" is somewhat of the odd song out with its popish sound and 70’s vibe. With a vocal style that sounds uncannily like her mother’s early work and occasionally like Rickie Lee Jones, Muldaur imbues every cut with sass, swing and, most importantly, honest emotion. Absolutely terrific from beginning to end. SMITTY

FIONA BOYES

BLUES WOMAN

August 20, 2009

Australian blues guitarist/vocalist Fiona Boyes follows up her successful 2006 stateside debut, Lucky 13, with another top notch release. With a core band featuring Derek O’Brien on guitar, Jimi Bott on drums and Ronnie James on bass, she has all the support she needs for a stellar effort. But, she doesn’t stop there: adding the colors and spice that separate this from the typical blues are special guests Watermelon Slim, Marcia Ball, Kaz Kazanoff, the Texas Horns and Pinetop Perkins. Boyes uses this massively talented crew to take a trip through a wide variety of blues styles. "Look Out Love!" is a hard hitting shuffle that gets added flair from Watermelon Slim’s cool dobro riffs. Slim also shows up as a crazed fire and brimstone preacher who condemns the deceased and all his mourners to a fiery grave on "The Barrelhouse Funeral". On the other end of the spectrum is the upbeat "Train to Hopesville" which features big horn grooves and rollicking piano from Marcia Ball. "Got My Eye on You" is a sexy, salacious number where Boyes’ lust for the boys in tattoos is almost as hot as Kazanoff’s guttural sax grooves. "Do You Feel Better" is a slow weeper with a 60’s girl group vibe while "Place of Milk and Honey" is a straight forward acoustic blues that features Boyes yearning for that hunk of easy street that blues musicians dream of but seldom reach. "Howlin’ At Your Door" has a tough, sinewy beat straight out of the Mississippi hill country while JB Lenoir’s "I Want to Go" is a romping stomping affair that gets plenty of propulsion from Jimi Bott’s bongos and heavy hand on a plastic trash can. Throughout, Boyes not only plays some hot wired guitar but also sings with both nuance and authority, sounding at times like a gritty version of Maria Muldaur and at others like a semi-tamed Robert Plant. It’s hard to imagine there will be many blues releases this year that hit so many bases so well. Smitty

PAUL BURCH

Still Your Man

August 19, 2009

With a sound described by USA Today as "thoroughly modern but completely unlike contemporary country," Paul Burch is back with his seventh full-length release titled Still Your Man. Along with help from his WPA Ballclub band, the singer-songwriter provides listeners a sound that, while labeled country, is undoubtedly influenced by 50's era honky tonk and the early rock and roll style known as rockabilly. Recorded in an old garage turned studio in Nashville, Burch and his band get off to the thoroughly likable and rockabilly start with the opener "Like a Train." Covering the late Little Walter on "It Ain't Right," Burch delves into the blues and doesn't disappoint. Another song that brings back memories of Roy Orbison is the short and mellow "Lead Me On." There's even the beautiful and lush "Honey Blue" that incorporates piano, guitar, and percussion all to make a sound that could largely be categorized as jazz. In truth, there's too much good here to comment on everything. In the end, all fourteen songs have their own uniqueness to them, making this a great recording to listen to again and again. ~Reviewed by Jeff Bouma

Quick Links:

• Paul Burch Website

POSITIVE CATASTROPHE

Garabatos Volume One

August 17, 2009

This ten-piece big band comes out of New York with its first release. This is adventurous stuff; indeed some of it might be a bit too challenging for the average radio listener. Many of these songs feature Latin-tinged percussion, such as that found on "Metro Mono" and on one of my favorites, "Plena Quicksand Monument". Another of my favorites, "Post Chordal", features an ascending and descending horn melody that is reminiscent of the Mingus piece, "Fables of Faubus". All in all, this is nice stuff for the discriminating jazz fan, and it just gets better with each listen. Rebecca Ruth

Quick Links:

• Cuneiform Records Website

CURT RAMM, DAN MORETTI, BILL CUNLIFFE

Foundations

August 17, 2009

This is a contemporary jazz release of all original compositions, a few of which could be categorized as bop ("Little Bit"), and some of which could be called smooth ("MM&D" and "Podunk"). Some of it can have a little soul ("K-Funk" and "Zone Seven") and some can have a nice groove ("Totem Dance" and "Get In Line"). There is nothing spectacular here. It is capably performed versions of uncomplicated, adequately-written pieces. Rebecca Ruth

Quick Links:

• Foundations Jazz Records Website

THE TWISTERS

COME OUT SWINGIN'

August 17, 2009

The Twisters remain one of Canada’s hottest exports. Mixing west coast jump blues, rockabilly, reggae and gospel the Twisters can really shake things up. The CD opens with their signature swing sound that will fill the dance floor after the first note. The track “Doghouse” combines western swing with rockabilly and sounds like a meeting of the Love Dogs and the Stray Cats. “Take My Own Advice” departs from the jump swing sounds and lays down a cool reggae beat. “I Refuse To Get Old” could be many of our theme song and showcases the talents of Dave Horel on harmonica. It will be easy to make comparisons of Dave to Rod Piazza or Magic Dick throughout this entire release. “Party Goin’ On” has a full blown high energy gospel sound to it and will have you in the aisles in a full sweat begging for more. The Twisters have truly Come Out Swingin’ on this disc and blew this kid away. Reviewed By: Gregg Saur

Quick Links:

• Twisters Home Page

MINDY SMITH

Stupid Love

August 14, 2009

On her third release (we're not counting her CD of Christmas songs), Mindy Smith -- who has been touted as being in the same league as Patty Griffin, Alison Krauss and Shawn Colvin -- bares her soul about love's ups and downs. And, as she does on her earlier sets, she doesn't spare herself or the others in her various relationships. All of the emotions, positive and negative, come out. It's like opening up someone's personal journal and following the story; but we don't feel like creepy lurkers, rather invited confidantes to share her grief and joy. Hard to pull off, but she manages to do it. Her mix of music and lyric are well done. I like the NY Times quote of her music: "Her voice carves melodies so sharp and fine you can almost see them." Suggestions: "What Went Wrong,""Highs and Lows,""If I Didn't Know" (a song of hers covered earlier by Alison Krauss), "Couldn't Stand the Rain" and "Love Chases After Me." 08/09 Michael J. F-Contemporary

Quick Links:

• Mindy's home page
• Her Myspace page

ANNIE & ROD CAPPS

My Blue Garden

August 14, 2009

Regional musicians (they're from Chelsea) Annie and Rod Capps deliver a set of "small town" American folk music, accentuated by Annie's high soprano and a familiar supporting cast made up of Rachael Davis, Jen Sygit, Jan Krist, Jim Alfredson (Organissimo) and others. While I appreciated their homespun originals, it is the two cover tunes that caught my attention -- Dave Carter's "Crocodile Man" and the gospel number "Soon Be Free." Folk music is alive and well in the hearts, voices and fingers of this couple. 08/09 Michael J. F-Traditional REGIONAL

Quick Links:

• Annie and Rod's homepage
• Their Myspace page

SILVEROOT

BIG DIFFERENCE

August 11, 2009

Multi instrumentalists Patrick Flynn and Darryl Webb have spent most of their lives in the wine country of Northern California and make up the core sound of Silveroot. This is acoustic folk music that has the wit of a Robert Earl Keen and at times the sounds of the gypsy song man Jerry Jeff Walker. Emily Palen a Michigan native that now resides in the San Francisco area nicely rounds out their sound with her excellent violin and vocals on one of my favorite tracks “Brazil”. This track has the most adventurous sound on the disc and reminded me of the 1960’s group It’s a Beautiful Day. Silveroot has delivered a fine release that should make a Big Difference in the world of acoustic folk music. Reviewed By: Gregg Saur

Quick Links:

• Silveroot My-Space Page

SONNY LANDRETH

LEVEE TOWN {EXPANDED EDITION}

August 11, 2009

In 2000 Sonny Ladreth released one of the finest discs of his career Levee Town. In 2009 we revisit this great recording that blended rock, blues, zydeco and even folk sounds that made this recording easily accessible to fans of Sonny’s signature slide guitar work as well as a new generation that was searching for some great Louisiana & Americana music. The expanded edition includes a bonus disc of five tracks recorded between 1998-2000 that would have fit beautifully on the original disc. The first track “Pedal To The Metal” is signature Sonny slide guitar mastery and shows how fast this mans fingers can fly. “For Who We Are” is the only vocal track of the five and is a nice sounding ballad featuring Jennifer Warnes”. The remaining three instrumentals prove that no words are required to show the beauty contained within one mans soul and his guitar. Reviewed By: Gregg Saur

Quick Links:

• Sonny Landreth Home Page

KIMI DJABATE

Karam

August 9, 2009

Kimi Djabate, a master of the balafon -- akin to our xylophone -- was born into a family of griots in the tiny African country of Gunau-Bissau. Griots are incredible African musicians who make it their life's work to tell the story of their people in song. As you might imagine, Djabate started his musical education early and played often. The artistry shows on this set. Although now living in Lisbon, Djabate's subject matter remains centered on Africa. Up-tempo songs on the disc are "Mussolu," "Manla" and "Bagi." Another interesting number is "Djalia," which features the balafon front and center. Even the smallest countries have much to teach us -- if we're willing to listen. W-Africa 08/09 Michael J.

Quick Links:

• Kimi's home page on Cumbancha
• Kimi's Myspace page

OR, THE WHALE

Self-Titled

August 8, 2009

This is the second album from the San Francisco seven-piece outfit, Or, the Whale. I find it to be a bit more "countryfied" than their first album, "Light Poles and Pines". This album of sometimes rocking, folk-country does have some good things to offer, such as nice production and vocal harmonies. Besides your basic guitar, drums, and vocals, Or, the Whale's brand of Americana also features dobro, pedal steel guitar and banjo. Most of the songs here are somewhat Starland Vocal Band-sounding in their country-pop harmonies. The more rocking songs are the album opener, "No Love Blues", the haunting "Keep Me Up", and the Jefferson Airplane-ish "Black Rabbit". Rebecca Ruth

Quick Links:

• Or, the Whale Website
• Seany Records Website

TIGRAN HAMASYAN with ARATTA REBIRTH

Red Hail

August 8, 2009

Only twenty-two years old and already having two albums under his belt, piano prodigy Tigran Hamasyan has moved from his native Armenia to the United States. He then assembled band of talented musicians, named them Aratta Rebirth, and recorded this rewarding album. This is challenging jazz with rock leanings and complicated time signatures. It offers tight musicianship, often featuring voice as instrument. Songs range from the heavy, guitar-oriented title track to the pretty "Love Song" which features sparse instrumentation, vocals, and piano. All these songs were composed by Tigran, except three Armenian folk songs. "Chinar Es", "Amran Gisher", and the album's opener were all arranged by Tigran with seeeming respect for their origin, using spare instrumentation. Rebecca Ruth

Quick Links:

• Tigran Hamasyan's Website
• Plus Loin Website

BOWERY

Our Love Is A Ghost

July 31, 2009

Here we go. Yes “here”. This is a local GR band. They present 8 alternative pop-rock tracks. (The word alternative being used in its current manifestation). The Bowery is Phill Kulas and Shanee Laurent. Phil Kulas also works with the bands, the Fred Thompson Trio and Japan 4. Our Love is a Ghost was recorded and mastered by 2 other local talents: Al McAvoy (who probably can claim producing half the music in this town) and Joel Ferguson (Papa Vegas). The songs are catchy and have a nice full layering of sounds. The style could be compared to that of the Dandy Warhols, or the Rosebuds; male and female vocal leads, some harmonizing, heavy electric guitar and percussion over top of some trippier, ambient sounds. The track I was most drawn to was the last one, #8; the moody tune The Needle Never Ends. Becky 7/2009

Quick Links:

• Bowery
• GR Press Review
• Purchase Our Love is Lost

IAN HUNTER

Man Overboard

July 29, 2009

You'd think that at age of seventy, the former Mott the Hoople front man would be calling it quits. You couldn't be more wrong. Following up the critically acclaimed 2007 solo release Shrunken Heads, Ian Hunter is back with another gem that doesn't take long to like. With his debut on New West Records, Hunter has written songs that are filled with guitar, mandolin, accordion, banjo, piano - all accompanied by a voice that still sounds strong. For sure, the singer/songwriter has his whole life to draw upon, both the good times and the bad. For instance, on the title track, "Man Overboard," Hunter laments the trouble filled life as he sings "man overboard, waves washing over me, sometimes it's a perilous sea." Another great track where you get a picture of Hunter's heart is the beautifully crafted and yet sad "Flowers," where he shares: "I can't see God, the trees are in the way. Can't see hope, can't find love." While melancholy abounds, there's also a few hope-filled gems as well. "These Feelings" reads like a greeting card as it reflects on a love that has lasted through the years. The short but positive "Win it All" almost sounds out of place here, but offers some much needed optimism to get through the difficult days of life. There's even the humorous opener "The Great Escape," in which Hunter shares his apparent 'escape' from an impending bar fight, perhaps reflecting on his younger days. On the whole, each track here is enjoyable in its own way - with songs made for just about any occasion and any mood. The result: a collection of songs that most listeners will come back to again and again. ~Reviewed by Jeff Bouma

Quick Links:

• Ian Hunter
• New West Records

THE BOTTLE ROCKETS

LEAN FORWARD

July 28, 2009

After 15 years of recording and touring, the Bottle Rockets are not relying on the past, but are leaning forward with a collection of12 tracks that will demand their listeners turn their amps up. This CD is Roots/Rock at some of it’s finest. The opening track “The Long Way” shows that life may take us on interesting & unexpected turns but there is always a bright light at the end of the tunnel. “Hard Times” is a great guitar driven rocker and could be one of life’s anthems as we all feel them, but they should be reasons for us to battle & get back on our feet. “Open Your Eyes” is the first ballad on this disc and Brian Heinemann shows he does have a nice soft sensitive side. “The Kid Next Door” is a song that can move listeners to tears at it explores the evil consequences of war. “The Way It used To Be” is a full assault rock tune that can make fans of country, rock & punk smile. “Slip Away” is a catchy track that reminded me of some of the best Del Amitri recordings. It is apparent that The Bottle Rockets have the desire to not only Lean Forward but to explode into the future with this excellent new release. Reviewed By: Gregg Saur

Quick Links:

• The Bottle Rockets Home Page

HOT CLUB OF COWTOWN

WISHFUL THINKING

July 27, 2009

It has been stated that good things are worth waiting for and after seven long years the first studio CD from the Hot Club Of Cowtown is no exception to that rule. The CD begins with HCCT’s signature western swing sound with a cover of the Bob Wills track “Cant Go On This Way”. This CD Is hard to categorize as it ventures into several different genres including the jazz influenced renditions of “Someone to Watch Over Me” and: One Step Closer”. “The Magic Violin” and “Heart of a Roman” are both instrumentals that showcase the classically trained fiddle work of Elana James”. Whit Smith’s guitar and vocals provide a wonderful rendition of the Hoagy Carmichael country ballad “Georgia” and the folk ballad “Carry Me Close”. This is also the first HCCT disc with drums provided by newcomer Damian Llanes. I hope it is not just “Wishful Thinking” that we won’t have to wait seven more years until we next hear from the Hot Club Of Cowtown. Reviewed By: Gregg Saur

Quick Links:

• Hot Club Of Cowtown Homepage

CHARLES WILSON

Troubled Child

July 25, 2009

On the blues/soul circuit since 1964, Charles Wilson seems to have hit his stride with Al Green-ish soul sets, with this disc following up on his award-nominated "If Heartaches Were Nickles." The nephew of the late Little Milton, Wilson knows his way around a song, as evidenced by the opener, "Where My Baby Went," a Bobby Bland tune or "The Good Side of My Girl." He gives homage to his departed uncle on "Somebody's Tears" and does an soul cover of Bob Marley's "Is This Love." Wilson has talent and pedigree, and most of this set is pleasingly smooth R&B. B-R&B 07/09 Michael J.

Quick Links:

• Charles Wilson bio
• Wilson Severn Records site

BOMBA ESTEREO

Blow Up

July 21, 2009

Out of Bogota, Columbia, Bomba Estereo exploded onto the scene at SXSW 2009 creating buzz for this, the debut album. Combining hip hop and Colombian rhythms with electronic dance music, they're sure to get you moving. Rebecca Ruth.

Quick Links:

• Nacional Records Website

ED PALERMO BIG BAND

Eddy Loves Frank

July 21, 2009

To put it in a nutshell, this is Ed Palermo's big band covering the compositions of Frank Zappa. After performing the music of Zappa for some fifteen years, this sixteen-piece band knows what it's doing. This isn't note-for-note covers. The band puts its own stamp on the music, while keeping it recognizable. This is Zappa for the big band jazz fan. It also satisfies this Zappa fan. I'm not all that into covers or tribute bands, but this band plays the complicated stuff well and with respect for the composer. Give it a listen, Zappa fan or not, you might just like it. Rebecca Ruth

Quick Links:

• Cuneiform Records Website
• Ed Palermo Website

SILA AND THE AFROFUNK EXPERIENCE

Black President

July 18, 2009

Out of San Fransisco and led by Kenyan native Sila Mutangi, Sila and the Afrofunk Experience offers funky afrobeat music. The band formed in 2003 and in 2007 they won "Funk Artist of the Year" at the Los Angeles Music Awards. Citing James Brown and Fela Kuti as influences, they perform socially and politically-aware songs to reggae and Latin-tinged rhythms. (The title track being the most obvious example of said politically-conscious lyrics.) Nice grooves can be found on the tracks "Kamakosa" and "Live It Up". You want reggae? Check out "You Love You". Upbeat Afropop? Then "Shelter" is your song. Afro-Cuban influences? Check out "Beauty Queen". Prince-channeling funk? "Chrome" is the best song of the bunch. Rebecca Ruth

Quick Links:

• Afrofunk Website
• Sila Website
• Myspace Site

THE TRACTORS

Trade Union

July 18, 2009

Showcasing their Oklahoma roots, The Tractors give us plenty of old-school country on this, their first release in six years. There are some interesting collaborations here, including Leon Russell (Good Old Days) and J.J. Cale (Rhythm Bone). There's also some cool honky-tonk on "What Makes Love Go Bad", which features a nice train snare, horn riffs, and dobro. They turn things up a notch on "It's Only Love" to end on a high note. Rebecca Ruth.

Quick Links:

• Koch Records Website
• The Tracors Website

LOS AMIGOS INVISIBLES

Commercial

July 15, 2009

With their latest and sixth studio release titled Commercial, the party continues with a little something for everyone as the six-piece known as Los Amigos Invisibles conjure up another album of danceable tunes. As a brief description, their sound is a blend of quite a bit of different stuff including but not limited to disco, jazz, funk as well an expected assortment of Latin rhythms. "Mentiras," essentially the opener after a short prequel, is the first single and arguably one of the better tracks from the Amigos. "Dulce" and "Plastic Woman" are simply made for the dance floor - two songs that blend the funk of Rick James and the disco of the Bee Gees to make for a wonderful listen. "Vivire Para Ti" sounds like a revamped Love Boat theme song and features the vocals of the Mexican pop artist Natalia Lafourcade. One of the standout songs here is the only one that we find written in English. "In Luv With U" is really just a simple love song that incorporates a bit of jazz and funk all with the underlying layer of Latin percussion. The fast-paced "Como Lo Haces Tu" utilizes some nice keyboards and what appears to be sirens, to produce perhaps the closest thing to a classic "pop" song here. Overall, from a pure sound standpoint, there's a lot to like here. The downside might be the suggestive themes littered throughout. Aside from that, get on your dancing shoes and hit play! ~Reviewed by Jeff Bouma

Quick Links:

• Official Website

WILLIE NILE

HOUSE OF A THOUSAND GUITARS

July 6, 2009

There are certain CD’s that you can leave in your player for months on end that you never grow tired of, Willie Nile’s new release is one of them. After 25 years since his first recording this is undeniably his finest disc to date. The CD begins with the rocking title track where Willie playing homage to some of his favorite musicians including Hendrix, Robert Johnson, Hank Williams, John Lee Hooker, Dylan and others. The Track “Run” has a real Tom Petty sound to it while the “Doomsday Dance” plain out rocks with lyrics that will catch you doing the twist underneath a mushroom cloud. “Now That the War is Over” unleashes that horrors that war plays on the minds and bodies of our veterans’ after they return home. Willie does show his more sensitive side on the tracks “Her Love Falls Like Rain” and “Touch Me”. There is nothing short of a dozen gems on this release and everyone deserves to be heard. Reviewed By: Gregg Saur

Quick Links:

• Willie Nile Home Page
• Amazon

OTHER LIVES

Other Lives

July 2, 2009

The first full-length album from this Stillwater, Oklahoma band is full of avant-garde instrumentation and sad lyrics to make for a melancholy sound. Nice production abounds as cello is layered over melotron is layered over harpsichord is layered over...you get the picture. This is a nice, quiet album that I would describe as prog-folk. The tracks "End of the Year" and "Matador" being a bit more prog-gy than the rest. Reviewed by Rebecca Ruth.

Quick Links:

• Other Lives Website
• TBD Records

LANDy

Eros And Omissions

June 30, 2009

LANDy is Adam Goldberg (actor, writer, producer, director). Along with some help from Aaron Espinoza of Earlimart and Stephen Drozd of The Flaming Lips, Goldberg sings in the range of what sounds like a cross between John Lennon and Jon Brion, except he can’t quite sing as well as either of them. Goldberg also takes on keyboards, guitar and drums on many of these tracks. Before taking a first listen, I expected equal parts irony and irreverence, injected with the actor’s signature dark humor. In a sense, Eros and Emissions does carry Goldberg’s black-humored irreverence, although he seems to take his music as seriously as any up-and-coming musician, and this debut is a surprisingly affective collection of moody, atmospheric dream pop that packs in a lot of sounds, vocal styles and personality. -LaRae

Quick Links:

• LANDy on MySpace

DUKE ROBILLARD

STOMP! THE BLUES TONIGHT

June 23, 2009

It is said that everything old is new again and Duke Robilard is bring back the Rockin R&B sounds of the 40’s and 50’s with vengeance. Joined by roomful of blues alumni Doug James, Rich Latiaille and Carl Querfurth on horns this could have been released as the finest Roomful CD in years. Sharing vocals with the terrific Sunny Crownover Duke plays homage to some of the finest vocalists of the era including Wynoie Harris, Roy Milton, Big Joe Turner and Helen Humes’ who originally recorded the “Million Dollar Secret”. Most of the tracks on this disc were originally recorded 40-60 years ago, but Duke brings them back to life and makes them sound as fresh as the day they were recoded. My advice is put on your dancing shoes and Stomp the Blues Tonight! Reviewed By: Gregg Saur

Quick Links:

• Dukes Official Web Sight

DIZZY GILLESPIE ALL STAR BIG BAND

I'm BeBoppin' Too

June 22, 2009

In celebration of Dizzy Gillespie's big band legacy, former Dizzy alums John Lee (bass) and Slide Hampton (trombone) got together to form the Dizzy Gillespie All Star Big Band. They updated the sound by bringing in new blood such as Antonio Hart (flute)and Roberta Gambarini (vocals) to perform Gillespie's compositions. Modern day trumpeter, Roy Hargrove, is also here, not only to blow his horn, (He's featured on "I Can't Get Started".) but also to blow his own pipes on vocals for the title track. There is other fine trumpeting here from Claudio Roditi as well on "Birk's Works". Rebecca Ruth

Quick Links:

• Dizzy Gillespie Website
• Blue Note Records

STARDEATH AND WHITE DWARFS

The Birth

June 22, 2009

There seems to be some Flaming Lips influence on this full-length debut from Oklahoma psych rockers Stardeath and White Dwarfs. How could there not be, when lead singer Dennis Coyne is Wayne Coyne's nephew and three members of this quartet were Lips roadies? This album features heavy guitars (The Birth), loud organ (The Sea Is On Fire), and nice production. The single, "New Heat", is the weakest song on this. Better choices might have been the quiet, Yes-like prog/rock of "Country Ballad" or the rocker "The March". Rebecca Ruth

Quick Links:

• Band Website
• Warner Bros. Website

BJ ALLEN & BLUE VOODOO

HEARTLESS

June 22, 2009

Kirksville Missouri musician BJ Allen and her band Blue Voodoo is certainly a force to be reckoned with. BJ has a dynamic vocal quality and range that could easily be compared to Ellen White, Liz Mandville or even Grand Rapids own Roberta Bradley. You can feel BJ pour her entire soul into each track on this fine release. The first track “Don’t Know What You’re Missin” is sure to fill the dance floor with its swinging sound. The track “Borderline” shows the funkier side of BJ and her excellent cover of Janis Joplin’s “Get It While You Can” has a certain gospel feel to it. BJ also slows things down a bit on Dinah Washington’s classic track “Sunday Kind Of Love” displaying her more sensitive side. The name of this CD is Heartless but after one listen you will discover that this Musician and her excellent band from Missouri have a whole lot of heart and lots of soul. Reviewed By: Gregg Saur

Quick Links:

• My Space
• Amazon

WANDA JACKSON

HEART TROUBLE

June 19, 2009

For those not hip to the tip, Wanda Jackson is literally the Queen of Rockabilly, turning the Country world on its head along with Elvis, Carl Perkins and Johnny Cash in the mid-1950’s with her wild stage antics and such classic hits as "Mean Mean Man", "Hard Headed Woman", "Rockabilly Fever" and "Let’s Have a Party". With her induction into the Rock and Roll Hall of Fame’s 2009 class, it is likely that a whole new generation will discover the sheer joy and abandon that marked her approach to a style of music that she was making up as she went along. This 2003 release marked Jackson’s first return to the recording studio in over 20 years after a long hiatus performing gospel and straight County. To mark the occasion she was joined by such roots rock luminaries as Dave Alvin, The Cramps, Lee Rocker, Rosie Flores and even Elvis Costello. With a wide sampling of her country and rockabilly hits, this disc is a journey into the past. While the flames don’t burn as bright as on her 50’s sides, there is still plenty of heat here. Play it loud, play it often. Smitty

TERRI HENDRIX

LEFT OVER ALLS

June 19, 2009

This release gives Terri Hendrix a place to showcase cuts that didn’t end up having a home on her prior discs or that have been reinvented so much on the road that they need revisiting. Make no mistake though, these aren’t mere cast offs or demos, they are full fledged efforts that stand tall on their own merits. Highlights include the tough, sinewy "Posey Road Stomp", her live show staples, "Wallet" and "Hole in my Pocket", the funky, semi-spoken, "Bottom of the Hill 2", the gypsy groove of Cheryl Wheeler’s "Summer Fly", the reggae bounce of "Wilderness Song" and the Little Feat style work out "Rockin’ on the River" where Hendrix sounds uncannily like a young Maria Muldaur. Also included are a couple of new cuts that paint a bright future for Hendrix: "Bring ‘Em All In" has multi-track vocals and features her best Dolores O’Riordan (the Cranberries) imitation to generally good effect while "Give Me Flowers" is the kind of earnest message song that seems to spring effortlessly from her pen. Like fellow Texan, Michelle Shocked, Hendrix has the ability to both enlighten and entertain. This disc has ample doses of both of these strengths. Smitty

LEVON HELM

ELECTRIC DIRT

June 19, 2009

After hitting a home run with his 2007 release, Dirt Farmer, Levon Helm returns with Electric Dirt. Featuring a cast of musicians that has a wide and deep background in roots music of all forms and tracks written or popularized by the likes of the Grateful Dead, Pops Staples, The Carter Brothers, Nina Simone, Ollabelle, Muddy Waters and Randy Newman, Helm has crafted a disc that is loose, organic and a solid delight from beginning to end. As always, tying all of the pieces together are the rough, gruff vocals that Rolling Stone Magazine has ranked in the top 100 of all time. With the ravages of time and throat cancer seemingly held in abeyance Helm gives a boisterous reading to Muddy’s "Stuff You Gotta Watch", goes deep into the delta for the field holler groove of Staple’s "Move Along Train", duplicates the good time vibe of the Band on "I Wish I Knew How It Would Feel To Be Free" and rocks out on guitarist Larry Campbell’s "When I Go Away". While there are contemporary flourishes and horns on many of the tracks that distinguish this disc from the stripped down folk of Dirt Farmer, Helms seldom veers too far from his past. On "Golden Bird" and "White Dove", Helm and crew move deep into Appalachia with dulcimers, fiddles and acoustic guitars providing the backdrop to odes about hard times and simple pleasures. Given his roots in rural Arkansas and long tutelage in folk and blues music Helm is able to perform these numbers with an authenticity that lays waste to the efforts of modern roots pretenders. Electric Dirt gets beneath your nails and won’t scrub out with a simple washing. Smitty Kingfish- “Shitkickers”, “Ass”

GREG NAGY

WALK THAT FINE THIN LINE

June 19, 2009

Greg Nagy is well known to mid-western audiences as the guitarist and occasional vocalist for Lansing, Michigan based Root Doctor. This disc reveals that if his main gig ever ends, Nagy will land quickly on his feet. Joined by Jim Alfredson (Root Doctor and Organissimo) and Al Hill (Bettye Lavette) on keys, Jen Sygit and Rachael Davis on vocals and a host of others, Nagy and crew rip through 10 mostly self-penned tunes that cover a broad range of blues styles. The Don Nix classic, "For The Love of A Woman" is not only funky, but has some scorching guitar work. The title cut plays closer to the Soul side of the spectrum while "M & O Blues" has a Hill Country feel to it and "You Can Love Yourself" will have Keb’ Mo’ smiling at Nagy’s adept cover. On "Sunrise", Nagy channels the Doobie Brothers with his supple vocals propelling the rocking groove. Closing things out is the ballad, "She’s My Baby" which showcases Nagy’s sensitive side. Overall, a fine release. Smitty

AMONG THE OAK & ASH

Among the Oak & Ash

June 19, 2009

Folk-rockers Josh Joplin and Garrison Starr team up on this interesting set of traditional folk tunes reworked (and many of them revved up) to give us a fresh take on these historic musical touchstones. "Peggy-O," "Angel Gabriel" and "The Water is Wide" are examples of famous songs that will re-engage you once you hear these two musicians take them down new avenues. Doomed legends such as Hiram Hubbard and Joe Hill have their stories retold by the troubadours; Joplin and Starr also contribute their own song to the genre -- "High, Low & Wide" -- and it fits perfectly in this company. Nice project, and they promise a reprise. MJVD 06/09 F-Neo-Traditional

Quick Links:

• ATO&A home page
• ATO&A Myspace site

SON VOLT

American Central Dust

June 15, 2009

With their first effort for Rounder Records, Son Volt offers up American Central Dust - their 6th full-length recording. While many of the band members have changed since Son Volt's debut Trace in 1995, one constant has been lead vocalist and primary songwriter, Jay Farrar. Continuing mostly in the genre and vein of Americana inspired rock, Farrar calls this effort a little more positive than previous recordings while still reflecting socio-politically on the past. Bringing back memories of early R.E.M., the Volt kicks things off with the short, harmonious and accordion driven "Dynamite." Then, inspired by Keith Richard's admission (later revoked) that he had smoked his father's ashes, "Cocaine and Ashes," brings to light the effects of addiction with a stripped down sound - mostly carried by the fiddle, piano and Farrar's heartfelt vocals. In the vein of Americana inspired music, "Sultana" brings the listener back to the maritime tragedy of 1865 wherein the greatest steamboat disaster in American history occurred - often referred to as the Titanic of the Mississippi. Perhaps the best song here, "When the Wheels Don't Move," delves into the socio-political realm highlighting the greed and avarice of the oil industry. Here, Farrar is admittedly inspired by the soaring gas prices of 2009 as he sings: "Who makes the decision / to feed the tanks and not the mouths / when the wheels don't move." Overall, while there's nothing spectacular here and there's a few missteps along the way, what Son Volt has recorded is a well rounded album that grows more interesting after each listen. ~ Reviewed by Jeff Bouma

Quick Links:

• Son Volt Official
• Son Volt on Myspace

BUTTERFLY BOUCHER

Scary Fragile

June 15, 2009

Aussie native, Butterfly Boucher, not only wrote and arranged everything on this album, she also played all the instruments. This is the follow-up to her first release, Flutterby, which had a song featured on Grey's Anatomy. "A Bitter Song" has now been re-released on this album. The song title pretty much says it all for this album. This is full of teenage angst, sung in over-produced vocals over power-pop guitars. There is nothing interesting or challenging here. If you like the bands Paramour or Evanescence, you might enjoy this one too. Rebecca Ruth

Quick Links:

• Nettwerk Records Website

DAVID LAST VS. MC ZULU

Musically Massive

June 15, 2009

Producer/performer David Last (The Agriculture, Goosehound) was already remixing albums for the Staubgold label when he was referred to Chicago native, MC Zulu. The emails flew between David in Sydney (and later in New York City) and MC Zulu in Chicago and a collaboration was begun. Before they knew it, they had a song completed and within twenty-four hours, the label in Berlin was ready to support the project and an album was made. This is MC Zulu's dancehall vocals combined with David Last's electronica arrangements to make reggae-tinged hip-hop for the dance floor. Rebecca Ruth

Quick Links:

• Staubgold Website
• David Last's Website
• MC Zulu's Website

RICHARD SWIFT

The Atlantic Ocean

June 15, 2009

After false starts and re-issues of previous material, multi-instrumentalist/singer/songwriter Richard Swift has released his second album on Polydor/Secretly Canadian (his fourth overall). This album came about after Richard Swift met Jeff Tweedy on the set of "Later with Jools Holland". Tweedy liked what he heard and invited Swift to open for Wilco on their US tour for Sky Blue Sky. Tweedy then invited Swift to record in Wilco's Chicago loft, resulting in this album. It is quiet, folky pop with occasional synthesizer, trombone, toy piano, banjo, and other pleasant surprises; and just because it's quiet doesn't mean that it's not upbeat either, because it often is. This is nice stuff. Rebecca Ruth

Quick Links:

• Richard Swift's Website
• Secretly Canadian Website

EELS

Hombre Lobo: 12 Songs Of Desire

June 9, 2009

This marks EELS’ 7th studio album. EELS is the ever-changing project of singer-songwriter and multi-instrumentalist Mark Oliver Everett (aka “E”), along with Koool G Murder (bass, keyboards and guitar) and Knuckles (drums and percussion). E says of the album, “I wanted to write a set of songs about desire…” written from the perspective of “a dignified old werewolf,” (a character from his 2001 release Souljacker was a dog-faced boy, now he has grown up). The songs form a conversation of big confidence answered by beta male panic, especially going from “Prizefighter” to “That Look You Give that Guy.” The album somewhat loses its steam halfway through, only because the flow starts to feel too predictable, but closes strongly with “Beginner’s Luck” (which reminded me of The Strokes) and “Ordinary Man.” Reviewed By LaRae

Quick Links:

• official EELS website
• EELS myspace page

GRIZZLY BEAR

Veckatimest

June 8, 2009

While only five years young, Grizzly Bear has surely attracted a good bit of attention, especially after their Yellow House release in 2006. Now in 2009, Grizzly Bear is back with their new collection of songs titled Veckatimest - named for a Massachusetts island the band visited while recording. Drawing some comparisons to Sigur Ros and Animal Collective, one possible label for this sort of music is Experimental Folk/Rock but even that doesn't quite capture the entirety of sound found here. At first listen, the collection seems like a mixed-bag both lyrically and musically. Even though drummer and vocalist Christopher Bear claims that in comparison to Yellow House, this release is clearer and thereby more accessible, the lyrics are still fairly cryptic and tough to really grasp. The greatest strength here is the bands ability to write songs that in most cases sound pretty good, and like a good wine, age well over time. One of the standouts, "Two Weeks," a gem that sounds almost Beach Boyish, showcases the backing vocals of Victoria LeGrand quite appropriately of Beach House fame. Another track worth a spin is the opener "Southern Point," a song that builds into an outbreak of percussion that is only matched in intensity by Ed Droste's vocals. Still, my favorite song just so happens to be the last, a piano focused track titled "Foreground." In fact, this is one of three songs that features the Brooklyn Youth Choir, lending their voices to the creation of the beautiful and majestic four-part singing that's found on this final piece. Overall, Grizzly Bear's willingness to embark into new waters of experimentation, even when it doesn't quite work, makes for a noble effort nonetheless. And on the whole, it's well worth a listen even though you'll probably have to live with it for awhile before the true beauty of the music sets in and truly grabs your attention. ~Reviewed by Jeff Bouma

Quick Links:

• Official Website
• Grizzly Bear on Myspace

KENDAL CARSON

Alright Dynamite

June 7, 2009

A native of Victoria, British Columbia, 24-year-old Kendal Carson started out musically as a violist in a youth symphony, then got involved in the folk scene first with her brother and later with The Paperboys. She struck up a mentorship with legendary songwriter/producer Chip Taylor, which has resulted in two strong Alt-Country discs, "Rearview Mirror Tears" and this new set. Carson employs her voice in a strong and soulful manner that recalls Shelby Lynne (check out "I Don't Wanna Be Your Mother" or "Ooh That Dress" for examples). Defiant yet dependent, confident yet questioning, Carson serves up some great songs, such as the languid "Oh Baby Lie Down," the toe-tapping "Belt Buckle," the confessional "Jesse James" and the rocker "Submarine." She does a nice take on the Janis Joplin classic "Mercedes Benz," too. Carson has obvious talent and it will be interesting to watch this career go. Michael J. 06/09 F-Alt Country

Quick Links:

• Kendal bio page (dated information)
• Kendal on Myspace

Ziggy Marley

Family Time

June 6, 2009

This album’s title says it all. The recording pours out warm, heartfelt songs about family, love, and life lessons as it focuses on music for children. Ziggy says of the album, “As a father and a son I know first hand how important music can be in a child’s growth and development, and how important it can be in a parent’s connection with their children…this record is really an extension of my family’s daily life.” Several guest stars show up on Family Time, including mother Rita Marley, sister Cedella Marley, and daughter Judah Marley. Also making appearances are Paul Simon, Toots Hibbert, Willie Nelson, Jack Johnson & Paula Fuga, Jamie Lee Curtis, and kids' music stars Elizabeth Mitchell and Laurie Berkner. Family Time is a great introduction to contemporary Reggae for kids, and Ziggy Marley's message of love and family just can't be beat. Ziggy's heart is in the right place, too: proceeds from the sale of Family Time will benefit Chepstowe Basic School in Port Antonio, Jamaica. ~Reviewed by LaRae

Quick Links:

• Official Website
• MySpace

BAT FOR LASHES

Two Suns

June 2, 2009

Are you like me and think split personality albums can be kind of pretentious? Bat For Lashes (aka Natasha Khan) has created another alter ego for her second album Two Suns, the follow-up to the Mercury-nominated Fur And Gold. Meet “Pearl,” a destructive blonde femme fatale who represents Natasha Khan's extreme nature. Khan says of the album, “(It) was born out of the coming together and journeying apart of two suns, two half hearts, celestial twins, a King and Queen…” (hmm…) That said, at least half of the songs here can stand repeated listens based on their quality, not on gimmicks or posturing. Khan’s beautiful yet creepy voice, along with cascading keyboard washes, and guest-star Yeasayer’s edgy beats make this album more than listenable, it’s quite lavish and dreamy. So ignore the dual-personalities and body paint and give the music a fair listen, you may actually enjoy it. ~Reviewed by LaRae

Quick Links:

• Official Website
• MySpace

THE WOODEN BIRDS

Magnolia

June 1, 2009

Andrew Kenny, best known to date as the singer/songwriter behind the indie band American Analog Set, is back at it with another new project - The Wooden Birds. Aside from Kenny, the Birds also include co-producer and guitarist Chris Michaels, vocalist and guitarist Leslie Sisson as well as the lyricist and composer David Wingo. At first listen, simplicity seems to capture the essence of what one finds here. With nice vocals from Kenny and simple and succinct arrangements, the songs here are mostly scaled back tunes of the melancholy sort. To get things started, the first four tracks offer a really nice opening set, featuring strong melodies and pleasant harmonies throughout. Having said that, the lyrics that the Birds have penned are mostly puzzling with their meaning veiled behind a mostly impenetrable layer that most listeners won't quite get. Other glaring problems here are that little seems to differentiate the songs from each other with arrangements that are all-together too similar. Moreover, what one can decipher from the lyrics is a message that is largely gloomy at best. On the whole, there's little flash here, and while Kenny and his fellow Birds have written some gems, the strong start unfortunately ends with little to write home about. ~Reviewed by Jeff Bouma

Quick Links:

• Offical Website
• The Wooden Birds on Myspace

NINO MOSCHELLA

Boom Shadow

June 1, 2009

Out of Oakland, CA, multi-instrumentalist Nino Moschella gives us a taste of his domestic life on this, his sophomore album. Being married with a new baby daughter, many of the songs here are about such things as tough relationships (We Fight) and his daughter (Stella). Don't let the personal lyrics fool you, though. This album rocks with plenty of neo-soul funk. Nino, having started out as a drummer, offers plenty of interesting percussive sounds. Check out "Sleep", "Running", or "New Orleans" for the best examples of what can be done with a drum kit and a desire to do anything but a pedestrian beat. I can't wait to see what this guy does next, but I'll be happy to listen to this in the mean-time. Rebecca Ruth

Quick Links:

• Ubiquity Recordings Website
• Nino's Website

THE REVOLUTION (VARIOUS)

Revolution

May 31, 2009

The Revolution is a collaboration of nine producers and various Cuban performers from Havana's hip-hop scene. The product gives us an idea of what the current music scene is about around the Havana area. This is no Buena Vista Social Club, but you definitely get that Latin essence. Most of this is ordinary-sounding dance-pop stuff such as "Cuba Boom". A few tracks do stand out, though, such as the danceable hip-hop of "14me" and "Guatanamero". There's also ambient rock in two songs from Rich File (from UNKLE). Norman Cook (aka Fatboy Slim) gets things started with "Shelter" and later with "Siente Mi Ritmo". (This, from what I can figure, means Feel My Rhythm.) This album should satisfy the person who is curious about the current grass-roots music scene around Havana. Rebecca Ruth

Quick Links:

• Rapster Records Website

VIVA VOCE

Rose City

May 31, 2009

Out of Portland, duo-used-to-be, Viva Voce is now a quartet for its second album on Barsuk Records. Combining guy-girl harmonies with dreamy guitar and dark lyrics, Viva Voce offers and ambient shoegaze-pop sound. This album was written, arranged and recorded within a month for an immediate sound. Best songs are the country-noir "Red Letter Day" and "Die A Little" with its cool "oooh, oooh, oooh" refrain. Nothing here beats "Devotion", though, the album's opener. Rebecca Ruth

Quick Links:

• Barsuk Records Website

JILL HENNESSY

Ghost in My Head

May 31, 2009

The star of the television shows "Crossing Jordan" and "Law & Order" goes back to her first loves, strumming a guitar and writing songs. Hennessy started out as a 17-year-old singing on the streets of Toronto and got into acting because she was cast in a musical about Buddy Holly -- and things took off from there (interestingly, she now lives with her husband and two kids in the same NYC apartment building as Buddy did in 1958). She shows off plenty of talent in this debut, both musically and lyrically. I would have appreciated more diversity in the set -- only the electric "4 Small Hands" strays from a basic country/folk approach -- but there are some solid songs here. I liked the first four entries, especially "10,000 Miles" and the aforementioned "Hands." Also impressive is "Holding On," which features musician extraordinaire Lloyd Maines and Dixie Chick Martie Maguire. Many actors try their hand at music and fail miserably. Not Hennessy -- a musician before the acting opportunity came along. 05/09 Michael J. F-Contemporary

Quick Links:

• Jill's homepage
• Myspace page

BIG BAD VOODOO DADDY

HOW BIG CAN YOU GET ?

May 26, 2009

BIG BAD VOODOO DADDY HOW BIG CAN YOU GET? This CD is tribute release to the late great Cab Calloway. The songs on this disc jump alive and bring back the charisma from one of the finest band leaders ever in the Jump Jazz genre. Cab passed away in 1994, but he passed his torch on and his music will live for generations to come. Big Bad Voodoo Daddy Would make Cab proud on this release with their signature high energy sound including a larger horn section then was found on the original tracks. Scotty Morris can not duplicate the authentic vocal sound that made Cab Calloway a legend but he can certainly bring his listeners back to a simpler time when Jazz was the music of the day. Reviewed By: Gregg Saur

Quick Links:

• BBVD Home Page

DAVE ALVIN AND THE GUILTY WOMEN

DAVE ALVIN AND THE GUILTY WOMEN

May 26, 2009

Dave Alvin and the Guilty Women Dave Alvin has been in the forefront of Americana music for the last three decades, heading up bands like the Blasters, the Knitters and the Guilty Men, Dave’s journey down the American highway has joined him with seven of the finest female musicians in Americana music today. The result is a superb collection of songs that range from the reworked Blasters classic “Marie Marie” done in a bluegrass format to the western swing sounds of “Boss of the Blues”, Dave’s tribute to the late great Big Joe Turner. Dave also gives leading vocal recognition to Christy McWilson and the guilty women on the tracks “Weight Of The World” and “Potters Field”. Every track on this disc is a little gem including the coolest version of “Que Sera Sera” you will ever hear. As that song ends asking what the future will bring, I only see good things for Dave Alvin and the Guilty Women. Que Sera Sera. Reviewed By: Gregg Saur

Quick Links:

• Dave Alvin Home Page

KATIE MELUA

Pictures

May 26, 2009

Katie Melua, born in Georgia (the country, not the U.S. state), burst on to the UK music scene with a voice and a debut mixture of folk, blues and jazz that called to mind the late Eva Cassidy. Melua's ability to turn any song into a soulful banquet made that release, "Call Off the Search," an English smash (and it is tucked in with most of Eva's catalog in our jazz section of the library). However, like Cassidy, Melua has always been pulled between genres and in this third release (like the one prior), the balance tips away from blues/jazz and toward singer-songwriter territory. "Mary Pickford" and "If the Lights Go Out" are examples of her storytelling side; "Perfect Circle" is a reminder of her jazz inclinations. "Ghost Town" is a reggae-inflected tune that also captures her soulful side and she closes with a smoky version of Leonard Cohen's "In My Secret Life." F-Contemporary 05/09 Michael J.

Quick Links:

• Katie's home page
• Youtube site of her song "If You Were a Sailboat"

BEARFOOT

Doors and Windows

May 25, 2009

We've heard of bluegrass and newgrass -- how about tundragrass? Bearfoot is a bluegrass ensemble from Anchorage, Alaska and they can fiddle, mandolin and harmonize just as well (maybe better) as their kin in the Lower 48. The band knocked around Alaska for a number of years, honing their skills, but things revved up when Californian lead vocalist and fiddle player Odessa Jorgensen joined the group late last year. Her vocals emote and soar and the rest of the Bearfooters ably provide a great musical backdrop. Everything on this disc is well done; check out "Single Girl," the haunting title track and tragic "Caroline," John Hiatt's "Before I Go," a cover of the Beatles' "Don't Let Me Down" and the coy closer "Good in the Kitchen." Michael J. 05-09 F-Bluegrass

Quick Links:

• Bearfoot homepage
• Bearfoot on My Space

LONESOME JANE

Once I Had

May 20, 2009

Grand Rapids-based Lonesome Jane has given us an album of nice melodies, sung sweetly and wrapped in a country-folk package. Most band members shared song-writing duties along with guest-writer Danger (of Dangerville). The album was self-produced by band member Chris Olsen (also of the Willeys) and the mix is a bit inconsistent, but all in all a well-done effort. Rebecca Ruth.

Quick Links:

• Lonesome Jane's Myspace

STAFF BENDA BILILI

Tres Tres Fort

May 17, 2009

Staff Benda Bilili is a band of homeless and disabled (four members are paraplegic) people living in the grounds of Kinshasa Zoo in Congo. Benda Bilili literally translates to "put forward what is hidden", which pretty much means to look beyond appearances. Playing mostly home-made and found instruments, including a plastic armchair drum kit, they were "discovered" when introduced to British and US musicians who visited Kinshasa as part of the Africa Express trip of 2007. They won the hearts of members of Massive Attack and Damon Albarn, with whom they performed. This is an album of amazingly optimistic songs that document everyday life for these people. Take the lyrics to "Tonkara", for instance. "I once slept on cardboard. Good luck hit me. I bought myself a mattress. It can happen to you..." Optimistic indeed! Rebecca Ruth.

Quick Links:

• Crammed Discs Website

NOMO

Invisible Cities

May 17, 2009

Most of this album was conceived and recorded during last year's Ghost Rock tour. Producer Warren Defever convinced these east coast boys (east coast of Michigan, that is) to come to his UFO Factory studio the morning after the tour ended. The studio is located in Detroit's Eastern Market and the streets were littered that morning with post-market garbage. Some of the refuse included street sweeper tines. Defever collected these and fashioned electric kalimbas. These and other re-purposed items can be heard throughout this production. This album has hot horns and percussion that are often accentuated by bamboo flute, synth noise box, and, of course, the aforementioned kalimbas. Hot tracks are the title track and "Bumbo", both of which provide a solid percussion base for the sometimes wandering horns. "Crescent" features home-made electric kalimbas and congas accentuated by a bamboo flute to make for a nice groove. Rebecca Ruth.

Quick Links:

• Ubiquity Records
• Nomo's Webesite
• Nomo Myspace

JARVIS COCKER

Further Complications

May 17, 2009

After fronting Pulp, semi-retirement in Paris, songwriting for the likes of Marianne Faithful and Charlotte Gainsbourg, appearing in Harry Potter and the Goblet of Fire (as lead singer for the Weird Sisters), Jarvis Cocker is finally having a go at his second solo release. Produced by Steve Albini (Nirvana, Pixies) and featuring plenty of tongue-in-cheek lyrics, this album rocks in all the right places. The vocals were mixed front and center and they can take some getting used to, but it works. Many songs can be compared to other artists such as "Angela" (Smithereens), "Homewrecker" (Virginia Plain-era Roxy Music), and the awesome "You're In My Eyes" (Flight of the Concords covering Bowie?). Incidentally, Jarvis is currently composing music for Wes Anderson's animated adaptation of Roald Dahl's "The Fantastic Mr. Fox". It is set to be released in Nov. 2009 and will feature Mr. Anderson's usual cast of actors including Jason Schwartzman, Bill Murray, and Angelica Huston. Rebecca Ruth

Quick Links:

• Rough Trade Records
• Jarvis Cocker' Site
• Jarvis Cocker's Myspace

CLOUD CULT

Feel Good Ghosts (Tea Partying Through Tornadoes)

May 11, 2009

With short and punchy songs, coupled with thought provoking lyrics, Minneapolis, Minnesota's Cloud Cult has certainly attracted a lot of attention over their decade and a half of existence. In fact, their last album, 2007's The Meaning of 8 was ranked by the Denver Post as one of the top ten albums of the past decade, along with bands like Modest Mouse, The Flaming Lips, and Radiohead. So, with the release of their latest recording titled Feel Good Ghosts, one wonders whether they can do it again? If you're unfamiliar with Cloud Cult, think the lyrical introspection of The Mountain Goats along with the musical ingenuity of The Flaming Lips, and you might just end up pretty close to what you find here. The brainchild behind the Cult is Craig Minowa whose lyrics are worth following if not for their profoundness, then for their sheer lyrical whit. For instance, on one of the best songs on the album, "The Ghost Inside Our House," Minowa writes: "We saw a ghost inside our house, or was it wishful thinking? Oh, God, don't leave us by ourselves, or we're bound to take up drinking. I said, "please send us a miracle, so I know that there is meaning." You said, "I think that it's a miracle just to be breathing."" Added to the lyrical attraction are melodies that catch you from the start. For instance, on the opener, "No One Said it Would be Easy," Minowa sings about the difficulties of life and yet somehow does so in jolly and melodic sort of way. Another song that sounds like the soundtrack to something beautiful is "When Water Comes to Life," a track that begins slowly and builds into something bigger. From start to finish, the genius of Cloud Cult is in keeping the listeners attention throughout. Overall, while not a perfect collection of songs, Cloud Cult's latest is certainly one of the most interesting releases of 2009 and one that is likely to engross you from beginning to end. ~Reviewed by Jeff Bouma

Quick Links:

• Cloud Cult Official Website
• Cloud Cult on Myspace

Branford Marsallis

Metamorphosen

May 11, 2009

As on his recording Requiem, dedicated to his longtime friend and pianist Kenny Kirkland, Branford Marsalis dedicates this recording to his mentors, friends, and jazz icons who had passed away prior to its recording. The CD varies between his tenor or alto saxophone celebratory-led post and neo-bop compositions, or the somber, reflective slower songs featuring the soprano sax of Marsalis. This exceptional band, together for ten years, with drummer Jeff Watts, bassist Eric Revis, and pianist Joey Calderazzo, communicate with utter confidence and the mastery of expert professional musicians who need few verbal or charted cues to spring forth into action. Thelonious Monk's influence is recognizable on the jagged edged, quirky Watts composition "The Return of the Jitney Man," the straight, no-frills hard bop chaser "Jabberwocky" where Marsalis borrows a page from the book of Charlie Rouse, a take of "Rhythm-A-Ning" moves from straight-ahead to staggering funk, with most of the intact original line phrase, while "Sphere," composed by Revis, is an original angular adaptation of Monk's style without much paraphrasing . A tribute to the late actor, "Abe Vigoda" is a crusty and dusty ballad, "The Blossom of Parting" a reverent, sad song for the departed, and "The Last Goodbye" a similarly themed ballad, all with Marsalis on the soprano. Perhaps the most original piece is "And Then He Was Gone/Samo," featuring an extended solo from Revis, intentionally messy and frustrated, followed by the finale, a funky 7/8 soul and spirit song. A fine, emotional and heartfelt effort from Marsalis, one of his best since Requiem, it faithfully pays tribute to those late heroes like Alvin Batiste, Michael Brecker, Freddie Hubbard, Dewey Redman, Max Roach, Willie Turbinton, et. al., while also staying true to himself.

The Living History Band

Chicago Blues: A Living History

May 11, 2009

This looks like a greatest hits compilation but it’s actually a retrospective performed by a modern Chicago collective calling themselves The Living History Band. They’re joined by 4 of Chicago’s great blues traditionalists – harp masters Billy Boy Arnold and Billy Branch; and guitarists Lurrie Bell and John Primer. Extensive liners explain the significance of the honored artists, none of whom, it could be pointed out, were born north of the Mason-Dixon.

JASON LYTLE

Yours Truly, The Commander

May 11, 2009

Jason Lytle’s new release, “Yours Truly, the Commuter” sounds accidental at times. Lyrics like those on track 11, “Flying Thru Canyons,” which simply read, “I saw you out there/ flying thru canyons/ high and alone/ I won’t dare imagine anymore” seem at odds with the dramatic music that accompanies them. The lyrics often seem like an excuse to make music, which isn’t all bad. The music sounds pretty good and Lytle performs it confidently. The performance is as it is billed: “hopeful and spirited.” But what isn’t clear is exactly what Lytle is so hopeful about. The album could have benefitted from more coherent lyrics, but it certainly isn’t a failure. “Yours Truly, the Commuter” is available from Anti Records in 2009. TRACK ONE NO PLAY

Bob Dylan

Together Through Life

May 11, 2009

Bob Dylan's latest CD is a real treat. Not sure if it will convert non-fans of Bob, but for anyone who enjoys really interesting, unique and cool sounds will enjoy this offering. This recording is certainly firmly planted in the blues-genre (check out My Wife's Home Town) and a bit like his latest recordings (Modern Times/Time out of Mind) but has it's own flavor. Check out the accordions...This Dream of You. Always original with his vocals, he is aging into a "blues maestro"...perfect pacing and high style. This CD has been well reviewed and received, and these songs getting better with each listen. It's All Good is the last song, and that says it all!

CAMERA OBSCURA

My Maudlin Career

May 11, 2009

Scottish rock/pop six-piece Camera Obscura are back with “My Maudlin Career,” their fourth full length album from 4AD Records. The album features more of Tracyanne Campbell’s hyper-introspective, self-deprecating lyrics and sparkly background arrangements. The music sounds as good as ever, though the lyrics are as depressing as ever. One wonders if Ms. Campbell were suddenly contented in life if she would be able to keep writing music. In any case, the album hits the mark the band seem to be shooting for, evoking images of young people standing alone against the bleachers on prom night as they’re blinded by swirling lights and deafened by echoing music. This release is available in April, 2009.

ALLEN TOUSSAINT

The Bright Mississippi

May 11, 2009

Legendary New Orleans jazz pianist, Allen Toussaint, puts muggy New Orleans evenings to music with his new release, “The Bright Mississippi.” Despite being his first solo jazz release in more than ten years, the album is confident and perfectly performed. Mr. Toussaint’s talent for understated arrangements comes out here. The accompanying performances, particularly that of Don Byron on clarinet, are equally impressive. “The Bright Mississippi” is available from Nonesuch Records in April, 2009.

LUBRIPHONIC

Soul Solution

May 11, 2009

Lubriphonic plays upbeat blues, oxymoron, or not. Out of Chicago and boasting a talented and experienced horn section, this band will get your booty on the dance floor. Except for four songs (Walls, Mexico City Blues, Depression Suite, and Waiting for a Change…all slow) this is a danceable and fun album. The song, Another Patch of Ground, in particular, starts out slow, but it works itself into a tight groove and features a nice trumpet solo.

CLUTCHY HOPKINS (Meets Lord Kenjamin)

Music is My Medicine

May 11, 2009

Multi-instrumentalist Clutchy Hopkins is still being promoted as a mystery man of sorts. If you seek information about him, you’ll find wild stories and unsubstantiated facts. Basically, he’s traveled the world, investigating consciousness and its relation to music. He’s studied under Zen monks in Japan, a Raja yogi in India, and a master percussionist in Nigeria, amongst others. Along the way, he’s made some great music, attempting to utilize the lessons he’s learned in the last thirty-some years. This is a typical Clutchy album. It’s full of drum ‘n bass beats, punctuated with organ, flute, electronics, melodica, and various home-made instruments. This is innovative and funky dub at its groovin’ best. Rebecca Ruth

CATHERINE MACLELLAN

Water in the Ground

May 11, 2009

Canadian folk singer/songwriter Catherine MacLellan’s newest release, “Water in the Ground” delivers just what its press release promises: poetic lyrics and vocal performances that may remind listeners of artists like Joni Mitchell. Ms. MacLellan is a fine writer and vocalist. This release, which features both her new album and a copy of her first, previously mail-order exclusive debut, “Dark Dream Midnight” is enough to keep folk fans happy for a long time. Both albums are available from True North Records in March of 2009.

Willie Nelson

Naked Willie

May 11, 2009

This "new" Willie CD will probably not add any new fans to his bus, but it certainly is a treat to Willie-lovers (like myself) . These songs were all recorded prior to his landmark release of Red Headed Stranger in 1975 and the beginning of the "outlaw" era of country music. Two things make this CD a must for Willie fans and historians: 1. The production - or a better term- the "unproduction". These songs were chosen by long time confidant Mickey Raphael and intentionally "unproduced", stripping them of the layers and layers of 1960's Nashville "sound". 2. The liner notes. These notes are a great read. It goes into detail about the early business of Nashville and country music, and it is a great introduction to the struggles of a recording artist like Willie in his early days. A couple sounds of note: The classic #11- The Party is Over - which is a staple of Willie concerts and the Kris Kristofferson written #16 Sunday Morning Coming Down (a classic!!!!) Let's appreciate Willie while he is here!!

GREENCARDS

Fascination

May 11, 2009

Okay, so you've been looking for a new favorite bluegrass band now that Nickel Creek is in hibernation. But you don't want a copy-cat knock-off of the Creek and, because you're a WYCE listener, you want evidence of a few other musical influences thrown in. Your search has ended. The Greencards, a trio made up of two Australians and a Brit, approaches bluegrass with the same guitar, mandolin, violin, harmony work that defines that corner of the library, but you'll hear homages to jazz, blues and world music throughout. Check the world influences of "The Avenue," the jazz feel of the title track and "Into the Blue" and the blusey "Three Four Time." If you need your traditional bluegrass fix, never fear: songs such as "Outskirts of Blue" and "Rivertown" get you where you want to be. Excellent throughout -- musically and lyrically. Welcome to the State of WYCE, Greencards! No pledge of allegiance needed.

Various Artists

Standing Together

May 11, 2009

In 2003, a group of about a dozen local artists came together to raise money for the Grand Rapids Public Schools through the release of a compilation album which was called “Standing Together.” Now, six years later, “Standing Together 2009,” a 17-track compilation featuring nationally known and locally known artists aims to raise more support for the same cause. Released on February 11, 2009 at a community gathering by Mackinaw Harvest Music Group and One World Music, the release was made available at Meijer stores and even at a handful of West Michigan McDonald’s restaurants. The compilation features an eclectic selection of talented musicians ranging from the Verve’s Brian VanderArk to Grand Rapids’s own Ralston Bowles.

Richard Shindell

Not Far Now

May 11, 2009

Shindell’s seventh studio release should please his fans, although I don’t think it’s his strongest release. None of the songs here have quite the lyrical power as “The Ballad of Mary Magdalene” or “Are You Happy Now?” although that’s not to say there’s nothing worthwhile here. “Parasol Ants” is an upbeat track that compares God to “a local hood” whose breath “is the gale.” You can guess who the ants symbolize. Unfortunately, the other standout track (in my opinion), “State of the Union,” contains the S-word, so it’s a no-play. On the whole this is a decent release; I just was expecting a little more from an artist who, at his best, writes some really great songs NO PLAY TRACK 7

MARK DUVAL

All Night Station

May 11, 2009

Michigan native Mark Duval’s newest release, “All Night Station,” is an impressive mixture of well performed horn arrangements, classy blues melodies, and steady rhythms. Excellent production and performances make this, Duval’s third release, a great success. Combining Latin, blues, rock, and pop sensibilities, this ambitious release has a lot to offer to a wide variety of listeners. The album is a departure from the stylistic qualities of his 2007 release, “Two-Track Mind,” which featured much folkier arrangements. “All Night Station” is available April 25, 2009.

JEN SYGIT

So Long Pollyanna

May 11, 2009

Very cool, iPod worthy, folk/pop/rock/country/blues CD by Lansing based singer-songwriter Jen Sygit. I played the CD for my wife, and listening to the first track; Lousy Bridge, she immediately said "who is this! I would pay to see her perform!" Jen reminded me of the Indigo Girls in several tracks and Michelle Shocked on others. Favorite tracks were her "country flavored" #1 Lousy Bridge , #2, Mockingbird, #7 The Whole Truth (reminded me of Levon Helm's last masterpiece) and #10- Never Existed. All songs are terrific. very well produced. Seth Bernard contributes on several tracks. There would be nothing better than a hot night at Meijer Garden, with Jen Sygit on stage.

THE INDIGO GIRLS

Poseidon and the Bitter Bug

May 11, 2009

The Indigo Girls' 13th album, "Poseidon and the Bitter Bug," is a summation of their 22 years of playing together. The album has an overall mellow folk-rock feel. The songs range in topic from love to death, but are generally darker in nature. Emily Saliers' and Amy Ray's experience together is apparent in their ability to anticipate each other's artistic and emotional direction. The album was recorded in two versions: a full band version, and an acoustic version with only Ray and Saliers. This, the full band version, accomplishes things impossible for an acoustic duo. Overall, the album has a refreshing, new feel.

THE MYSTIX

Down to the Shore

May 11, 2009

The Mystix's second album "Down to the Shore" is refreshing look at American roots rock. Down to the Shore is hard-edged enough to present a modern feel while still digging into the history of roots music. The album has a driving groove accompanied by gritty vocals. The band members (Jo Lily on guitar and vocals, Bobby Keyes on guitar, Marty Ballou on bass and vocals, Marty Richards on percussion, and Tom West on keyboards and vocals) have been playing together for three years, and individually long before that. This album is likely to become a standard as The Mystix gain fame across New England and the world.

ERNESTO HERNANDEZ

West Off Bridge

May 11, 2009

“West Off Bridge” is a collection of songs played by friends for friends. Led by local guitarist, lyricist, and vocalist Ernesto Hernandez, Jr., the four-piece blues/jazz ensemble interprets Hernandez’s songs and two covers with occasional imprecision but with constant sincerity. What the album lacks as a result of its sometimes accidental production quirks and performance errors, it makes up in genuineness and originality. The idea of a bunch of friends getting together to create something they love never gets old, and Mr. Hernandez and his band, while not likely to make a lot of audible noise over the sounds being made by countless bands like them, satisfy listeners with an appreciation for simple, artistic sincerity.

WALTER TROUT

The Outsider

May 11, 2009

Walter Trout's new album, The Outsider, is an amazing combination of lively blues and invigorating rock, but is confined to neither. It is hard to tell whether his music is a well orchestrated masterpiece or an inspired jam session. Trout draws from 35 of experience touring and recording in Europe and America, and enlists the help of Kenny Aranoff on drums, Hutch Hutchinson on bass, John Clearly on piano, Skip Edwards and Samuel Avila on the Hammond B3, and Jason Ricci on harmonica. This soulful outpouring of music cannot be taken lightly.

Jill Sobule

California Years

May 11, 2009

This is Jill Sobule’s first release on her own record label, and get this, this album was made possible by Sobule’s fans who came through with more than $89,000 in donations to finance it, how cool is that? On this record, Sobule documents her recent relocation to the West Coast with a series of songs that blend the hallmarks of her career: “storytelling marbled with telling details, sarcastic wit and easy-to-hum choruses.” Jill has songwriting skills that transcend her one-novelty-hit wonder status (1995’s ‘I Kissed A Girl’). -Reviewed by LaRae

Peter, Bjorn & John (PB&J)

Living Thing

May 11, 2009

This is the trio’s follow up to their 2006 release “Writer’s Block.” Take heed however, as this album is completely different to PB&J's persistently perky last album… There are no “whistling” tracks such as “Young Folks,” instead you will find relatively muted synthesized thrum, which snakes under each refrain without ever giving way to full-fledged reverie. The subtle, earthy sounds aptly create a “living” atmosphere on the album. -Reviewed By LaRae

N.A.S.A.

The Spirit of Apollo

May 11, 2009

The Spirit of Apollo is a hip hoppidelicous compilation of diverse voices amazingly paired together, layered over electronic instrumentation (including occasional outer-space sound effects) and infused with brazilian flavored percussion. This upbeat brainchild of Speak E. Clean and DJ Zegon was created over a 5 year time span. N.A.S.A is an acronym for North America / South America and represents the artists involved in this project. Check it out: #2 and 3 If there's anything David Byrne hasn't done yet, hip-hop isn't one of them. #8 O' Dirty Bastard's lyrics are cleaned up to the point of wondering what he's talking about. This recording may have been his last before his OD/death in 2004. #9 Tom Waits sounds very convincingly and meshes well with Kool Keith. #13 Whachadoin? (feat. Spank Rock, M.I.A., Santogold and Nick Zinner) #14 O Pato: Donald Duck like voice saying "Who's Yo' Daddy." The greatest strength (as well as a possible weakness) is that this album has a surprising element of uniformity and cohesion. It's possibily the coolest hip-hop album released this decade. - Victoria aka vudu Note: Track # 17 is not a 15:32 minute song. It starts out as a tribute to the Apollo mission then fades into a chant with crazy piano music at the 3:45 minute mark. There's nearly seven minutes of silence (except for a moment at the 7:23 mark where a male voice says "Uh, that sounds good", then at the 10:25 minute mark a totally different song starts. If that song had a name it would be "I Need You To Know I Need You."

The Sway Machinery

Hidden Melodies Revealed

May 11, 2009

A New York collective (supergroup? Jew-pergroup?), The Sway Machinery is lead by Jeremiah Lockwood of Balkan Beat Box, Stuart Bogie and Jordan McLean from the Antibalas horn section, Colin Stetson (Arcade Fire, Tom Waits) holding it down on bass sax and Brian Chase of Yeah Yeah Yeahs on drums. Colliding the tradional with the non-traditional, Lockwood sings Jewish cantorial lyrics over lush Afro-beat accompaniment, creating some sort of new mystical experience. Bluesy Malian-influenced guitar lines snake around deep horns (check out #5 Tell It All To Me) which blurt out over complex polyrhythms and even if you don't know what Lockwood is singing about (most of the album is sung in Hebrew), you can't help but be moved by it in some way. 3, 10 and 13 are spoken word pieces

Gomez

A New Time

May 11, 2009

Honestly, there's not a whole lot not to like from Gomez's latest, A New Tide. One of the major strengths of this album is their ability to mix things up quite literally, utilizing lead vocals from three different front-men - Ben Ottewell, Ian Ball and Tom Gray. Still, it's Ottewell's voice that surfaces the most here. Sounding remarkably like Dave Matthews, Ottewell carries the weight of lead vocals well, especially on the short but sweet "Little Pieces" where he belts: "Pieces falling from me / you can have them for free / I've never felt so complete / pieces falling from me." Some of the best stuff here, though, are when the two others take the reign. For instance, on the well-done opener "Mix," Ian Ball offers a completely different sound vocally while Tom Gray carries the vocals on another equally appealing track, "If I ask nicely." But it gets better, such as on the beautiful and violin backed "Win Park Slope" that even manages to incorporate some electronic elements as well. Another track to check out is the most commercially viable and quite appropriately their first single from this release - "Airstream Driver." Here, it's Ian Ball singing on the percussion heavy pop song that is sure to garner several spins. Overall, while there isn't really any theme musically or even lyrically, what Gomez has created here are songs that are simply a pleasure to listen to.

MELODY GARDOT

My One and Only Thrill

May 11, 2009

Cool, hip, sophisticated retro, jazzy, sultry, lush and did I mention cool. Put on your smoking jacket. This is date and martini night music. Melody Gardot is a 23 year old singer-songwriter hailing from Philadelphia. A standout track is #9 My One and Only Thrill. Her take on track #11 Over the Rainbow is Latin-cool....very enjoyable. What a voice. Welcome to Casablanca and play Melody Gardot again Sam.

WAYNE “THE TRAIN” HANCOCK

Viper of Melody

May 11, 2009

My first date with Wayne Hancock. Viper of Melody is literally a blend of Hank Sr., Asleep at the Wheel and The Stray Cats. (w/a little bit of Buck Owen's Bakersfield sound). Wayne puts the "T" in twang. If you like your country music "traditional" with a distinct rockabilly beat you should enjoy Wayne Hancock. If you don't, this probably isn't the sound for you!. Wayne has an intense retro- honkytonk/barroom vibe and it is no surprise he has a loyal following- especially for those liking their music unique and authentic. Here is a quote from Wayne: “I’m like a stab wound in the fabric of country music in Nashville. See that bloodstain slowly spreading? That’s me.” http://www.waynehancock.com/ Standout (and artist recommended) tracks include: #1 Jump the Blues. #4 Throwin Aawy My Money, #5 Your Love and His Blood, #6 Working at Working. There really is no need to describe the sound more than traditional honky tonking, rockabillying, country music swing. And don't forget the TWANG

SOUTHPAW PLAYERS

Avant EP

May 11, 2009

The Southpaw Players' debut album, Avant EP, is a refreshing combination of hip-hop, R&B, and funk. Rooted in tradition hip-hop, The Southpaw Players use live instruments rather than loops and synths. Their socially conscious lyrics analyze blue-collar life, incorporating humor and wry perception. Made up of keyboardist Ryan Wilson, guitarist Michael Sullivan, lyricist Rick Chyme, drummer Jacob Schaub, and bassist Coe Lacy, The Southpaw Players are adding a new flavor to the Grand Rapids music scene.

Quick Links:

• The Southpaw Players on MySpace
• The Southpaw Players on Facebook

SARA WATKINS

SARA WATKINS

May 11, 2009

Sara Watkins' self-titled debut album is a fresh look at modern bluegrass. Her album is collection of driving fiddle melodies and soulful ballads. She draws heavily from her near two decades of experience with the award-winning bluegrass trio Nickel Creek, who she included in her album. The album was produced by former Led Zeppelin bassist John Paul Jones, and includes Gillian Welch and Dave Rawlings, Benmont Tench, Pete Thomas, Tim O'Brien, Chris Eldridge, Ronnie McCoury, and Rayna Gellert. While the tracks are not all her own, Sara Watkins has a