WYCE Music Journal:

PETER CASE

WIG!

July 21, 2010

Singer/Songwriter Peter Case has had a long career since fronting the LA based Plimsouls in the late 70’s and early 80’s. This new disc is a wild, wooly affair recorded in three days with DJ Bonebrake (X and the Knitters) on drums and Ron Franklin (Gasoline Silver) on lead guitar following Case’s release from the hospital following open heart surgery. With a buoyant looseness that recalls the band Leon Russell assembled for Joe Cocker’s Mad Dogs and Englishmen tour, Case and crew have crafted a disc that is pleasing from beginning to end. Stand out moments include the late 60’s feel of "Ain’t Got No Dough", the greasy blues shuffle of "Banks of the River", a reprise of his 1986 single, "Old Blue Car" which gets life here as "New Old Blue Car", the supremely funky, Creedence Clearwater style swamp rocker, "Somebody Told the Truth", the chiming Byrd’s style rocker, "The Words in Red" and cool grooves of "Colors of the Night". Smitty

BRANDI CARLILE

Give up the Ghost

July 15, 2010

Brandi Carlile’s cd ”Give up the Ghost” is damn good. According to Carlile her start in music was in Ravensdale, a small-town in Washington state. ““My family was really immersed in Grand Ole Opry stuff”, she says. “My grandfather and his brother were great yodelers. We had family jam nights.” That grounded quality is utilized with great skill here. Most of these songs are folk or folkrock territory but she’s in alt-country vibe on “Caroline”, “I will” and “Touching the Ground”. This is the “band's” 3rd full-length record although there are EPs and demos floating around. I use the word “band” because even though these 4 folks travel under Carlile's name alone, they aren’t an assortment of backup players, Tim and Phil Hanseroth, guitar and bass, respectively, and cellist Josh Neuman contribute songwriting, harmonies and their music really take the songs in a lovely direction. Carlile is a gifted songwriter showcased on “That Year” with beautiful lyrical phrasing matching the music utterly. She has achieved quiet beauty on “If there was no You” with a nice touch of whistling, plus on “Oh Dear “they used a uke, an instrument enjoying resurging popularity right now. This is quality stuff - use it well. – Anne Lamont

Quick Links:

• Carlile's website

COWBOY JUNKIES

RENMIN PARK

June 25, 2010

Guitarist Michael Timmins spent three months in China where, among other things, he spent countless hours recording the day to day sounds of the intensely packed public spaces and listening to all manner of local musicians. By incorporating some of the sounds into these tracks and by covering two of the musicians, Zuoxial Zuzhou (ZXZZ) and Xu Wei on "I Cannot Sit Sadly by Your Side" and "My Fall" respectively, Timmons has crafted his own memento of the trip. While the disc preserves the dense, almost narcotic, haze that finds its way into most of the band’s work, the street sounds, kid’s voices and other sonic textures make for an interesting change of pace from the normal bill of fare. Even so, this isn’t the type of disc that will fire up a party. Think dim lights, incense and blissed out Hot Topics clerks and you’ll be closer to the overall vibe. The most accessible cuts are "Stranger Here", "Renmin Park (revisited)" and "My Fall" which are positively buoyant compared to the rest of the disc, albeit in a Cowboy Junkies kind of way. Made for rainy days, late nights or for those times where darkness fits better than sunshine. Smitty

NOBODYS DARLIN

Kitchen Girls

June 23, 2010

Nobody’s Darlin’ is an all-girl string band based right here in Grand Rapids, performers are: Janet Shelby (banjo), Sara Q (mandolin), Barb Weatherhead (upright bass), Sarah Jane (guitar), and Natalie Beversluis (fiddle). Kitchen Girls is their 2nd cd and this time out they do a wonderful job covering gospel, love songs, and Appalachian folk tunes—or as the band says, “Lots of songs about Drinkin’, Dyin’, and Jesus!” Their influences include The Carter Family, Doc Watson, Nitty Gritty Dirt Band, and The Bad Livers. I found lots of songs I hadn’t heard before, along with songs like “Bury Me Beneath the Willow” which has been recorded by everyone from The Carter Family in 1927 to a more recent Allison Krause version. Kitchen Girls is the embodiment of Americana music and these women use harmonizing vocals and delightfully simple arrangements to make this cd a pleasure. – Anne Lamont

Quick Links:

• My space

SALLY SELTMANN

Heart that's Pounding

June 23, 2010

Australian singer/songwriter Sally Seltmann , known prior as New Buffalo, presents a new cd, the first under her own name. Every mention of Sally Seltmann seems to start by saying that she co-wrote Feist’s hit “1234.” So now you know and we can move on. If this album aims to be sweet and sunny it succeeds to a somewhat alarming degree. From the opening track, “Harmony To My Heartbeat” with it’s clappy and happy sound to the end song “Dark Blue Angel” her voice is just so… pleasant. I really liked the lyrics on #2 “Set me Free”, “I’m holding the knife in my hand, I’m hurting the man who told me he’d love me & he’d understand.. a girl needs to be alone sometimes..so set me free”. I think this is a cd made to appear in Romcom movies. Lots of the lyrics seem repetitive but somehow it holds together. Probably the most interesting feature of this cd is a nice use of off the beaten path instrumentation. I think the addition of strings on #3 and #4 is really quite brilliant. I liked this cd over all but I od’d when I listened to it as a whole. There isn’t a song you can’t try but be aware if you’re looking for moody, deep music this is the wrong well. – Anne Lamont

Quick Links:

• Her website

CLOTHESLINE REVIVAL

They Came From Somewhere

June 21, 2010

Clothesline Revival (Conrad Praetzel & Robert Powell) create sounds that revive days gone by. Their first 2 albums; Of My Native Land and Long Gone were loaded with old field recordings that meshed with their own music. This album only uses one vocal sampling (on “Beautiful Home”; vocals by Orville McInturff). The rest of the songs are instrumental, and all the songs are original. Fiddle player Chris Rovetti and blues legend Charlie Musselwhite add their talents to a few songs also. It’s like someone bottled the mournful yearnings of early American hard times with the contentment of cricket filled breezy porch evenings. This album is the opening of that bottle. The enclosed moodiness is palpable. Some of it is similar to the atmospheric sounds Daniel Lanois likes to use in his music making. It stirs the emotions of untouchable memories. In spite of this moody factor, there is a whimsical twisting and bending in the instrumentation from time to time; just enough to let you know that these songs aren’t actually vintage recordings, and that they are all together unique. If you like any of what you hear on this album, you should listen to their first 2 albums. Like this one, they are also absolute treasures. Becky 6/2010

Quick Links:

• Clothesline Revival
• Paleo Music

INFAMOUS STRINGDUSTERS

THINGS THAT FLY

June 2, 2010

Generally speaking bluegrass music is best experienced live. There’s something about witnessing the complex interplay amongst the musicians as they trade leads with one another that elevates the routine into the sublime. Maybe it’s the urge to tap your toes and bop your head with abandon that is unleashed in the live setting and in the company of others but not in your living room that makes it happen? Some neurologist or anthropologist will have to figure it out. All I can do is comment on the little silver disc in my player. So, having said that, what’s the deal with this new release by the Infamous Stringdusters? Does it come close to capturing the infectious energy the six members routinely generate in their live shows? Well, mostly. Several of the tracks here including "Those Who’ve Gone On", "Take a Chance on the Truth", "The Deputy" and "17 Cents" (featuring Dierks Bentley on vocals) will get you moving regardless of the time or circumstance that has this disc in rotation. Others, like "Magic #9", or the U2 cover, "In God’s Country", feature lots of instrumental or vocal interplay that is pleasant but not attention grabbing and will likely fall into the background as the disc spins in your living room. Overall, a decent listen, but check out the band live for the true experience of these cuts. Smitty

BETH NIELSEN CHAPMAN

Back to Love

May 31, 2010

Beth Nielsen Chapman, one of the best-known songwriters in Nashville, had writer's block while working on this record -- and for good reason. It turns out she had a brain tumor (gratefully benign) and surgery was successful. The words poured out and this set was the result. After plenty of tumult in her life (she lost her husband to cancer some years back and had an earlier bout with cancer), she has delivered a joy-filled series of songs, with the word "love" in five of the titles. Her voice is beautiful, very clear and precise. "Even as it All Goes By" is a big hit in the U.K. now. Check out "I Can See Me Loving You" (a nice duet with Darrell Scott), "More Than Love" and the lovely "Peace." MJVD 05/10 F-Contemporary

Quick Links:

• Beth's home page
• Youtube spot featuring Beth singing "Even as it All Goes By"

KELLER (WILLIAMS) & THE KEELS

Thief

May 31, 2010

Keller & The Keels “Thief” The CD “Thief” marks the 2nd compilation project for Keller Williams with Larry and Jenny Keel. Taking bluegrass into strange ground they cover songs from The Butthole Surfers to Amy Winehouse. This 13-track album feels like an unlikely blend of songs. There are some wild rides here and I can’t say I love it but this is a solid WYCE choice. ‘Teen Angst" the Cracker cover made me smile but I thought ‘Rehab’ was weak. The strength of this cd is in these very talented musicians. I thought the vocal harmonies were outstanding, pair that with Larry Keel's fast-paced, precision flat-picking banjo and the guitar virtuosity of Keller, well, it takes this bluegrass cd into a new dimension. Give it a spin, especially if bluegrass is your forte. Anne Lamont

Quick Links:

• Keller Williams website

TERRI HENDRIX

CRY TILL YOU LAUGH

May 25, 2010

Listening to Terri Hendrix new release is much like listening to a perfect set on WYCE. Terri perfectly mixes folk, blues, jazz and pop in a way that most musicians can only dream of. What makes this CD so special is not only Terri's songwriting, guitar playing, harmonica or mandolin it is her personality and charisma that shines through on each of these tracks. The CD begins with Terri on harmonica in a bluesy track of Dorothy Parker poems set to music. "Slow Down" is classic Terri Hendrix with her more traditional folk-pop sounds. Terri reaches into her blues repertory on tracks like "Automatic", "Roll On", "Sometimes" and "Hand Me Down Blues". "You Belong In New Orleans" is an upbeat jazz track with horns and could be used as the theme song for the crescent city. "Take Me Places" is the perfect ending to the disc where Terri dives into the sounds of Jazz/Swing music where she scats the horns blow and you realize this talented artist has just taken your mind on a very satisfying musical journey. Reviewed By: Gregg Saur

Quick Links:

• Terri Hendrix Home Page

THE COAL MEN

BEAUTY IS A MOMENT

May 13, 2010

The Coal Men inhabit the same mid-tempo, soft rocking space as Jackson Browne, Bruce Cockburn and the Bodeans. While they occasionally turn up the guitars, for the most part the emphasis is on the vocals which, in the case of this disc, are focused on days gone by, "Beauty is a Moment", missing the boat on a relationship, "Outside Looking In", falling prey to a siren call, "Pretty Girls", looking for a second chance, "Sweet in the Pine" and other tales of heartbreak and regret. While the lyrics could find their way onto a blues disc, the musical backdrop is mostly buoyant and, with all three permanent band members contributing vocals, there’s plenty of harmonic ear candy to make this an enjoyable listen. Standout tracks include "Cleveland Sky" with its silky smooth slide guitar, "Outside Looking In" which sounds straight from the Bodeans catalogue, "Sweet in the Pines" with its Muscle Shoal vibe and "Louisiana" which uses accordion to evoke a sense of longing for the state, not as just a place, but as a frame of mind. Smitty

Quick Links:

• Coal Men
• My Space
• Fuzalo Records

LEGENDARY SHACK SHAKERS

AGRI - DUSTRIAL

May 13, 2010

The Legendary Shack Shakers rip through this 16 track set with the urgency of a man on the gallows with a lot still left to say as the floor falls away. While things lighten up a bit on the banjo fueled "Sugar Baby" and "Two Tickets to Hell" as well as on the aptly named "Dump Road Yodel" and the jug band/vaudeville evoking "Hoboes are my Heroes", for the most part these tracks rock hard with clanging hammers, chains, tongs and anvils providing extra percussive effects and chilling lyrics about big name politicians and “Mal Wart”, "Dixie Iron Fist", nighttime murders, "Greasy Creek", laws as sinister as the feared night riders, "Nightride", losing the righteous battle, "The Lost Cause" and the graphic violence of "The Hills of Hell" where whores are crucified and the family dog carries around your severed hand. Even when the lyrics aren’t chilling, the music and vocals are: "Hog-Eyed Man" and "Sin Eater" move at break neck speed with vocalist J.D White sounding as if he’s getting choked by the noose while trying to get his message out to the masses. Avoid while caffeinated. Smitty

Quick Links:

• The Legendary Shack Shakers
• Thirty Tigers Records

NATHAN KALISH

Delicate Veins

May 10, 2010

This is Nathan Kalish, sans The Wildfire. Left to himself, he's crafted introspective songs that are a bit quieter than his previous work with his band-mates. Featuring your typical rock configuration of guitar, drums, and bass, (with occasional organ), Delicate Veins is essentially a folk-rock album in the key of Neil Young or perhaps a countryfied Tom Petty. Rebecca Ruth

Quick Links:

• Nathan Kalish Myspace

MEG HUTCHINSON

The Living Side

May 10, 2010

Meg Hutchinson graduated from college with a creative writing degree and then spent a long stretch as an organic lettuce farmer until the musical bug was too much to resist. Off to Boston and coffee houses and subway stations with her guitar. She's won awards at Kerrville, Telluride and Merlefest for songwriting and songsters such as John Gorka, Martin Sexton and Lori McKenna are fans. The songs are straightforward, her alto voice with little dressing and a focus on the lyrical images. The opener, "Hard to Change" mentions the "year of the billion dollar bailout" and "Gatekeeper" is based on the real-life story of a California motorcycle cop who has talked as many as 200 people out of jumping off the Golden Gate Bridge. "Yea Tho We Walk" contains the wise phrase, "Oh my friend the soul seems made from such a thread/No matter how hard it tears it always tries to mend." Probably graduated magna cum laude. 05/10 Michael J. F-Singer/Songwriter

Quick Links:

• Meg's home page
• Meg on Myspace

MEKLIT HADERO

On a Day Like This...

May 8, 2010

Meklit Hadero was born in Ethiopia and did her musical training in San Fransisco (after first getting a degree in political science from Yale). She's been touted as a cross between Joni Mitchell and Nina Simone -- and you can hear elements of Joni's poetry and lilting voice and Nina's tone and phrasing in some of these songs. The result, however, is a very unique sound and her lyric choices aren't run-of-the-mill, either. Her singular journey has brought a singular perspective and it's enriching to let it seep in. This is another CD that's impossible to classify: folk, world, jazz all work here. Certainly, "Abbay Mado," a song about her Ethiopian heritage, ought to be played as "World." A release like this is what we have WYCE for, to give airplay to these gems that otherwise don't get radio play. Michael J. 05/10 F-Soul

Quick Links:

• Meklit's homepage
• Her Myspace page
• NPR interview with Meklit

KRISTY HANSON

Into the Quiet

May 5, 2010

Claiming influences such as Joni Mitchell, Joan Baez and a vast assortment of other notable female artists, Kristy Hanson's desire is that at the end of the day, what she'd rather sound like is "me." While influences do play a part here, the Los Angeles based Hanson is most certainly herself on this her fourth full-length release. While folk-pop might be the best description here - there's plenty of grit on this recording too. On the guitar-driven rocker - "Wrong Way," the singer/songwriter belts out "that's the wrong way sign, baby that's the wrong way." A couple of songs that preach encouragement despite tough times are the softer "Too Much" and the faster-paced "Dig." On the former, the nice melody is coupled with the songstress singing about coming back from reaching rock-bottom: "I'm so full of hope, too much hope." On the latter, the theme is similar as the artist encouragingly sings about digging out of whatever hole you might find yourself in. The album ends with the pleasant, soft and heartfelt title track "Into the Quiet." In the end, while a few more "rockers" would have been nice, Hanson puts together a nice blend of the fast and the slow for a mostly successful recording. Her voice is great and her songwriting is mostly spot-on. If you're a fan of the folk-pop genre, Hanson won't disappoint. ~Reviewed by Jeff Bouma

Quick Links:

• Kristy Hanson Official Site

AJ Downing and The Buick 6

Way Back Home

May 2, 2010

If you are one that likes to do some honky-tonking in a Texas Roadhouse setting then AJ Downing's latest release "Way Back Home" will fill the bill quite nicely. Throw in some cajun accordion with slide guitar and you will think you are in Austin, TX which is exactly where this CD was recorded. When you listen to this disc it's not hard to see why AJ Downing has been called the voice of Americana Music. This is some good old days hillbilly writing that takes you through all the familiar struggles of life from being alone, to being done wrong, to finding love and then losing it, and chasing rainbows for life's pot of gold we all find at the end. I may be alone in this assessment but I hear Ricky Nelson coming through loud and clear on a number of tracks. "...Put your picture on Facebook, let the world know you're still around. Put your picture on facebook and soon you'll be the talk of the town...Downing sings tongue in cheek from a perspective of someone that isn't on facebook...........Way Back Home isn't all fun and games however. It's really about messages written between the lines as much as the lyrics themselves. All good songs have different meanings depending on each listener's own personal journey. So take the trip that AJ Downing takes you on and find your own way back home..........reviewed by Mike James

HOLLY GOLIGHTLY & THE BROKEOFFS

Medicine County

April 26, 2010

Entering the music scene in the early 1990's, British singer-songwriter Holly Golightly Smith has been nothing short of prolific releasing thirteen albums on her own. In recent years, Holly has teamed up with the Brokeoffs - made up of one man, Lawyer Dave, the Texas singer and multi-instrumentalist. Together they've now released three albums to date with the addition of this release - 2010's Medicine County. Combining rhythm and blues, country, rockabilly, and the sounds of the 1960's, what you end with here is a pretty diverse set of sounds. In recent years, Golightly has relocated from her native Britain and has found solace and a home in Georgia. It's no wonder that a southern influence is found throughout this release. The short but extremely fun "I Can't Lose" has a bluegrass feel, utilizing the fiddle and banjo that works wonderfully with the singer-songwriters voice. On "When He Comes," - Golightly and the Brokeoffs delve into a blues laced southern gospel song that works really well. Another track worth some attention is the opener - the haunting "Forget It" - featuring Golightly's captivating voice accompanied with some ghostly effects on the organ. "Don't Fail Me Know" a simple and melancholy track, sounds like a rockabilly song right out of the 50's or 60's. All in all, each song here has its own distinct flavor. If one song doesn't catch your fancy, the next one probably will. A pleasant listen from start to finish! ~Reviewed by Jeff Bouma

Quick Links:

• Holly Golightly

CARRIE RODRIGUEZ

LOVE AND CIRCUMSTANCE

March 28, 2010

On Carrie's third solo release "Love And Circumstance" she has chosen to a cover song release from some of the worlds greatest American roots musicians. These are beautifully polished tracks where Carrie brings her beautiful voice and soul and makes them her own. The CD begins with a terrific interpolation of the Little Village classic" Big Love" penned by Ry Cooder, John Hiatt, Jim Keltner and Nick Lowe. This track along with Julie Millers "Wide River To Cross" and the Gillian Welch and David Rawlings track "I made A Lovers Prayer" are the most upbeat and spirited covers on the release. Along with paying tribute to some of her modern day heroes such as Lucinda Williams on "Steal Your Love", Carrie ventures into the classics with Merle Haggard's "I Started Loving You Again" as well as Hank Williams "I'm So Lonesome I Could Cry". This is Carries most roots driven solo release and shows an artist that is confident in her abilities to make her listeners as well as some of the worlds greatest song writers proud. Reviewed By: Gregg Saur

Quick Links:

• Carrie Rodriguez Home Page

AMY COOK

Let The Light In

March 22, 2010

Out of Austin and veteran of over twenty song placements in television and film, Amy Cook has released this album of guitar-driven folk-rock. With the help of producer Alejandro Escovedo, Amy Cook has created accessible folk with catchy pop and rock elements. When I heard the first track, "Get It Right", I thought I was going to have a difficult time making it through the entire album; but the second track, "Moonrise", caught my interest, with its country-noir feel and Alejandro himself helping out on the vocals. Some of the songs here I simply do not like, but there are some highlights. Both, "I Like To Go To Parties" and "Strange Birds" are interesting in their simplicity and the slow-building "Mescaline" features nice string elements: also I don't know who Marianne is, but I might like to meet her after hearing "I Wanna Be Your Marianne". While Amy Cook is being touted as a singer/songwriter, I think she has more than that to offer on this release. Rebecca Ruth

Quick Links:

• Amy Cook's Website
• Amy Cook Myspace

THE STEEL WHEELS

RED WING

March 9, 2010

The Steel Wheels have rolled out one great release of old time sounding folk, blues and gospel to capture their audience through all fourteen tracks. Fans of bands such as the old Crow Medicine Show will appreciate how this four person band from Virginia can make their old time acoustic music sound as if it could have been recorded 50-60 years ago, yet still sound fresh today. Trent Wagler's raspy vocals sound as if he had just returned from the old west during the middle of a dust bowl. It is this lack of polish accompanied with some terrific fiddle, guitar, mandolin and upright bass playing that makes this release a terrific slice of American roots music. Reviewed By: Gregg Saur

Quick Links:

• The Steel Wheels Home Page

CARRIE NEWCOMER

Before and After

March 7, 2010

I'm sure it is easy to dismiss Carrie Newcomer's earnestness and quiet diplomacy of thoughtful living in these days of picking sides and yelling our opinions. Perhaps her music is too gentle for you, her observations too quaint. Too bad. Her 12th release for Rounder is another set of well-written and -delivered folk songs that counsel, "Courage doesn't always shout/But whispers and reminds/When we get up one more morning/And try one more time." Her rich alto has never sounded better, and the opening title track has her duet with another fine singer/songwriter, Mary Chapin Carpenter. She retains her gift of seeing the larger meaning in common daily experiences, best illustrated in "I Do Not Know Its Name." The song "Hush" is a beautiful rumination on forgiveness. The closer gives Eve credit for naming the animals (tough luck, Adam). If more of us would turn off cable news and listen to a Carrie Newcomer CD, we'd live in a better country. Try getting that through Congress. F-Contemporary 03/10 Michael J.

Quick Links:

• Carrie's homepage
• Carrie on Myspace

SWEET TALK RADIO

My Hallelujah

March 2, 2010

Sweet Talk Radio is the Los Angeles based husband and wife team of Kathrin Shorr and Tim Burlingame out with their debut on Two Pop Music titled "My Hallelujah." The sound here is sometimes upbeat but mostly more on the mellow side of things as the duo combines elements of folk, americana, country, blues and even jazz. The vocals are predominantly Shorr's with her husband providing the backing vocals occasionally. On the uptempo tracks "Labor of Love" and "Lovesick," the singer/songwriters pull together two really nice songs. While not "pop" songs in their fullest expression, these two represent the closest thing to a "pop" sound found here. On the opener and title track, Shorr laments the loss of one she calls "My Hallelujah" as she sadly and yet passionately sings: "All that I have left / Is his voice and it's fading fast / Grey Sky, brown box, black dress." Such is the essence of many of the songs here - relationships that for whatever reason, haven't quite worked out. "The Good Life" takes things in a more positive direction as the soulful voice of Shorr sings "He's all I need to live the good life." Here, the sound has much more of a jazz feel with the soft combinations of percussion, piano, and guitar used to create a lush and cool atmosphere. "Ballad of Hank Williams" is an interesting take on the life of the troubled Williams, and is written from his viewpoint. Here Shorr and Burlingame write: "And I think I speak the gospel / When I tell you this truth / If Jesus wore my shoes / He'd reach for the bottle too." Overall, the mixture of uptempo and the slower and more melodic songs here is nearly perfect. The production is superb and the voice of Shorr is nothing short of infectious. In the end, most of the songs here are really well done and sound like a soundtrack to a mostly sad movie that somehow ends with a sliver of hope. ~Reviewed by Jeff Bouma

Quick Links:

• Official Sweet Talk Radio Website

TEXAS TORNADOS

ESTA BUENO!

March 2, 2010

Esta Buenos definition is this is good, and The Texas Tornados have always believed in truth in advertising. It has been 14 years since their last studio release and during that time we lost two of the founding members, the late great Doug Sahm and Freddy Fender. For this release Shawn Sahm has filled into his fathers footsteps and the band has resurrected five previously unreleased vocal performances by Freddy Fender. The result brings back all the magic created by this Tex-Mex super group over 20 years ago. This CD is a real Tex-Mex party release and catches Augie Meyers and Flaco Jimenez relaxed and once again having fun making the music that made the Texas Tornados one of the most energetic and creative bands of the 1990’s. Esta Bueno will hopefully be the beginning of the next chapter for the Texas Tornados, because if this is any indication, it’s good. Reviewed By: Gregg Saur

Quick Links:

• Texas Tornados Home Page

CAROLINA CHOCOLATE DROPS

Genuine Negro Jig

March 1, 2010

This interesting trio were all drawn, individually, to the Piedmont musical jam sessions run by old-time fiddling legend Joe Thompson. Don Flemons came from Arizona; Rhiannon Giddens was classically trained from Oberlin College in Ohio; and linguistics major Justin Robinson from in-state North Carolina. They wound up going to old Joe's house every other week and developed into a band that respects its historical roots, but also takes liberties to expand the black string band tradition's boundaries. The group's name is a tip of the cap to the Tennessee Chocolate Drops who played to mixed audiences in the '20s and '30s. They are fully aware of the provocative nature of their band's name and even this CD's title, but that's part of the education they hope to achieve in getting people to listen and to dialogue. This set is terrific, with gems such as "Hit 'em Up Style" (#4), "Snowden's Jig" (#6), "Kissin' and Cussin'" (#9) -- as well as a new take on the Tom Waits tune "Trampled Rose" (#12). Outstanding. 03/10 Michael J. F-Traditional

Quick Links:

• Chocolate Drops homepage

JOY KILLS SORROW

Darkness Sure Becomes This City

February 25, 2010

This Boston-based band takes a bluegrass foundation and adds innovation in both songwriting and musicianship. At times, the cuts seem "old-timey," like the Gary, Indiana* radio station WJKS, from when comes the band's name (cf. "New Shoes" and "We Will Have Our Day"). In other moments, the break from the expected brings added interest and depth (cf. title track, "All the Buildings"). The group is kind of an "acoustic all-star" configuration: the mandolin player is the first-ever graduate from the prestigious Berklee School of Music on that instrument; the guitarist has a "flatpicking championship" under his belt; the primary lyricist is a John Lennon Songwriting Award winner; and the main vocalist won a national Canadian folk music performing honor. Nice that they all found one another. Give this disc a spin. Michael J. 02/10 F-Americana [*How a Gary, Indiana station got away with playing bluegrass might be interesting research sometime.]

Quick Links:

• Joy Kills Sorrow homepage
• JKS on Youtube

TOKYO ROSENTHAL

GHOSTS

February 22, 2010

When I first picked up this release from a man named Tokyo Rosenthal, the last thing I expected to hear was a terrific release from an Americana singer/songwriter. Tokyo otherwise known as Toke starts this release with the most rock oriented track “Inside Your Skull” a track that is so catchy it may never leave. “There Is No Love” is a folk track that features the fiery fiddle of Bobby Britt who is also featured on “Mister Tell Me About The Great Depression” and “Goin’ On Saturday” two tracks that have a certain Willey’s feel to them. “Feelings Don’t Know Any Age” begins slow and builds to an up-tempo jazz sound that reminded me of Dave Brubecks classic Take Five and featured some great flute from Lisa Lecheau. This Ghost from North Carolina may get inside your skull and not leave, but don’t worry, it’s a good thing. Reviewed By: Gregg Saur

Quick Links:

• Tokyo Rosenthal Home Page

RAY WYLIE HUBBARD

A. ENLIGHTENMENT, B. ENDARKENMENT (HINT: THERE IS NO C)

February 2, 2010

Is Ray Wylie Hubbard one of those “outlaw country” guys? Is he a smart ass Texas Troubadour? Is he a blues guy? Is he a hippy cowboy? Yes to all of the above. Ray Wylie Hubbard is a Texas based storyteller who draws from a deep well of musical inspiration that includes blues, country and twangy rock. With a gruff delivery that is equally comfortable delivering a Neil Young style ballad, "Black Wings", as a jazzy hodge podge of sound that could fall off a Chuck E. Weiss or Tom Waits disc, "Pot and Pans", or a mid-tempo rocker that sounds eerily like Ian Hunter, "Loose", Hubbard weaves tales about naked women on the crunchy, "Drunken Poet’s Dream", the end times on the gospel inspired, "The Four Horses of the Apocalypse", pesky wasps on the slow stomper, "Wasps Nest", and even draws inspiration from Edgar Allen Poe’s The Raven on the rootsy title cut. Elsewhere, Hubbard mixes things up with an a cappella rave up, "Whoop and Hollar", an eerie folk blues, "Tornado Ripe", a hot-wired, slinky blues, "Down Home Country Blues", and a lumbering number that stomps and jerks like a zombie on the prowl, "Every Day is the Day of the Dead". While his wide ranging repertoire makes him difficult to peg, his talent has no problem shining through on this release. Smitty

HARLEM PARLOR MUSIC CLUB

SALT OF THE EARTH

February 1, 2010

There are certain discs that just uplift you and leave you with a joyous feeling after listening too; Harlem Parlor Music Club’s Salt of The Earth is certainly one of them. This superb gathering of 15 friends and musicians from the New York area includes WYCE favorites Darden Smith and Mary Lee Kortes from the band Mary Lee’s Corvette. HPMC combines traditional folk, gospel and just a pinch of funk to keep their sound fresh through all 11 tracks. HPMC sound could easily be compared to the band Ollabelle as they use six different vocalists, traditional strings, three different dobro players and a terrific rhythm section to round out their sound. Out of the 11 tracks 10 are originals with the exception of the masterful job done to Sly And The Family Stone classic “Thank You {forlettinmebemiceelfagin}” This CD was recorded in an 1890’s Harlem townhouse with very little overdubs leaving it with a warmth felt when 15 friends join together to make great music. Reviewed By: Gregg Saur

Quick Links:

• Harlem Parlor Music Club My Space

ALEXIS HARTE

Big Red Sun

January 31, 2010

Bay Area native Alexis Harte has used his experience in environmental studies and his time living in Brazil to conjure up four releases full of birds, flowers and planets with a Jack Johnson delivery that shows off the rhythms of South America. Harte has a master's degree in ecology and spent three years working in Brazil, with his guitar never far away -- that actually sounds like a Paul Simon, Rhythm of the Saints combination, doesn't it? He has drawn kudos from Performing Songwriter and Acoustic Guitar magazines along the way. In this set, the opener, "Mayflies," gets your attention immediately with a lush beginning and rhythmic backbeat. "Pot of Rainbow," "A Moment's Peace" and "Temporary Tattoo" are other standouts. If you think he's getting too Cat Stevens on you, check out the manic beat of "Send a Robot." There's a hidden track #13 on this record, entitled "How Can I Find You?" 01/10 Michael J. F-Contemporary

Quick Links:

• Harte's homepage
• Harte's Myspace site

MOLINA AND JOHNSON

MOLINA AND JOHNSON

January 27, 2010

On their self-titled and alt country debut, Molina and Johnson share their combined talents on fourteen soothing and often sad songs. Known for his work with Magnolia Electric Co., Jason Molina's baleful cry is found in varying ways here. One of the best is the haunting "32 Blues" wherein Molina cries about the vast unknown of the after world. Will Johnson, of Centro-matic and South San Gabriel fame is a nice contrast to Molina with his husky growl. While surfacing throughout, perhaps the song the best exemplifies Johnson's talents is the one that he shares with the Texan songstress Sarah Jaffe - "All Gone, All Gone." In the background on this one is an instrument known by some as the crying saw. In this case, it produces a haunting and chilling effect. Another song worthy of some attention is the opener, "Twenty Cycles to the Ground." Here, both Molina and Johnson share the vocals on the laid back and organ accompanied song. Minimalism is again in full-force but it shines brightly on "Almost Let You In." Here, Molina and Johnson combine the best of their vocal talents and add it to their knack for songwriting to create a track that deserves its just due. On the whole, there are certainly no toe-tappers here. The fact is, these are two markedly talented but mournful men that have chosen to create a bare sound that's often a little too dark and depressing. While the sound and the mood do grow on you, it's probably not enough for most to give it their time. ~Reviewed by Jeff Bouma

Quick Links:

• Official Molina and Johnson Website
• Dusted Magazine Review

MATT THE ELECTRICIAN

Animal Boy

January 26, 2010

Anyone who thanks chickens in their album liner notes is alright with me. Texas musician, Matt Sever (who really was an electrician at one time) does just that on this, his sixth album. I'll forgive him for covering "Faithfully", because I quite liked the rest of this release. It's full of fun instrumentation provided by Matt, his producer, Mark Addison, and occasional guests. The narrative lyrics are fun and hold my interest...I want to know what happens next. It's hard for me to pick a favorite here, but check out "For Angela" or the title track for starters. Rebecca Ruth

Quick Links:

• Matt the Electrician Website

EELS

End Times

January 19, 2010

After only a few short months since their last release, the Eels are back with their eighth studio album with a large focus on the "End Times" - the aptly named title. Here, the focus isn't on the end of the world per say, but on the end of singer/songwriter Mark Oliver Everett's marriage. Most, if not all of the songs deal with this in one way or another - some more explicitly than others. It's as if Everett has opened up his journal for everyone to read only instead of reading it he turns them into songs and he sings them for us. The opener, "The Beginning," reflects on past circumstances and younger days when "everything was beautiful and free." "In My Younger Days," continues the lament with an element of anger surfacing over losing someone he still wants back. The songs "Mansions of Los Feliz" and the title track "End Times," diverts from personal issues ever so slightly and focuses on the larger and increasingly hostile world that finds itself (from Everett's point of view) teetering on the verge of self-destruction. In all its simplicity, "A Line in the Dirt" is one of the better sounding songs her with Everett's voice paired with a piano to offer another sad take on the trek called "life." Perhaps the best song here is "Unhinged" - one of only a couple of songs that has an upbeat edge to it. Sadly, five of the songs with a sound that would normally garner a lot of play and attention (Gone Man, Paradise Blues, Nowadays, Little Bird and On My Feet) are unplayable due to the lyrical content. Nevertheless, they're worth checking out on your own if you've got the time and the Eels are worth your attention. Overall, this effort from Eels is a heartfelt memoir that may work for some but might just be a little too sad for most. ~Reviewed by Jeff Bouma

Quick Links:

• Official EELS page
• EELS on Wikipedia

CHRIS KASPER

Chasing another Sundown

January 18, 2010

Chris Kasper’s new cd “Chasing another Sundown” is a folksy, harmonious set of graceful melodies. On guitar or banjo, Kasper's skillfull playing highlights his bluegrass and folk influences. This album is both quiet and bright, his ability to get your toe tapping balancing the delicate ballads that gives his vocals the perfect setting. Manayunk, PA is Kasper home. He’s shared festival bills with Bela Fleck and Keller Williams and opened for Amos Lee. I’ve never heard Kasper’s previous albums (FlyingBoy and Trust the Tale, Not the Teller) but I will now. He seems to finds enchantment in ordinary situations. If you crave innovative music, give this a try. I loved the melodies and lyrics. It’s really hard to pick favorite songs because I really loved them all. #7 has a bit of funk, #8 Loosely Pray (you don’t fade away) is a quiet, beautiful song, and the slide guitar is perfect. #9, the last song, has a little ditty that comes on at 6.11 into it – just a bit of fun. I hope you enjoy this as much as I do. Anne Lamont

Quick Links:

• Chris Kasper's My Space page

MATTHEW RYAN

DEAR LOVER

January 18, 2010

Matthew Ryan writes some of his best songs when faced by personal tragedies or situations. Matthew was sitting in an emergency room with a good friend. Thinking it was too soon to loose this friend, he sat down with a pen and wrote 10 songs dedicated to saying things to lovers that often go unsaid. The heartfelt emotion felt in this release is gripping. Matthew teeters between slower folk songs like “Your Museum” and “The World is” to tracks that have a U2 rock quality such as “The Wilderness” and “Spark” a slower dance trance track featuring DJ Perch. The raspy quality in Matthews’s voice is perfectly suited for the emotions felt in this disc and he brings you into his heart on each of the tracks. After just one listen to this disc it is easy to understand why Matthew Ryan is one of the most underrated recording artists recording today. Reviewed By: Gregg Saur

Quick Links:

• Matthew Ryan Home Page

DAPHNE WILLIS

What to Say

January 17, 2010

Chicago-based Daphne Wells has a soulful, bouncy narrative style of delivering a tune that has some pegging her as a female Jack Johnson. I pick up some Laura Love vibes in the music; there's careful attention to the instruments providing a percussive backbeat to the song-stories she is telling. The set starts off with a roar on "Everybody Else," settles into the solid folk-rocker "Bluff" and then she's off to the races. In addition to these openers, I particularly liked "Swirl" and "Yellow Dress" for their spot-on match of lyric and music. Not a clinker in the bunch, a fresh new talent with spunk and style. F-Soul 01/10 Michael J.

Quick Links:

• Vanguard page for Daphne
• Daphne's Myspace page

SUFJAN STEVENS

The BQE

January 12, 2010

After the amazing collections of "Michigan" and "Illinois," leave it to Sufjan Stevens to tackle another historic-driven musical venture: the Brooklyn-Queens Expressway (or BQE). Commissioned to do music and a film documentary, Stevens did meticulous research and delivered an instrumental soundtrack that intends to tell the story of this controversial roadway (which cuts through neighborhoods with hair-raising turns that make our own S-Curve look like a garden path). If you liked the instrumental passages in his previous discs, you will appreciate the layers of instruments and themes that he presents here. If you're wondering what's with the women with hula hoops on the CD jacket, Stevens makes the connection and contrast between the BQE and the invention of the hula hoop, invented the same year the expressway was completed. Hard to imagine what this guy will do next! Amazingly talented, often hyper-intellectual, never boring. 01/10 F-Esoteric (Instrumental) Michael J.

Quick Links:

• More on the BQE project
• NPR story on Stevens and the BQE
• Sufjan's homepage

VARIOUS ARTISTS

Keep the Light Alive: Celebrating the Music of Lowen and Navarro

January 12, 2010

As we've been doing for our good friend and local Godfather of Folk Music, Ralston, the friends of Eric Lowen (of Lowen and Navarro fame) have banded together to help the singer-songwriter in his battle with ALS (Lou Gehrig's disease). This tribute CD raises dollars for Lowen and his family and for ALS research. Not only is this a nice thing to do, the artists do a great job on the L&N songbook, with Jackson Browne leading off and including Keb Mo, The Bangles, The Refugees and Eddie from Ohio. Two artists I didn't know before -- the Andy Chase Band and Charlie Wadhams -- do particularly fine jobs in this set. I remember when L&N were in town at One Trick Pony and Lowen commented that "We Belong" (the song of theirs Pat Benatar made into a megahit) "put his kids through college." This time, a musical project is attempting to lift his spirits during a challenging struggle. P.S. Lowen can no longer perform live; Navarro is going on solo. 01/10 F-Contemporary Michael J.

Quick Links:

• More on the tribute project
• Lowen and Navarro Web site

JON TROAST

Living Room

December 25, 2009

Jon Troast forever wrote himself into road musician history this year by performing 100 house concerts in 100 days, an amazing accomplishment considering the myriad of details that could derail such a feat. On his fourth release, Troast (who's from Wisconsin, but attended elementary school and college in West Michigan) shares some glimpses of his recent travels -- looking at family pictures on someone's fridge ("Living Room Tour"), driving from town to town ("Another Mile"), trying to rank the states he's seen ("Favorites") and the wandering troubadour's life ("Somewhere Down the Road"). His songs describe thoughts and emotions common to us all, yet he delivers the music and lyric in an uncommonly fresh and forthcoming way, as if, well, he was just chatting with us in our living room. It's a rewarding experience to invite him in. 12/09 Michael J. F-Contemporary

Quick Links:

• Jon's homepage
• Jon's myspace page

BOCA CHICA

Lace Up Your Workboots

December 19, 2009

It’s two years after the release of their 1st full length album, Transform into Beasts, and I’m still trying to knock that title track song out of my head in order to make room for this new album of Boca Chica’s titled Lace Up Your Workboots. This alternative folk band from Pittsburgh is mainly Hallie Pritts, with a loose rotating cast of musicians. On this album the line-up includes Susanna Meyer (a Boca Chica constant) and Matt Miller from “Beasts”, plus Jeff Baron of The Essex Green and Ladybug Transistor, as well as a slue of other talented Pennsylvania musicians. The music is light and airy, while keeping one foot firm on this American ground. The sounds weave nicely between sparse and simple to full, lush string collages. Pins and Needles and Valentine both have a very pleasing build in sound. As the Pittsburgh Paper accurately described them: “A Steinbeckian blend of Appalachian, alt-country and folk rock”. Their overall sound could be compared to the Be Good Tanyas, Jolie Holland, Hank Dogs or HEM. Their album Transform into Beasts transformed me into a fan a couple years ago, now Lace Up Your Workboots will definitely keep me listening. Becky Kenny 12/2009

Quick Links:

• Boca Chica on Myspace
• Lace Up Your Workboots in Pittsburgh City Paper
• Shut Eye Records

JOE SWANK & THE ZEN PIRATES

HANK WILLIAMS DIED FOR MY SINS

December 15, 2009

Joe Sank describes his music with the Zen Pirates as country, punk, southern rock and aggressive hillbilly music. I say the 10 tracks on this release would make Hank Williams proud. It is a combination of the Drive-By Truckers, The Bottle Rockets and Scott Miller and the Commonwealth all wrapped up together. As Joe takes his listeners through beer drenched halls and the church of perpetual neon he may not make a lot of new converts, but fans of this style of Americana will surely be converted. Joe even tackles a lesser known Kiss tune on”Strutter” the closing track on this release. Reviewed By: Gregg Saur

Quick Links:

• Joe Swank My Space Page

LAURA LOVE & ORVILLE JOHNSON

The Sweeter the Juice

December 6, 2009

Laura Love teams up with country bluesman and dobro master Orville Johnson to do a set of (mostly) traditional American folk, gospel and civil rights music -- an acoustic version of what Mavis Staples did a couple of years back with "We'll Never Turn Back." The two sometimes develop two distinct songs into a medley, with Laura leading on one and Orville the other; on some songs they harmonize. Laura's always included some of these early classics in her concert sets and decided to release a disc that's full of 'em. These familiar songs are all done well, with Laura's thick bass playing and Orville's dexterity blending nicely. Check out "Load Up/Eyes on the Prize" and "Swing Low Sweet Chariot/Swing Down Chariot." "Livin' in a Dream" is an old Robbie Robertson song. F-Traditional 12/09 Michael J.

Quick Links:

• Laura's home page
• Laura's bio

TUNE-YARDS

Bird-Brains

November 25, 2009

Using little more than vocals, acoustic guitar, found percussion instruments, and the occasional drum loop/electronics, Merrill Garbus, calling herself Tune-Yards, has crafted something interesting. Combining African rhythms with pop sensibilities, Tune-Yards offers quirky songs that hold my interest from beginning to end. Her minimalist style belies her wide-ranging delivery and engages the listener. This is really cool stuff! Rebecca Ruth

Quick Links:

• Tune-Yards Website
• 4AD Website

DEVENDRA BANHART

What Will We Be

November 11, 2009

Devendra Banhart's first album on Warner/Reprise titled What Will We Be continues the freak-folk of prior efforts but perhaps in a more straight-forward kind of way. Still, there's plenty of the weird and the psychedelic here too - especially on the track "Rats," in which Banhart sings about love and relationships and not necessarily about rats. The opener, "Can't Help But Smiling," sets the mostly gleeful tone. "Angelika," makes for a great follow-up as Banhart tones things down a little to make a truly beautiful sound. On the song "Baby," happiness is again the topic as he sings: "Baby, I finally know what I'm going after, I'm learning to let in all the laughter, holy moly, yer so funny, you crack me up." The most rock oriented song here is "16th and Valencia Roxy Music," which highlights the electric guitar and the drums to make for a faster-paced song that you just might find yourself dancing to. The final song, "Foolin" has a reggae and Caribbean sort of feel that makes for an apt conclusion to an effort that seems to maintain a largely positive tone. In a nutshell, creativity abounds with the singer/songwriter making most of his shots here. Yes, there's a few missed shots too but Banhart's willingness to venture into the crazy and weird makes him look more like a genius than anything else. For the sheer adventurousness that we find here alone, Banhart wins! ~Reviewed by Jeff Bouma

Quick Links:

• Official Website
• Banhart on Myspace

CARRIE RODRIGUEZ

LIVE IN LOUISVILLE

November 9, 2009

This live recording was made in 2007 when Carrie Rodriguez was opening for Lucinda Williams. It is easy to hear after one listen how this Austin Texas fiddler who has spent much of her recording career with partner Chip Taylor has moved into a more edgy side of the Alt-Country world. The Tracks “I Don’t Want to Play House Anymore” and “You Won’t Be Satisfied That Way” have a Lucinda feel to them or Patty Griffin during the days of Red. Carrie also releases her sexual energy on “50’s French Movie” a track that reminded me of Lucinda Williams song “Righteously” The tracks“ Mask Of Moses” which begins slow and works up to a full steam boil and “Never Gonna Be Your Bride” demonstrates that this country gal from Austin sure knows how to rock. Carrie’s last Studio CD’s have brought attention to her as a solo artist and this live recording should solidify the talents of this underrated performer. Reviewed By: Gregg Saur

Quick Links:

• Carrie Rodriguez Home Page

TOM WAITS

GLITTER AND DOOM LIVE

November 9, 2009

In 2008 Paste magazine called Tom Waits Glitter and Doom tour the best live show of that year. The 17 tracks on this disc were recorded in 10 different locations and showcase some of Tom’s finest works. This CD will bring smiles to fans that were with him during Closing Time all the way to his Real Gone Days. The CD includes crowd favorites from “Get Behind The Mule” originally found on Mule Variations and “Singapore” from the now classic Rain Dogs release. “Dirt In The Ground” from Bone Machine may be one of the most captivating songs ever recorded by Mr. Waits. Tracks like “Fannin Street”, “Lucky Day” and “I’ll Shoot The Moon” are all tracks that will bring smiles to fans who liked Tom’s early years. “Live Circus” certainly represents the off kilter story telling side of Tom. This release will set along with some of Tom’s finest works and that’s saying a lot. Reviewed By: Gregg Saur

Quick Links:

• Tom Waits Home Page

AMANDA SHIRES

West Cross Timbers

November 6, 2009

Amanda Shires is a fiddle-and-guitar-playing young woman from Lubbock who cut her teeth playing on the side for the legendary western swing band the Texas Playboys at the age of 16. This is her first real solo outing and it is drawing praise from musicians such as Chris Isaak, Justin Townes Earle and Slaid Cleves -- as well as innumerable marriage offers from the (in)famous singer/humorist Kinky Friedman. The opening songs starts with her asserting, "I hope I haunt you good," and even though that tune is not representative of the entire set, Amanda's higher-register delivery and fondness for traditional folk storytelling grow on you. The dark "I Kept watch Like the Doves" and the outstanding "Mineral Wells" show a special talent. I hope she gets her chance to build a national audience; there's a lot more here than we can take in from these 11 songs. 11/09 Michael J. F-Americana

Quick Links:

• Amanda's home page

THE PANTONES

Inside the Sun's Wild Flame

October 25, 2009

The Pantones recorded this, their third album in Eaton Rapids, Michigan. Much of this seems like contemporary country, such as the twangy tunes, "You've Lost the Sun" and "Less of Me". The album does offer intriguing instrumentation, though, without seeming crowded. "Nightingale" is nicely produced with its violin and vocals. "A Thousand Yards" prominently features Rhodes and horns and "Back To My Old Ways" has nice snare work and banjo. This entire album offers nice production and vocal harmonies. Rebecca Ruth

Quick Links:

• The Pantones' Website

LYLE LOVETT

NATURAL FORCES

October 23, 2009

Lyle Lovett has always mixed keen observations about relationships and the human condition with either deep sentiment or wry, tongue in cheek humor that will have you laughing one moment and crying the next. This disc continues that trend. The reflective title track finds him fighting wanderlust and wondering if he’s worth the sacrifice made by the armed forces so that he can indulge himself. Just when you get lulled into the deeper questions raised by that cut he shifts hard into the novelty of the bawdy "Farmer Brown" and the twisted food metaphors that he uses for the age old request that it be kept in the pants on the catchy "Pantry" (which also appears at the end of the disc in an acoustic version). Back to the serious side of things, Lovett muses on lost love on "Empty Blues Shoes" and "Don’t You Think I Feel It Too", the inability to find a direction, "Whooping Crane", reminiscing about lost friends, "Sun and Moon and Stars" and having it all but moving on anyway on Townes Van Zandt’s "Loretta". While these later cuts are finely crafted, they all sound somewhat alike and tend to drag a bit when heard consecutively. On the more upbeat and musically diverse side is the steamy, steel guitar driven "Bohemia" and the positively rocking "It’s Rock and Roll" which re-unites him with old writing partner, Robert Earl Keen. Leaving the Big Band in the wings for this release, Lovett relies mostly on guitars, fiddles and mandolins to provide the musical backdrop that makes this a mostly fine listen. Smitty

JOSHUA JAMES

Build Me This

October 6, 2009

Originally from Lincoln, Nebraska, Joshua James brings us stories of heartache from the heartland on this, his second full-length release. Singing in a whispery, almost feminine voice, James sings pretty songs of the difficulties of relationships and the hurt we often cause one another and ourselves. This is sad stuff, sometimes accompanied by folksy, acoustic instrumentation, such as that found on "Weeds" or "In the Middle". Other times being more electric, such as on "Black July" or "Kitchen Tile". Almost always, though, these songs start out soft and pretty, then crescendo into something louder, but strikingly fair to the ear. Rebecca Ruth

Quick Links:

• Joshua James' Website

HOPE SANDOVAL & THE WARM INVENTIONS

Through the Devil Softly

October 6, 2009

With several years in between (their last release was 2001's Bavarian Fruit Bread), Hope Sandoval & The Warm Inventions are back with their second full-length release. From the start, let's just say this: commercial music this is not! Picking up where they left off on their previous release, spare and subtle musical arrangements abound - accompanied by the gentle vocal style of Sandoval whose sensuous chords provide the major strength here. The opener, "Blanchard," showcases the tender and spooky folk found throughout. It also features the simple nature of the music that accompanies the soft-spoken songstress. "For the Rest of Your Life," is haunting, featuring eerie guitar effects and percussion. "Lady Jessica and Sam" is another song based on the simple. Still, with the singer/songwriter at the forefront, the acoustic background works well. "Things Like That" manages to pick things up a bit, with a tempo accentuated by the cello and the hypnotic violin. Near the end of this eleven-song set of music is the song "Trouble," which just might be the best of all. Here, the drums come out in all their fullness in order to add to the haunting nature of what is truly Sandoval at her vocal best. Overall, what seems to be lacking on this recording are songs that offer memorable hooks that beg the listener to come back time and time again. Still, Hope Sandoval and her "warm" counterparts have crafted a sound that might best be described as beautiful in all its eeriness. ~ Reviewed by Jeff Bouma

Quick Links:

• Hope's Official Site
• Wikipedia on Hope

BOOKA AND THE FLAMING GECKOS

Baghdad Texas

September 17, 2009

Texan, producer/musician, Booka Michel has produced and performed music all over the world in just about every genre. Listed here as producer, composer, and drummer/percussionist, Booka used three musical genres for inspiration: Latin, Americana, and Middle Eastern, based on the three main characters in Baghdad Texas, the movie that this is the soundtrack to. Clocking in at under thirty minutes, with most of the songs less than three, this is mostly instrumentals and is of the Americana genre with Latin and Middle Eastern influences. I quite liked this and my only complaint would be that there be more than a half hour of music! Rebecca Ruth

Quick Links:

• Loudhouse Music Website
• Baghdad Texas Movie Website

MALCOLM HOLCOMBE

For the Mission Baby

September 15, 2009

Described by David Fricke of Rolling Stone Magazine as "not quite country, somewhere beyond folk...a kind of blues in motion," Malcolm Holcombe is just that - hard to compartmentalize. Still, that's what keeps things interesting on the singer/songwriter's eighth album release; a seemingly introspective and honest look at the realities of life and living. The raspy voice and gritty folk is prevalent from the start as Holcombe kicks things off with the catchy "Bigtime Blues." The second, the Americana inspired "Hannah's Trading Post" is equally pleasing to the ear. The short and heartfelt "You Have it All," captures the essence of a world where some win and some lose. Building on this theme, on the final song, the lush and beautiful "Someone Left Behind," Holcomb hopefully sings: "But there's better days ahead in time for someone, somewhere left behind." Expected by the record company to garner the "best reaction yet," Holcombe and the Grammy award winning producer Ray Kennedy don't disappoint. The reaction from Lucinda Williams was this: "From the first note I was drawn in. He is an old soul and a modern day blues poet." Make no mistake about it, from beginning to end, the reaction to Holcombe's latest is "right on." ~Reviewed by Jeff Bouma

Quick Links:

• Malcolm Holcombe Website

LEE HARVEY OSMOND

A QUIET EVIL

September 14, 2009

No Lee Harvey Osmond is not a new solo artist, but a super group formed between Tom Wilson from Blackie and the Rodeo Kings as well as members from the Cowboy Junkies. Their music is described as Acid folk and after it spinned for the fifth time in my CD player I have to admit it put its spell on me. My favorite track “Cuckoo’s Nest” with the bass lines from John Finlayson had an almost Morphine feel to it. Other tracks like “Blade of Grass” sounded a bit like Chris Isaak. Margo Timmins from the Junkies does a beautiful duet with Tom Wilson on “I’m Going to Stay That Way”. Other notables are some terrific Dobro playing through out the disc from the great Colin Linden. I have a strong feeling that this quiet evil may become extremely infectious. Reviewed By: Gregg Saur

Quick Links:

• Lee Harvey Osmond My Space
• Amazon

MONSTERS OF FOLK

MONSTERS OF FOLK

September 14, 2009

What happens when four friends each individually gifted solo artist with strong solo careers check their egos at the door and release a collaborative disc? The answer is pure magic Jim James aka Yim Yames, Mike Mogis, Conor Oberst and M. Ward have released a disc that is much larger than any of the individual components. The four friends share duties on lead vocals and play every single instrument on this release including some synthesizers and drums that were crafted during the course of the recording sessions. The CD is entitled Monsters of Folk, but elements of rock, country, blues and yes folk are intertwined through out the entire disc. The disc also has a certain spiritual feel to it and tracks such as “Dear God {Sincerely M.OF.}” and “Ahead of the Curve” have made me a true believer in these monsters. Reviewed By: Gregg Saur

Quick Links:

• Monters Of Folk Home Page
• Amazon

BIRDIE BUSCH

Pattern of Saturn

September 8, 2009

One word comes to mind after listening to the latest from Emily "Birdie" Busch titled Pattern of Saturn - POTENTIAL. Yes, this girl has great potential mostly because of her ability to coin catchy melodies with everyday life kind of lyrics. For you new comers, think of a Laura Veirs/Jenny Lewis kind of mix, and this is what you might have. On the opener, "Penny Arcade," what's immediately evident is the beauty of Birdie's voice along with a lush melody making for a really terrific song. On "Bordertown," Birdie takes on the voice of a Mexican dishwasher (Gabino) and creates another song well worthy of a listen or two. One of the best is the short but worthy "Roll It." Here, the singer/songwriter delves into what some might describe as 'rockabilly' as she sings: "This space between us / it's much too wide / I guess with earthquakes / come divides." Another effort deserving of 'Best Of' status is the song "Hometown Boredom," which scales things back a bit for a more mellow and melancholy sound. All in all, perhaps the biggest disappointment with Birdie's latest is the length of the effort as a whole. Coming in at just over thirty-three minutes - with two songs of extremely short length - what you're left with here is an album with nine songs that begs the question: Why not more? Great potential? You bet. Room for improvement? Absolutely. ~Reviewed by Jeff Bouma

Quick Links:

• Official Birdie Busch Website
• Birdie on Myspace

WILLIE NELSON

Lost Highway

September 4, 2009

As Willie Nelson departs his record company, Lost Highway, for another classic brand (Blue Note), the good folks at Lost Highway have released this "chestnuts" package with songs from previously released LH recordings -- along with four never-on-record-before cuts (one of which we can't play). The set starts out strong with assists from Rob Thomas and Lee Ann Womack, and the Jimmy Cliff tune from "Countryman" is always a treat. And of course, any duet with Lucinda is worth hearing again. The disc ends with two songs relating to the film "Brokeback Mountain," the first one an iTunes hit now on record; the second unplayable because of language. In all, a solid compilation of the latest Willie Era, on the cusp of him beginning yet another. Michael J. 09/09 F-Americana

Quick Links:

• Willie's homepage
• Wiki on Willie

CATIE CURTIS

Hello, Stranger

August 27, 2009

Over her 15-year music career, Catie Curtis has often played her catalog in a variety of ways, surprising fans with stripped-down versions of her songs. This disc is a collection of tunes she recorded earlier, as well as a number of covers, in a string-band setting featuring banjo player extraordinaire Alison Brown (and heavy on mandolin and fiddle, too). The opener, "100 Miles," and "Deliver Me" are originals that ring true in this setting. Interesting as well are the Cat Stevens song "Tuesday's Dead" and the John Martyn bluesy cut "I Don't Want to Know." Mary Gauthier joins Curtis on the country-fave title track. Michael J. 08/09 F-Americana

Quick Links:

• Catie Curtis home page
• Catie on myspace

PAUL BURCH

Still Your Man

August 19, 2009

With a sound described by USA Today as "thoroughly modern but completely unlike contemporary country," Paul Burch is back with his seventh full-length release titled Still Your Man. Along with help from his WPA Ballclub band, the singer-songwriter provides listeners a sound that, while labeled country, is undoubtedly influenced by 50's era honky tonk and the early rock and roll style known as rockabilly. Recorded in an old garage turned studio in Nashville, Burch and his band get off to the thoroughly likable and rockabilly start with the opener "Like a Train." Covering the late Little Walter on "It Ain't Right," Burch delves into the blues and doesn't disappoint. Another song that brings back memories of Roy Orbison is the short and mellow "Lead Me On." There's even the beautiful and lush "Honey Blue" that incorporates piano, guitar, and percussion all to make a sound that could largely be categorized as jazz. In truth, there's too much good here to comment on everything. In the end, all fourteen songs have their own uniqueness to them, making this a great recording to listen to again and again. ~Reviewed by Jeff Bouma

Quick Links:

• Paul Burch Website

MINDY SMITH

Stupid Love

August 14, 2009

On her third release (we're not counting her CD of Christmas songs), Mindy Smith -- who has been touted as being in the same league as Patty Griffin, Alison Krauss and Shawn Colvin -- bares her soul about love's ups and downs. And, as she does on her earlier sets, she doesn't spare herself or the others in her various relationships. All of the emotions, positive and negative, come out. It's like opening up someone's personal journal and following the story; but we don't feel like creepy lurkers, rather invited confidantes to share her grief and joy. Hard to pull off, but she manages to do it. Her mix of music and lyric are well done. I like the NY Times quote of her music: "Her voice carves melodies so sharp and fine you can almost see them." Suggestions: "What Went Wrong,""Highs and Lows,""If I Didn't Know" (a song of hers covered earlier by Alison Krauss), "Couldn't Stand the Rain" and "Love Chases After Me." 08/09 Michael J. F-Contemporary

Quick Links:

• Mindy's home page
• Her Myspace page

ANNIE & ROD CAPPS

My Blue Garden

August 14, 2009

Regional musicians (they're from Chelsea) Annie and Rod Capps deliver a set of "small town" American folk music, accentuated by Annie's high soprano and a familiar supporting cast made up of Rachael Davis, Jen Sygit, Jan Krist, Jim Alfredson (Organissimo) and others. While I appreciated their homespun originals, it is the two cover tunes that caught my attention -- Dave Carter's "Crocodile Man" and the gospel number "Soon Be Free." Folk music is alive and well in the hearts, voices and fingers of this couple. 08/09 Michael J. F-Traditional REGIONAL

Quick Links:

• Annie and Rod's homepage
• Their Myspace page

SILVEROOT

BIG DIFFERENCE

August 11, 2009

Multi instrumentalists Patrick Flynn and Darryl Webb have spent most of their lives in the wine country of Northern California and make up the core sound of Silveroot. This is acoustic folk music that has the wit of a Robert Earl Keen and at times the sounds of the gypsy song man Jerry Jeff Walker. Emily Palen a Michigan native that now resides in the San Francisco area nicely rounds out their sound with her excellent violin and vocals on one of my favorite tracks “Brazil”. This track has the most adventurous sound on the disc and reminded me of the 1960’s group It’s a Beautiful Day. Silveroot has delivered a fine release that should make a Big Difference in the world of acoustic folk music. Reviewed By: Gregg Saur

Quick Links:

• Silveroot My-Space Page

OR, THE WHALE

Self-Titled

August 8, 2009

This is the second album from the San Francisco seven-piece outfit, Or, the Whale. I find it to be a bit more "countryfied" than their first album, "Light Poles and Pines". This album of sometimes rocking, folk-country does have some good things to offer, such as nice production and vocal harmonies. Besides your basic guitar, drums, and vocals, Or, the Whale's brand of Americana also features dobro, pedal steel guitar and banjo. Most of the songs here are somewhat Starland Vocal Band-sounding in their country-pop harmonies. The more rocking songs are the album opener, "No Love Blues", the haunting "Keep Me Up", and the Jefferson Airplane-ish "Black Rabbit". Rebecca Ruth

Quick Links:

• Or, the Whale Website
• Seany Records Website

HOT CLUB OF COWTOWN

WISHFUL THINKING

July 27, 2009

It has been stated that good things are worth waiting for and after seven long years the first studio CD from the Hot Club Of Cowtown is no exception to that rule. The CD begins with HCCT’s signature western swing sound with a cover of the Bob Wills track “Cant Go On This Way”. This CD Is hard to categorize as it ventures into several different genres including the jazz influenced renditions of “Someone to Watch Over Me” and: One Step Closer”. “The Magic Violin” and “Heart of a Roman” are both instrumentals that showcase the classically trained fiddle work of Elana James”. Whit Smith’s guitar and vocals provide a wonderful rendition of the Hoagy Carmichael country ballad “Georgia” and the folk ballad “Carry Me Close”. This is also the first HCCT disc with drums provided by newcomer Damian Llanes. I hope it is not just “Wishful Thinking” that we won’t have to wait seven more years until we next hear from the Hot Club Of Cowtown. Reviewed By: Gregg Saur

Quick Links:

• Hot Club Of Cowtown Homepage

THE TRACTORS

Trade Union

July 18, 2009

Showcasing their Oklahoma roots, The Tractors give us plenty of old-school country on this, their first release in six years. There are some interesting collaborations here, including Leon Russell (Good Old Days) and J.J. Cale (Rhythm Bone). There's also some cool honky-tonk on "What Makes Love Go Bad", which features a nice train snare, horn riffs, and dobro. They turn things up a notch on "It's Only Love" to end on a high note. Rebecca Ruth.

Quick Links:

• Koch Records Website
• The Tracors Website

TERRI HENDRIX

LEFT OVER ALLS

June 19, 2009

This release gives Terri Hendrix a place to showcase cuts that didn’t end up having a home on her prior discs or that have been reinvented so much on the road that they need revisiting. Make no mistake though, these aren’t mere cast offs or demos, they are full fledged efforts that stand tall on their own merits. Highlights include the tough, sinewy "Posey Road Stomp", her live show staples, "Wallet" and "Hole in my Pocket", the funky, semi-spoken, "Bottom of the Hill 2", the gypsy groove of Cheryl Wheeler’s "Summer Fly", the reggae bounce of "Wilderness Song" and the Little Feat style work out "Rockin’ on the River" where Hendrix sounds uncannily like a young Maria Muldaur. Also included are a couple of new cuts that paint a bright future for Hendrix: "Bring ‘Em All In" has multi-track vocals and features her best Dolores O’Riordan (the Cranberries) imitation to generally good effect while "Give Me Flowers" is the kind of earnest message song that seems to spring effortlessly from her pen. Like fellow Texan, Michelle Shocked, Hendrix has the ability to both enlighten and entertain. This disc has ample doses of both of these strengths. Smitty

LEVON HELM

ELECTRIC DIRT

June 19, 2009

After hitting a home run with his 2007 release, Dirt Farmer, Levon Helm returns with Electric Dirt. Featuring a cast of musicians that has a wide and deep background in roots music of all forms and tracks written or popularized by the likes of the Grateful Dead, Pops Staples, The Carter Brothers, Nina Simone, Ollabelle, Muddy Waters and Randy Newman, Helm has crafted a disc that is loose, organic and a solid delight from beginning to end. As always, tying all of the pieces together are the rough, gruff vocals that Rolling Stone Magazine has ranked in the top 100 of all time. With the ravages of time and throat cancer seemingly held in abeyance Helm gives a boisterous reading to Muddy’s "Stuff You Gotta Watch", goes deep into the delta for the field holler groove of Staple’s "Move Along Train", duplicates the good time vibe of the Band on "I Wish I Knew How It Would Feel To Be Free" and rocks out on guitarist Larry Campbell’s "When I Go Away". While there are contemporary flourishes and horns on many of the tracks that distinguish this disc from the stripped down folk of Dirt Farmer, Helms seldom veers too far from his past. On "Golden Bird" and "White Dove", Helm and crew move deep into Appalachia with dulcimers, fiddles and acoustic guitars providing the backdrop to odes about hard times and simple pleasures. Given his roots in rural Arkansas and long tutelage in folk and blues music Helm is able to perform these numbers with an authenticity that lays waste to the efforts of modern roots pretenders. Electric Dirt gets beneath your nails and won’t scrub out with a simple washing. Smitty Kingfish- “Shitkickers”, “Ass”

AMONG THE OAK & ASH

Among the Oak & Ash

June 19, 2009

Folk-rockers Josh Joplin and Garrison Starr team up on this interesting set of traditional folk tunes reworked (and many of them revved up) to give us a fresh take on these historic musical touchstones. "Peggy-O," "Angel Gabriel" and "The Water is Wide" are examples of famous songs that will re-engage you once you hear these two musicians take them down new avenues. Doomed legends such as Hiram Hubbard and Joe Hill have their stories retold by the troubadours; Joplin and Starr also contribute their own song to the genre -- "High, Low & Wide" -- and it fits perfectly in this company. Nice project, and they promise a reprise. MJVD 06/09 F-Neo-Traditional

Quick Links:

• ATO&A home page
• ATO&A Myspace site

KENDAL CARSON

Alright Dynamite

June 7, 2009

A native of Victoria, British Columbia, 24-year-old Kendal Carson started out musically as a violist in a youth symphony, then got involved in the folk scene first with her brother and later with The Paperboys. She struck up a mentorship with legendary songwriter/producer Chip Taylor, which has resulted in two strong Alt-Country discs, "Rearview Mirror Tears" and this new set. Carson employs her voice in a strong and soulful manner that recalls Shelby Lynne (check out "I Don't Wanna Be Your Mother" or "Ooh That Dress" for examples). Defiant yet dependent, confident yet questioning, Carson serves up some great songs, such as the languid "Oh Baby Lie Down," the toe-tapping "Belt Buckle," the confessional "Jesse James" and the rocker "Submarine." She does a nice take on the Janis Joplin classic "Mercedes Benz," too. Carson has obvious talent and it will be interesting to watch this career go. Michael J. 06/09 F-Alt Country

Quick Links:

• Kendal bio page (dated information)
• Kendal on Myspace

JILL HENNESSY

Ghost in My Head

May 31, 2009

The star of the television shows "Crossing Jordan" and "Law & Order" goes back to her first loves, strumming a guitar and writing songs. Hennessy started out as a 17-year-old singing on the streets of Toronto and got into acting because she was cast in a musical about Buddy Holly -- and things took off from there (interestingly, she now lives with her husband and two kids in the same NYC apartment building as Buddy did in 1958). She shows off plenty of talent in this debut, both musically and lyrically. I would have appreciated more diversity in the set -- only the electric "4 Small Hands" strays from a basic country/folk approach -- but there are some solid songs here. I liked the first four entries, especially "10,000 Miles" and the aforementioned "Hands." Also impressive is "Holding On," which features musician extraordinaire Lloyd Maines and Dixie Chick Martie Maguire. Many actors try their hand at music and fail miserably. Not Hennessy -- a musician before the acting opportunity came along. 05/09 Michael J. F-Contemporary

Quick Links:

• Jill's homepage
• Myspace page

DAVE ALVIN AND THE GUILTY WOMEN

DAVE ALVIN AND THE GUILTY WOMEN

May 26, 2009

Dave Alvin and the Guilty Women Dave Alvin has been in the forefront of Americana music for the last three decades, heading up bands like the Blasters, the Knitters and the Guilty Men, Dave’s journey down the American highway has joined him with seven of the finest female musicians in Americana music today. The result is a superb collection of songs that range from the reworked Blasters classic “Marie Marie” done in a bluegrass format to the western swing sounds of “Boss of the Blues”, Dave’s tribute to the late great Big Joe Turner. Dave also gives leading vocal recognition to Christy McWilson and the guilty women on the tracks “Weight Of The World” and “Potters Field”. Every track on this disc is a little gem including the coolest version of “Que Sera Sera” you will ever hear. As that song ends asking what the future will bring, I only see good things for Dave Alvin and the Guilty Women. Que Sera Sera. Reviewed By: Gregg Saur

Quick Links:

• Dave Alvin Home Page

KATIE MELUA

Pictures

May 26, 2009

Katie Melua, born in Georgia (the country, not the U.S. state), burst on to the UK music scene with a voice and a debut mixture of folk, blues and jazz that called to mind the late Eva Cassidy. Melua's ability to turn any song into a soulful banquet made that release, "Call Off the Search," an English smash (and it is tucked in with most of Eva's catalog in our jazz section of the library). However, like Cassidy, Melua has always been pulled between genres and in this third release (like the one prior), the balance tips away from blues/jazz and toward singer-songwriter territory. "Mary Pickford" and "If the Lights Go Out" are examples of her storytelling side; "Perfect Circle" is a reminder of her jazz inclinations. "Ghost Town" is a reggae-inflected tune that also captures her soulful side and she closes with a smoky version of Leonard Cohen's "In My Secret Life." F-Contemporary 05/09 Michael J.

Quick Links:

• Katie's home page
• Youtube site of her song "If You Were a Sailboat"

BEARFOOT

Doors and Windows

May 25, 2009

We've heard of bluegrass and newgrass -- how about tundragrass? Bearfoot is a bluegrass ensemble from Anchorage, Alaska and they can fiddle, mandolin and harmonize just as well (maybe better) as their kin in the Lower 48. The band knocked around Alaska for a number of years, honing their skills, but things revved up when Californian lead vocalist and fiddle player Odessa Jorgensen joined the group late last year. Her vocals emote and soar and the rest of the Bearfooters ably provide a great musical backdrop. Everything on this disc is well done; check out "Single Girl," the haunting title track and tragic "Caroline," John Hiatt's "Before I Go," a cover of the Beatles' "Don't Let Me Down" and the coy closer "Good in the Kitchen." Michael J. 05-09 F-Bluegrass

Quick Links:

• Bearfoot homepage
• Bearfoot on My Space

LONESOME JANE

Once I Had

May 20, 2009

Grand Rapids-based Lonesome Jane has given us an album of nice melodies, sung sweetly and wrapped in a country-folk package. Most band members shared song-writing duties along with guest-writer Danger (of Dangerville). The album was self-produced by band member Chris Olsen (also of the Willeys) and the mix is a bit inconsistent, but all in all a well-done effort. Rebecca Ruth.

Quick Links:

• Lonesome Jane's Myspace

Bob Dylan

Together Through Life

May 11, 2009

Bob Dylan's latest CD is a real treat. Not sure if it will convert non-fans of Bob, but for anyone who enjoys really interesting, unique and cool sounds will enjoy this offering. This recording is certainly firmly planted in the blues-genre (check out My Wife's Home Town) and a bit like his latest recordings (Modern Times/Time out of Mind) but has it's own flavor. Check out the accordions...This Dream of You. Always original with his vocals, he is aging into a "blues maestro"...perfect pacing and high style. This CD has been well reviewed and received, and these songs getting better with each listen. It's All Good is the last song, and that says it all!

CATHERINE MACLELLAN

Water in the Ground

May 11, 2009

Canadian folk singer/songwriter Catherine MacLellan’s newest release, “Water in the Ground” delivers just what its press release promises: poetic lyrics and vocal performances that may remind listeners of artists like Joni Mitchell. Ms. MacLellan is a fine writer and vocalist. This release, which features both her new album and a copy of her first, previously mail-order exclusive debut, “Dark Dream Midnight” is enough to keep folk fans happy for a long time. Both albums are available from True North Records in March of 2009.

Willie Nelson

Naked Willie

May 11, 2009

This "new" Willie CD will probably not add any new fans to his bus, but it certainly is a treat to Willie-lovers (like myself) . These songs were all recorded prior to his landmark release of Red Headed Stranger in 1975 and the beginning of the "outlaw" era of country music. Two things make this CD a must for Willie fans and historians: 1. The production - or a better term- the "unproduction". These songs were chosen by long time confidant Mickey Raphael and intentionally "unproduced", stripping them of the layers and layers of 1960's Nashville "sound". 2. The liner notes. These notes are a great read. It goes into detail about the early business of Nashville and country music, and it is a great introduction to the struggles of a recording artist like Willie in his early days. A couple sounds of note: The classic #11- The Party is Over - which is a staple of Willie concerts and the Kris Kristofferson written #16 Sunday Morning Coming Down (a classic!!!!) Let's appreciate Willie while he is here!!

Various Artists

Standing Together

May 11, 2009

In 2003, a group of about a dozen local artists came together to raise money for the Grand Rapids Public Schools through the release of a compilation album which was called “Standing Together.” Now, six years later, “Standing Together 2009,” a 17-track compilation featuring nationally known and locally known artists aims to raise more support for the same cause. Released on February 11, 2009 at a community gathering by Mackinaw Harvest Music Group and One World Music, the release was made available at Meijer stores and even at a handful of West Michigan McDonald’s restaurants. The compilation features an eclectic selection of talented musicians ranging from the Verve’s Brian VanderArk to Grand Rapids’s own Ralston Bowles.

Richard Shindell

Not Far Now

May 11, 2009

Shindell’s seventh studio release should please his fans, although I don’t think it’s his strongest release. None of the songs here have quite the lyrical power as “The Ballad of Mary Magdalene” or “Are You Happy Now?” although that’s not to say there’s nothing worthwhile here. “Parasol Ants” is an upbeat track that compares God to “a local hood” whose breath “is the gale.” You can guess who the ants symbolize. Unfortunately, the other standout track (in my opinion), “State of the Union,” contains the S-word, so it’s a no-play. On the whole this is a decent release; I just was expecting a little more from an artist who, at his best, writes some really great songs NO PLAY TRACK 7

MARK DUVAL

All Night Station

May 11, 2009

Michigan native Mark Duval’s newest release, “All Night Station,” is an impressive mixture of well performed horn arrangements, classy blues melodies, and steady rhythms. Excellent production and performances make this, Duval’s third release, a great success. Combining Latin, blues, rock, and pop sensibilities, this ambitious release has a lot to offer to a wide variety of listeners. The album is a departure from the stylistic qualities of his 2007 release, “Two-Track Mind,” which featured much folkier arrangements. “All Night Station” is available April 25, 2009.

JEN SYGIT

So Long Pollyanna

May 11, 2009

Very cool, iPod worthy, folk/pop/rock/country/blues CD by Lansing based singer-songwriter Jen Sygit. I played the CD for my wife, and listening to the first track; Lousy Bridge, she immediately said "who is this! I would pay to see her perform!" Jen reminded me of the Indigo Girls in several tracks and Michelle Shocked on others. Favorite tracks were her "country flavored" #1 Lousy Bridge , #2, Mockingbird, #7 The Whole Truth (reminded me of Levon Helm's last masterpiece) and #10- Never Existed. All songs are terrific. very well produced. Seth Bernard contributes on several tracks. There would be nothing better than a hot night at Meijer Garden, with Jen Sygit on stage.

THE INDIGO GIRLS

Poseidon and the Bitter Bug

May 11, 2009

The Indigo Girls' 13th album, "Poseidon and the Bitter Bug," is a summation of their 22 years of playing together. The album has an overall mellow folk-rock feel. The songs range in topic from love to death, but are generally darker in nature. Emily Saliers' and Amy Ray's experience together is apparent in their ability to anticipate each other's artistic and emotional direction. The album was recorded in two versions: a full band version, and an acoustic version with only Ray and Saliers. This, the full band version, accomplishes things impossible for an acoustic duo. Overall, the album has a refreshing, new feel.

ERNESTO HERNANDEZ

West Off Bridge

May 11, 2009

“West Off Bridge” is a collection of songs played by friends for friends. Led by local guitarist, lyricist, and vocalist Ernesto Hernandez, Jr., the four-piece blues/jazz ensemble interprets Hernandez’s songs and two covers with occasional imprecision but with constant sincerity. What the album lacks as a result of its sometimes accidental production quirks and performance errors, it makes up in genuineness and originality. The idea of a bunch of friends getting together to create something they love never gets old, and Mr. Hernandez and his band, while not likely to make a lot of audible noise over the sounds being made by countless bands like them, satisfy listeners with an appreciation for simple, artistic sincerity.

WAYNE “THE TRAIN” HANCOCK

Viper of Melody

May 11, 2009

My first date with Wayne Hancock. Viper of Melody is literally a blend of Hank Sr., Asleep at the Wheel and The Stray Cats. (w/a little bit of Buck Owen's Bakersfield sound). Wayne puts the "T" in twang. If you like your country music "traditional" with a distinct rockabilly beat you should enjoy Wayne Hancock. If you don't, this probably isn't the sound for you!. Wayne has an intense retro- honkytonk/barroom vibe and it is no surprise he has a loyal following- especially for those liking their music unique and authentic. Here is a quote from Wayne: “I’m like a stab wound in the fabric of country music in Nashville. See that bloodstain slowly spreading? That’s me.” http://www.waynehancock.com/ Standout (and artist recommended) tracks include: #1 Jump the Blues. #4 Throwin Aawy My Money, #5 Your Love and His Blood, #6 Working at Working. There really is no need to describe the sound more than traditional honky tonking, rockabillying, country music swing. And don't forget the TWANG

SARA WATKINS

SARA WATKINS

May 11, 2009

Sara Watkins' self-titled debut album is a fresh look at modern bluegrass. Her album is collection of driving fiddle melodies and soulful ballads. She draws heavily from her near two decades of experience with the award-winning bluegrass trio Nickel Creek, who she included in her album. The album was produced by former Led Zeppelin bassist John Paul Jones, and includes Gillian Welch and Dave Rawlings, Benmont Tench, Pete Thomas, Tim O'Brien, Chris Eldridge, Ronnie McCoury, and Rayna Gellert. While the tracks are not all her own, Sara Watkins has an apparent emotional attachment to each one.

ALICE PEACOCK

Love Remains

May 11, 2009

On her fourth release, Chicagoan Alice Peacock starts the record by shouting out "I'd like to get stoned" on the opener "All About Me." But the irony is that the overriding theme of "Love Remains" is to get off your duff and do something important, that will make a mark -- and do it with faith and flair and family. "Real Life" and "City of Angels" juxtapose the choices we make in where and how we live. "If I Could Talk to God" and "Forgiveness" has her mixing it up with the Almighty, leading to a challenge to each one of us. "Fairborn" talks about moving forward, but not losing a sense of home. Sometimes Kasey Chambers, sometimes Steve Earle, all the time herself, Alice Peacock delivers a great set of songs that aren't only catchy; once they catch you, they might just change your thinking.

Zach Vinson

Cracked Open

May 11, 2009

Zach Vinson's Cracked Open is a fun power-pop record full of catchy hooks and fun guitar-pop, with the occasional slower number like "All the Sins of Men" and "Locked Outside". Through and through it's pretty fun and energetic, with songs like the rocking opener "Little Birdie", the piano laden "So Much to Blame", and the danceable "Christee Christee", which is further proof that there aren't any songs with girls names in the title that don't rule.

LEONARD COHEN

SELECTIONS FROM LIVE IN LONDON

May 11, 2009

In 2008 Leonard Cohen returned to the stage for his first time in over 15 years. On July 17 2008 this show was recorded in London documenting a tour that has received over 80 5-star reviews from music critics from all over the world. Over his 40 year career Leonard’s voice has definitely taken on a deeper and in my opinion a more attention grabbing quality that makes his songs that cover sex, power and religion more interesting. The tower of songs found on this disc cover classics from his entire career and the sound quality is the best I have ever heard on a live release. At 74 years of age this mysterious man of music proves that he is still the man.

ELVIS PERKINS

Elvis Perkins in Dearland

May 11, 2009

In what seems to be intended to be an afterthought following his first album, “Ash Wednesday,” Elvis Perkins, in his newest release, “Elvis Perkins in Dearland,” seems to be continuing his exploration of grief and death. Perkins and his very capable band explore those themes from a variety of directions at a wide variety of speeds and with a lot of different instruments. Occasionally experimental and with performances filled with spontaneity, there is nothing boring about this album. The release has interesting production choices and fine musicianship to its credit, and Perkins’ vocal performances are equally impressive.

John Doe & The Sadies

Country Club

May 11, 2009

Although ex-punk rocker John Doe’s solo albums are country-rock, this CD with the Sadies is pure country. John Doe handles all the lead vocals, with The Sadies doing a fine job as his band. Most of the songs are classic, 60’s country songs, done with a “countypolitan” flavor. Doe has a soft, deep, rich voice. Fans of country music will recognize songs made famous by Waylon, Roger Miller, Tammy Wynette, Hank Snow, Ray Price, Johnny Cash, Porter Wagoner, Hank Williams, Merle Haggard, and Bobby Bare. There are four original songs here, including tracks 7 and 15 which are short bluegrass instrumentals. The others are tracks 4 and 8, of which I really liked track 4, “It Just Dawned On Me”, which fits right in. I find myself wishing that Doe’s vocals were a little stronger, and he seems to be straining on a few tracks, but maybe that’s the “sadness” being projected. Some folks will love this disk.

WILLIAM FITZSIMMONS

The Sparrow and the Crow

May 11, 2009

The Sparrow and the Crow “The Sparrow and the Crow,” William Fitzsimmons’ third release, is an apologetic, quiet collection of minimalist compositions that don’t concern themselves with lyrical subtlety. Simple harmonies, airy vocals, and finger picking form the album’s skeletal structure. Appearing after two self-produced albums, this, his first studio release is sure to remind listeners of the vocal and instrumental performances of artists like Iron and Wine’s Sam Beam or possibly some of Sufjan Stevens’ quieter compositions. Fans of such acts are likely to enjoy this release. “The Sparrow and the Crow” is available in 2008 from Dark Sparrow Records.

HEADLESS HEROES

The Silence of Love

May 4, 2009

This album is a project put together by producer Eddie Bezalel. He sought out the musicians to make an album of (sometimes obscure) covers. This is indie-folk-pop with a dark, dreamy feel. The piece' de re'sistance, however, is singer Alela Diane on vocals. Her voice combined with the arrangements, production, and choice of covers is what makes this interesting. Some of the covers are classics, such as Nick Cave's "Nobody's Baby Now" and Jesus and Mary Chain's "Just Like Honey". There's older, obscure stuff here though, like Juicy Lucy's "Just One Time" and the Gentle Soul's "See My Love". All in all, this is a really nice production that would best be listened to late at night, after the party. Rebecca Ruth

Quick Links:

• Headlless Heroes Website

RUTHIE AND THE WRANGLERS

AMERICANA EXPRESS

April 21, 2009

RUTHIE AND THE WRANGLERS AMERICANA EXPRESS Combining roots rock, rockabilly, honky tonk country and lots of fun Ruthie and the Wranglers have released a captivating CD that will make their listeners want to jump on board and take a ride. This band from the Washington DC area combines elements of Molly and the Makers, Asleep at the Wheel as well as Southern Culture on the Skids to make their own brand of Americana. Although this is a full band effort Ruthie Logsdon possesses a voice that has earned her the prestigious vocalist of the year Wammie award in Washington DC on at least 3 different occasions. The tracks on this disc are cleverly crafted with enough humor to keep their listeners smiling through all 12 tracks. Jump on board the Americana Express and leave all your troubles at the door you wont be disappointed. Reviewed By; Gregg Saur

Quick Links:

• Ruthie And The Wranglers Home Page

THE GREENCARDS

Fascination

April 19, 2009

Okay, so you've been looking for a new favorite bluegrass band now that Nickel Creek is in hibernation. But you don't want a copy-cat knock-off of the Creek and, because you're a WYCE listener, you want evidence of a few other musical influences thrown in. Your search has ended. The Greencards, a trio made up of two Australians and a Brit, approaches bluegrass with the same guitar, mandolin, violin, harmony work that defines that corner of the library, but you'll hear homages to jazz, blues and world music throughout. Check the world influences of "The Avenue," the jazz feel of the title track and "Into the Blue" and the blusey "Three Four Time." If you need your traditional bluegrass fix, never fear: songs such as "Outskirts of Blue" and "Rivertown" get you where you want to be. Excellent throughout -- musically and lyrically. Welcome to the State of WYCE, Greencards! No pledge of allegiance needed. Michael J. 04/09 F-Bluegrass

Quick Links:

• Homepage for Greencards
• Greencards on NPR

EILEN JEWELL

SEA OF TEARS

April 15, 2009

With her unhurried vocals, sensual voice and incisive lyrics, Eilen Jewell made quite a splash with her 2006 debut "Boundary Country" and the 2007 follow up "Letters from Sinners and Strangers". While those discs often played on the country side of folk, this disc features a harder edge and almost rocks out at times with hints of Sun Records rockabilly thrown in for good measure. Johnny Kidd’s "Shakin’ All Over", which has been covered by the Who and countless others, bristles with energy while "One of These Days" has a swagger that matches her quest for revenge against an errant lover. Elsewhere, there are hints of the Byrds on "Rain Roll In" with its elegant guitar and Rickie Lee Jones on "Final Hour" where Jewell’s off hand vocals provide a nice counterpoint to the stinging guitar lines and chilled out B3 grooves. "Everywhere I Go" is driven by a simple, but catchy rhythm that does Buddy Holly proud. Not all of the sparks come from the music: while the title track laments to an ex-lover that getting dumped is going to leave her in a sea of tears, the hard edged musical backdrop and spit out vocals reveal a sarcasm that hits as hard as a Lucinda Williams track and mocks the sentiment of the words. Loretta Lynn’s "The Darkest Day" as well as "Nowhere in Time" and "Fading Memory" play closer to her earlier releases with a country twang. Smitty

NEIL YOUNG

FORK IN THE ROAD

April 15, 2009

From the anti-war protest of his early hit "Ohio" to the 2006 rant against the foreign policy of the Bush administration, "Living with War", Neil Young has demonstrated again and again that he’s not afraid to speak his mind when something strikes him as wrong. He’s also willing to be an advocate for causes that he believes will make a difference as on his 2003 concept disc "Greendale". This disc finds him in both protest and prophet mode. While railing against the insanity of our petroleum dependant nation and the choices it foists upon us, "Cough up the Bucks", he still yearns for the romance of the road and the freedom of being behind the wheel of a powerful car, "Get Behind the Wheel" and "Hit the Road". To keep that romance alive he advances a solution in the form of conversion to electrical vehicles, a tale told on "Fuel Line". Like his dream car, this disc crackles with the raw electrical energy that marks most of his work with Crazy Horse. Unfortunately, like the rants of Living with War, some of the lyrics like on the track "Fuel Line" are simply jammed into the groove and are more like a lecture than a sermon that would inspire you to do anything different. Overall, though, he hits more than he misses. On "Just Singing a Song" he acknowledges the futility of a rock star trying to change the world and makes a powerful pledge to real action. Likewise, on "Johnny Magic" his zeal for his electric heavy metal Continental shines through in no uncertain terms. The title track is Neil’s middle finger to bail outs, rich executives and the whole mess we are in. The anger quotient is reduced considerably when he takes his foot off the accelerator on the ballads "Off the Road" and "Light a Candle" both of which go down easy. Smitty Fork in the Road- NO PLAY-“Sounds like Shit”- not an editorial, a quote from the song!

BRUCE COCKBURN

SLICE OF LIFE

April 14, 2009

BRUCE COCKBURN SLIFE OF LIFE Slice of life could not be a more perfect title for this release. Bruce Cockburn has graced stages throughout the world for over 40 years, has played to millions and has written some of the finest folk & rebellious tunes to date. This CD features Bruce naked on stage with just his voice, his stories and his guitar. At first I was worried I would miss the band but after the first listen I was amazed on how brilliant his guitar work was and I realized it wasn’t the band but the man himself that made these songs come to life. The CD features a career retrospective of favorites including “Lovers In A Dangerous Time” “Wondering Where The Lions Are”, “Pacing The Cage” and the ever controversial “If I Had A Rocket Launcher”. The CD concludes with one of my favorites and lesser known tracks “Mama Just Wants To Barrelhouse All Night Long” Produced by Long time friend the great Colin Linden this live disc should please all Cockburn fans as he truly serves up a very tasty Slice Of His Life. Reviewed By: Gregg Saur

Quick Links:

• Bruce Cockburn Home Page
• Amazon

LEONARD COHEN

Selections From Live In London

April 7, 2009

LEONARD COHEN SELECTIONS FROM LIVE IN LONDON In 2008 Leonard Cohen returned to the stage for his first time in over 15 years. On July 17 2008 this show was recorded in London documenting a tour that has received over 80 5-star reviews from music critics from all over the world. Over his 40 year career Leonard’s voice has definitely taken on a deeper and in my opinion a more attention grabbing quality that makes his songs that cover sex, power and religion more interesting. The tower of songs found on this disc cover classics from his entire career and the sound quality is the best I have ever heard on a live release. At 74 years of age this mysterious man of music proves that he is still the man. Reviewed By: Gregg Saur

Quick Links:

• Leonard Cohen Home Page

SUSAN WERNER

CLASSICS

April 1, 2009

This disc finds singer/songwriter Susan Werner mashing pop standards with a variety of strings and classical instruments. However, instead of simply doing string laden versions of the hits, Werner throws in references to classical composers on a number of the cuts: Simon & Garfunkel’s "A Hazy Shade of Winter" gets a snippet of Vivaldi, Stevie Wonder’s "All in Love is Fair" gets Chopin, Cat Steven’s "The Wind" quotes Bach and Bob Marley’s "Waiting in Vain" incorporates Satie. The intention here is to showcase the lyrics with a new musical backdrop so that they can be heard in a whole new light. Whether the result is hip or simply easy listening is subject to debate. Me? I’m looking forward to hearing this in the lobby at my next dental appointment. Smitty

LIZ DURRETT

Outside Our Gates

March 27, 2009

Durrett has a warm soft voice, dark thoughtful lyrics, and music that is lush and penetrating with waltzy rhythms that hang in the air long after the album concludes. These rhythms are the driving undercurrent carrying this album to various heights, and depths. So many layers that some of them seem to be whispering to your brain…secretly…you won’t even know it until later. She’s the young niece of singer/songwriter Vic Chesnutt (they both hail from Athens, GA, like so many other musical greats). Uncle Vic helped her get started when she was quite young, and now that she’s a pro (this being her 3rd release, along with lots of rave reviews from reputable sources) he lends some of his talents on her album. In spite of the fact that she herself plays guitar, piano, drums, organ and xylophone, she has a large troupe of other talented musicians adding their stings, brass, beats and “space effects”. Her voice is low and whispery like that of Cat Power and Beth Orton. The songs are transporting. The album is beautiful. Becky Kenny 2009

Quick Links:

• Liz Durrett
• Outside Our Gates
• Vic Chesnutt

Luka Bloom

Eleven Songs

March 16, 2009

My favorite new music of 2009! Luca is a veteran singer/songwriter out of Ireland. He has been compared to Van Morrison and Bono to some degree. I loved this CD- and the more I listened to it, the better. Track #11 - Don't be Afraid of the Light Shines Within You is a classic #7- When Loves Comes and #2 I'm On Your Side are a couple of other tunes highlighted by the label to promote. I can't disagree! Several songs highlight his Irish lilt, and are tender, moving and entirely enjoyable. – john Rumery

ALICE PEACOCK

Love Remains

March 9, 2009

On her fourth release, Chicagoan Alice Peacock starts the record by shouting out "I'd like to get stoned" on the opener "All About Me." But the irony is that the overriding theme of "Love Remains" is to get off your duff and do something important, that will make a mark -- and do it with faith and flair and family. "Real Life" and "City of Angels" juxtapose the choices we make in where and how we live. "If I Could Talk to God" and "Forgiveness" has her mixing it up with the Almighty, leading to a challenge to each one of us. "Fairborn" talks about moving forward, but not losing a sense of home. Sometimes Kasey Chambers, sometimes Steve Earle, all the time herself, Alice Peacock delivers a great set of songs that aren't only catchy; once they catch you, they might just change your thinking. F-Rock 03/09 Michael J.

Quick Links:

• Alice Peacock home page
• Alice on Myspace

Jim White

A Funny Little Cross to Bear

March 9, 2009

Jim White's new EP, A Funny Little Cross to Bear, is a compilation of life stories collected through his many careers, set to a mellow blend of folk and rock music. In this live album, Jim is backed up by guitarist Pat Hargon and vocalist Fiona McBain. The album is marked by Jim's commentary on his work and life in between songs. A Funny Little Cross to Bear contrasts Jim White as a performer to Jim White as a songwriter.- Intern Matt

GRETEL

The Dregs

March 7, 2009

Out of Boston, this folky three-piece (occasionally four-piece) outfit offers heart-wrenching lyrics over a multitude of down-home instruments, including banjo, Wurlitzer, accordion, and guitar. Reva Williams wrote and produced this entire album. Her lead vocals are often accompanied by those of band mates Melissa Myers and Phil DuPertuis to create handsome harmonies that fit the music perfectly. This is a lovely album with lyrics that'll kick you in the gut, but the blow is softened with the delivery. Reviewed by Rebecca Ruth.

Quick Links:

• Gretel Website
• Gretel Myspace

DONNA ULISSE

Walk This Mountain Down

March 2, 2009

The word "real" comes to mind as you listen to Donna Ulisse's latest release, "Walk This Mountain Down." There's nothing phony here as the singer/songwriter shares her life - both the ups and the downs. The title track, well worth a spin, was actually inspired by Ulisse watching her mother-in-law hold strong and steady after losing her husband and daughter all in the span of one year. The fast-paced opener, "In My Wildest Dreams" is a great way to get things moving, highlighting the banjo and Ulisse's country laced voice that fits well in the bluegrass genre of things. Things slow down a bit, as the singer/songwriter gets serious on the beautiful "Poor Mountain Boy." Another song worth checking out is the blues sounding "The Trouble With You." Most prevalent here, however, is the genre of bluegrass gospel such as found on "Dust to Dust," "The Key," and perhaps the best of them, "Everything Has Changed," but also included as an element in many of the other songs as well. Despite where you might be at in life, it seems like there's a little something for everyone here as Ulisse gives the listener a perfect mix of down-home cooking with a voice that leaves little else to be desired of it. If bluegrass is your thing, you can't miss with Donna Ulisse's latest offering. ~ Reviewed by Jeff Bouma

Quick Links:

• Official Donna Ulisse Website
• Myspace Page

Justin Townes Earle

Midnight at the Movies

March 1, 2009

Disambiguation between Justin and his father (Steve Earle) isn’t difficult. Justin hasn’t the vitriol, gruff or amplifiers of dear old dad. His strengths are heart and style - the styles being classic country, traditional-sounding originals and a hint of swing; the heart in the earnest, bleary-eyed love songs. He’s radio royalty and not leaving any time soon. Get to know him here. - Gladden #6 is The Replacements’ classic

Danny Schmidt

Instead the Forest Rose to Sing

March 1, 2009

More proof that Austin Texas is home to the hippest music scene in the U.S.. An independent singer/songwriter- folk/American artist, Danny has had his share of underground success. 2008 Falcon Ridge Emerging Artist Award Winner From the Austin Chronicle: "In today's underground folk world, Danny Schmidt is spoken of in reverent tones, drawing comparisons to Leonard Cohen, with a poetry that breathes naturally and without pretension, with results that are both attractive and intense." My first impressions were a bit Leonard Cohen with Townes Van Zandt thrown in. Besides a talented musician, Danny's lyrics read like a book and tell stories. Better of Broke, Grandpa Built Bridges (reminded me of John Prine Grandpa was a crpenter song!) and Southland Streets are all stories that resonate today. An artist like Danny can probably ride the success as an "underground" hero for many years, and to some degree I hope he stays off the radar charts. Mainstream success doesn't always improve the final product. – John Rumery

Dan Vaillancourt

Lovely Distractions

March 1, 2009

Nice technical guitar playing, played, produced, and released by Dan Vallancourt. It is a shame a major label has not pick him up yet, keep plugging away Dan and it may happen. I like Postcards as a strong ballad, Newspapers is pretty lyrical in it's own right. I Am Your Radio is from a slightly different perceptive from the norm. Worth a listen or two let the subtleties to sink in. - John Hardy

NEKO CASE

MIDDLE CYCLONE

February 24, 2009

NEKO CASE MIDDLE CYCLONE This is Neko Case’s sixth solo release and showcases an artist that is growing with each release. Where 2006’s Fox Confessor Brings the Flood brought Neko into the spotlight and showed a more Pop side of Neko, this CD goes even further. This CD is pure pop, rock and at times soulful candy. To help with this disc Neko brought an army of friends including M. Ward, & members of the New Pornographers, Los, Lobos, Calexico and the Sadies. The true magic of this disc remains Neko’s voice wrapped around some well crafted and written songs. It was 3 years between discs, but I think most will agree that the wait was worth it. Reviewed By: Gregg Saur

Quick Links:

• Neko Case Home Page

THE REFUGEES

Unbound

February 22, 2009

Three acclaimed singer/songwriters -- Cindy Bullens, Wendy Waldman and Deborah Holland -- have teamed up to form an Indigos-like folk harmony supergroup. The set is comprised of songs each has recorded before (getting new voice-blending treatment here) and new composition written for the trio. The disc opens with a jangling upbeat new title track with each taking the lead vocals at various points; the other written-for-the-record tune that stands out is "On My Way" by Waldman and Holland. The Bullens songs that get the trio makeover are great -- "I Gotta Believe in Something" and "Box of Broken Hearts." Another interesting re-treatment is Holland's "There's a Spy in the House of Love," a song she did years ago in her band Animal Logic. They close with an-almost acappella version of a Waldman song that Vanessa Williams made into a big pop hit years ago, "Saving the Best for Last," and the results show off how well these women blend their voices. It will be interesting to see if they continue this band or if it's just a one-time thing. There is a lot of potential here to make a big splash in the folk-country pond. F-Contemporary 02/09 Michael J.

Quick Links:

• Refugees home page
• Youtube video of The Refugees live

MISSY RAINES & THE NEW HIP

INSIDE OUT

February 15, 2009

MISSY RAINES & THE NEW HIP INSIDE OUT Seven time winner of the best bass player award by the International Blue Grass Association, Missy Raines has released a brilliant CD that stretches every boundary of Bluegrass. This CD could as easily be considered an innovative jazz release as bluegrass. This is truly a full band CD with some amazing players; Ethan Ballinger is a protégé of Matt Flinner on Mandolin and at the age of 21 throws licks downs that will make fans of Chris Thile smile. Michael Witcher on the resonator and lap steel guitars has been sought after from players like Dwight Yokam, Joan Osborn & Dolly Parton. Dillon Hodges on guitar has been throne the National Flat-picking Guitar Champion and its east to tell why. As mentioned this disc is innovative and hard to categorize “Stop Drop & Wiggle: has elements of jazz funk, “In Over Your Head” would probably be easier to play on Jazz radio then country. “Tattoo” has elements of blues that reminds us it’s easier to remove a ring then a tattoo. Two of the Three vocal tracks “Basket of Singing Birds” and “Magnolia” show shades of Nickel Creek. This CD stretches all musical classifications and the results will certainly please lovers of many musical genres. Reviewed By: Gregg Saur

Quick Links:

• Missy Raines Home Page
• Amazon

BLUE FEATHER

Blue Feather

February 13, 2009

Blue Feather is Grand Rapids' own Nicholas Thomasma and Liz Dieleman. They've taken an idea from a Richard Bach book (Illusions) for their name and that is what I found most intriguing. This is guy/girl vocals over delicate 6- and 12-string guitars. They've invited a few guests to play on this, their first album. Most notably, Karisa Wilson (violin) adds something to the narrative which is "Sandalwood, Leather, and Sweat". She also plays on the pretty, but depressing "Winter In Michigan". (Listening to this song in February will do nothing to cure those winter doldrums.) Jason Lester plays trombone on the song "Stranger Than Fiction" adding a playful note to the visuals that the song offers. Reviewed by Rebecca Ruth.

Quick Links:

• Blue Feather's Myspace
• Contact Blue Feather

BUDDY & JULIE MILLER

WRITTEN IN CHALK

February 10, 2009

BUDDY & JULIE MILLER WRITTEN IN CHALK Buddy & Julie Miller have been making great music for over 20 years, on this their second collaborative release the music magic continues. The sweet tenderness in Julie’s voice is balanced by the incredible guitar and the less polished vocals of Buddy. Recorded in this couples home in Nashville Tennessee where Julie penned nine of the twelve tracks. On this disc Buddy & Julie have also brought along some friends including the beautiful track “Don’t Say Goodbye” where Julie is joined by Patty Griffin on background vocals. Robert Plant continues his Alt-Country career joining vocals with Buddy on “What you Gonna Do Leroy”. The gospel sounds of Regina McCray can be found on “One Part, Two Part” & “Hush Sorrow” The CD concludes with the “The Selfishness of Man” where the Miller’s are joined by Emmylou Harris on an absolutely brilliant track. The first time I listened to this disc, I thought it was weaker then their first self titled release but after several more spins I can say I was wrong. This disc is great!! Reviewed By: Gregg Saur

Quick Links:

• Buddy and Julie Miller Home Page
• Amazon

FRIGHTENED RABBIT

The Midnight Organ Fight

February 3, 2009

Having performed at SXSW and toured the UK with Death Cab For Cutie, Frightened Rabbit is currently touring the US in support of this, their second album. These Glasgow guys did a nice job of alternating the acoustic and electric songs on this moody folk-rock record. I liked this entire album. A few key tracks are the short instrumental of "Bright Pink Bookmark" and the folky rocker "Heads Roll Off". In "The Twist", the voice and piano gradually give way to tambourine, backing vocals, and drums and it becomes a nice rock song. Try to overlook the band's silly name (Could they not think of anything better?) and give this disc a chance. Reviewed by Rebecca Ruth.

Quick Links:

• Frightened Rabbit Website
• Fat Cat Records Website

OTIS GIBBS

Grandpa Walked a Picketline

January 22, 2009

On his fourth full-length effort titled Grandpa Walked a Picketline, singer/songwriter Otis Gibbs shares nothing less than his heart as he reflects on life, love, and the down-and-out through a mixture of folk, country rock, and bluegrass. With the opener, "Caroline," Gibbs ponders the hardships that Caroline has had to face as she "lives her life inside a daydream," allowing her the courage to press on. With the song "Everyday People," we get the impression that Gibbs is just that - an everyday kind of person writing and singing about the reality and travails of life. The short but sweet "Sometimes Angels" is a poignant reminder of the plight of the homeless as Gibbs sings: "no one looks you in the eye when you're sleeping on sidewalks / They wonder if you're alive but they keep walking past / Sometimes angels lose wings and end up strung out and high." Another song of reflection that is also worth a listen is the final song - "Bury Me On a Rainy Day." Here, Gibbs sings: "When I press on to that great bye and bye / I won't feel my troubles no more / won't you wrap me in a quilt some grandmother made / bury me on a rainy day." While there may not be any songs that really grab the listener from a musical perspective, Gibbs' storytelling seems to make up for it. It's the type of recording that beckons repeated listens in order to get at the message that Gibbs is proclaiming and to truly gain the appreciation it warrants. ~ Reviewed by Jeff Bouma

Quick Links:

• Otis Gibbs Official Site

GUGGENHEIM GROTO

Happy The Man

January 13, 2009

The Dublin duo (Mike Lynch and Kevin May) have done it again with this, their second release. Kudos to them and to Shane Power for this well-produced album. They've taken poetic lyrics and wrapped them in sometimes sparse, sometimes lush orchestration and come up with this fine release. If you want catchy pop, check out "Fee Da Da Dee" or "Her Beautiful Ideas". For darkly haunting rock, listen to "The Girl With the Cards". "Just Not Just" features cool, dark imagery and sounds good to boot. "The Dragon" is a quiet one with an interesting narrative and nice string accompaniment. Reviewed by Rebecca Ruth.

Quick Links:

• Band Website
• United For Opportunity Website

JEB LOY NICHOLS

Parish Bar

January 10, 2009

Born in the Midwest and currently living in Wales, Jeb Loy Nichols has given us an album of ...um...folk/country/soul. I didn't know what to make of this until I found out his history and now, it all makes sense. Growing up, his mom listened to jazz and his dad listened to bluegrass. The Kansas City radio station he listened to as a child played country by day and soul at night. His teen years, were spent living in Austin, TX and sucking up the punk scene. Later, as a student at Parsons School of Design, in NY in the early 80's, the emerging rap scene influenced him. I can hear all these influences in this album. The opening track, "Countrymusicdisco45" tells a true story and has some soul in it. An interesting country/dub/reggae piece is "I'm Blue and I'm Lonesome Too". You want rock/blues/soul? Check out "'Neath the Cold Ground". One of my favorites is the soul groove of "Dr. Noblio". Reviewed by Rebecca Ruth

Quick Links:

• Compass Records Website

BERNIE JELLEMA

Lions & Clowns

December 14, 2008

Holland native Bernie Jellema delivers a concept record for his first recording, a song-cycle that moves from folk to rock to country and back. It reminded me of Neil Young's "Cowgirl in the Sand" opus from NY's second solo CD, or even "Country Girl" from CSN&Y's classic "Deja Vu." Some songs move from slow to uptempo to back again; others feature a decidedly rock or country foundation. The title track, "Summer" and "Heartland" are examples of these musical short stories. If you're in a rock mode, choose "The Whole World" or "Freckles"; "Ribbon," "Poverty Lane" and "Highway" are folk-based -- the latter sounds like a Grateful Dead outtake. Ambitious music, locally provided. Holland artist Tom DePree created the interesting cover. F-Rock LOCAL. 12/08 Michael J.

Quick Links:

• "Lions & Clowns" samples and review
• Holland Sentinel story on Bernie

RACHEL ZYLSTRA

Before You Could Decide

December 14, 2008

Rachel Zylstra left Grand Rapids for New York City in 2004, but her Midwestern perspective continues to reveal itself on her latest seven-song independent release. Like our obsession with the weather: "Walked down the street/The weather's colder/Than I expected/When I looked out the window" from the slice-of-life "Upper East Side" and "The rain keeps falling outside and I'm resigned/There will be no sunshine this weekend" from the sophisticated closer "This Weekend." Or our introspection on relationships: "This is just too smooth for you/This is too plain easy/Girl keeps spilling ink for you/Boy could take or leave me" from the excellent opener "Epilogue" and "I'm testing myself, but now in a different way/Tell me if I make the grade and I'll tell you if it's going to be a good day" from the sassy "Ruined Me Good." Those four tracks are the highlights of this set, but Rachel has delivered seven fine songs that pare down the number of words from her previous releases without sacrificing anything on the story-telling side. Just a girl and her piano -- and she's got us. We're in. We want to hear her tell her musical tales. The Village Voice has called Rachel "Michigan's Nellie McKay," and I take that as apt compliment: direct, confident -- but with a bit more heart. F-Pop LOCAL 12/08 Michael J.

Quick Links:

• Rachel's homepage
• Her Myspace page

ROSE POLENZANI WITH SESSION AMERICANA

When the River Meets the Sea

December 11, 2008

With songs that can't help but leave you reflecting on the lamentations of life and love, Rose Polenzani offers up such a fare on this her fifth album of folk musicianship. In this case, it's a collaboration with the Boston based Session Americana, who for the most part, were not even introduced to the songs until about an hour before recording them. The result is an effort produced over four days in the Spring of 2006 with musical arrangements that stand as "unrepeatable works of chance, friendship, and artistry." The opener, Queen Anne's Lace makes for a good start as it aptly makes use of the fullness of Billy, Ry, Dinty, Jim, Kimon and Sean of Session Americana. Soft Parts makes a nice use of percussion as well as showcasing the soft serenade of Polenzani's voice as she beautifully sings "And all, all my friends, they say love, love is hard. So I hold on to the soft parts." Still, the standout track is If I Could Hit You, a song that laments an unresolved relationship that has been resolved on its own - through death. Here she writes: "the Good Lord sees what's in my heart, and I should have made it right while I had a chance to try." Even the title track, When the River Meets the Sea, a song written by Paul Williams back in 1977 for Jim Henson's "Emmet Otter's Jugband Christmas," is a welcome departure from Polenzani's own songwriting. While some of the shorter songs such as Song of the Stars and Push Me if I Snore are a distraction to this effort, on the whole, this collection and accompanying collaboration works fairly well. ~ Reviewed by Jeff Bouma

Quick Links:

• Official Website

BLITZEN TRAPPER

Furr

December 2, 2008

Hard to categorize, the Portland, Oregon sextet, Blitzen Trapper has been described as experimental folk and patterned in the mold of Bob Dylan and Cat Stevens. While the folk element is definitely here on their fourth album, so too is the southern, country, and psychedelic rock along with a host of other literary influences that plays out in the lyrics both written and sung by guitarist/lead vocalist/and avid reader Eric Earley. According to the band, such an eclectic mix of music comes from a combination of Eric's vast capability as a songwriter and the bands overall boredom with doing the same thing over and over again. The result, as you can by now guess, is a recording that you'll just have to listen to for yourself in order to get what I'm saying. Two particularly outstanding and yet all-together different songs are "Gold For Bread," and "Black River Killer." On the former track, all sorts of musical elements come together making for an extremely good sound. On the latter, Kid Rock comes to mind as Earley takes on the persona of a killer and his remorse and sings "Oh when, oh when/Will the spirit come a calling for my soul's sin/Oh when, oh when/Will the keys to the kingdom be mine again?" Another great track is "God and Suicide," a song that even manages to incorporate a little electronica into an already complex menagerie of sound. Honestly, the first half of this recording is outstanding while the latter half is quite a bit less memorable. If only Blitzen Trapper would have been able to continue what they started, we might be talking about the record of the year. What we have instead is a recording that's partially great but also in part mundane. ~Reviewed by Jeff Bouma

WHITLEY

The Submarine

November 7, 2008

"I want this more than life," sings the Australian artist Whitley on the track "More Than Life" - a melancholy and beautiful song that is arguably the best sounding track on his debut album - The Submarine. It's also a song begging to be played across the airwaves and used in a host of other places as well. Some have characterized this release from the Australian artist as a mixture of country, folk, with a few electronic elements thrown in. The result is a folktronic sound that is both fresh and interesting and definitely well worth the listen. Hailing from Melbourne, Whitley claims that the title of this - his first album - is taken from the cult movie The Life Aquatic and the search for marine life that may or may not exist. Regardless of influences, what Whitley has produced for his listening audience is an incredibly mature sound that seems well beyond his age (He's only twenty-two!). While best portrayed on the title track but mixed throughout the recording, the most appealing and unique aspect to Whitley's sound are the electronic elements. In no way overdoing it, Whitley mixes just enough synthesizers with the more standard acoustic set, which allows him to create a sound all his own. Other outstanding songs on this collection include "Lost in Time," a song about regret as portrayed in the lyrics, "All I could have been / All I should have been/ Is lost in time, " as well as the opener "The Life I keep." The final track, the banjo-driven "Cheap Clothes," proves a perfect end to a nearly perfect collection of songs. If folktronic is your thing, you won't regret giving Whitley a few spins. Reviewed by Jeff Bouma

Quick Links:

• The Official Whitley Website
• Whitley on Myspace

Lindsay Mac

Stop Thinking

October 27, 2008

"That is a peculiar way to play a cello", I thought when I checked out Lindsay Mac's You Tube performance clip on her Myspace account. Classically trained Mac straps her cello to her body like she's playing a guitar when she performs. Lindsay Mac's press release describes her as being in the neighborhood of Bob Dylan and Portishead...strange pairing, right? I'm not down with that comparison, but her singing and writing style is similar to DiFranco's for sure. I initially didn't think a cd of cello based songs would be intriguing, but Mac makes it work. "Stop Thinking", Lindsay Mac's second folky/acoustic release will fit nicely in our library with the Feist and Regina Spektor's of the WYCE world. – Sherry C

Bruce Robinson

- The New World

October 27, 2008

Good song writing, backed up by some of Willy Nelsons Family Band, good music. Reminds me of Lucinda Williams style-wise-not that there is anything wrong with that, She Don't Care is a good rocker, Larosse a country mix, well done. Bruce Robinson has penned a few country hits, is related to one of the Dixie Chicks and allegedly is the best songwriter in the family. – John Hardy

JD SOUTHER

- If the World Was You

October 20, 2008

Very consistent, mellow jazzy-light rock, yet diverse stylistics abound. A former roommate of Glen Frey, and neighbor of Jackson Brown, he penned a large chunk of the Eagles greatest hits. This is his first recording in 24 years, recorded live-in studio- with a five piece band that sounds much larger. All songs sound good, One More Night (Killing Spree) is clever, Journey Down the Nile is a classy jazz cut, The Secret Handshake of Fate is thirteen minutes long, but one seams to not notice because of the intricacies involved. – John Hardy

TOM MORELLO, THE NIGHTWATCHMAN

The Fabled City

October 20, 2008

Morello’s follow up to 07’s One Man Revolution continues carrying the flag of support for the proletarian and exploited masses because we need one more Harvard educated folk singer like I need self administered trepanation. Fabled City picks up a little more volume and electricity than the former. Stark lyrics and deep, bleak vocals trod over Morrellos renowned guitar work akin to Leonard Coen less the poignant lyricism. Serj Tankian of System Of A Down infamy appears on Lazarus On Down while Waylon Jennings son, Shooter shows up on The Iron Wheel. All in all I find this disc to be an unimaginative put-on. – While Lee

GRAYSON CAPPS

- Rott-n-Roll

October 20, 2008

Modern honky-tonk, juke jive roadhouse party music. This screams "I was raised around these here parts." or "Is that meth cooking in your trailer? I can smell it from down the road." Or both. I like The Waltz, Big old Woman, and especially Sock Monkey. – John Hardy

RAY LA MONTAGNE

Gossip in the Grain

October 16, 2008

It was only ten years ago that Ray La Montagne was working in a shoe factory with little to no money to spare. Now, La Montagne has just released his much anticipated third recording titled "Gossip in the Grain," and the anticipation was well-worth the wait. With his touring band in on the recording this time through, La Montagne introduces a myriad of musical traditions throughout - from the front-porch country sounding Hey Me, Hey Mama to the lush balladry of the beautiful I Still Care for You. Making the latter even better are the backing vocals provided by singer/songwriter Leona Naess who also lends her talents to the track A Falling Through. The album opens up with the horn-driven You are the Best Thing--a song that would fit in well in the late 60's as a worthy follow up to Van Morrison's acclaimed Brown Eyed Girl. Perhaps the song that exhibits the most fun is the tribute song Meg White. Apparently, La Montagne has a level of fascination and/or sympathy for the other half of the White Stripes duo. Either way, the song is fun and gives us further evidence of the range and talent of the singer/songwriter. Interestingly, while often characterized as an American Folk singer, only two tracks really fit this genre here. The earthy and slightly veiled Winter Birds is a pleasant albeit long listen while title track is equally edifying, showcasing a variety of stringed instruments as they gradually build to a beautiful crescendo and ending to the entire 10 song set. Overall, there really are no weak songs here as La Montagne and his producer Ethan Johns have come up with a composition of music that is emotionally expansive and that leaves the listener wanting to hear it all over again. ~ Reviewed by Jeff Bouma

Quick Links:

• La Montagne's Official Website
• Myspace Page
• Times Online Interview

LUCINDA WILLIAMS

LITTLE HONEY

October 15, 2008

Kicking things off with the rocker "Real Love", which has the snarl of a classic Pretender’s track, Lucinda Williams takes us on another tour through the angst and triumph of her mixed up life. When she’s happy, she’s very happy as evidenced by the salacious "Honey Bee" where she extols the virtues of her lover over a punk rock beat. But, as is the custom with her recent discs, it doesn’t take long for melancholy to find its way into the mix regardless of whether she’s on top of the world, "Tears of Joy" and "Knowing", overwhelmed with sadness, "Circles and X’s", regretting letting her own fear of commitment drive another lover away, "If Wishes were Horses", marveling at the resilience of love in the face of a dishonest, unforgiving world, "Plan to Marry", or wondering why she can’t sustain the good times, "Well Well Well". The downbeat vibe would grow wearisome in the hands of a lesser talent but Williams makes it compelling. Much of the credit goes to her crack band that rocks when needed but more importantly adds just the right amount of atmosphere and twang to make William’s aching heart beat in your chest. While the trials and tribulations of her love life make up the bulk of this release, she also sends a postcard from the road on AC/DC’s "It’s A Long Way to the Top", muses about the reunion with her mother that awaits her in Heaven, "Heaven Blues", and takes a stab at mothering the rock stars who seem bent on their own destruction, "Little Rock Star" (which heavily echoes "Drunken Angel" from her Car Wheels release). Overall, a fine addition to William’s catalog of a bumpy, broken life where there are no Disney approved happy endings. Smitty

BORIS GARCIA

Once More Into the Bliss

October 13, 2008

Not a person, Boris Garcia is a band of five guys who've been on the Philadelphia music scene for some twenty years. They categorize themselves as "jamgrass", a fusion of folk, rock, blues, Celtic, and, of course, bluegrass. This, their third album, was produced by Jim Carbone of Railroad Earth and is chock full of good stuff. The first two songs are almost Beatles-esque in their instrumentation and production. Both "Through the Window" and "Go" (songs #3 and #4) are upbeat and catchy. You just might find yourself humming along the very first time you hear them; and any song about a cat ("Scootch") is okay with me. This is all in all a fine album. Reviewed by Rebecca Ruth.

Quick Links:

• Dig Music Website
• Boris Garcia Website

CHARLIE HADEN – Family & Friends

Rambling Boy

October 13, 2008

This whole production is awesome, from the the triplets harmonies, to Pat Methanys strait up jazz leads. Indeed enjoyable from start to end. Nice to hear Wildwood Flower played the way it was intended to be, or having Bela Fleck backing up Jack Black on Old Joe Clark. I recommend playing any track on this. – John Hardy

Quick Links:

Thea Gilmore

– Liejacker

October 13, 2008

A successful, engaging album. Songs are very polished musically and lyrically, including the opener “Old Soul” with its beckoning duet. “The Wrong Side” (Track #3) has some mesmerizing, psychedelic trickery, giving it an enjoyable eeriness. “The Lower Road” (Track #4) is a song of grim determination, with lonely fiddle and gentle guitar strumming, and backup from Joan Baez. “Dance in New York” (Track #6) is about self redemption that's nearly epic, but cello and accordion have a sobering effect. Rhythmic “Roll On” (Track #8) echoes the forward momentum theme of “The Lower Road”, but this time Gilmore fixes focus on states of denial, and living as an automaton. Gilmore's voice is light and breathy on “Icarus Wind” (Track #11); a very pretty song about the harshness of reality. As nice as the guitar, strings, and piano on these songs are to listen to, it's their smart and insightful lyrics that will earn them repeat listens. - Michael Loffelman

Quick Links:

ELEANOR MC EVOY

Love Must Be Tough

October 7, 2008

Dublin's Eleanor Mc Evoy gets grittier on this CD, using songs written by men (and not typically covered by women), as well as some new compositions of her own to convey some hard-learned and world-weary advice to those still fightin' for love and a decent life. The opener, "Mother's Little Helper" of Rolling Stones fame, starts with the famous line "What a drag it is getting old" and the hard-fought lessons of the narrator keep on coming throughout the tracks. But I didn't find the music depressing; rather it is delivered as sound -- if a bit lip-curled -- advice from a survivor. The title track sums it up, a fine new song by Eleanor, co-written with music legend Johnny Rivers (remember "Summer Rain"?). I liked the percussion-only background of Sly Stone's "If You Want Me to Stay" and the horns on the Van Morrison-ish "Roll Out Better Days." My hunch that Eleanor is, in the end, still encouraging us to keep on keepin' on was confirmed by the nod-and-a-wink rockabilly Nick Lowe closer "I Knew the Bride." Who needs Dr. Phil when we have Eleanor? 10/08 Michael J. F-Rock

Quick Links:

• Eleanor's homepage
• Her Myspace page

Lambchop

OH (ohio)

October 6, 2008

Not to be confused with the fictional sock puppet, Lambchop the band is best categorized as unclassified simply because what one hears on their latest release titled OH (Ohio) is just that – tough to put your finger on. Nevertheless, a thorough listen brings together a hybrid sound of country, soul, jazz, and folk – and that's just a start. With the lyrical wit of frontman Kurt Wagner, coupled with his deep baritone voice that sounds like a mixture between Lou Reed and Matt Berninger from The National fame, the band gets off to a pleasant start with the stripped down instrumentation found on the title track Ohio. Moving on, the piano kicks in along with the woodwinds on the beautifully crafted track titled Slipped Dissolved and Loosed. However, perhaps the most pleasant sounding and commercially viable song on this release is the faster moving National Talk Like a Pirate Day. Wagner's sense of humor seems to come through here especially but it's also layered with some of the most delightfully sounding musicianship on the entire recording as well. The album ends with a couple of songs that incorporates Wagner's sing-speak style with a sound that might be classified as country by some. Close Up and Personal is a love song while I Believe in You is a Don Williams cover that seems to work fairly well here. Overall, while some songs such as I'm Thinking of a Number and Popeye seem to be too lengthy and not all that attention-getting, Lambchop does offer its fans some fine music to come back to over and over again. ~ Reviewed by Jeff Bouma Note track #6 titled Sharing a Gibson With Martin Luther King Jr is not playable due to FCC regulations.

Quick Links:

MARK ERELLI

– Delivered

October 6, 2008

Erelli reveals personal lyrics over simple, catchy melodies that address politics & Iraq ("Volunteers," "Shadowland," "Hope Dies Last"), driving along the east coast ("Baltimore," "Five Beer Moon"), and love ("Not Alone," "Delivered," "Once"). -Jon Lewandowski

Quick Links:

DIGNEY FIGNUS

– Talk of the Town

September 29, 2008

According to Gregg S. in his 2006 review, Digney was to be “considered one of the best new artists to watch for this year.” Im going to back that up. Digney is back to his normal self here after his ‘06 “concept album,” and I'm liking it. The only complaint I have here is that several of the tracks are a little too “country,” but I found myself swaying to the music just the same. This had to grow on me, and it might be one to grow on you too—give it a couple of spins and see what happens. – Pete

Quick Links:

ELIZA GILKYSON

– Beautiful World

September 29, 2008

This one should be called “Beautiful Album.” To be accurate one would have to also throw in “catchy.” Oh yes, potent is good too. Political? Definitely. OK – Catchy, potent, political, poetic, intelligent, wildly fantastic….Beautiful World. – Pete

Quick Links:

• Eliza Gilkyson's website

RODNEY CROWELL

– Sex & Gasoline

September 29, 2008

According to the music director formally known as Linus, Rodney Crowell is one of those underappreciated WYCE artists. Hey, let’s all appreciate him now!!!! Produced by Joe Henry, guitars by Doyle Bramhall. – Pete

Quick Links:

• Rodney Crowell's Official Website

LAMBCHOP

OH (ohio)

September 28, 2008

Not to be confused with the fictional sock puppet, Lambchop the band is best categorized as unclassified simply because what one hears on their latest release titled OH (ohio) is just that – tough to put your finger on. Nevertheless, a thorough listen brings together a hybrid sound of country, soul, jazz, and folk – and that’s just a start. With the lyrical wit of front man Kurt Wagner, coupled with his deep baritone voice that sounds like a mixture between Lou Reed and Matt Berninger from The National fame, the band gets off to a pleasant start with the stripped down instrumentation found on the title track Ohio. Moving on, the piano kicks in along with the woodwinds on the beautifully crafted track titled Slipped Dissolved and Loosed. However, perhaps the most pleasant sounding and commercially viable song on this release is the faster moving National Talk Like a Pirate Day. Wagner’s sense of humor seems to come through here especially but it’s also layered with some of the most delightfully sounding musicianship on the entire recording as well. The album ends with a couple of songs that incorporates Wagner’s sing-speak style with a sound that might be classified as country by some. Close Up and Personal is a love song while I Believe in You is a Don Williams cover that seems to work fairly well here. Overall, while some songs such as I’m Thinking of a Number and Popeye seem to be too lengthy and not all that attention-getting, Lambchop does offer its fans some fine music to come back to over and over again. ~ Reviewed by Jeff Bouma

Quick Links:

• The Official Lambchop Website

ANNE McCUE

East of Electric

September 27, 2008

Melbourne, Australian native Anne McCue gives up her rocker image for a quieter, folksy blend of tunes recorded in Nashville. Inspired by the folk-rockers of '60s America, McCue tries her hand at it, to good effect. She plays virtually every instrument on this set -- guitars, banjo, mandolin, piano, percussion, ukulele and drums. Fans of her previous CDs will be surprised at the curve she throws listeners, but McCue is a good student of the folk-rock genre and holds her own. The first three tracks and "Money in the Morning" are highlights. The CD as a whole suffers a bit from the similarity of the songs and the (usually) reflective subject matter and tone, but there's no denying this artist's talent for songwriting and musicianship. MJVD 09/08 F-Contemporary

Quick Links:

• Anne's homepage
• Her myspace site

TONY LUCCA

Canyon Songs

September 25, 2008

Michigan-born, Tony Lucca moved to Los Angeles after high school (by way of Orlando, FL) to work in movies and television. After some success, he decided to focus on his music. That focus must have worked because he won the LA Music Award for best male singer/songwriter in 2001. This, his fourth full-length album, is an album of songs about love or life on the road (and sometimes about the choice between the two). Tony plays guitar and sings with occasional forays into other instruments such as Wurlitzer and bass. He has the help of other musicians as well on such instruments as mandolin ad pedal steel. One of the best songs on this album is the first one, "Death of Me". It manages to combine melancholy lyrics with upbeat music and it actually works. Another good one is the happy-go-lucky "Sarah Jane". Reviewed by Rebecca Ruth

Quick Links:

• Tony Lucca's Website
• Rock Ridge Music

ANI DIFRANCO

- Red Letter Year

September 23, 2008

Red Letter Year is Ani DiFranco's 16th Studio Release and definitely doesn't disappoint. In a year where there has been a ton of great releases from a lot of my favorite artists, Red letter Year is on my top ten for 2008. The mood of Red Letter Year is lush musically with lots cool hooks/ melodies. Guest collaborators include Animal Prufrock of Bitch and Animal, Jenny Scheinman-Jazz Violinist and C.C. Adcock-cajun/zydeco musician. Smiling Underneath is the first release and is vintage moody/snapshot Ani. Upbeat, in your face Ani is present in Alla This, Emancipated Minor & Landing Gear. I really dig acoustic/ reflective Ani so I really enjoyed the cut Way Tight. Good Luck is a new fave too. Ani has made New Orleans her home since Katrina and there is cajun flavor on the Title cut and Red Letter Year Reprise. – Sherry C **Red Letter Year and Round A Pole great, but Airplay No-No's due to FCC/language.

Quick Links:

• Ani Difanco home page
• Ani Difranco's myspace page

MERLE JAGGER

– Rancho Los Angeles

September 23, 2008

Perhaps this L.A.-based trio of sessionaires called their exuberant electric hillbilly experiment "Merle Jagger" because "Mick Haggard" didn't have the right ring to it, but the hybrid idea is clear and brilliant -- fusing bluegrass, hard country-rock, and jazz into an instrumental cauldron that is unlike anything any of those individual genres has heard before. Driven by Mark Christian's blazing, lightning-fast electric guitar, banjo, and mandolin, Patrick Flores' bubbling bass, and Brandon Goldstein's explosive drumming, this disc is a sh*tkicker's dream, a near hour of fast-paced, raucous party music that flies in the face of much of today's ultra slick country-pop. Think Johnny Cash on speed, and you're off to a good start on the slammin' opening track, "Ranchero," and on "Ranch Party." They crank it up even more for the appropriately titled "Hillbilly No. 9," which makes you wonder how incredibly rockin' the other eight were. "In Through the Out Take" is a little more conventionally bluesy, but "Trash Tornado" is a place where surf guitar wears a cowboy hat that just won't stay on. Even when "Granny Takes a Trip," she's flyin' off her rocker. Anyone who's ever loved country-rock, modern or classic, will enjoy the trip; these guys do their namesakes, Mick Jagger and Merle Haggard, very proud. – Allmusic.com

Quick Links:

• Merle Jagger website

GIANT SAND

Provisions

September 19, 2008

The main force behind this band is Arizona native Howe Gelb. He channels his inner Leonard Cohen for vocals as well as playing guitar and piano. This album was recorded mostly in Denmark with Danish musicians on bass, drums, and slide guitar. The addition of the Electric Apes (from Canada)horn section on several tracks makes this alt-country album a truly international affair. Several guests join in on vocals, notably Neko Case on the country-noir "Without A Word" and M. Ward on "Can Do" (sounding quite a bit like Johnny Cash, no less). This seems to be the perfect album for a night-long drive through the desert. Unfortunately, living in Michigan, we'll just have to listen and use our imagination. Reviewed by Rebecca Ruth

Quick Links:

• Yep Roc Records

MICHAEL DOUCET

FROM NOW ON

September 12, 2008

Michael Doucet is best known for his role as fiddle player for one of the highest profile Cajun bands in the world, BeauSoleil. This solo release doesn’t stray far from the traditional Cajun music of BeauSoleil other than to pare the instrumentation down to just Doucet or, on a few tunes, to Doucet and either Todd Duke or Mitchell Reed on guitar or second fiddle. Regardless of the line-up, Doucet never fails to entertain. Allen Touissant’s "Everything I Do Gonna Be Funky" kicks things off in fine style with a powerful groove that makes it sound bigger than the acoustic duet that it is. "Madam Bourdreaux" is a rocking number that sounds like it could have fallen from one of his cousin Zachary Richard’s discs. "A Closer Walk with Thee/I Know" mixes things up a bit by tacking a funky ending onto the quiet, introspective introduction. Those looking for traditional French Cajun music and vocals should check out "Bee de la Manche" and "Chez Denouse". As is the case with much Cajun music, instrumental tracks dominate much of this disc with "Letwo-step de Basile", "Reels de Mamou", "Brasse le gombo vite (Stir the Gumbo Fast)", "Wade’s Two Step", "Chere Evangeline", "Happy One Step" and "L’amour ou la Folic" focusing on the traditional, and "Fonky Bayou" getting a more contemporary twist. Doucet also isn’t afraid to step outside the Cajun box a bit: "Madame Young" and "Contredanse De Mamou" have a more traditional folk feel and "New Orleans", "You Gotta Move" and "Saint Louis Blues" are closer to jazz and blues but fit in fine nevertheless. And what would a Cajun disc be without an accordion? "Amedee’s Accordion" takes care of that necessary ingredient. Throughout, Doucet’s playing is never less than mesmerizing with his solo tracks sending you to the liner notes to confirm all the intricate sounds are coming from just one man. Smitty

DELILAH DEWYLDE & THE LOST BOYS

Honky Tonk Heart

September 9, 2008

The signature "chugga-chugga" of the guitars and the bass and the steady drumbeat alerts you immediately you're in vintage Johnny Cash territory as local musicians Delilah and the boys churn out ten honky tonk tunes, three of them instrumentals (#2, #5 and #10). Adding to the drama, the Lost Boys happen to be Delilah's three ex-husbands (top that, Man in Black). Delilah sings about trucks, bars, busted hearts and Stonewall Jackson with alternately tough and pleading vocals and the boys, well, they just keep that train-like beat coming. One of the boys sings the vocal on "Adios" (#8), otherwise She Who Can Stand On Her Bass And Play It At The Same Time is in the driver's seat. Turn back your musical clock and give it a spin. MJVD 09/08 F-Honky Tonk LOCAL

Quick Links:

• Delilah's Myspace page

Glen Campbell

Meet Glen Campbell

August 18, 2008

This may be Glen Campbell’s reinvention at the twilight of his career. This is an album stocked with contemporary pop-rock covers, some done well, but none done better. He attempts to work his magic with some strange choices like the Foo Fighters’, “Times Like These” and Velvet Underground’s, “Jesus.” It’s a man with a guitar, who gives his best, that’s it. At only 10 songs long, Meet Glen Campbell is a perfect summer goof: quick, disposable, retro and extremely listenable. Reviewed By LaRae

Quick Links:

• Glen's Official Website

BON IVER

For Emma, Forever Ago

August 18, 2008

Justin Vernon aka Bon Iver (pronounced bohn eevair, French for “good winter” which is a greeting/celebration) has received critical praise since this record was released back in February. For Emma, Forever Ago is simply beautiful. Vernon’s muted guitar strums and falsetto voice join together as famously as peanut butter and jelly (or chocolate)…he definitely has a genuine talent. As a whole, the record is entirely cohesive throughout and remains centered around a certain sentiment, probably having to do in part by where the record was recorded: at the onset of winter in a cabin in Northwestern Wisconsin. This record is humble and compellingly sorrowful, yet it keeps you warm inside. Reviewed By: LaRae

Quick Links:

• Bon Iver's myspace

CITY AND COLOUR

Bring Me Your Love

August 11, 2008

Canadian, Dallas Green, sings vocals for the band, Alexisonfire. This is his second solo release. This is a guy with a guitar. That's my way of saying...hmmm...not really my cup of tea. Dallas Green writes earnest (The Death of Me), sometimes pretty (As Much As I Ever Could) songs. Interestingly, all the songs I picked as highlights are the ones with drums in them, "Sleeping Sickness" and "Waiting" included. If you like quiet, acoustic tunes, this well-produced album may be for you. Reviewed by Rebecca Ruth

Quick Links:

• Dallas Green's Myspace Page
• Vagrant Records
• City and Colour Website

DAR WILLIAMS

Promised Land

August 2, 2008

The new release from Dar Williams give us more of her jangly guitars and stories about relationships and leaving a positive footprint on this earth (both environmentally and emotionally). Most of this is from her pen, with interesting exceptions "Troubled Times" (from the band Fountains of Wayne) and "Midnight Radio" (from the soundtrack of "Hedwig and the Angry Inch"). Her upbeat songs are impossible to get out of your head, like "It's Alright" (with Marshall Crenshaw on guitar), "The Easy Way," and "Go to the Woods" (with Suzanne Vega). "Buzzer" is about a Yale University '60s psychological experiment. 08/08 MJVD F-Contemporary

Quick Links:

• Dar's homepage
• Dar's Myspace page

WALTER HYATT

Some Unfinished Business (Volume 1)

August 1, 2008

Mr. Hyatt was working on this album at the time of his death in 1996. (He was a casualty of a Valu-Jet crash in the Florida Everglades.) His wife, Heidi, worked with many noted musicians to get this album finished, thus the title. This is an exceptional album. Mr. Hyatt puts his rich baritone voice to good use on this piece of modern Americana. Exceptional production can be found here as well as the use of many different stringed instruments, woodwinds, and occasional harmonica. The album starts out strong with "Motor City Man" and continues with the jazzy blues of "Sheik ShBoom" and on to the honky-tonk blues of "Reach for Me". Reviewed by Rebecca Ruth.

Quick Links:

• King Tears Music
• The Walter Hyatt Website

DONNA THE BUFFALO

Silverlined

July 15, 2008

DTB celebrates its 20th year making a unique brand of delightful folk-rock-reggae-cajun music with a great set of Tara Nevins and Jeb Puryear tunes. DTB has traditionally paced their records this way, alternating Tara’s catchy three-minute slice-of-life numbers with Jeb’s longer, bigger topic song-poems (with a few exceptions along the way). Tara fares a little better this time around, with all of her songs hitting her intended irresistible musical target (e.g. “Temporary Misery,” “Locket and Key,” “I Don’t Need a Riddle”); Jeb has a few hits (“Tomorrow Still Knows,” “The Call” and the rollicking “Forty Days and Forty Nights”) and misses (“Biggie K,” “Blue Eyes”). All in all, “Silverlined” is a welcome addition to this summer of music, in my opinion the band’s best since 1998’s “Rockin’ in the Weary Land.” 07/08 MJVD F-Rock

Quick Links:

• DTB's Myspace page
• Sugar Hill Records DTB site

ROBERT FORSTER

The Evangelist

June 13, 2008

Previously of Brisbane band, The Go-Betweens, Robert Forster has released his first album in eleven years. This album features nice instrumentation from fellow Go-Betweens Adele and Glenn on bass and drums, as well as occasional mandolin, harmonica, keys, and other strings. Some of these songs were co-written by Robert's writing partner of 30 years, Grant McLennan, shortly before he passed away. This album plays as a remembrance of him. Two of the best songs on the album were co-penned by Grant. One being the sixth track, "Let Your Light In, Babe", which has some nice mandolin in it. The other, being the ninth track, "It Ain't Easy", which rocks a bit in an Old 97's kind of way. Reviewed by Rebecca Ruth

Quick Links:

• Yep Roc Records Website
• Robert Forster's Website

JUDY WRIGHT

Judy Wright

June 8, 2008

You look at the album cover and hear the first notes of the opener, "Beautiful Rainy Day" and you're ready for an Alison Krauss-type vocal and sweet country sounds. You don't get it. Judy Wright's deep alto voice, bluesy chords, Jazz-influenced delivery and everything's-not-okay lyrics present a much different experience. Wright started singing with her fanily's gospel group, went Opryland country and then sang in a 1940's style band -- and all of these influences combine for a unique Americana approach. I think she's on the right track with the music, but could use additional lyric punch. Nevertheless, I appreciated the fresh direction of the artist and the music. 06/08 MJVD F-Americana

Quick Links:

• Judy's Home page

HAYDEN

In Field and Town

June 5, 2008

Hayden Desser wrote and recorded this, his fifth full-length album at his home studio in Ontario, Canada. This is typical singer/songwriter fare with Hayden singing mostly sad lyrics over nice instrumentation. He produced this disc as well, and I think he did a nice job with the mix. He seems to be promoting himself as an indie musician; having opened for such acts as Feist and The National. I think the title track is one of the highlights of this album. Track #4, "Worthy of Your Esteem", features lush string arrangements. Track #6, "Did I Wake Up Beside You", is almost a country-rock piece and certainly sounds influenced by Neil Young. Reviewed by Rebecca Ruth

Quick Links:

• Hayden's Website
• Hayden's Myspace
• Hardwood Records Website
• Fat Possum Website

ALEJANDRO ESCOVEDO

Real Animal

June 1, 2008

Escovedo's ninth release and the second since he made a triumphant comeback from death's door (due to hepatitis C), is a joy-filled reflection on his musical career, with buddy Chuck Prophet on board as co-songwriter and band mate helping A.E. tell his rock 'n roll story. The record starts with a bang, as the first four cuts rock out with an early Los Lobos feel. A.E. settles into some slower reminiscences after that, with two exceptions -- a punk-style tribute to one of his rock idols, Iggy Pop ("Real as an Animal") and a rock-beat reminder of his early rock days ("Chip 'n' Tony"). "Chelsea" refers to his time hanging out with infamous punksters Sid and Nancy. This guy's been around! After thinking of A.E. as a brooding but brilliant musician, I liked hearing this side of him -- enjoying the music and the musicians he's met along the way. Standout tracks: "Always a Friend," "Sister Lost Soul" and "Swallows of San Juan." 06/08 MJVD F-Rock

Quick Links:

• Alejandro Escovedo's home page
• A.E.'s Myspace page

ARTIE TRAUM

Thief of Time

May 29, 2008

Traum has been featured on more than 35 albums. He has produced or recorded with such luminaries as: Richie Havens, Maria Muldaur, Eric Anderson, Paul Butterfield, Rory Block, James Taylor, Pete Seeger, and David Grisman among others. Traum's songs have been featured on PBS, BBC, ESPN, and CBS and now WYCE! Artie Traum’s album, Thief of Time, is somewhat hard to describe. It’s part jazz, part soft rock and a pinch of country. Traum’s music has a simplicity that is pleasing. The album doesn’t rely on heavy production to make it sound better. Instead, the singing and background instruments are enough and the songs are varied enough to keep the album fresh from the first track to the last. - Anne Lamont

Quick Links:

• Arie Traum

Spencer Mulder

On The Way

May 28, 2008

On The Way is Spencer Mulder’s debut album from the Mackinaw Harvest Music Group. Spencer Mulder is a young Grand Rapids based singer/songwriter. The album, On The Way, a “rootsy intelligent pop music” collection consisting of 12 tracks, is cleverly produced and recorded, with good guitar riffs and good singing. The album seems to have the same underlying theme, the mysterious “she” and what she did to me. This album will have teenage girls going crazy. – Intern Andrew

Quick Links:

• Spencer Mulder Website

Jetty Rae

Blackberries

May 26, 2008

Jetty Rae is a singer/songwriter from Charleviox, Michigan. Her album Blackberries, contains 11 tracks, all either Folk or Soul, are very well put together. Each song is simple and really accents her lyrics, which are sung beautifully. Her website describes is as “nap time in Heaven”, the singing is just that. The harmonizing on each track, mostly all her throughout the album, is very well done. There is a hint of religion due to references to faith, God and Jesus but I wouldn’t say it is Christian music. – Intern Andrew

Quick Links:

• Jetty Rae Myspace page

The Brass Kings

Washboard Rope Guitar

May 26, 2008

This Minneapolis trio features a simple lineup and an energetic show that will appeal to fans of the Tarbox Ramblers, Mulebone, and Devil in a Woodpile. Percussive instruments include a washboard, a rope, tambourine, fridge door and hand drum. The sound is rounded out with washtub bass and acoustic and resonator guitars. –Pete

Quick Links:

• The Brass Kings Myspace page

Phil Barry

Between The Carolinas

May 19, 2008

The more I listen to West Michigan artists, the more impressed I become. This region holds some real musical talent. If this disc is any indication, Phil Barry is every bit as talented as many national artists. You’ll find some very catchy tunes here from this Kalamazoo artist, formerly of the band Knee Deep Shag. This is very accessible, well-produced music, with straightforward lyrics, nice vocals, and fine instrumentals. These are mostly love songs about troubled relationships, but instead of being angst-ridden downers, they’re short and hook-laden. I only wish there was more to this disc, which comes in under 26 minutes. - Tim Smith

Quick Links:

• Phil Barry Myspace page

THE BAND OF HEATHENS

THE BAND OF HEATHENS

May 15, 2008

This Austin band has built a huge local following and is starting to catch on everywhere else. Their free-form, rootsy grab of country and folk-rock won them last year's Best New Band at the Austin Music Awards. Everything I’ve read and heard about them says they are a live show not to be missed. Produced by Ray Wylie Hubbard, this album includes guest musicians such as Patty Griffin, Gurf Morlix, and even Ray himself. “Stones fans who loved the Band but prefer the Gourds to the Black Crowes will be very happy with The Band of Heathens…” (The Austin Chronicle) Reviewed By LaRae WYCE Programmer

Quick Links:

• Band Of Heathens Official Website

LUKE SAYERS AND THE LAST TO KNOW

Radio Flower

May 12, 2008

This independently-released album features multi-instrumentalists Luke Sayers and Mark Iannace on vocals and Mike Gabelman on drums. It is a country-flavored disc with Luke and Mark harmonizing well together. Track #3 "I Hear You" in particular has some nice harmonies. this album also features well-written songs such as track #8 "What I Should've Said", which won the 2005 Great Lakes Songwriting competition. All these songs are originals, except for the last one, which is a Johnny Cash composition. Mr. Sayers chose to record that tune with a decidedly Caribbean flair. Reviewed by Rebecca Ruth

Quick Links:

• Luke Sayers Website

SERA CAHOONE

Only As the Day is Long

May 12, 2008

From playing guitar, drums, and even harmonica to singing and writing, this Seattle resident knows how to make music. On this, her second release, Sera wrote some beautiful melodies and she sings them hauntingly in an almost alto voice. That voice is paired nicely with banjo and harmonica on the title track. The slow fifth track, "Shitty Hotel" features nice harmonies and some well-played pedal steel guitar. It probably shouldn't be played on the air, though, due to the word "shitty" in the lyrics. The seventh track, "The Colder the Air", offers pedal steel as well as fiddle and vocals with some effects on them, making it nice and lush. This album ends with the acoustic "Seven Hours Later". It's a nice quiet song with some banjo and tambourine thrown in toward the end. Reviewed by Rebecca Ruth

Quick Links:

• Sera's Myspace Page
• Subpop Records Website

Railroad Earth

Amen Corner

May 12, 2008

Anticipation has been building for a new Railroad Earth release and for the first time in 4 years, the band members found themselves back in the studio recording all new material. It's definitely a home-grown project, much like the band itself. Railroad Earth's new studio release, Amen Corner, was written and recorded at Lone Croft: an empty, 300 year-old house in New Jersey's rural countryside. What happened inside the building was the experience of a lifetime for the band's members, resulting in an early creative pinnacle of a gifted young band, and an album that is an instant Americana classic. Amen Corner is a collection of crisp and crafted roots, bluegrass, and acoustic sides that resonates in all the right places. The tunes breathe both on and between the notes. – Joe Parsaca

Quick Links:

• Railroad Earth - Myspace page

Allison Downey

Across The Sea

May 12, 2008

Allison Downey's second album, Across The Sea, is not quite as diverse as the press release makes it out to be, but it's still a wide-ranging (and, most importantly) enjoyable album to listen to, if for nothing else than to take in Downey's voice (which shifts in tone and texture from song to song). The songs themselves tend to sit mostly on the folk side of things, although they do occasionally wade in to rock territory. Downey is at her best here when the songs are a bit more abstract, like “Landscape” and “Blue Deep Aegean.” If you're looking for a simple, down-to-earth folk album, Across The Sea might be just what you're looking for. – Adam Goran

Quick Links:

• Official Allison Downey Website

The Doc Marshalls

Honest For Once

May 12, 2008

This is country! Not bluegrass, not old-timey, not Kenny Chesney, just good ol’ country music! The core of most of the songs is guitar (with the perfect amount of twang), fiddle, the occasional pedal steel, and understated lyrics on less-than-happy topics (stuff like love lost, a gun-toting ex, travel across state lines… you know, country). This album has done well on the Americana Radio Chart even though these guys just self-produced it out of their home base, New York City. Pretty much any track is worth a listen. Tracks 1 and 2 have more drive than most of the others, and if you like a full-blown country sound complete with banjo and mando, try Dakota (track 7). Also, Nick Beaudoing, the front man, is a southern Acadian so there are a couple of Cajun two-steps thrown in (tracks 4 and 8), complete with accordian. The last song is a nice waltz. - Lew

Quick Links:

• Doc Marshalls Website

Various Artists

My Blueberry Nights Soundtrack

May 12, 2008

The My Blueberry Nights soundtrack is an impressive romantic collection that stands on it's own apart from the film. This Album features a wide array of american music both old new and old that touches upon R&B, Soul, Rock, Funk, Folk and Jazz. Including 'The Story' a new song by Norah Jones ( Which makes her acting debut) Based on her experience in the film. Also Cassandra Wilson shines a new glow to the Neil Young classic 'Harvest Moon'. As well as music by Cat Power, Otis Redding, Ruth Brown, Mavis Staples, Amos Lee and instrumental selections from the score by Ry Cooder. – Joe Parsaca

Ricky Skaggs & Kentucky Thunder

Honoring the Fathers of Bluegrass : Tribute to 1946 and 1947

May 11, 2008

Bluegrass mogul Ricky Skaggs and his band of musical cohorts Kentucky Thunder pay tribute to the likes of Bill Monroe & His BG Boys and Flatt & Scruggs on this homage to the veritable kings of pickin’. Although the variation in sound isn’t much to shout about, those familiar with bluegrass and the wizardry of Skaggs will tap their toes as Ricky & Co. burn through these cuts with the speed of lightning. Kentucky thunder is right! All tracks suitable for airplay Reviewed by Trevor Edmonds : May 2008

Quick Links:

• Ricky Skaggs Online

KATE RUSBY

Awkward Annie

May 9, 2008

Take Rusby performing lovely ballads, both original and traditional, add lush strings, brass, and a lively banjo - spice with guests like Chris Thile, Kris Drever, John Doyle and you have the recipe for a Celtic delight. Despite a very tough year (in the liner notes she said she gave up making this cd more than once) she has managed give us songs that rise above. I found "Awkward Annie," "Bitter Boy," "Planets," and "Daughter of Heaven," enchanting. Ms. Rusby has won a bunch of awards in the past 10 years and this cd shows you why. Anne Lamont

Quick Links:

• Kate Rusby

Various Artists

Fox On A Hill Records

May 5, 2008

This album commemorates the very first year of Fox On A Hill productions. Fox On A Hill was created in Northern Michigan in the fall of 2006 to assist artist with promotion, production and distribution. This disc includes one track from each album that Fox On A Hill helped produce. Working directly with independent artists including Seth Bernard, Daisy May, Steppin In It, Breathe Owl Breathe and Rachael Davis. Artist whom were well on their way to building successful careers as musicians before working with Fox On A Hill. In an Industry that's constantly on the change, Fox On A Hill strives to embrace flexibility in music today. – Joe Parsaca

Quick Links:

• Fox On A Hill Productions' Website

Big Leg Emma

Gramma Don't Like That

May 5, 2008

Big Leg Emma is a six member Americana Folk Roots Rock band from Jamestown, New York. They are most certainly in their element playing live combining folk, bluegrass, Cajun, Alt- Country, Rock & other sounds to create a true American landscape of sound. Combining both Male & Female vocals BLE is a large part Donna the Buffalo mixed in with elements of Poi Dog Pondering. This CD recorded live in Erie Pennsylvania showcases both the high energy & fun this band brings to the stage. Most tracks are originals with the exception of Minor Gadget & a really nice cove of Steve Miller’s classic “The Joker”. The only unanswered question I still had after listening to this disc is who is Emma? - Gregg Saur

Quick Links:

• Big Leg Emma's Website

Jackson Browne

Solo Acoustic Vol. 2

May 5, 2008

The second offering of live solo material from Browne and it delivers just as nicely as the first. Fans will appreciate Browne’s musicianship on this record as he’s a great performer telling stories and interacting with the crowd during his set. Including some of his more well-known cuts. Check out tracks 1 “Never Stop”, track 8 “Sky Blue And Black”, track 12 “Casino Nation”, and track 15 “Somebody’s Baby.”

Quick Links:

• Official Jackson Browne Website

China Forbes

'78

May 5, 2008

China Forbes is the lead singer for Pink Martini...a west coast band with a "cult" following. This is China's first solo effort. I liked the CD...it is very mellow, pop music. Influences a bit by Cheryl Crow, and Joni Mitchell. All songs were written by China. Reading other reviews, it seemed that fans of Pink Martini were split on the CD...apparently this is a different genre. Other reviewers really liked the sound. A few of my favorite cuts were '78 (the title cut) and Time on my Hands. Very mellow sound. – John Rumery

Quick Links:

• China Forbes' Website

Goldmine Pickers

Lonesome Gone

May 5, 2008

Goldmine Pickers is a young, passionate, four-piece band weaving together roots and inspiration in bluegrass, jazz, folk and Irish traditions to create an energetic new space in Americana music. With memorable acoustic performances, the group has magnetized audiences in intimate to expansive concert halls, at festivals and on live radio shows with inspiring interplay between guitar, mandolin, upright bass and a fiery fiddler and soaring, heartfelt harmonies. Lead vocals are shared smoothly between Lukas Simpson (guitar, mandolin, bouzouki, harmonica) and Jay Lapp (mandolin, guitar), with contributions by Sean Hoffamn (fiddle) -- they "capture the audience" with "really nice, tight three-part harmonies," described a reviewer at acousticguitar.com, who also said, "I was virtually stunned at the quality of play at the concert. [And] chemistry and stage presence weighed very nearly as much as musicianship in reasons for enjoying the concert."

Quick Links:

• Goldmine Pickers' Website

Eef Barzelay

Rocket Science Original Motion Picture Soundtrack

April 28, 2008

A charming soundtrack that compliments the film’s awkward struggle in life as a teenager (an even more clever Napoleon Dynamite, with all the awkward and hysterical laughs). Mostly composed of snippets straight from the film, there are some actual composed pieces of music that are fitting with the movies’ character’s interchanges. Check out tracks 2 “Fight Song Melodies”, The Violent Femmes’ track 11 “Kiss Off”, track 16 “I Love The Unknown”, and track 21 “Girls Don’t Care”.

Quick Links:

• Eef Barzelay's Myspace page

Yael Naim and David Donatien

Yael Naim

April 21, 2008

The entire cd was great, and the eclectic style seemed to fit with WYCE music. Some of the songs are in French, others in English but still have a little French in them. Either way, her sound is very pleasing to the ears. My favorite song for WYCE to play was "Too Long", but the song "New Soul" from the Apple commercial is also a good song.

Quick Links:

• Yael Naim's Wesite

A.A. BONDY

American Hearts

April 15, 2008

Beautiful, dark, haunting and charming. A.A.’s songs of damnation, salvation and drunken brawls would best suit my mood on a cold fall or winter day. At times I imagined this was a recording from the sixties that had just been rediscovered. It sounds historic and plain gritty at times. I found this bit to be helpful and true: “American Hearts has everything you’re looking for in an indie-folk record. There’s food for thought, imagery aplenty and the gentle meeting of soft textures with raw content. The stories may not be as inventive, but it never hurts to hear another man’s take on the world around you. Especially if he’s wielding a harmonica.”(absolutepunk.net) His never-resolved ambiguity is the album’s most intriguing attribute. Reviewed by LaRae WYCE Programmer

Quick Links:

• A.A.'s MySpace Page

Steppin' In It

Simple Tunes For Troubled Times

April 14, 2008

Toting an ample supply of vintage instruments and a sound that brings listeners back to the days of old-time radio, Steppin’ In It is determined to make a dent in the roots community. Hailing from Lansing, Michigan -the heart of Factory Town, USA- these young men pound out their own brand of roots combining old-time country, swing and blues . Steppin' In It's current lineup has been jamming together about five years. here they step out with a raft of new songs and tunes, plus covers of RandyNewman's 'Have Pity on the Working Man' and Dan Kahn's 'WashtenawCounty.' With guests Rachael Davis, clarinetist Rob Callazo and more. Here you'll get some of the liveliest and most rocking acoustic roots music around that is the future of bluegrass. – Joe Parsaca

Quick Links:

• Steppin' In It's Myspace page

Silent Radio

Silent Radio

April 14, 2008

Silent Radio's self titled debut is a classic example of Ann Arbor's eclectic blend of rock, reggae, and roots. Evolving from a jam band assembled in the late 1970's, Silent Radio first formed in 1982, played in the Ann Arbor and Detroit areas, and achieved its present form in 1984. The band members' different musical influences are reflected in the unique styles of their original songs.s.Having moved on to solo projects in 1988, Silent Radio a 15-song retrospective. Since this project was released, Silent Radio has continued to perform in various forms.re-formed in 1994 for this studio project. – Joe Parsaca

Peter Moren

The Last Tycoon

April 14, 2008

Peter Moren is the Peter of the Swedish group Peter, Bjorn & John. He wrote most of these songs while touring with PB&J, and recorded them over a 2 year span. It is a decidedly down-tempo CD, very folksy, and quiet. The CD has a "distinctly homemade feel that feeds from the folk singer-songwriter tradition but still incorporates strings, synths, vibraphones, percussion, a musical saw, and even a drum machine or two." Try track #9 Social Competence or track #6 My Match. Some interesting tidbits, "The album's title comes from the Elia Kazan film of the same name - an adaptation of F. Scott Fitzgerald's unfinished final novel. The film, like the novel, deals with failure: a failed attempt to live the American dream, basically." - Renae

Quick Links:

• Peter Moren's Myspace page

Billy Bragg

Mr. Love & Justice

April 14, 2008

Billy Bragg’s first release on Epitaph’s sister label Anti-. The politically-charged Bragg takes emotion sparked by war, hate, and greed and turns out yet another thought-provoking, protest-singing powerful record. However, Bragg continues to also bring unity and hope for the future. A terrific and relevant record, hopefully the masses will take notice. Check out tracks 1 “I Keep Faith”, track 4 “The Beach Is Free”, track 5 “Sing Their Souls Back Home”, track 9 “If You Ever Leave”, and track 11 “The Johnny Carcinogenic Show”. - Lane Zoerhof

Quick Links:

• Billy Bragg's Website

Kris Delmhorst

Shotgun Singer

April 7, 2008

Female singers are so prevalent nowadays, that the few that actually have great albums get overshadowed by those featured on television commercials and with marketing campaigns. Kris Delmhorst is one of those overshadowed artists. A smoky, sexy voice recalls Natalie Merchant. She can take over the mood with her voice using its’ power, but also making sure to let the music ride when need be. A great listen! Buy it immediately! Check out tracks 1 “Blue Adeline”, track 3 “To The Wire”, and track 4 “Midnight Ringer”. - Lane Zoerhof

Quick Links:

• The Official Kris Delmhorst Website

She & Him

Volume 1

April 7, 2008

"She" is Zooey Deschanel, indie boys' movie star crush of choice. "Him" M.Ward, the rootsy guitarist. Together they pose as a great lost 70's Am-gold couple. Their Acoustic vibe conjures up a time travel fantasy on a blindfolded trip on seeing how things can really be. Deshanels vocals are very similar to Carly Simon. She & Him don't do the best with covers, but do take a strange slowed down pedal steel ride on Lennon/McCartney's I Should Have Know Better. – Joe Parsaca

Quick Links:

• She & Him Myspace page
• She & Him Website

IKE REILLY

POISON THE HIT PARADE

April 1, 2008

Chicago native Ike Reilly lists Bob Dylan, The Clash, and Judas Priest as influences, and its apparent in his music. Great lyrics, predictable and ubiquitous melodies and intonations along with a strange concoction of angst rock from the past five decades. Songs about high school love and football games along with tunes of disgruntled factory workers’ rebellion against the union and blowing up trains.

Quick Links:

• Ike's Official Website

LISA HALEY

King Cake

April 1, 2008

Lisa Haley & the Zydekats present their 6th CD and with a Grammy nod. This is the band you would hate yourself in the morning if they came and you didn’t see them. Keb'Mo, who produced a cd for Ms. Haley and plays on this cd, said "Lisa has the Spirit in her big time... she's got it goin' on! Her music just plain grabs you and takes you over!" This is Swamp Zydego with a grove. Just listen to Song 8.) Zydecosis: OH NO! you've caught it! Zydecosis: there is no cure... all you can do is Dance!

Quick Links:

• Their website

The Wood Brothers

Loaded

March 31, 2008

The Wood Brothers lead by Chris Wood (from King Johnson) and his brother Oliver Wood (from Martin, Medeski, and Wood) have turned out an outstanding record. The blues/rock/folk equation has become a musical prize for all to enjoy. Filled with originals and a couple of covers with The Wood Brother’s own little ingredient. This record will bring pure enjoyment to those who listen to it; a record that will definitely be on repeat for months to come. Check out tracks 2 “Postcards From Hell”, track 4 “Loaded”, track 8 “Fall Too Fast”, and track 12 “Still Close” - Lane Zoerhof

Quick Links:

• The Wood Brothers' Website

String Cheese

String Cheese

March 31, 2008

Fresh fusion of traditional celtic sounds and young rock-influencedrhythms, putting a young, modern spin on one of music's oldest genres. These two hail from the Michigan mitten and pridethemselves in composing andperforming feel-good celtic rock on violin and cello, Both electric andacoustic .Classical music performance majors at well-known universities. Introducing alternative styles, particularly celtic music, to highschool and middle school string programs throughout Michigan andbeyond, and preaching their importance in youth music education. – Joe Parsaca

Jaymay

Autumn Falli'

March 31, 2008

Jaymay's Autumn fallin is exactly that. An fallin autumn adventure throughout the seasons around. With only the beauty of Jaymay's guitar, voice, and zilaphone here and there is a pure folk essesce. By performing everything on Autumn Fallin, this is 100% Jaymay in every way. Autumn Fallin, is this New York Natiives first full length album. Autumn Fallin', a song cycle that vividly details the story of a New York City relationship gone south for the winter. A truely beautiful piece of work best listened through as a complete whole. – Joe Parsaca

Quick Links:

• Jaymay's Myspace page

Various Artists

Our Side of Town: A Red House Records 25th Anniversary Collection

March 31, 2008

As you might suspect, these 18 previously released tracks by current Red House artists are a pretty solid bunch of songs. Overall, the sound has an informal, acoustic roots aura about it, but on closer inspection the songwriting and playing on each song are impeccable and well-thought out. Within this acoustic roots context there is still variety. There is the grittier, edgier stuff (1, 3, 11) The more country based stuff (2, 4, 17) The more wholesome sounding stuff (5, 8, 9, 16) To top it off, there is this string of extraordinary songs that are none of the above and perhaps worth a first listen: Jorma’s awesome fingerstyling (13) Guy Davis’ driving blues (14) Peter Ostroushko’s Midwest Worldbeat sound (15) -Pete Lewandoski

Old Blind Dogs

Four on the Floor

March 31, 2008

“Four on the Floor” should appeal to anyone who likes Celtic music. The eleventh release by a band that has changed its roster many times over the last fifteen years, this disc showcases fine musicianship, and a respect for traditional Scottish music. You’ll find some singing in Scots Gaelic, some in English, some instrumentals, and a few live tracks; all are worth listening to. I particularly liked “Cairn O’ Mount,” (a tune in which a lover in disguise tests his partner’s faithfulness -- a standard theme in many a Celtic song) but really they’re all good. Four stars out of five. - Tim Smith

Doug MacLeod

The Utrecht Sessions

March 31, 2008

The songs on Doug MacLeod’s “The Utrecht Sessions” embody the delta blues. Whether playing on his National Delphi or on 12-string guitar, his sound is genuine. Not all tracks are great – “Sheep of a Different Color” is a bit too long and preachy, and several are a little too subdued to maintain my interest – but others are worth a listen. I liked tracks 1, 3, 4, 6, 8, 9, and 11. Tim Smith

Quick Links:

• Doug MacLeod's Website

JAMES MCMURTRY

Just Us Kids

March 28, 2008

James McMurtry’s Just Us Kids is more comparable to a movie than to music. His latest CD is like watching a movie that’s hard to take—one where you know the filmmakers are getting out an important message—but there’s no lightening of the mood to provide any relief. You trudge through the movie and at the end, you don’t regret it, but you didn’t enjoy the film. There’s a raw, uncensored, and unprocessed emotional nature to many of the songs. (His songs also recall the writing of Steven King, who endorses McMurtry.) Some lines are brilliant, but overall I found it hard to connect with the songs. I’m willing to acknowledge that, as a woman, I don’t appreciate the brutal honesty of lines like those in “Bayou Tortous”: “I was looking at every woman but mine / I was looking at the faces, looking at the parts / Looking through the whole in the bottom of my heart.” “Cheney’s Toy” is going to get more ink than the album as a whole. You can figure out what the song’s about by knowing Cheney’s toy is the president.

Quick Links:

• James McMurtry's MySpace site

Kaki King

Dreaming of Revenge

March 24, 2008

Dreaming of Revenge solidifies Kaki King?s transition from an acoustic virtuoso to an increasingly talented singer-songwriter. Dreaming highlights both aspects wonderfully, with about half of the tracks being instrumentals and the others having lyrics. In 2006, she became the first woman to receive ?Guitar God? recognition from Rolling Stone. While she was finishing this album, she was also working with Sean Penn for the Into The Wild soundtrack as well as appearing on the Foo Fighters most recent CD. Every track on Dreaming?is a different experience, with King?s intricate guitar work sweeping from the background to the forefront and everywhere in between. - Ben C.

Quick Links:

• Kaki King's Myspace page

Billy Brandt

The Mission

March 24, 2008

From Ferndale, MI Billy Brandt is the winner of the 2006 Detroit music awards for acoustic/folk instrumentalist. Having spent decades in the music business supporting other bands & artists. Billy Brandt has now found his own musical voice & steps into the spotlight on (The Mission Band) as a singer-songwriter for the first time in his amazing career. Influenced by the likes of Gram Parsons to the Grateful Dead, Billy Brandt has molded his sound by creating his own unique guitar picking that creates a haunting melody which stays with the listeners long after the song is over. – Joe Parsaca

Quick Links:

• Billy Brandt's Myspace page

Lvnmuziq

Contemplating the Void

March 24, 2008

Liz Snavely is back with her followup to “Orange Kiss.” She’s a busy soloist with an entertaining and energetic live show. Over the last couple of years she has toured across the Midwest and developed a regular circuit of venues in which to play. She has also played many Grand Rapids venues, open mics, and has launched a series of successful house concerts in her Eastown residence with small indie acts like Boca Chica all the way up to Catie Curtis. -Pete For anyone looking for an honest folk album, Contemplating The Void should do the trick. – Adam Goran

Quick Links:

• Lvnmuziq's Myspace page

The Waybacks

Loaded

March 24, 2008

The Waybacks play country. Kind of. You see, the band mix their version of country with a lot of different things (primarily blues), and it works really well. Take for example, “Low Down”, which is a blues song by almost any definition of the genre. But listen to the solos in the song. Which instruments play them? Gritty electric guitar. Fiddle. Hammond Organ. One could go back and forth as to which of these instruments are blues instruments or not, but the fact remains that they make the song into else entirely. And it’s great. This isn’t to say that the band don’t occasionally play country unfiltered. They do. And when they do, it’s more than just good, it’s funny. “Conjugal Visit” is probably the best of the country material on this album, and the lyrics seem quite tongue in cheek, almost like satirical take on the characters who typically populate country songs. Or perhaps it’s not satirical it all. In either case, the song is excellent, and that’s about all I can say for the album as well. - Adam Goran

Quick Links:

• The Waybacks' Website

TIM O'BRIEN

Chameleon

March 18, 2008

Tim O’Brien writes, “My songs mostly start with me and an instrument, and I perform that way about half the time. So last summer I loaded all my hillbilly apparatus—guitars, mandolins, banjos, etc.—into Gary Paczosa’s garage and played this batch of songs until I was finished.” O’Brien can make you think you’re listening to a band when he’s picking at his guitar strings or playing the fiddle. In Chameleon, he sings about ordinary life, relationships, and politics. “Megna’s” is a story about man who sells produce and is an exercise in exploring the ordinary through art. (A track for O’Brien fans but probably not for radio.) “The Only Way to Never Hurt” is lyrically one of the better songs on the album. O’Brien picks up the fiddle for “Phantom Phone Call” and quietly plays during “Safe in Your Arms” after a minute-long a cappella opening. He delves into politics in “When in Rome,” “World of Trouble,” and “This World Was Made for Everyone.” The latter track is a tongue-in-cheek look at America’s history, manifest destiny, and an ongoing sense of entitlement. But O’Brien’s sings, “If we follow our hearts, we can fix up this world.” A few songs seem to be crafted especially for entertaining live shows, like “Get Out There and Dance” and a perfect show-ender, “Nothing to Say (That Hasn’t Been Said).” The rest of the songs on this disc are just as noteworthy. --MLG

Quick Links:

• Tim O'Brien's Web site

Back Forty

Big Orange Tent

March 17, 2008

This band out of Ann Arbor is very hard to describe; Caffienated, funkfolkgrass. Very talented musicians- and at it's core this CD is "blue-grass"...but with a heavy dose of funk. Several tracks reminded me of Frank Zappa and the Mother's of Invention, while other tracks reminded me of Tower of Power (w/o the horns). A few reviews I read of this CD (and previous recordings) were positive, but seemed to be from fans who have attended their shows in Ann Arbor and surrounding areas. I think it would help to be familiar with their style (and performances) before buying this CD. This CD is well produced. No one track stuck out....most being very different. – John Rumery

Quick Links:

• Back Forty Website

Punch Brothers

Punch

March 17, 2008

Punch Brothers is made up of five highly credentialed musicians. Chris Thile (of Nickel Creek fame) is the leader, if you will, on mandolin and vocals. This album has elements of bluegrass, chamber music and jazz. Tracks 2 through 5 are movements in a four-part composition. They all stand well on their own. Highlights are: Track #1, which is a straight-up bluegrass stomp and track #6, an instrumental with intricate string work. Another highlight is the quiet track #8. - Rebecca Ruth

Quick Links:

• Punch Brothers' Website
• Punch Brothers' Myspace page

David Wilcox

Airstream

March 17, 2008

Yes, an Airstream. The songs were conceived and recorded in one. This is like the 10th or 12th album from this prolific writer, and it is barebones: just guitar and voice on the whole thing, that’s it. This allows ample opportunity for Wilcox to display his accomplished guitar work and smooth baritone vocal. And though he can turn a phrase pretty well, you get enough of his deep-life-lyrics after a while to border on being preached to. Not that that’s bad, necessarily, and especially when taken individually there is some good stuff here. There are: Love ballads (tracks 2, 6 and 11) Political/Religious songs that require you pay attention (tracks 4, 7, 8, and 9) Songs about life (the rest) 1, 3, 7, and 8 sat the best with me. - Pete Lewandoski

Quick Links:

• David Wilcox's Website

Danny Schmidt

Little Grey Sheep

March 17, 2008

The title Little Grey Sheep refers to the fact that all of the songs on this album are castoffs that didn?t fit within the scheme of his previous two albums. They aren?t black sheep, completely outcast, but they weren?t favored enough to make the other albums. You get the idea. Schmidt?s earnest vocals bring out the full visual vibrancy of his lyrics and complement his simple guitar work. The intensely personal nature of the album makes it a pleasure to take in. - Ben C.

Quick Links:

• Danny Schmidt's Website

The Belleville Outfit

Wanderin'

March 17, 2008

*A mix of swing, jazz, Blues, gypsy and roots* “Every couple of years, a group of acoustic musicians hits Austin and wins over an audience hungry for an eclectic musical mix. Like the Greencards and Hot Club of Cowtown before them, the Belleville Outfit possesses seemingly unlimited potential and youthful musical chops to awe the most jaded ears. Formed from the ashes of the DesChamps Band of Spartanburg, S.C., Outfit is led by guitarist Marshall Hood and singer-songwriter and guitarist Rob Teter. Their secret weapon is fiddle player Phoebe Hunt, whose spunky vocal turns make their sound unique. With "belle ville" being French for "beautiful town," the now local sextet claims their name is a nod to New Orleans, the town where they all first met. It's appropriate then that they swing from jazz to new grass, taking on a broad swath of American music with obvious glee. Add a couple of lovingly done Walter Hyatt covers, and the Belleville Outfit has crafted a captivating debut.” – The Austin Chronicle

Quick Links:

• The Belleville Outfit's Website

SALLY BARRIS

Restless Soul

March 14, 2008

Sally Barris has been known more as a writer for other singers, mostly country (e.g. Martina McBride, Trisha Yearwood, Lee Ann Womack), but this is her third CD and the one poised to give her the attention, thanks to a marriage of her country style with a Celtic flair. The merger of these approaches on a number of these songs inches her closer to Alison Krauss, with a little Kate Rusby thrown in for good measure. The country-Celtic mix is heard on the best of this set, on songs like "Huntington River" (#2), "My Love Loves the Ocean" (#3) and "Tears of Joy" (#11). Stuart Duncan's fiddle is the key ingredient in all three. 03/08 MJVD F-Alt Country

Quick Links:

• Sally Barris home page
• Sally's MySpace page

Sally Dworsky

Boxes

March 10, 2008

Dworsky has a lilting voice and her delicate, simple songs about loss don't weigh too heavily on the listener. She springs easily from note to note (“Boxes”, ”As the Snow”, “River of Love”, ”Rise”), but she sways too (“Slow”, ”Changing Everything”). Or combines these deliveries (“Breaking”, “My Home”). But Boxes isn't dainty or fluffy as Dworsky remains vulnerable throughout, and this intimacy keeps her album well grounded. All but one song hover around three and a half minutes, but every one is a sweet and honest few puffs of breath. - Michael Loffelman

Chatham County Line

IV

March 10, 2008

What do Godsmack, Cypress Hill, Led Zeppelin, Winger, Faust, Veruca Salt and Chatham County Line all have in common? They’ve all released albums entitled IV. Of course, Chatham County Line are way more of a roots band than the others on that list, playing a mix of bluegrass and country on IV, an album that’s so-familiar sounding, it’ll keep you wondering if you’ve heard it before. A quick rundown: it’s got the forlorn love ballad (The Carolinian), the breezy, everything’s-all-good song (Let It Rock), the sad political song (Birmingham Jail) and the uber-typical bluegrass hoedown (Clear Blue Sky). None of this means that IV is a bad album (it isn’t), but how much you enjoy it is going to depend on how heavily you gravitate towards music like this. – Adam Goran

Quick Links:

• Chatham County Line's Website

Joel Mabus

Retold

March 10, 2008

Joel Mabus reinterprets twelve of his older tracks on this, his fifteenth (!) album. Mabus has covered a lot of ground his career, ranging from folk, to traditional banjo and classical guitar music, as well as blues; he’s also released a live album and even a holiday album. Retold is an effective retrospective, but due to how drastically different some of these songs sound, it’s also something of a new album as well. – Adam Goran

Yarn

Yarn

March 10, 2008

A country-tinged bluegrass/folk album that could easily be in country mainstream. A nice little band that you could easily picture in your local dive bar. Simple guitar and drum, mixed well with instruments that make this classic bluegrass band. Check out tracks 1 “Listen Up Sweeetheart”, track 4 “Don’t Break My Heart Again”, track 6 “The Contender”, track 10 “Madeline”, and track 14 “Cat & Mouse”. – Lane Zoerhof

Quick Links:

• Yarn's Website

Basia Bulat

Oh My Darling

March 3, 2008

Oh My Darling is an album that’s likely to please people with an affinity for syrupy acoustic music. I don’t think there’s any denying that, but the question is how well this album will fare with those who’ve grown weary with this type of musical earnestness. Well, after two listens, I still don’t know the answer to that question. I do know that not all the songs here are memorable (pretty much everything under the three minute mark is forgettable), but the ones that are serve as a reminder to why so many listeners and musicians flock to this approach to music. I also know that the two best songs on the album are Snakes and Ladders and In The Night, both of which are more upbeat and concise, and both have completely different tones to them (the latter is a lament of sorts, while the former is a more joyous affair). If Basia Bulat had crafted an entire album with songs as good as these, Oh My Darling would really be something excellent. As it stands, though, the album is just something. – Adam Goran, WYCE Intern

Quick Links:

• Basia Bulat's Myspace Page

Detour

Detour

March 3, 2008

Detour is a bluegrass band from Northern Michigan. Detour combines original contemporary bluegrass sounds along with great traditional favorites. With tight focused harmonies, precision instrumentals, and creative melodies, Detour takes you down a unique bluegrass road. Featuring the high lonesome vocals and low lonesome string bass of Zak Bunce, the tasty fiddle playing of Peter Knupfer, the soulful guitar of Scott Zylstra, the hard driving mandolin and superb song writing of Jeff Rose, and the stellar banjo playing of 2007 & 2001 National Banjo Champion Mike Sumner, Detour has quickly become a standout bluegrass band – “a bluegrass joyride.” Detour has enjoyed a highly successful first season receiving great critical acclaim at numerous concerts and festivals including Dunegrass and Wheatland.

Quick Links:

• Detour's Website

JIM WHITE

Transnormal Skiperoo

February 26, 2008

Jim White writes, “'Transnormal Skiperoo' is a name I invented to describe a strange new feeling I’ve been experiencing after years of feeling lost and alone and cursed. Now, when everything around me begins to shine, when I find myself dancing around in my back yard for no particular reason other than it feels good to be alive, when I get this deep sense of gratitude that I don’t need drugs or God or doomed romance to fuel myself through the gauntlet of a normal day, I call that feeling ‘Transnormal Skiperoo.’” Believe it or not, Jim White’s Transnormal Skiperoo is a pleasant, at times upbeat and playful CD. “A Town Called Amen” aptly opens the CD with a calm, capable piece that sets the listener at ease. “Turquoise House” is about being yourself, quirky impulses and all. “Crash into the Sun” is an uptempo song with a chorus that lets loose into “woo-hoos.” “Jailbird,” with a delicate minute-long introduction and quiet vocals, and “Diamonds to Coal” are moody pieces, clearly from the deep South. Devoted Jim White fans will find that “Plywood Superman” may arise from the lost feeling Jim describes above, but on the whole, Transnormal Skiperoo comes from a man confident in himself and his talents. --MLG

Quick Links:

• Jim White's MySpace site

Caroline Herring

Lantana

February 19, 2008

Caroline Herring : Lantana : Signature Sounds Being altogether unfamiliar with Caroline Herring, I was pleasantly surprised after listening to her latest offering, Lantana. The Georgia-based singer/songwriter, who, with the release of this record, recently came off a self-induced hiatus filled with the joyous, albeit time-consuming, immersion into family life, has crafted a record that reflects just that. Here is a woman that doesn’t have the time to beat around the bush with cute one-liners and overproduced pap. Herring’s songs are straightforward tales, effectively conveyed by tight, yet loose feeling, country/folk instrumentation in the vein of Wilco’s more recent Sky Blue Sky or Bob Dylan’s Nashville Skyline. All tracks suitable for airplay Reviewed by Trevor Edmonds : February 2008

Quick Links:

• Caroline Herring's MySpace

COWBOY JUNKIES

Trinity Revisited

February 15, 2008

19 years ago I was sitting in my dorm room at Aquinas College trying to find a decent radio station here in my new town of Grand Rapids. I stopped on a sparse, beautiful song that put me in a trance. It turned out to be Blue Moon, by the Cowboy Junkies. This moment was my first exposure to the band (as well as to this unique little radio station called WYCE). While nothing will ever compare the Junkies original, quiet, sleepy recording of Blue Moon, hearing it done now in Vic Chesnutt’s voice gives the song a whole new mournful element with an unsettling draw. The original Trinity Session was recorded in the Church of the Holy Trinity in Toronto 20 years ago. This recording is responsible for creating many of the Junkies’ current fans. For this album and DVD (this session was filmed) they headed back to that same sacred place and recorded those same songs in a single day…just like they did 20 years ago. So what has been added? 20 years of music making experience and some extremely noteworthy artistic additions. These additions are Vic Chesnutt, Natalie Merchant, Ryan Adams and Jeff Bird; all four artists participate fully throughout. The quality is seamless. Natalie’s vocals weaving with Margo’s have resulted in a version of Misguided Angel that has never sounded better. The lovely, lonely innocence of the original session cannot be replaced, but the songs wear maturity well. Becky Kenny February 2008

ALLISON MOORER

Mockingbird

February 13, 2008

Just like her sister, Shelby Lynne, alt-country folksinger Allison Moorer's latest is a set of (mostly) covers, in this case songs by women composers who have inspired her. The title track is Moorer's own; the rest is a virtual WYCE eclectic playlist of artists such as June Carter Cash, Patti Smith, Nina Simone, Joni Mitchell, Ma Rainey, Gillian Welch, Cat Power and, yes, even sister Shelby. Husband Steve Earle lends an instrumental hand and the whole collection is under the watchful eye of Buddy Miller. Hard to find fault with this all-star line-up. Moorer said she purposefully stayed away from the usual folk-writing superstars such as Lucinda and Emmylou and chose the songs that, in her words, "I bring the most to, what my gut wanted to do and my spine knew was right.” Good choices. 02/08 MJVD Folk-Americana

Quick Links:

• Allison Moorer's official Web site
• Allison's myspace site

FERGUS MCCORMICK

I Don't Need You Now

February 11, 2008

I Don't Need You Now is Fergus McCormick's third album and is a blend of folk and rock that alternates between medium paced and slow songs. McCormick delivers an album full of melancholy love songs like: "I Who Have Never Been With You," "Darling The World Doesn't Work Like That," "7 Flights," and the title track, "I Don't Need You Now." "City Boy" and "Mother Nature's Child" are two upbeat songs that merit listening too. --- Jerrod Willea

Quick Links:

• Fergus McCormicks Official Website
• Fergus McCormicks Myspace Page

JASON COLLETT

Here's To Being Here

February 8, 2008

Jason Collett Here’s To Being Here This is the fourth solo release by Collett, member of the Toronto-indie rock collective, Broken Social Scene. This album shows more of his folk/pop side with messy indie rock blended in. Some interesting instruments appear on this album with laser-synth, glockenspiel and harmonica accenting the warmly melodic vocals of Collett (whose voice I found reminiscent of a young Tom Petty or even Mr. Dylan.) Try tracks #2 “Sorry Lori” (light n’ groovy), #3 “Out Of Time” (a lil’ more rockin’), #4 “Papercut Hearts” (due to be the first single), and #6 “Charlyn, Angel of Kensington” (a chilled-out conga/melodica track) Reviewed by LaRae WYCE Programmer

Quick Links:

• Collett Album Review By Pensatos

ELLIS

Break The Spell

February 7, 2008

Ellis is the kind of person you want to be making music. Great voice, confident guitar playing, these are just the kind of talented things that could be wasted, but is wisely put to use here. “Break The Spell” the sixth album released by Ellis, is an emotional journey through the familiar folk sound, but with a fresh take on the idea. “Before You Leave” was a track written for a friend who lost the battle with cancer two days after the song was recorded. This is the kind of song that really works well with Ellis’ voice. Her smooth, but slightly rough voice captures the emotion of the lyrical content perfectly. “City On Fire” is the stand-out-track here. The slightly political lyrics seem to be so true today, and will remain just as important in the years and decades to come. Ellis has won critics over as the “Best Female Performer” and also “Most Wanted To Return” at the 2006 Falcon Ridge Folk Festival. These are not her first accolades, and I am sure with this release they won’t be her last.--Tim Warren for WYCE

Quick Links:

• ellis-music.com
• Ellis Myspace

BOWLES~RALSTON

Rally at the Texas Hotel

February 4, 2008

Ralston, the ultimate West Michigan Folk music scenester, has just released the album his career has been waiting for. Not unlike the book High Fidelity, when record store owner and lifetime music critic Rob Gordon puts himself on the line and releases a piece of music for the first time, Ralston has really put his best effort forward here. Although this album is produced with the same care, the same quality, and the same producer as his 2004 WYCE Jammie-winning effort, Rally at the Texas Hotel closes the gap between the music that WYCE files under the categories of “Local” and “National.”

A new key album in the “Kevin Bacon Game” of music has just been released. On keys we have Radoslov Lorkovic, a famous session and solo artist (5 albums) who has recorded with Odetta, Jimmy LaFave, Greg Brown, Richard Shindell, and Ellis Paul among others. In-demand producer Marvin Etzioni has also produced Peter Case, Toad the Wet Sprocket and the Counting Crows. We know Gurf Morlix (guitars etc) not only as an artist (4+ albums) and a session player (Jerry Lee Lewis, Buddy Miller, Peter Case, Jim Lauderdale, Mojo Nixon) but also as a producer (Robert Earl Keen, Lucinda Williams, Tom Russell). The colorful percussionist Jagoda from the band “Swamp Cabbage” rounds out the session team.

All of these pieces mean nothing without the pie, and Ralston has tied the album together wisely, with years of planning. From start to finish, Rally…has a song progression that works intently as a whole, while each track stands alone distinctly. He performs eight of his own songs, and two deliberate covers; one from a cherished well-known artist, and one from a little-known artist with a good song to his name, also the title track.

Perhaps the most endearing part of the release is the transparency of Ralston’s heroes shining through at every turn. You can hear Mark Heard throughout the album, not just on the track one cover. Other obvious influences include T-Bone Burnett, many of the players on the album, and the owner of the record label herself, Ms. Judy Collins (who he met at a gig in Manhattan). Bowles has an affinity for multi-talented singer/songwriter/producers with something to say. Now he’s one of them. –Pete Bruinsma, WYCE Music Director

Sam Kenny

See ThroughThe Storm

January 19, 2008

Somewhere in Southwest Michigan last Tuesday I put Sam Kenny in, turned on my headphone’s noise cancellers, and blanked with my head leaning against the cold window of an Amtrak train while empty parking lot lights lent a view. It was an ideal situation to become aquatinted with this Elliot Smith inclined folk singer (who he strangely doesn’t list under his influences (myspace)). You might also listen to this in a car, while sitting on a couch, lying in bed, taking a shower, or making breakfast. Just make sure to do it before the end of winter, as I think Kelli’s Song might become a favorite by the muddy and frosted days of March If you’re in a downloading state of mind look at, My Blue Son, the Nick Drake inspired Slipping on the Ice, and Nuclear Winter. Actually skip that, support this local artist and buy the entire album. It grows the more I hear it and I assure it will do the same for any listener. Derrick.

Quick Links:

• http://www.myspace.com/samkennysongs

THE DIXIE BEE-LINERS

Ripe

January 18, 2008

Ripe is the first full length album from this Virginia based bluegrass group. With fast paced songs like "The Bugs In The Basement" and "Old Charlie Cross," mixed in slow heartfelt songs "She's My Angel" and "Lost In The Silence" The Dixie Bee-Liners show off their verstility and range. "Lord, Lay Down My Ball and Chain" is featured in the movie American Shopper. "Why Do I Make You Cry" is the best song on the album with a mix of pop and folk that is accompanied perfectly by Brandi Hart's voice and is a must play. Jerrod Willea

Quick Links:

• The Dixie Bee-Liners Official Website
• The Dixie Bee-Liners Myspace Page

CARRIE NEWCOMER

The Geography of Light

January 13, 2008

Carrie’s 11th record for Rounder continues her attempt to do be a musical “polite firebrand,” which seems to mean you can make an important point without tearing someone’s head off. Her songs are always about making larger sense of the ordinary things in life. She says,” It’s about navigating that shadow and light in our lives, and all those gray spaces in between. There aren’t any easy answers – but there’s a lot of good questions.” She’s often influenced heavily by the recent books she’s been reading, and that’s true of this set as well. This time around, it is Quaker philosopher/writer Parker Palmer and novelist Scott Russell Sanders. While the songs attempt something more than surface issues, they don’t “feel heavy” and there are great wordplays (“Geodes”), vividly drawn characters (“Where You Been”) and humor (“Don’t Push Send”). It is good to know Carrie’s out there, paying close attention to life and reporting in once and a while. 01/08 MJVD F-Contemporary

Quick Links:

• Carrie Newcomer's home page
• More on "The Geography of Light"

SUZY BOGGUSS

Sweet Danger

January 9, 2008

By recording Chicago’s “If You Leave Me Now,” Suzy Bogguss has firmly planted herself in the adult contemporary genre. Sweet Danger, the ex-country singer’s most recent album, features a smooth jazz backdrop for Bogguss’s agreeable vocals. Most songs are midtempo, but “Right Back into the Feeling” is a bluesy, uptempo tune. “In Heaven” is called the “emotional centerpiece of the album” and tells the story of a wife talking to her dead husband in heaven about her new love (think “Butterfly Kisses”). “Chain Lover” and “No Good Way to Go,” a song about leaving one’s lover, feel like thematic misfits on the honeyed album, although “Chain Lover” offers a great metaphor: “I’m a chain lover, lightin’ up another before I put the other one out.” --MLG

Quick Links:

• Suzy Bogguss's official Web site

THE BRIDGE

The Bridge

December 3, 2007

The new face of alt-country is here in the self-titled debut of the Baltimore based grassroots phenoms, The Bridge. Taking a freewheeling approach founded by such legendary bands as Little Feat and Los Lobos, this debut offers a fresh and delectable palette of American roots rock. This 3rd effort by the veteran's of the summer festival veteran's showcases what the buzz is all about. Tight and polished describes standouts like "14 Days" and "Easy Jane." An excellent genre bender fusing bluegrass, folk and good old rock-n-roll, The Bridge is a solid new face to be reckoned with.

Quick Links:

• About me

BOCA CHICA

Transform Into Beasts

November 7, 2007

Boca Chica, or “small mouth” have drawn critical acclaim with their debut full-length album “Transform into Beasts”. This Pittsburgh PA band has received attention from the likes of NPR and The Pittsburgh City Paper. The attention is well deserved. Boca Chica, mainly the creative outlet of one Hallie Pritts, has a folksy, somewhat blue grassy sound. Plenty of acoustic guitars, banjos and Fender Telecasters to satisfy any country lover, but hip enough to please the average Sufjan Stevens fan. “Transform into Beasts” is open and light, but warm enough not to leave the listener stranded. On a recent road trip through the heart of the country, I found the album fit well with the landscape. As thousands of Oklahoma trees whizzed by half cloaked in the morning mist “Transform into Beasts” proved to be the perfect American soundtrack.--Tim Warren

Quick Links:

• Boca Chica Myspace

KORBY LENKER

King of Hearts

November 5, 2007

Although it’s a contradiction to describe Korby Lenker’s fourth solo album as both ethereal and earthy, there it is. Lenker’s breathy, breathtaking voice has all the components of an otherworldly dream sequence, but this album is softly stunning in its minimalism … a man, his thoughts and an acoustic guitar. And his lyrics reveal a sense of humor and confident humility that is unabashedly honest … “and lover, lover, tell me twice, do you think that I sing nice? Are my vices worth the price of pretty music?” Standout tracks include #2, “Papercuts,” #4, “Cedars of Lebanon” and #8, “Dog Down to the River.” Reviewed by Sara Cosgrove Track #11, “Come Closer,” contains “fuck.”

Quick Links:

• Korby Lenker's official website
• Korby Lenker's MySpace

BLUE RODEO

Small Miracles

October 30, 2007

Small Miracles is the latest 13-track treat from Toronto-based country rock group, Blue Rodeo. To celebrate 20 years of recording music, Greg Keelor and Jim Cuddy put together a guitar-based album, with some nice solos and slides, and plenty of tender songwriting … particularly tracks 3, 4 and 5 … “Blue House,” “3 Hours Away” and “It Makes Me Wonder.” Reviewed by Sara Cosgrove

Quick Links:

• Blue Rodeo's Official Website
• Blue Rodeo's MySpace

Neil Young

Chrome Dreams ll

October 29, 2007

Ever since Neil Young hit the rock n roll spotlight back in the mid sixties with Buffalo Springfield, he's been writing songs that have a lot to say. Emotionally as well as socially. With the release of Neil's umpteenth album, chrome dreams ll, he shows that he's at the top of his game. From the opening notes of the Neil Young signature harmonica sound on the album first track, Beautiful Bluebird, Neil sets in motion a collection of songs that appeals to his spirit as an artist. His large canvas and multi color pallet paints an abstract from country ballad to New Orleans jazz. On the extended track Ordinary People, Neil blends his arrangement of horns along side the rough saw lead guitar solo, the Neil Young fans have come to know and love. The nostalgia of this album is not lost. With essence of Harvest too Everybody Knows This Is Nowhere, Neil, stays true to his roots while keeping fresh the inspiration of his work. Slip

Quick Links:

• Neil Youn Official Web Site

ANJULI DAWN

Give

October 23, 2007

Anjuli Dawn was born in Royal Oak Michigan and is currently residing in North Carolina. Ms. Dawn uses her strong musical background to take what could have been a typical folk singer/songwriter cd to a different place. She had previously released several recordings which I haven’t heard. This one is very good She has an uninhibited soprano voice which she mixes with skilled bouzouki and guitar work. - Anne Lamont

Quick Links:

• Anjuli Dawn website

Michelle Shocked

ToHeavenURide

October 22, 2007

ToHeavenURide, recorded live at the Telluride Bluegrass Festival, captures a Michelle Shocked, performing a gospel set including soulful cover songs of the Band, "The Weight", and Billie Holiday's "God Bless The Child", along with her originals including "Quality Of Mercy", recorded for the Grammy winning sound track Dead Man Walking and which has never appeared before on a Michelle Shocked album. Michelle's spiritual relationship brings a feeling of optimism to the audience as she gathers strength through her performance. This is Michelle at her best, in front of an audience, recorded live. Slip.

Quick Links:

• Michelle Shocked Official Web Site

PAT CONTE

Gravest Hits

October 12, 2007

Pat Conte’s bluegrassy Gravest Hits, his first release since 1984, is an obscure collection of lo-fi and home recordings hailing from 1981 through 2005. His guitar and instrumentation skills are higher than his lazy blurry-at-times singing, which does not subtract in anyway from the feel of this record. A fret buzz here and there along with the somewhat comical sudden ending of songs adds to the laid back, sitting around the fire with a guitar, feel. You get the sense Pat plays the songs until he feels it’s done, whether or not the listener agrees. Mr. Conte has a love for all things old and folksy, cemented further when he describes the only new guitar he bought for the record, “I want to jump up & down on it now but sometimes it behaves when I threaten it with heavy shoes on.”--Tim Warren

MATT NATHANSON

Some Mad Hope

September 24, 2007

Some Mad Hope, Nathanson's sixth studio album (and first for Vanguard), is in many ways his most fully-realized work to date. Recorded over the past two and a half years, the 12-song set displays a sonic depth that dovetails perfectly with what he admits is a newfound songwriting confidence. From Rock to Folk and back.

BEN HARPER

Lifeline

September 24, 2007

Ben is back to basics on this album. Wish he’d make a studio recording like how he sounds on tour? This is it. After an extensive European tour practicing the songs on this release, he took the band right into the studio and laid down the tracks.

KIERAN KANE, KEVIN WELCH AND FATS KAPLIN

Kane Welch Kaplin

September 24, 2007

“We want people to finally understand that we’re a band, not just three solo artists playing for the hell of it.” – Welch An Americana superband.

ERIN MCKEOWN

Lafeyette

September 24, 2007

A rambunctious live set with McKeown's latest band at Joe's Pub in NYC. Lafayette is less a sequel to her terrific reprise of 30s and 40s tunes of earlier this year, Sing You Sinners, than a chance for her to redo some of her song book with the cool, jazzy combo that made Sinners such a smash. Her band gives these tunes another life, with "To the Stars," "You Were Right," "We Are More" and "Slung-lo" shining brightly. And though it's not a sequel, by showing the seamlessness of her work with those who have traveled this artistic route before, she's managed to write herself into the same literate and musically sharp company as the greats she covered in the Sinners set. - MJVD

CHRISTINE LAVIN

Happydance of the Xenophobe

September 20, 2007

Sigh…well, you see, I do really like Christine Lavin. But, this is her 18th release, and it just seems like I’ve heard all of these before. Her writing is witty, the old acoustic guitar plunks and plinks with verve and glee, and the songs are all very topical. And when she sings “Tom Cruise Scares Me”, well, c’mon, who could disagree with that? As usual, a sprinkle of Ms. Lavin will fit into almost any set and provide a little kick. Like I noted above, however, all of these just sounded far too familiar. Kindly Old Mr. Tilapia

Quick Links:

• Christine's website
• Her record label's website

DONAVON FRANKENREITER

Recycled Recipes

September 17, 2007

In Recycled Recipes, Donavon Frankenreiter's 6-track acoustic EP, the once pro surfer (who sports a Jim Croce-style moustache) tries his hand at covers. His wispy voice and delicate harmonies play out well for Bruce Cockburn's "Wondering Where the Lions Are" and Wilco's "Theologians." Dr. John's piano blues hit, "Such a Night," is a much-altered recipe with an added snappy chorus. Despite the promise of the first three tracks, the last three seem to fall short. Creedance Clearwater Revival's "Fortunate Son," The Band's "It Makes No Difference" and Bob Dylan's "Don't Think Twice, It's All Right" all lack the ingredient that made the original recipes so inspiring ... spice. - Sara Cosgrove

PETE AND MAURA KENNEDY

Pete and Maura Kennedy Present: The Stringbusters - Rhapsody in Uke

September 17, 2007

Rhapsody in Uke: Pete & Maura Kennedy give their ukuleles a workout! This will be a good addition to the WYCE music library with 18 short songs that may help you get you to the hour on time. This cd showed me that I like the uke better with other instruments along for the tune, so listening to the whole cd was harder than I thought it would be. That said “Rhapsody in Uke” has the Kennedy’s using songs by Billie Holiday, Django Reinhardt, Gershwin and Jellyroll Morton. Add a condensed arrangement of Beethoven's Fifth Symphony, plus my favorite track, a fun version of Jimi Hendrix’s “Fire” and I think they have something for everyone. Maura sings on tracks 1,4,7,10, and 13. The rest are instrumentals. - Anne Lamont

ANA EGGE

Lazy Days

September 17, 2007

This is well-done fun covers album, co-produced by Ana’s touring partner for the WYCE Hat Trick show (10/22/07) Jason Mercer. Mercer is an up and coming Jon Mayer/Ari Hest-style folk-pop singer from London (Ontario). Covers included The Kinks, Stephen Stills, Arcade Fire, Gene Autry, Ron Sexmith, Belle & Sebastian, Sandy Denny, The Zombies, Le Tigre, and Harry Nilsson. Wow, almost diverse enough to be a WYCE playlist! Lucinda Williams called Ana “The Folk Nina Simone.” How about it Ana, why no Nina? -Pete

Various Artists - Produced by Jesse Harris

The Hottest State

September 17, 2007

This album is expertly produced by Jesse Harris. Aren’t soundtracks produced by WYCE artists always the best? All songs are originals for the movie--few if any are taken from an already-released album. Folk, Rock, Blues…they’re all here. –Pete

AXTON KINCAID

Songs From The Pine Room

September 17, 2007

These are 5 friends with Midwest and southern upbringings, who years ago moved out West to the Bay area and played in a lot of indie and modern rock projects. The bass player and drummer are from Michigan. Now, returning to their roots, they kick out carefree traditional and folk-rock tunes that are sometimes introspective, sometimes silly, and always done for the fun of it. “Irene Goodnight” and “I Still Miss Someone” are named after folk and country standards with intentions that are unclear. “I Wanna Be Adored” is almost a tongue-in-cheek countrified rendition of the “Stone Roses” tune; amusingly enough, a classic to folks of the band’s generation, but to those familiar with the classic country artists Axton Kincaid pays homage to, the song’s about as far away from Gene Autry as is Nashville from San Fransisco. - Pete

KELLY FLINT

Drive All Night

September 17, 2007

Excellent vocals! Just right for me, but too poppy for T. Jeanne. –Pete

KRISTY HANSON

Already Gone

September 10, 2007

Ex-Grand Rapids native Kristy Hanson delivers a full strength album that could get her some serious airplay at folk stations…if there really were such things. Hopefully, college radio will pick her up and skyrocket her to stardom. Hanson has a beautiful voice that she uses well and in all honesty, competes with some of the more well known females voices out there now (Jewel, Faith Hill, Sheryl Crow all have their sound, but Hanson’s sounds is developed, pure, and not annoying). Check out tracks 1 “Comfort”, track 3 “Already Gone”, track 5 “Careful”, and track 9 “Peace Of Mind”.

BILL CALLAHAN

Woke on a Whaleheart

September 10, 2007

Bill Callahan, lead singer of “Smog,” has released a fantastic solo album. Compared to “Crooked Fingers,” Callahan has a similar distinctive voice and introspective poetic lyrics, but the album is relatively toned-down and easier to understand. Also for fans of the Silver Jews. –Pete

WALT WILKINS

Diamonds In The Sun

September 10, 2007

Rockin twangy guitars, heartfelt and uptempo harmonies. Great album.

TONI PRICE

TALK MEMPHIS

September 7, 2007

On her first release in four years and seventh since her 1993 debut, Swim Away, Toni Price takes the listener on a rollicking ride through American roots music. Joined by an all star cast of backing musicians including guitarists David Grissom, Derek O’Brien, and Johnny Moeller, drummers George Rains and Frosty Smith, and The Texas Horns- John Mills on baritone sax, Kaz Kazanoff on sax and Al Gomez on trumpet, Price has all the support she needs for her stylistic trip through funk, soul, R & B and, of course, the blues. Kicking things off with the funk/soul amalgamation of the Jesse Winchester penned title track, Price quickly shifts gears with the rocking "What I’m Puttin’ Down" where Grissom’s smoking fret work pushes the song into territory that would comfortably fit on any number of blues rock discs by the likes of Foghat or Savoy Brown. Like an I Pod on random play the disc next ventures into Allen Toussaint’s horn driven New Orleans groove fest, "Mean Man", and then into the funky "Am I Groovin’ Up", which features rich background vocals compliments of Anthony Ferrell, Leeann Atherton and Rich Brotherton. While all of the material makes good use of Price’s expressive voice she really gets a chance to shine on slow burners such as Isaac Haye’s "Leftover Love" and on the simmering "Gravy" where she looks at the odd order of priorities found in modern society all the while evoking thoughts of Bonnie Bramlett with a playful lilt to her voice. The blues enter the room on "Right Where I Belong" and "Poor Little Fool" which simmer at a low boil until she turns up the heat on the brassy "Runnin’ Out" which, in turn, gives way to the charging southern soul groove of Booker T. Jones’ "Sorry About That" where the call and response chorus and the stop action groove should get the booty’s bumpin’ at your next rent party. While blues purists will look in vain for shuffles and boogies, this is a well done disc featuring the soul, R & B and funk that are the first cousins of the blues. Price sums up the release best on the Don Bryant penned "Ninety Nine Pounds" where she proclaims herself to be “ninety nine pounds of natural goodness and ninety nine pounds of soul.” Smitty

TWO LOONS FOR TEA

Nine Lucid Dreams

August 30, 2007

Third release for these folks, but the first time I’ve ever heard them. All of the vocals (except for the interesting/funny/breathy “Consuela”) are by Sarah Scott, who is at times Rickie Lee Jones, Maria Muldaur and Martha Davis (The Motels, kids, remember?). Sometimes bouncy, sometimes hypnotic, and one time Dixieland, it makes for a very nice mix of music. The album as a whole stands up very well to repeated listening. Stupid track 11 is a few seconds of nothing, with 12 tracks total. My favorite was track 2, but then again, I am particularly fond of monkey songs! Kindly Old Mr. Tilapia

Quick Links:

• Two Loons for Tea website

JOE HENRY

Civilians

August 27, 2007

The lyrics on this recording are phenomenal, like when you have a really great novel that you can’t put down, you read a paragraph of prose and marvel at its perfection. It’s not the strange esoteric work of the past but a collection of accessible and interesting songwriting. You might read the liner notes about his home and state of mind, which is decidedly happy. Check out the musicians he employs. Bill Frisell and Loudon Wainwright III are two of them. Teresa Jeanne

Quick Links:

• Joe Henry's website

JOSH RITTER

THE HISTORICAL CONQUESTS OF JOSH RITTER

August 27, 2007

THE EVERYBODY FIELDS

Nothing is Okay

August 21, 2007

They demonstrate an appreciation for tradition, but an affinity for the new folk at the same time. Both Sam Quinn and Jillian Andrews have much talent on vocals—I tried to pick the person I like best but it resulted in failure on my part, as, I decided, it would have for anyone. This is a fun album; introspective, funny, and conflicting. –Pete

TEDDY THOMPSON

Upfront & Down Low

August 20, 2007

Teddy Thompson, the only son of British folk-rock icons Richard and Linda Thompson, steps away from his songwriting talents to reflect upon some old country classics. He chose wisely for his third album ... Ernest Tubb's "Walking the Floor Over You," George Jones's "She Thinks I Still Care," Dolly Parton's "My Blue Tears" ... and his own "Down Low." What makes this album poignant isn't the songwriting Thompson showcases, but the freshness of his interpretation. Sara Cosgrove

Quick Links:

• Teddy Thompson's Official Website
• Teddy Thompson's MySpace

FIONN REGAN

The End Of History

August 15, 2007

Fionn Regan slides his hooks in effortlessly, and in just the right places. Soft, lovely tunes- excellent to listen to on an airplane. This is his first full-length release. He's from Ireland, living now in England. His sound calls to mind Bright Eyes, but with much less angst. Actually, more like Kings of Convenience, but without the harmony. Check out the video for the single "Be Good or Be Gone" on YouTube. -Reviewed by Olive

Quick Links:

• Fionn Regan's Official Website
• Fionn Regan's MySpace
• "Be Good or Be Gone" on YouTube

BIG LEG EMMA

The Color Of Wind

August 13, 2007

This band is in the vein of Donna The Buffalo, The Rankins or Eddie From Ohio, they have a strong musical base with sublime vocals. If you made it to Blissfest 2007 you would have had the opportunity to experience their fun music in person. Thanks to programmer Mark Gerard for scoring the CD for us. It is a beautiful production and really captures all the talent in this group. - - Big Leg Emma - Live Great Blue Heron Festival 2007

Quick Links:

• Big Leg Emma's Website
• Big Leg Emma's myspace
• Video of Big Leg Emma playing live (Great Blue Heron Fest 2007)

BILL MORRISSEY

Come Running

August 13, 2007

“I Ain’t Walking” features Dave Alvin on the guitar and Billy Conway from Morphine on the drums and is the first single on the album. “Dangerous Way” features Alvin and Conway again and also includes Cormac McCarthy and his harmonica. “He’s Not From Kansas City” has a nice jazzy feel to it thanks to Dana Colley (Morphine) and his baritone sax. Alvin and Conway also appear on this track and help make this the second single. “Summer Jumped All Over Me,” “I Was A Fool,”(Jennifer Kimball on vocals) and “Death Letter Blues” are other tracks that deserve a spin. - Jerrod Willea

AMY LeVERE

Anchors and Anvils

August 13, 2007

A nice album for LaVere who gets help from a massive producer (Jim Dickenson) and a great backing band. Mellow tunes with heartfelt lyrics and catchy songs make this an easy play for WYCE. You will get a sense of real-life occurances and see why LaVere could be a bright future in folk songs writing. Check out tracks 1 “Killing Him”, track 2 “Tennessee Valentine”, track 4 “Pointless Drinking”, and track 9 “Time Is A Train”. – Lane Zoerhof

JOAN OSBORNE

Breakfast in Bed

August 13, 2007

When I first heard Joan Osborne was recording a disc on mainly 1960-1970’s R & B classics I figured it had to be a sure fire hit. On “Breakfast in Bed” Joan’s voice is as good as ever but the tracks lacks the spark found on her 2002 cover Disc “How Sweet It Is”. These songs are perfect for a lazy afternoon, a leisurely listen & the perfect soundtrack for yes breakfast in bed. Joan also recorded 6 originals with the 10 classics on this disc & every one of her originals sound like they could have been a hit in this time period and blend perfectly with the covers. So my suggestion is to get that cup of coffee pull the sheets & blankets back over you & enjoy this new disc. Reviewed By: Gregg Saur

RAINI ARBO & DAISY MAYHEM

Big Old Life

August 13, 2007

Rani Arbo & her band Daisy Mayhem combines roots musical with a spiritual feel that makes the listeners cry out this is a Big Old Life. The band starts out with the strongest track on the disc “Joy Comes Back”. This track combines Cajun sounds with a Donna the Buffalo feel. Rani’s alto vocals prove to be strong through the entire disc & her fiddle playing ads to the feel good sounds found on this disc. My only complaint was many of the tracks in the middle were a little subdued & I would have loved to hear Rani kick it up a notch as on the opening track, That being said, this is Rani’s most consistent & strongest offering to date. Reviewed By: Gregg Saur

GLEN HANSARD & MARKETA IRGLOVA

Soundtrack to the Motion Picture Film "Once"

August 13, 2007

Hansard is well known from his Irish Rock band “The Frames,” but he and Czech singer Irglova put an album out together a year ago entitled Swell Season. The two not only sing this soundtrack, but star in this low-budget indie film, which won the “World Cinema Audience Award” at the 2007 Sundance Festival. The soundtrack contains 13 songs originally written and preformed by the two—usually as a duo but sometimes solo. –Pete

DUTCH HENRY

All That Space

August 13, 2007

Local favorites Dutch Henry deliver All That Space with enthusiasm, perfect for closing out the summer. The album is roots rock and Americana, blended with a hint of twang of 60s toe tapping pop. Even the tracks with melancholy lyrics, including Down So Long are refreshingly up tempo. This is a record to have for road trips and your end of summer parties. – Sarah Minnick

MICHAEL MCDERMOTT

Noise from Words

August 10, 2007

Hmmmm…I have a hard part in my heart for whiny male singer-songwriters, and this fellow walks a very thin line in my opinion. Nevertheless, my overall impression was a positive one for this disc. Stephen King (yes, THAT Stephen King) apparently is a big fan, which really doesn’t mean anything other than it’s nice for Mr. McDermott to have such a well known fan base! I apologize for the brevity of this review, but this is pretty much rootsy-rocky-folky stuff, which really isn’t my favorite area of the library, but this was okay by me. I particularly enjoyed “My Father’s Son.” The guy’s a good writer, which comes through quite well on these songs. He’s been putting out discs since the early 90’s and we have one other one by him at WYCE. Kindly Old Mr. Tilapia

Quick Links:

• Michael McDermott Website

MICK HARVEY

Two of Diamonds

August 6, 2007

Mick Harvey, of Nick Cave and The Bad Seeds, has released his second solo album Two of Diamonds. If the songs on here sound familiar that is because every song is a cover with a little Mick Harvey twist to them; however, “Blue Arrows” and “Little Star” are Harvey originals, and “Little Star” is the better of the two. “Photograph” is a cover from The Saints and the best song on the album. “I Don’t Want You On My Mind” is also worth a listen to. – Jerrod

TERRI HENDRIX

The Spiritual Kind

July 30, 2007

Terri Hendrix knows the value of an acre of land. She even named her homespun record label Wilory Records (and her second album Wilory Farm) in memory of her mentor's acres of land. The Texas troubadour, who once milked goats in exchange for guitar lessons, now has nine albums under her belt, and The Spiritual Kind is as intimate as it is stylistically adventurous. "Acre of Land" is inspired introspection ... "I've been able to stand on my own acre of land, and when the wind blows me away I've been able to stay." "Things Change" and "If I Had a Daughter" resemble hand-written letters she reads aloud, with writing that strays off the page in an upward direction. "Jim Thorpe's Blues" has a lyrical significance that will appeal to fans of Bob Dylan's "Hurricane," and in "Mood Swings," Hendrix sheds her twang to test her chops ... and she tweaks her voice to hearken Ella Fitzgerald. – Sara Cosgrove

JASON ISBELL

Sirens of the Ditch

July 30, 2007

Ex-member of county-alt rock outfit The Drive-By Truckers, Jason Isbell releases a very heartfelt debut and has elements of DBT, but don’t expect that grungy sound. It’s in the song writing that makes Isbell’s record favorable for DBT fans. Check out tracks 1 “Brand New Kind Of Actress”, track 4 “Chicago Promenade”, track 7 “Hurricanes and Hand Grenades”, and track 11 “The Devil Is My Running Mate”, which is the best track on the whole album. – Lane Zoerhof

LINDA THOMPSON

Versatile Heart

July 30, 2007

Quiet, Haunting & beautiful is the best way to describe the new CD from Linda Thompson. Linda has been a major force in the music scene for over 30 years yet this is only her third solo release & the first since 2002’s fashionably late. I guess some traditions are hard to break. Linda continues with the folk sounds of the British Isles on most tracks, dabbles with a little country on the track “Do Your Best for Rock’n Roll”. The track “Day After Tomorrow” could be called a soldiers prayer from both sides of the war & her vocals on this track sounds a lot like her friend, the late great Sandy Denny. The title track “Versatile Heart” is the closest thing to an upbeat pop tune on this disc & the lyrics describe her state of mind with relationships & the world today. Linda remains one of the greatest female vocalists in the music industry, I only wish she would have included a few upbeat tracks on this CD. - Gregg Saur

EILEN JEWELL

Letters from Sinners and Strangers

July 23, 2007

Eilen (rhymes with feelin') Jewell checks in with her second release. She's based in Boston, but her hometown is Boise, Idaho, where dad and mom weaned her on Bob Dylan and Howlin' Wolf records. She does a Dylan number on this set (#11), but critics have most commonly compared her to Gillian Welch. I don't know that I'd go that far in comparison, but Eilen does a bit of "atmosphere" about her songs that give them a depth of feelin' (hey, that rhymes). I liked the Charlie Rich nugget "Thanks a Lot" (#4) and "Heartache Boulevard" (#5) was impressed by her putting music to the words of Martin Luther King, Jr. for the song "How Long" (#8). - MJVD

DAVE BOUTETTE

The Piccolo Heart

July 23, 2007

Ann Arbor musician Dave Boutette gives us a nice batch of folk tunes, often served up with a wry smile, ala John Prine. His singing and playing sound earnest, like he's very concerned you have a good time listening to him and get the meaning and the jokes. At times, he strikes me as Ron Sexsmith without the high falsetto voice. He starts out with more of a folk-rock tune, "Dime in Hand," before settling down to some storytelling. "Why No One to Love?' is a Stephen Foster number. He plays in town from time to time, so you can catch him up close and personal.- MJVD

LORI MCKENNA

Unglamorous

July 23, 2007

Lori McKenna lives in Stoughton, Mass. (pop. 27,000), and her MySpace page reads "Lori McKenna - Singer, Songwriter, Wife, Mother." She wrote three songs (including the title track) for Faith Hill's 2005 album, Fireflies, and she blends folk, rock and country with the ease of a mother spreading peanut butter and jelly on Wonderbread. And in her fifth album, she makes it clear that it's all about her unglamorous family. The first track, "I Know You," is a gritty portrait of Gene, her husband of 18 years ... "You have too much pride to be a thief, and just enough gut to be a fool." In the album's final track, "Leaving This Life," McKenna delves into sadness caused by her mother's passing (she was just seven at the time), and the title track is about her five children ... "with eyes just like mine" ... and a hectic family life that once involved driving the kids to school in a Ford Windstar minivan with 150,000 miles on it. – Sara Cosgrove

Quick Links:

• Myspace page

LUCERO

Rebels, Rogues and Sworn Brothers

July 23, 2007

Lucero- songs written and sung by Ben Nichols, a gravelly voiced drunken troubadour. Its fun to try and sing like him. Ive been hooked on this band for a few months, its one of those CDs that make your stereo sound really good. Grungy and also a bit tender. They have five or six other releases but this newest seems to be focused on a more mainstream sound. – Teresa Jeanne

FREMONT JOHN

Timeline

July 17, 2007

A nice album from Michigan native Fremont John. He returns with a very heartfelt record full of classic tracks. A combination of folk, rock, and grassroots, FJ gets it done. Equipped with a great voice, FJ belts out these songs that are made for WYCE. If you like Fleetwood Mac, you’ll love the first single, track one “Jericho’s Wall”. Also check out tracks 2 “Timeline”, 3 “No Pity On Me”, track 6 “Tidal Wave”, and track 10 “Storm Warning”. by Lane Zoerhof

THE RAGBIRDS

Wanderlove

July 17, 2007

Celtic-Afro-beat-Jam-band The Ragbirds’ new release is full of the eclectic melding of genre the band carouses in. The result is, at points, something genuinely original with a hint of Paul Simon’s ‘Graceland. Play ‘Good’ and ‘Roar, Claw, Bite’ (great title) for this eclectically rhythmic breath of fresh air. For more comfortably defined numbers listen to ‘How Can I say’ a bluegrass number steeply rooted in the genre, or the milonga tango ‘Brave New Beat.’ Looking for something that’s sung too honestly to be cynical about and find cheesy even though you kind of want to? Give ‘Moon Miss Me’ a listen. Just remember, I’m not promising anything. In fact, I’m still fighting it with my most positive thinking. Lastly, if you love Michigan and breakup songs with a twist then you’ll have to play ‘Ypsilanti Song.’ Derrick Mund

REED FOEHL

Stoned Beautiful

July 17, 2007

Lead singer of Acoustic Junction goes solo.

Nick Drake

Family Tree

July 12, 2007

For the casual listeners who missed Mr. Drakes occasional blips on the pop culture radar over the past decade (ie. ‘Pink Moon’ backing that Volkswagen add and ‘One of these Things First’ playing as Peter Saarsgard, Zach Braff, and Natalie Portman tool around New Jersey on a motorcycle in Garden State, etc.), they may be altogether unfamiliar with the unfortunately curtailed career of the English velvet-voiced folk prince. Th is disc is a collection of pre-label recordings made by Drake in his home on a reel-to-reel recorder. Although the recording lack the production of his proper albums, the inherent lo-fi aesthetic makes them all the more honest and endearing, especially for those already well-versed in and familiar with the subtle ways of Drake.

Quick Links:

• Nick Drake Online

SEAN HAYES

Flowering Spade

July 10, 2007

This album won me over within the first song, upon hearing the mellow warbly sound of Hayes’ voice and the gentle, confident guitar strums. Mostly, that’s what you hear; guitar (or banjo) and voice, but actually there are other crucial musical things happening that have been so delicately placed that you almost don’t notice them…even while enjoying it. Hayes roped in some very reputable avant-guarde jazz and post pop musicians from NYC, LA and from his home city, San Francisco, to play on this disc. In spite of these wonderful, and important additions, the songs never seem cluttered or busy. The music is so efficient that I had to listen a few times before I noticed a clarinet and an accordion in some songs, yet they very much add to the tunes. He’s often compared to Devendra Banhart, and I would agree, but would say that Hayes is more subtle and slightly less esoteric than Banhart. He is currently touring with Jolie Holland…which makes a lot of sense in that I believe they would appeal to the same crowd. All 13 songs on Flowering Spade are by Hayes. It is his 5th release, but his 1st studio recording. I second the quote from NPR’s All Things Considered; His “songs radiate a shaggy, free-spirited charm that rarely seems attached to any particular era”. Becky

HACKENSAW BOYS

Look Out

July 10, 2007

Hackensaw Boys second release for Nettwerk Records, Look Out!, is an impressive bluegrass album that will get you tapping your feet and singing along right away. “Oh, Girl” is a great song, and might be the best on the album. “Radio” will get you up and dancing in front of a mirror so be sure to lock your doors first. “Hobo” and “Sweet Petunia,” were contributed by the sometime Modest Mouse sometime Hackensaw Boy, Tom Peloso, and merit listening to. “Too Much Time” starts out with a good intro and carries that momentum throughout the song without letting up. – Jerrod Willea (intern)

Sean Hayes

Flowering Spade

July 6, 2007

This album won me over within the first song, upon hearing the mellow warbly sound of Hayes’ voice and the gentle, confident guitar strums. Mostly, that’s what you hear; guitar (or banjo) and voice, but actually there are other crucial musical things happening that have been so delicately placed that you almost don’t notice them…even while enjoying it. Hayes roped in some very reputable avant-guarde jazz and post pop musicians from NYC, LA and from his home city, San Francisco, to play on this disc. In spite of these wonderful, and important additions, the songs never seem cluttered or busy. The music is so efficient that I had to listen a few times before I noticed a clarinet and an accordion in some songs, yet they very much add to the tunes. He’s often compared to Devendra Banhart, and I would agree, but would say that Hayes is more subtle and slightly less esoteric than Banhart. He is currently touring with Jolie Holland…which makes a lot of sense in that I believe they would appeal to the same crowd. All 13 songs on Flowering Spade are by Hayes. It is his 5th release, but his 1st studio recording. I second the quote from NPR’s All Things Considered; His “songs radiate a shaggy, free-spirited charm that rarely seems attached to any particular era”. Becky 7/2007

Quick Links:

• Sean Hayes

Leonard Cohen

Songs of Leonard Cohen

July 6, 2007

In celebration of the 40th Anniversary of Cohen's 1967 recording Debut, his first 3 albums (this being his first) are being re-released in a new and improved digital format with a hard cover, new liner notes, and extra songs! If you are already a sworn fan of the “master of erotic despair”, then you’ll know all of these songs, except the last 2, Store Room and Blessed Memory, which make their recording debut here. These 2 additional songs have been resurrected from the original Hammond recording sessions. [Hammond signed Leonard Cohen to the Columbia A&R label, but could not complete the recording sessions due to illness. John Simon (“the uncredited producer of Big Brother & the Holding Company's Cheap Thrills”) took over and completed the recording.] Cohen, a recent inductee to the Canadian Songwriter’s Hall of Fame, will forever be known for the poetic lyrics that have stamped his prolific music/writing career, and it began with these songs, which have a deep and timeless appeal. Becky

Quick Links:

• Songs of Leonard Cohen
• Leonard Cohen

RYAN ADAMS

Easy Tiger

July 3, 2007

Ryan Adams songs are pretty endearing, it may not appeal to you at first listen but lines of his songs lay around my brain and make me want to hear them again. This is his ninth solo effort, well produced and superbly crafted songs. – Teresa Jeanne

The Pines

Sparrows In The Bell

July 3, 2007

A record that is in the likeness of recent Bob Dylan, The Pines take their folk/blues sound and make a delightful album that is full of easy listenable tunes. A creative, yet radio-friendly sound that could work well on any major station around G.R.; too bad none of them will play it. Check out tracks 2 “Don’t Let Me Go”, track 5 “Let’s Go”, track 7 “Light Under The Door”, and track 9 “Midnight Sun”. Lane Zoerhof

SHANE NICHOLSON

Faith and Science

July 3, 2007

Faith and Science is Shane Nicholson's second album. "Safe and Sound" is the hit track of the album. "Home" is a slow, sad song that can be skipped. The album as a whole is solid, but unspectacular. – Jerrod Willea (Intern)

THE TRAVELING WILBURYS

Collection

July 3, 2007

You wont find a better supergroup: Formed by former Beatle George Harrison, former Electric Light Orchestra leader Jeff Lynne, Bob Dylan, Tom Petty, and Roy Orbison. This 3-disc set is an exact replica of the two former releases, “volume 1” and “volume 3;” with a couple of bonus tracks added in as well as a DVD. -Pete

THE SPARES

The Spares

June 11, 2007

The debut CD of Chicago duo Jodee Lewis and Steve Hendershot, this is a real melding of country and blues music that ends up as soulful Americana (yet another new sub-genre?). Lewis, who does sound like a young Alison Krauss, was a chemical engineer before she hooked up with journalist Hendershot to become The Spares. She has an emotional voice and does best on the quieter, heartfelt numbers such as "Allentown," Valley of Vision" and "Grace." But a couple of the up-tempo songs are fine, too, like the opener, "Mexico," and an insightful tune about dating as older adults, "Isn't it Obvious." I hope they keep away from their day jobs, because this duo has potential. 05/07 MJVD F-Alternative-Country

LEONARD COHEN

Songs of Love and Hate

June 11, 2007

A Colombia digital mastered re-release of the 1971 album serves as a didactic epitome for Leonard Cohen. The album opens with the chilling ‘Avalanche’ (no pun intended). And includes other Cohen classics such as ‘Dress Rehearsal Rag,’ ‘Diamonds in the Mine’ (my personal favorite), and an ode to Cohen’s recurrent archetype ‘Joan of Arc.’ Also included is a previously unreleased cut of ‘Dress Rehearsal Rag.’ An enduring performance of Cohen’s bravura, existing in the ephemeral, and produced by Nashville great Bob Johnston. – Derrick Mund

STEVE FORBERT

Strange Names & New Sensations

June 11, 2007

"Middle Age" is a song that anyone who is feeling depressed about getting older should listen to. Forbert sings how great it is to be middle aged and wiser now then you were before. “Thirty More Years” is lyricly great and worth listening to. Featured is his all new recording of the hit “Romeo’s Tune,” which is as good now as before. “Strange Names”(North New Jersey’s Got ‘Em) is a fun song to listen to. Jerrod Willea, WYCE intern

DANNY FLOWERS

Tools For The Soul

June 11, 2007

Danny Flowers returns with a fantastic album featuring Emmylou Harris on a couple of tracks that make the whole album worth while. An unbelievable voice and exciting guitar work, Flowers takes command with his latest album. Flowers is very open and grateful for his faith in GOD and he shows it in his writing. Sure to be on non-mainstream radio playlists for a long time. Check out tracks 1 “Tools For The Soul”, track 4 “Born To Believe”, and track 10 “World Enough And Time”. - Lane Zoerhof

LOWEN & NAVARRO

Hogging The Covers

June 11, 2007

WYCE favorites Lowen & Navarro are back with an album full of covers. They bring their unique folk sound to some of their favorite songs. They make these songs their own, but still keep the originality of the original artists. Check out tracks 1 “Into The Mystic”, track 5 “To Love Somebody”, track 10 “It’ll All Work Out”, and track 13 “Blitzkrieg Bop”. - Lane Zoerhof

ROCKY VOTOLATO

The Brag & Cuss

June 4, 2007

Brag & Cuss marks the fifth album from the Texas native with an intentional journey into country song writing. Drinking and the pained sense of loss concurrent with life on the road marinate each song. No surprise this album was written during Votolato’s last tour. As Tweedy and Farrar depicted southern Illinois with Uncle Tupelo Votolato embraces his own Texan mythology of passing power lines and empty bottles with a subtle lyrical brilliance and formula silhouetted folk. Check out tracks 2, 3, and 7. If looking for a real downer, listen to track 8, ‘Whiskey Straight’ or track 11, ‘Silver Trees.’ Don’t play 10, ‘The Old Holland’ till safe harbor (He says piss) but still play it, there’s a wonderful guitar part. – Derrick Mund

GREAT LAKES SWIMMERS

Great Lakes Swimmers

June 4, 2007

Since Im out of time, here are some words to get the point across: Toronto, haunting, thrilling, Sunday morning, atmospheric, Sufjan Stevens, banjo, vocalist Tony Dekker, Great! AMG: “Like a shot of non-adrenaline” -Pete

KIM RICHEY

Chinese Boxes

June 4, 2007

Kim’s sounding a little poppier than usual. -P

Claire Fisher

Gold Miner's Journal

June 3, 2007

You can probably count the number of disposable singer /songwriters of the past decade or so on the fingers and toes of all of the poor soul’s who were conned into buying their records. Ms. Fisher, however, is not among those counted on endless digits. Keeping her instrumentation simple, her lyricism sharp and poignant, and her melodies and harmonies memorable, Claire Fisher is not to be discounted. Grand Rapidians (and the world, alike)! Perk up ye ears and listen!

Quick Links:

• Claire Fisher's MySpace

Carolina Chocolate Drops

Dona Got A Ramblin' Mind

June 3, 2007

Carolina Chocolate Drops: Dona Got A Ramblin’ Mind (Music Maker) Prior to hearing this, my encounters with traditional American string music were few and far between. However, this latest run in proved to be most delightful, as the Chocolate Drops keep their arrangements concise, honest, and true to form. If you’re familiar with the likes of people like Dr. Ralph Stanley (I believe that is his name), this should be a treat. Banjo, fiddle, and singing from people who’ve probably experienced a little more than a 13-year old L.A. suburban daughter/sister/niece of so-and-so has. These folks honor their elders and keep a true American tradition alive. Reviewed by Trevor Edmonds (May 2007) (All tracks clean)

Quick Links:

• The Carolina Chocolate Drop's Webpage

NEIL YOUNG

Live at Massey Hall, 1971

May 28, 2007

In 1971, Neil Young was four years out of Buffalo Springfield after having quit on the eve of the 1967 Monterey Pop Festival and was on his way out of Crosby, Stills, Nash & Young after waxing Déjà Vu and 4 Way Street. He was also three discs into a solo career that included his 1970 masterpiece After the Gold Rush. This acoustic solo show catches him dipping into his catalog with Helpless and Ohio from CSN &Y, I am a Child from Buffalo Springfield and ample doses of his solo classics. Importantly, it also catches him running through songs that would soon be released on Harvest and Journey Through the Past including Needle and the Damage Done, Old Man and Heart of Gold. Not yet reduced to obligatory performances as greatest hits the songs resonate with discovery and benefit from Young’s spoken introductions putting them into context. Imagine Heart of Gold kicking into gear without a single hint of recognition from the audience and you’ll have some sense of just how new this material was. Great stuff then. Great stuff now. Smitty

RENEE STAHL

Hopeful Romantic

May 28, 2007

This is the second effort from this 40 year old from Los Angles California & it is amazing the similarities you can hear between Renee & Sarah McLachlen. If you close your eyes & listen you would believe you were listing to Sarah at the peak of her career. This is a CD that should be filling the background of Coffee houses around the nation. It is Melodic Folk-Pop at some of it’s finest. If your mood is for music that will sooth & make you feel good around the fireplace, snuggle up with this hopeful, romantic. Reviewed By: Gregg Saur

MARK OLSON

The Salvation Blues

May 28, 2007

Mark Olson, founding member of the Jayhawks and ex-husband of Victoria Williams, has not had a good couple of years apparently. While married to Williams he started seeing someone else, then when he came back to Victoria, she wouldn’t have him. Heartbroken, he did all kinds of things to recover, such as touring Europe, singing and writing. This is a breakup record, touted as “a two-year journey through the heart of loss, redemption, in words and music.” Illustrated with photographs. Oh, and now that time has passed and he’s suffered enough, the two are officially back to “good friends” status. –Pete

BEAVER NELSON

Exciting Opportunity

May 28, 2007

I wont hide it, I'm a Beaver fan. Beaver Nelson’s wry sense of humor and catchy folkie guitar licks have always provided entertainment for me onstage and here with the couple of albums we have of his. Beaver has been through some interesting times. His first major musical inspiration came as a teenager at a Christian summer camp. He penned songs, learned the guitar, self-duplicated and distributed tapes to his high school friends. Then he had some success in the Austin scene stemming from an open mic gig. He signed with a label, put together a band, and produced an album only to have it rejected and shelved because it was not grungy enough, which was the “shiny thing” for the label exec.s at that time. Finally Beaver was able to break on through to the other side with the release of some cool folk/Americana, singer/songwriter releases with critical acclaim. Again with lots of promise ahead, he got married, had kids, and lost the time and inspiration to write. Then as fate would have it, the second and ultimate summer-camp-type getaway experience of his life presented itself to him and he ran with it: a gig painting some lake homes. He brought his guitar along and sat it beside the buckets and ladders, spending 16 hour days painting in solitude and letting his mind stray to his hearts content. The result, Exciting Opportunity, is Nelson’s best work yet. -Pete

Neil Young

Live at Massey Hall, 1971

May 24, 2007

In 1971, Neil Young was four years out of Buffalo Springfield after having quit on the eve of the 1967 Monterey Pop Festival and was on his way out of Crosby, Stills, Nash & Young after waxing Déjà Vu and 4 Way Street. He was also three discs into a solo career that included his 1970 masterpiece After the Gold Rush. This acoustic solo show catches him dipping into his catalog with "Helpless" and "Ohio" from CSN &Y, "I am a Child" from Buffalo Springfield and ample doses of his solo classics. Importantly, it also catches him running through songs that would soon be released on Harvest and Journey Through the Past including "Needle and the Damage Done", "Old Man" and "Heart of Gold". Not yet reduced to obligatory performances as greatest hits the songs resonate with discovery and benefit from Young’s spoken introductions putting them into context. Imagine "Heart of Gold" kicking into gear without a single hint of recognition from the audience and you’ll have some sense of just how new this material was. Great stuff then. Great stuff now. Smitty

Uncle Earl

Waterloo, Tennessee

May 21, 2007

An all-girl string band; nice followup to their 2005 release. –Pete

Richard Thompson

Sweet Warrior

May 21, 2007

The founder of Fairport Convention returns to his classic electric sound with stories full of loss and betrayal. –Pete

KENDEL CARSON

Rearview Mirror Tears

May 14, 2007

If you like down home folk music with a taste of bluegrass this album is for your. This disc has track after track of down to earth soul music. Definitely worth a listen. – Mitch Murphy FCC:

ELANA JAMES

Elana James

May 14, 2007

Elana James was handpicked to be in Bob Dylan’s band & spent many years supporting & playing as part of the Hot Club of Cowtown, on this her first solo release you know how gifted of a musician & song writher she is. Elana has the fiery style of Violin playing that could easily be compared to Stephane Grappelli & the swing sounds of Djano Reinhardt. You combine those qualities with Elanas beautiful & seductive vocal quality’s & you have a disc of musical magic. In addition to the obvious swing sounds you can hear the country flare in her voice on tracks like “The Little Green Valley’ & “I don’t Mind”. It’s truly a shame that this terrific CD has not been picked up by a major label because Elana deserves a lot of attention. - Gregg Saur

THE NIGHTWATCHMAN

One Man Revolution

May 14, 2007

This is Tom Morello’s (Rage Against the Machine) long-term side project that combines his distain for the way America and the world works with the sensible delivery of a folk troubador. This is singer-songwriter material from a smart dude that plays in front of huge crowds of people. We probably wont see him for the Hat Trick Series cause Rage has reunited for a reunion tour. – Pete

REX MOROUX

Royal Street Inn

May 14, 2007

“Moore-OH” This Austin Singer/Songwriter says that if he couldn’t express himself musically, “I hope I would have access to morphine, Gertrude Stein’s ‘The Making of Americans,” and air conditioning, because that’s the only thing I could see myself doing.” What he’s do if he had to go back to his former career of playwriting is not mentioned. He grew up in the heart of Cajun Louisiana, and this, his second album, features Terrance Simien on background vocals. -Pete

Various Artists

A Tribute to Joni Mitchell

May 8, 2007

A Tribute to Joni Mitchell (Nonesuch) As with any tribute album ever created, artists all cover different songs of the artist featured on the tribute album. In this case, obviously, the artist is Joni Mitchell, which really isn’t that exciting to begin with. Here’s the twist, some of the artists doing the renditions are Sufjan Stevens, Elvis Costello, Sarah McLachlan, Bjork, and Prince. What most of the artists on this album attempted to do, was to recreate Joni Mitchell’s sound in their own unique style, however that was rarely the case. For the most part, it is Joni Mitchell’s sound in her original style. On the other hand there were some decent remakes, such as Sufjan Steven’s opening track “Free Man in Paris,” the following track by Bjork “The Boho Dance,” track 7 “Blue” by Sarah McLachlan, and track 10 “Edith and the Kingpin” by Elvis Costello. -Jake Burritt

Quick Links:

• Joni Mitchell-homepage

Great Lakes Myth Society

Compass Rose Bouquet

May 8, 2007

LOCAL Great Lakes Myth Society-Compass Rose Bouquet (Quack!) This is the second album from the whimsical Michigan folk-rockers. This album ranges from Americana to indie rock, while exploring all the spaces in between. GLMS has an educated sound that is extremely engaging and their sophomore release's highs and lows blend into a mature, unrushed sound. The entire sound this young group creates evolves around the vocal lines and simple lyrical arrangements. Not that it takes anything away from the pleasant sound revolving around these two elements. Some songs to stick close to are track 2 “Summer Bonfire,” track 5 “March,” track 4 “Queen of the Barley Fool,” and the final track 12 “The Gales of 1838.” -Jake Burritt

Quick Links:

• Great Lakes Myth Society-homepace
• Great Lakes Myth Society-myspace

CROOKED STILL

Hop High

May 7, 2007

Crooked Still's debut album Hop High, first released in 2004, has enough grabbed attention and criticall acclaim to merit a second release – this time nationwide. The musical style of this alternative bluegrass band floats playfully and gently from song to song. The song's titles, such as “Old Virginia” and “Shady Grove” reflect the band's traditional, country tone. Aoife O'Donovan's vocals are sweet, breezy, angelic – the all-acoustic background of cello, bass and banjo give her smooth, low voice a gentle but upbeat, soft and stringy resonance. Emily Rattray

SONNY SMITH

Fruitvale

May 7, 2007

This is the third album from the narrative songwriting indie, folk singer Sonny Smith. This release focuses largely on his hometown of Oakland, California, which automatically gives it the sound of a hip hop record, lyrically. His vocals are a bit twangy and lackadaisical, or empathetic, the acoustic lines are engaging, and there is enough motion going on around these songs to keep listeners occupied. Some songs to keep tuned on are track 2 “Good Folks Bad Folks,” and the final track, 10 “I’m so happy.” -Jake Burritt *No Play 4 “fuck” 7 “fuck it”

THE SILOS

Come On Like the Fast Lane

May 7, 2007

The Silos is the brainchild of vocalist, songwriter, and bandleader Walter Salas-Humara. Hamara has kept the Silos name through line up changes, and the band now features bassist and pedal steel player Drew Glackin and percussionist Konrad Meissner. Come on Like the Fast Lane is their tenth album in twenty years, and holds true to Silos pioneering work as one of the original alternative country bands that became so influential to the early 1990s alternative/grunge scene. This album has been described as, “A perfect gritty soundtrack for a road trip through the Nevada sand dunes heading straight to Vegas.” – Seth Allegaier Tracks: 8 (Shit) 9 (Hell) 13 (Kickass)

HOOTS AND HELLMOUTH

HOOTS AND HELLMOUTH

May 7, 2007

New music for old souls a-la a tent revival meets the Avett Brothers. Roots/Rock/Folk/Blues/Soul

Sonny Smith

Fruitvale

May 1, 2007

This is the third album from the narrative songwriting indie, folk singer Sonny Smith. This release focuses largely on his hometown of Oakland, California, which automatically gives it the sound of a hip hop record, lyrically. His vocals are a bit twangy and lackadaisical, or empathetic, the acoustic lines are engaging, and there is enough motion going on around these songs to keep listeners occupied. Some songs to keep tuned on are track 2 “Good Folks Bad Folks,” and the final track, 10 “I’m so happy.” -Jake Burritt

Quick Links:

• Sonny Smith-Belle Sound
• Sonny Smith-myspace

DEVON ALVES

Across That River

April 30, 2007

With album credits ending, "big thanks to all those who have helped to make possible another bucket of funk” I’ve encountered an album I begin to like out of principle. Upon listening Alves delivers a wonderful acoustic sound lying some where in a lost triangle between blues, rock and bluegrass. Opener, ‘Pull the Road’ is an excellent introduction to this pagan traveler on an album where Nature and rustic travels reoccur as much as David Grisman style mandolin cries. Other notables include, ‘Rainy Day’ a brief instrumental showcasing Alves, steel guitar skills. Also, When it’s time, a traditional slide guitar number, Boatyard Blues, and Apple Tree. –Derrick Mund

Avett Brothers

Emotionalism

April 30, 2007

The Avett Brothers’ new album Emotionalism offers an alternative rock sounds with a twangy twist. While some songs feel like true country blues – mainly the slower, somber ones like “All My Mistakes” – others, especially the more upbeat, might fall under rock. The songs touch on blues themes of loss and regret, especially in love. But almost all also reflect an excellent sense of humor about these topics, with light lyrics and animated rhymes. - By Emily Rattray

THE CAT MARY

POSTBELLUM NEIGHBORHOOD

April 30, 2007

What an awesome idea! The Cat Mary is a non-profit group that varies in membership from time to time from 5-7 members. All their music is original, and it's an awesome mix of blues, jazz, folk and more. You've gotta enjoy these guys. They have such a pure down home feel that makes you feel...well, at home. They use mandolins, banjos, guitars, upright bass, organ, piano, and fiddle to make there raw sounds and that works perfectly for them. This one makes you want to sit on the front porch and and relax with your posse. - MK

CLIFF EBERHARDT

The High Above And The Down Below

April 30, 2007

As folk albums should be Cliff Eberhardt's latest CD, The High Above And The Down Below, is very personal with 12 original songs that brings out the underlying blues and jazz influence of Cliff's strong vocals, guitar playing, and melodies. His lyrical style lets you in on what's important to Cliff and you realize they are stories important to you too. Recorded virtually live in the studio producer Eric Peltoniemi gathered jazz musicians Rich Dworsky, piano, B3, Rhodes, Gordy Johnson basses and J.T. Bates drums to collaborate with Cliff and the engineers to make uncluttered, straight ahead music. - Slip

LOU RHODES

Beloved One

April 30, 2007

Lamb, former lead singer, Louise Rhodes, has ventured out into the acoustic folk genre and released a 10 original song CD, Beloved One. Stripping herself of the electronica trip-hop of Lamb, Lou, finger-picking an acoustic guitar, surrounds herself with simple percussion, strings and backing vocals that help create this charming little CD. Through her haunting vocals, honest lyrics and unique rhythms Beloved One, expresses the personal and intimate emotions that conflict's with life's lesson of love and loss. – Slip

Lou Rhodes

Beloved One

April 25, 2007

Lamb's former lead singer, Louise Rhodes, has ventured out into the acoustic folk genre and released a 10 original song CD, Beloved One. Stripping herself of the electronica trip-hop of Lamb, Lou, finger-picking an acoustic guitar, surrounds herself with simple percussion, strings and backing vocals that help create this charming little CD. Through her haunting vocals, honest lyrics and unique rhythms Beloved One, expresses the personal and intimate emotions that conflict's with life's lesson of love and loss. Slip

Quick Links:

• Infinite Bloom Recordings

Cliff Eberhardt

The High Above And The Down Below

April 25, 2007

As folk albums should be Cliff Eberhardt's latest CD, The High Above And The Down Below, is very personal with 12 original songs that brings out the underlying blues and jazz influence of Cliff's strong vocals, guitar playing, and melodies. His lyrical style lets you in on what's important to Cliff and you realize they are stories important to you too. Recorded virtually live in the studio producer Eric Peltoniemi gathered jazz musicians Rich Dworsky, piano, B3, Rhodes, Gordy Johnson basses and J.T. Bates drums to collaborate with Cliff and the engineers to make uncluttered, straight ahead music. Slip

Quick Links:

• Cliff Eberhardt web site

Rachel Harrington

The Bootleggers Daughter

April 23, 2007

A truly believable artist! Harrington actually sounds as thought she's right out of the country mountains. Being from Oregon I guess you could say she is. The Bootlegger's Daughter is outstanding bluegrass/folk/americana/country. If you want the straight forward story listen to track 3 "Blow- the ballad of bill miner. Take this disc on a country back-road road trip and you'll feel as though you're part of the scenery passing by. – MK

RICHARD SCHINDELL

SOUTH OF DELIA

April 23, 2007

Usually an album chock full of cover songs is less than amusing. Not South of Delia though...this one is a keeper. Richard Shindell does an awesome job making some popular hits all his own. I guess the most recognized would be "Born in the USA," by Bruce Springsteen. there are also a few new age hits that Shindell covers from Josh Ritter to Jeffrey Foucault. Shindell sounds a bit like a male Tracy Chapman on this one. A great pick with a folk feel! – MK

Golden Smog

Blood on the Slacks

April 23, 2007

Golden Smog is a side-project covers band that gradually evolved into a roots rock supergroup. Golden Smog is loosely affiliated unit comprised, at various times, of members of Soul Asylum, the Replacements, Wilco, the Jayhawks, Run Westy Run, and the Honeydogs. The group first came together in the Minneapolis area in the late '80s as a country-rock reaction to the punk and hardcore sounds that dominated the Twin Cities' musical scene at the time; eventually Golden Smog became something of a fixture at local clubs, where they played a handful of shows annually. Blood on the Slacks is the bands fifth album since 1992, and the lineup has featured, at times, Run Westy Run vocalist Kraig Johnson, guitarists Dan Murphy (Soul Asylum) and Gary Louris (the Jayhawks), Jayhawks bassist Marc Perlman, ex-Replacements drummer Chris Mars, and Soul Asylum vocalist Dave Pirner. – Seth Allgaier

Cowboy Junkies

At the End of Paths Taken

April 17, 2007

The Cowboy Junkies have made a career out of songs that percolate through a languid, narcotic haze. Their best efforts draw you in and force you to linger around the nooks and crannies of some other place. This release mixes things up a bit more musically as evidenced by the near heavy metal crunch of "Cutting Board Blues", the almost bouncy "Still Lost" and the strings that infuse "Brand New World" but there are still plenty of the slow, hypnotic tunes that will keep the fan base satisfied. On the lyric front guitarist and chief songwriter Michael Timmons explores the complexity of family relationships and how the events of modern society can reduce individual options even while the world is more open to possibility than ever. Some of the tunes such as "It Doesn’t Really Matter Anyway" are so dark that they make the lowdown blues seem like songs of hope. A bit of light enters the picture by virtue of the light, almost airy, "Blue Eyed Saviour", and the angelic children’s choir on "My Only Guarantee" but it’s hardly enough to illuminate the black hole of gloom that inhabits most of the disc. If you like the Junkies you’ll enjoy this. If you haven’t been converted yet this disc won’t change your mind. Smitty

Quick Links:

• Zoe/Rounder Records
• Cowboy Junkies

Vandaveer

Grace & Speed

April 16, 2007

Front man of the Apparitions, Mark Charles, split off to produce this solo album. The result is a soothing yet melancholy collection of songs with a nostalgic, folksy air. His work on this album pays tribute to his obvious musical influences from the 60s and 70s as well as current artists, his voice reminiscent at times of Bob Dylan. “The Streets Is Full Of Creeps” even brings Tom Waits to mind. Throughout the album, melody and rhythm are pleasantly applied along with graceful acoustic guitar work. - Meredith VanHarn

Todd Snider

Peace, Love and Anarchy (Rarities, B-Sides and Demos, Vol. 1)

April 16, 2007

A native of Portland, Oregon, Todd Snider has been a fixture on the American, alt-country, and folk scene since his debut album in 1994. He is best known for creating an engaging and wry humorous folk sound, with lyrics sometimes reminiscent of Tom Petty and Bob Dylan. Peace, Love and Anarchy is material leftover from Snider’s time at John Prine’s Oh Boy label. Some of the recordings of just Snider and his guitar (tracks 1-3) are rough, but nonetheless worth a place on the album. –Seth A. Tracks: 6 (Rollin’ a joint) 8 (Bullshit) 13 (Shit) (God Damn) (Fuck) (Smoke Dope)

Mary Chapin Carpenter

The Calling

April 16, 2007

When MCC hit the country-rock scene big time with “Down at the Twist and Shout” and the smash follow-up CD Come On, Come On, her observant lyrics analyzed the human heart with accuracy and a touch of wit. Since then, her songs have turned more toward the Big Questions, and in my opinion, lost some of the ability to capture the real moments of life and relationships. Surprisingly, the opposite is true on The Calling. The most interesting cuts are not about the heart, but about our country: “Houston” (Hurricane Katrina), “On with the Song” (the Dixie Chicks’ political troubles) and “Why Shouldn’t We” (on believing the nation can do better). The title track has some muscle, too. Maybe MCC’s turning a corner, from a musical Dear Abby to a lyrical editorial page columnist. We’ll see. 03/07 MJVD

Various

NOW HEAR THIS! [IMA Winners 2007]

April 16, 2007

{2 Discs}(Planetary Group 2007) A compilation of indie music as voted by a panel of celebrity musician judges. This comp. boasts some great indie music that spans from World music to Christian Contemporary to Folk, etc. On the first disc, check out tracks 1 by Kristy Kruger “Gold Rush”, track 8 by Garaj Mahal “The Shadow”, track 11 by Sheva “Salaam”, track 13 by Bitter:Sweet “Overdue”, track 16 by Novalima “Machete”. On disc 2; track 1 by Jonah Smith “My Morning Scene”, track 4 by Seed & Root “Paraiso”, track 5 by Dave’s True Story “Everlasting No”, and track 19 by Alvin Jett & The Phat Noiz Band “Angels Sing The Blues”. – Lane Zoerhof *track 10 Piet Shaw & The Revolutionary Theater “We Don’t Want No War” contains swear word (shit)

BREATHE OWL BREATHE

BREATHE OWL BREATHE

April 16, 2007

Local Breathe Owl Breathe won a place as one of the top 5 bands to win in the "Bandspotting Contest" at Calvin College and its "Festival of Faith and Music. We are very excited about having made it in the top 5! Two of the songs off of the brand-new CD Canadian Shield are going to be put on a compilation cd they are making 2000 copies of and handing out at the festival!!! - Andrea Moreno Beals

JAKE ARMERDING

Walking on the World

April 11, 2007

Just what I have been looking for. Walking on the World is the album for those of us who like many genres of music. This one has a couple. It's a mix of Country, Folk, Rock, Pop, Bluegrass to name a few. And many time when you mix such different genres on one album there are some tracks that lean towards one genre and some tracks that lean toward another, not this one most every son encompasses a mix of them all. This is something spectacular and new. Put all that aside and you'll also appreciate Armerding's great talents on guitar, mandolin, and violin...this guys pack full of awesomeness! Listen and enjoy. – MK

GREG BROWN

Yellow Dog

April 11, 2007

This is a live album that shows Greg Brown’s talents to the full extent. His amazing song writing and conscious political views are presented within his mixture of original and cover tunes. This is a great listen for those who know MI, especially the U.P. and care about the nature that is being exposed there. Check out tracks 2 “Cold + Dark + Wet”, track 4 “Better Days”, track 6 “Oily Boys”, and the bonus last track which a young girl sings a Greg Brown cover. *track 4 “Better Days” contains word ‘bastard’ *track 6 “Oily Boys” contains swear word (bullshit) Reviews by Lane Zoerhof

ASLEEP AT THE WHEEL

Reinventing the Wheel

April 11, 2007

Asleep at the wheel for me has always one of the best Western Swing bands ever. When I saw the title of this CD being “Reinventing the Wheel” I was worried they would try to change their style. This reinvention includes two new vocalist & I believe one of their first female leads with the amazing Elizabeth McQueen on tracks like “I Don’t Care If The Sun Don’t Shine” & “I’m An Old Cow Hand’ &Jason Robards on “Am I right { Or Amarillo}. The Blind Boys of Alabama also lend some great vocals on “The Devil Aint Lazy” After only one listen to this disc you will discover that this band brings as much Fun, Swing; Boogie-Woogie & Old time western sounds as any disc of their 38 year career. This Wheel is only picking up steam & I only hope they roll into a town by us soon. Reviewed By: Gregg Saur

IDGY VAUGHN

Origin Story

April 2, 2007

Look out America, Idgy Vaughn is here! Vaughn's album Origin Story is a good for anytime album. It's got a mix of country and folk that gives this one such versatility. I especially enjoyed listening to this one as I drove down the open road one quiet afternoon. This one takes you out of Michigan and someplace south. A great road trip pick! - MK

Cortney Tidwell

Don't Let Stars Keep Us Tangled Up

April 1, 2007

On "Don't Let Stars Keep Us Tangled Up", Cortney Tidwell displays delicate growlings reminiscent of Bjork, the sweeping grandiosity of Sigur Ros, pop sensibilities similar to Guster, and the trip hop style of Portishead. Her voice sounds to me like what Joanna Newsom might sound like if she dropped the Appalachian affectation. Fans of Tonya Donelly's 90's alternative band, Belly, will hear lots to love on this album, and should take special note of track 2. Cortney Tidwell is from Nashville, daughter of Connie Eaton, a minor '70s country star but there's no country (that I can discern) to her vocals. There are some twangy guitar sounds present, though they take a back seat to the dreamy electronic layers. "La La" (track 5) makes me think of a Karen Carpenter song. Look for it in commercials, soon, I'll betcha. Lambchop's Kurt Wagner adds vocals to "Society" (track 8). Light pops like those from a vinyl record or from electronic plug-ins drape over the entire album. Haunting, and eerie are words that other reviewers have clung to, and they fit truly. I listened to this album many many times trying to put what I'm hearing into words. I don't have the words, but I enjoyed each listen. A very strong album. Beautiful. Masterful. This ethereal, singer-songwriter is going to make an excellent opener to Andrew Bird's April 11th show at the Ladies Lit. (Olive)

Quick Links:

• Cortney Tidwell's Website
• Cortney Tidwell's MySpace
• Cortney Tidwell opening for Andrew Bird April 11 - Ladies Literary Club

Willie Nelson, Merle Haggard, & ray Price

Last of the Breed

March 29, 2007

Mssrs. Nelson, Haggard, and Price put together a fine, honest-to-God, country record, mixing covers and a handful of originals. The standard drums, bass, acoustic and slide guitar, and fiddle works well in these staright forward tunes, song by country artists that I can actually believe a word or two from. This is the kind of stuff modern country radio should be playing. If they did, I might actually listen. And that means something coming from a kid who listens to Aphex Twin.

Quick Links:

• Willie Nelson, Merle Haggard, Ray Price - Last of the Breed

Eleni Mandell

Miracle of Five

March 29, 2007

On her sixth album, Eleni Mandell delivers a magnificent, late night, lights-low set -- her sexiest recording yet. Her conversational alto is set beautifully against the reeds (Jeff Turmes, who has backed James Harman and Badly Drawn Boy), guitar (Nels Cline of Wilco), vibes (DJ Bonebrake of X) and her longtime rhythm section of drummer Kevin Fitzgerald and bassist Ryan Feves. Produced by Andy Kaulkin and mixed by Rob Schnapf (Beck, Elliott Smith), the album is a sonic marvel. Her captivating songwriting has taken an optimistic turn, concentrating on love found instead of love lost. Already a local hero -- Los Angeles Magazine named Eleni best local singer and the LA Weekly anointed her as best songwriter -- Miracle of Five will open the world to this timeless chanteuse. From Amazon.com

Quick Links:

• Eleni Mandell Online

Martin Sexton

Seeds

March 23, 2007

"Are you ready to rock and roll? Are you ready to feel my soul?" is the opening and multiply repeated line of Seed's 10th track "Failure," which is also one of the better tracks on this Sexton release. This one line pretty much sums up the entire album, somehow. There are so many other descriptive words that I could use, but that does it for me. The vocals, the beats, the guitar, the folk-they are all full of rock and roll...and soul. Sexton manages to create a completely new and different sound for each track, ranging from down-home country, vocal and spiritual inspired blues, straight rock and roll, and even late-Beatlesque pop. Basically every track, except for the few that have vulgarity, are well-equipped for play, but some I thought were especially good were the emotional wailing of 3 "Wild Angels," the funky, cool 4 "Will It Go Round In Circles," the southern gospel 7 "Marry Me," and the rocking 10 "Failure." -Jake Burritt No Play 1-"Hot Damn" 5-"Ass" 6-"Bitch slap" 8-"Goddamn"

Susan Werner

The Gospel Truth

March 23, 2007

Like her friend, Erin McKeown, Susan Werner's been bouncing all over the musical map lately. Werner's last disc was full of jazz standards and similar originals. This time, she's gone into the world of church-gospel music and used that genre as a backdrop to her themes of faith and doubt. But don't mistake this for a gospel record, since Werner's at least as heavy on the doubt as she is the faith. From the opener: "You know you'd damn me if you could/ but my friend that's simply not your call/If God is great and God is good/why is your heaven so small?" And from "Our Father": "Lord lead us not into temptation/but deliver us from those who think they're You." Werner's beautiful voice and well-constructed songs are deep into a spiritual wrestling match that she doesn't resolve at the CD's end. But that's good, since that puts her in the company of most human beings. She sings in "Probably Not": "Is there a God above?/Is there eternal love?/Probably not," hedging her bets at the end of the tune -- "If He hands me a heavenly crown/ would I dare to turn Him down?/Probably not." Open, honest and fair dialogue about religion and faith -- for once. My favorite of the set: "Did Trouble Me" (#4). MJVD Note hidden track at #12. “Untitled”

Ry Cooder

My Name is Buddy

March 23, 2007

Ry Cooder’s parable of “radical imagination.” The album details the life, rambles and education of “Buddy Red Cat.” Cooder brings guests to the table like Mike Seeger, his brother Pete, Roland White, Van Dyke Parks, Paddy Moloney, Flaco Jiminez, Sefon Harris, Joachim Cooder, and others. Each of 17 songs, most originals, are accompanied with a drawing from Vincent Valdez and a story/vignette written by Ry Cooder.

Martin Sexton

Seeds

March 21, 2007

"Are you ready to rock and roll? Are you ready to feel my soul?" is the opening and multiply repeated line of Seed's 10th track "Failure," which is also one of the better tracks on this Sexton release. This one line pretty much sums up the entire album, somehow. There are so many other descriptive words that I could use, but that does it for me. The vocals, the beats, the guitar, the folk-they are all full of rock and roll...and soul. Sexton manages to create a completely new and different sound for each track, ranging from down-home country, vocal and spiritual inspired blues, straight rock and roll, and even late-Beatlesque pop. Basically every track, except for the few that have vulgarity, are well-equipped for play, but some I thought were especially good were the emotional wailing of 3 "Wild Angels," the funky, cool 4 "Will It Go Round In Circles," the southern gospel 7 "Marry Me," and the rocking 10 "Failure." -Jake Burritt No Play 1-"Hot Damn" 5-"Ass" 6-"Bitch slap" 8-"Goddamn"

Quick Links:

• Martin Sexton-home
• Martin Sexton-myspace
• Martin Sexton-Wikipedia
• Martin Sexton-Record Website

THE INFAMOUS STRINGDUSTERS

Fork In The Road

March 13, 2007

I can’t wait to hear these guys commanding the crowd to dance at Blissfest this year. Its going to be a good one. Bliss 2007!!! Superb musicianship sparkles throughout every track, every player. They fly through the tunes in a groove that is impressive. Theres some tender love songs including a cover of John Mayer’s 3X5. A very sweet waltz on track 7. 40 West is a daring instrumental, it’s a sod kicker. T-Jeanne

Chris Proctor

Ladybug Stomp

March 12, 2007

Chris Proctor proves himself as a truly amazing guitar player on this album. This makes you want to pick up a good book, lay back and let the music take you away. It's Finger Pickin' goodness for sure! MK

Jorma Kaukonen

Stars In My Crown

March 12, 2007

Stars in My Crown is a collection of original and cover songs following in the traditions of blues and bluegrass. The cover songs feature credits from an array of classical American artists such as the Rev. Gary Davis, Johnny Cash, and Lightning Hopkins. Tracks: 2, 4, 11, & 14 are original instrumentals, although Kaukonen does have a few originals with him on vocals. Jorma Kaukonen has been playing and recording music for more than forty years, making a name for him self, early on as a finger picking guitarist, and a founding member of the bands Jefferson Airplane and Hot Tuna. Stars in My Crown has a down-home country and gospel feel, with a wide arrangement of finger picking guitar styles. Seth Allgaier

Greg Johnson

Me & Joanna

March 6, 2007

Contrary to the disco inspired cover... this is simple, well done piano singer-songwriter stuff. Greg Johnson's voice sounds an awful lot like Chris Martin of Coldplay, and his sound wavers between that atmospheric emotional moody music and Simon & Garfunkel's sensible, straightforward songwriting approach. I also hear influences from Aha, Toto, Billy Joel, and Springsteen (listen for "Walking in Memphis" on "Love is the Underdog") Standout tracks: 3, 5, 9 and 11 (Olive)

Quick Links:

• Greg Johnson's Official Site
• Greg Johnson's Official US Site

MARTHA SCANLAN

The West Was Burning

February 26, 2007

Martha Scanlan, former band member of the Reeltime Travelers, trots into her solo career with "The West was Burning," and her bluegrass/folk tunes take listeners out onto the porch to drink lemonade and watch the stars. This songstress is spiritual, with an added earthly charm. She sings to God, the trees, faded jeans ... she is true Americana ... an earthy, country gal paying homage to all that is divine. From the sweet tea love song seeped in natural metaphors "Seeds of the Pine," to a full-bodied rendition of Reverend James Cleveland's gospel classic, "Get Right Church," Scanlan's variety, poetry and lack of pretention take her to the top of the mountain. – Sarah Cosgrove

THE ROCHES

Moonswept

February 19, 2007

Terre is back to make it the Roches again. They even have little Lucy on track 7, who is Suzzy's and Loudon Wainwright III's daughter. Full of quirkiness and soft harmony. –P

Sonia and disappear fear

DF05

February 19, 2007

Sonia Rutstein reconstitutes her band “disappear fear” with Laura Cerulli instead of sister Cindy and roams the country’s festivals and folk venues with her songs of protest, awareness and observations of the human heart. She does a killer version of the underrated ‘60s protester Phil Ochs’ “Is There Anybody Here?” and her own ‘”No Bomb is Smart” is her most recent contribution to the genre.

The Last Town Chorus

Wire Waltz

February 12, 2007

This album doesn’t need a WYCE review because it’s already been said, right on. From the Village Voice: “She sings like an angel and plays lap-steel guitar like the devil.” The guitarist is singing songwriter Megan Hickey, the real reason why this band and this album are getting thumbs-up raves. The sound, in here, is uniquely etheric, cosmic and country popish...in the neighborhood, not too far from where The Be Good Tanyas hang out, on a street where the houses are landscaped with black lollipops and colorful strips of recycled cellophane slightly disturbed by an ambivalent wind. - Mostly

Quick Links:

• The Last Town Chorus web site
• The Last Town Chorus at My Space

Rickie Lee Jones

The Sermon on Exposition Boulevard

February 7, 2007

Hmmm, Rickie Lee Jones, the goddess of beatnik cool as preacher? Inspired by Lee Cantelon’s book, The Words, a modern rendering of the words of Christ, she decided to apply her unique vocal and rhythm sensibilities to this collection of musings on the nature of people and their relationship with a higher power. The result is a challenging listen both in terms of the music and the lyrics. Gone for the most part is the beat driven syncopation of her biggest hits. Replacing it is everything from guitar driven folk, Falling Up and Circle in the Sand, to simple ballads, Seventh Day, to spooky acoustic instrumentals, Road To Emmaus, to rock driven numbers, Tried to Be a Man which features a sinister industrial beat and wracked out guitar on the break as a backdrop to Jones’ whispered vocals. Elsewhere, the tracks take on an ethereal feel not far removed from the Cowboy Junkies. While Jones is in generally good vocal form the spare Lamp of the Body and the other worldly but ultimately grating Donkey Ride are more spoken than sung and can be a bit of a painful listen. On the lyric front her stream of consciousness ramblings take on everything from first party accounts of how Christ felt walking in anonymity, Nobody Knows My Name, to how religion is best found outside the mega churches, Where I Like It Best. On the lighter side is Elvis Cadillac where Jones imagines rock luminaries such as Janis Joplin working the corner bars in Heaven. Overall, a mixed bag that some will find to be brilliant while others will move quickly for the eject button. Smitty

LUCINDA WILLIAMS

West

February 5, 2007

Bad-ass vocals describe some sad times for Lucinda. There is some serious purging going on in these songs. Here Lucinda works with Saturday Night Live musical director Hal Wilner, who also produced Bill Frisell’s record Unspeakable and Marianne Faithful’s Strange Weather.. In an interview in Performing Songwriter Lucinda describes sitting at the kitchen table to do most of her writing, This might be why her lyrics seem so personal and intimate. - Teresa

PO GIRL

Home to You

February 5, 2007

Wonderful harmonies from Trish Klein, a former member of the Be Good Tanyas. Po Girl continues on with their unique sound which works well with the old time traditional styles of music they embrace. CR Avery appears on track 9 with a bit of surprise rappin’. – Teresa

BOW THAYER

Spend It All

February 5, 2007

Described as a “reminiscence of Bob Dylan, John Prine, The Grateful Dead, Arlo Guthrie and classic country of the forties and fifties” and compared to Wilco, Ryan Adams, and Yonder Mountain Spring Band, Thayer’s brand of newgrass has a touch of all of those mentioned blended into something he can proudly call his own. His writing is imaginative and strong, the music toe-tapping good. Dig the baritone sax in the mix on 4-The Way That It Swings, and the fiddle on 5-Snake Bite, arguably the two best cuts on a very listenable album. – Mostly

Bow Thayer

Spend It All

February 2, 2007

Described as a “reminiscence of Bob Dylan, John Prine, The Grateful Dead, Arlo Guthrie and classic country of the forties and fifties” and compared to Wilco, Ryan Adams, and Yonder Mountain Spring Band, Thayer’s brand of newgrass has a touch of all of those mentioned blended into something he can proudly call his own. His writing is imaginative and strong, the music toe-tapping good. Dig the baritone sax in the mix on 4-The Way That It Swings, and the fiddle on 5-Snake Bite, arguably the two best cuts on a very listenable album. -- Mostly

Quick Links:

• Bow's web site
• Bow's My Space

Keith Sykes

Let It Roll

February 1, 2007

Keith Sykes is a songwriter, songwriter. He works a lyric until it’s a vision in Technicolor and punches it out with a melody that fits like an old favorite glove. His cover of the popular Peggy Sue is a bluesy lament pleading for a love unattainable or perhaps lost. You decide. He’ll make you laugh he’ll make you cry he’ll make you think my God a true artist. Slip

Quick Links:

• Keith Sykes

Marshall Rhodes

Marshall Rhodes

January 31, 2007

Marshall Rhodes is so clean that after listening to the first song I knew I had to get up and take a bath. Although not emotionally exciting the expert layering of instruments and vocals on each crafted song led me to think of session musicians that decided to use their studio talent to produce an album of their own. Slip

Quick Links:

• Marshall Rhodes official web site

BLAZE FOLEY & THE BEAVER VALLEY BOYS

Cold, Cold World

January 30, 2007

A lost album that wasn’t remastered, just finally released. And just in time. Blaze Foley and his band really are the definition of folk music. Complete with harmonious melodies, sing-a-long ditties, and foot-tapping beats, Cold, Cold World is a great album that is for any fans of Billy Bragg, Bob Seger, etc. Check out track 2 “No Goodwill Stores in Waikiki”, track 3 “In The Misty Garden/I Should Have Been Home With You”, track 7 “Baby Can I Crawl Back To You?”, track 10 “Election Day” and the last track 17, “Why Do You Treat Me Thisaway?”. This album is packed with great tunes. Lane Zoerhof

KEITH SYKES

Let It Roll

January 30, 2007

Keith Sykes is a songwriter’s songwriter. He works a lyric until it’s a vision in Technicolor and punches it out with a melody that fits like an old favorite glove. His cover of the popular Peggy Sue is a bluesy lament pleading for a love unattainable or perhaps lost. You decide. He’ll make you laugh he’ll make you cry he’ll make you think my God a true artist. Slip

SHANE BARTELL

Too Soon to Say

January 23, 2007

This is Texas Singer songwriter’s freshman effort & proves to an overall enjoyable listening experience. Shane mixes folk & pop sounds that combine the romantic sounds captured in a Chris Issak tune & the pop sensibilities of bands like Prefab Sprout. His voice seduces his listening audience with its laid back sultry sound and well crafted lyrics. In addition to the folk & pop sounds on this disc Shane try’s to capture some Bossa Nova sounds on tracks like “Stars Burn Out”. If your feel like adding a little romance to your set all I can say is it’s never “Too Soon to Say” Gregg Saur

MAD TEA PARTY

Big Top Soda Pop

January 23, 2007

Travels territory we’re come to know from The Ditty Bops and even Hot Club of Cowtown. This collection of folk-swing tunes will likely either delight or irritate you, depending on your tastes or mood. Only way to know is to give it a spin!

CLAUDIA SCHIMIDT

Live at the Dakota

January 22, 2007

Wow, this is a beautiful performance, Claudia is on fire. Dean Magraw used to be Peter Ostroushkos’ partner and they played beautiful music. Dean has magic in hi