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WYCE Music Journal:

AGGROLITES

November 22, 2009

Southern Califorian’s Aggrolites play an appealing mix of ska and what they call “dirty” reggae (raw, stripped down). Here is their 2006 self titled sophomore cd. These are very talented guys - keyboardist Roger Rivas steals certain songs (Sound of a Bombshell) and the throaty voice of Jesse Wagner sounds like Jamaica to me. With 19 tracks the instrumental songs (4,7,9,11,13,14) started to sound the same and I believe it’s the weakest part of this offering. The first two tracks were brilliant and the last song is their very own cheer. I think you‘ll find this Reggae cd offers something a bit different and at WYCE that means it’s all good! Anne Lamont

Quick Links:

Aggrolites website

Friction Records Website

AIR

Love 2

October 28, 2009

The French duo (Jean-Benoit Dunckel and Nicolas Godin) are back! Never known for their profound lyricism, Air has always been about creating sounds that keep their listening audience coming back time and time again. Their self-produced latest, Love 2, is no different. A Combination of New Age, Rock, Pop, Electronica and even Jazz makes for an interesting, if not entirely pleasurable twelve song set of music. The Armageddon inspired opener "Do the Joy" is a song that exhorts us to do just that, "do the joy" amidst impending destruction. Another fun track is "Be a Bee," a song reminiscent of the sound captured in the 70's by the British rockers The Stranglers. The jazz influenced "Tropical Disease" is the longest song on the album with only a few choice words - "woman, woman, make me feel warm inside." The lyrics alone quite obviously don't make the song but the lush and building instrumental pieces within the track work quite well. One of three pure instrumentals on the album, "Night Hunter" is well worth a try as the hand-claps are magnified beautifully by a host of other blips, bleeps and other sounds. A final song worth mentioning is the Dream Pop of "Sing Sang Sung." Described by one reviewer as "preposterously catchy," the sound is perhaps just that - catchy with perhaps some of the strongest lyricism to back it up. The overall bright spot about this album is that it is surprisingly eclectic with a different feel found on virtually every song. An additional selling point is that each song somehow begs another listen. Without a doubt, Air's latest offering seems to capture what has made them a worldwide success - a sound that many have come to love. Thanks to Love 2, the love continues. ~Reviewed by Jeff Bouma

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MESHELL NDEGEOCELLO

Devil's Halo

October 23, 2009

Always the nonconformist, acclaimed bassist Meshell Ndegeocello says she's going back to her earlier rock/funk roots with this record after a series of forays into jazz territory. But "Devil's Halo" is no casual guitarfest; rather, the songs are reflective, almost brooding, as she sings about love fought for (and often lost). The most accessible song her is not her own, but a remake of the 1986 Flint, Michigan r-and-b band Ready for the World's "Love You Down." In addition, check out "White Girl" and "Blood on the Curb." The title track is unlike anything else on the record, a quiet instrumental. NO PLAY: cuts #3 and #5 (language). R-Esoteric(Funk)10-09 Michael J.

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ROSIE FLORES & THE PINE VALLEY COSMONAUTS

GIRL OF THE CENTURY

October 19, 2009

Rockabilly Filly Rosie Flores has teamed up with Waco Brother Jon Langford for a CD that covers blues, country, rock & rockabilly. The CD begins with the bluesy track “Chauffeur” where Rosie’s vocals sound a lot like a Sue Foley.” This Little Girls Gone Rockin” and “This Cat’s in the Doghouse” are classic Rockabilly Rosie. The track “Half Way Home” employs an underlying reggae beat and would be my pick the CD’s top single. “I Ain’t Got You” and “Dark Enough at Midnight” once again showcase Rosie’s bluesy side. “Get Rhythm” is an upbeat and well done version of the Johnny Cash classic. It is easy to see the influence Jon Langford has had on this CD especially on the rocking track “You’re The One”. This CD represents Americana Roots Music at its finest from two of its finest recording artists. Reviewed By: Gregg Saur

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BRUCE HORNSBY AND THE NOISEMAKERS

LEVITATE

October 6, 2009

When I heard Bruce Hornsby was debuting with Verve Records with a CD entitled Levitate, I was expecting an uplifting Jazz style release. Instead spider fingers has abandoned all his wonderful piano solos for a less then inspiring band release. The CD begins with a comical tale of ‘The Black Rats of London” that carries a Celtic flavor to it. “Prairie Dog Town” could easily be mistaken as a rocking Todd Snider tune. The third track “Cyclone” is one of the last up-tempo tracks and is able to blow some dust prior to the CD going into a string of less then inspiring mid tempo string of songs. The CD ends with “In the Low Country” one of the best tracks on this release and will bring Bruce’s listeners back to the glory days on the range. If you are searching for a safe Pop style release this may be a good pick, but it failed to levitate me and left me flat on the ground. Reviewed By: Gregg Saur

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DRIVE BY TRUCKERS

THE FINE PRINT

October 3, 2009

With everything from alternate takes of released material to tracks that simply didn’t fit into the final mix of tracks that made up some of their best discs, this collection is a treasure trove for Drive By Truckers fans. "Rebels" is the band’s take on the classic Tom Petty track that was used for the show King of the Hill. The jangly guitar work and high energy that fuel that track carry over to the rocking "Uncle Frank", "When the Well Runs Dry" and "Goode’s Field Road". Slowing things down the band gives a history lesson on the impact of the Tennessee Valley Authority on the acoustic "TVA" and weaves a stark first party tale of arson and other skullduggery on "The Great Car Dealer War". "Great Big Horse" is a whimsical tale based on an old dirty joke delivered like one of Todd Snider’s talking ballads. The mid-tempo take on Tom T. Hall’s Vietnam War era classic "Mama Bake A Pie (Daddy Kill a Chicken)" remains powerful today as we are mired in yet another war. "Mrs. Claus’ Kimono" probably won’t get many Christmas spins with its low down dirty groove, tales of sexual debauchery with Mrs. Claus and accusations about Santa’s activities with a reindeer but is a fun spin in a twisted kind of way. Taking no prisoners, the band tears into Warren Zevon’s "Play it All Night Long" with a desperate conviction befitting the fact the band had just recently learned of Zevon’s impending death and cut this as a tribute of sorts. Also potent is the band’s take on Dylan’s classic "Like a Rolling Stone" which features a hard hitting musical backdrop and every band member taking a turn at lead vocals. Overall, a solid collection that highlights the band’s versatility and unshackles it from the tight themes that can make it hard to pluck single songs out of the context of its regular albums. Smitty

DAVID BAZAN

Curse Your Branches

September 18, 2009

Former front man of alternative Christian rock band Pedro the Lion, David Bazan has made a name for himself in recent years by battling alcoholism (with a few famous on-stage debacles) and a defiant turn against his earlier expressions of faith. His new solo disc is loaded with caustic lines aimed at religion ("With the threat of hell hanging over my head like a halo/I was made to believe in a couple of truths" from "When We Fell") along with a number of references to his battles with bottle (in "Bless This Mess," he wonders if his baby daughter would "soon despise the smell of the booze on my breath"). Personally, I don't find this music offensive at all; at times harrowing, yes, but it is the honest expression of fear, doubt and even anger that we all experience along life's journey. Sometimes tender and repentant, sometimes raging and table-pounding, Bazan examines the deep recesses of his soul -- and causes us to reflect on what we're made of in the process. Michael J. 09/09 R-Alternative

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THE INSTRUCTION

Failure By Design

September 17, 2009

Hailing from Louisville, Kentucky, this foursome offers morose, sophomoric lyrics set to a well-produced electric guitar and drums background. This adds up to rock that is sometimes interesting (occasionally even a bit reminiscent of Interpol, though nearly not as cool). It does tend to drag, though, before the disc if half finished. Best song here is "Into the Tomorrow". Though "Hello Darlin'" is supposed to be the focus track, I found it to be a dull ballad, even with its catchy chorus. Rebecca Ruth

Quick Links:

Sonablast Website

ONE ESKIMO

September 16, 2009

Hot off the press is this, the self-titled debut from the London, England four-piece indie band calling themselves One Eskimo. Described as the brainchild of front-man Kristian Leontiou, who himself has had some commercial success on his own, reaching the top 10 on the UK charts back in 2004 with the hit "Story of My Life," the band has been tirelessly promoting their debut by touring with the likes of Tori Amos. The first single, "Kandi" was actually one of three songs featured on the 4-song EP released in July of 2009 ("Kandi" appears twice) and features a sample of Candi Staton's 1969 hit "He Called Me Baby." On the full-length, "Hometime" is the opener, a song that features an ethereal melody recognizable by Toyota's use of it in a commercial to promote their eco-friendly manufacturing process. Another standout is the soulful "Giving Up," which features the soft serenade of Leontiou's vocals coupled with a harmony that fits well. "All Balloons" is simple track, featuring a mostly acoustic sound, but one that seems to capture the "lightness" of life as Leontiou sings: "Maybe we're all balloons filled with air, and the reason we're deflated is to remind us that the ground is there." In the end, there's much to like here. The final song, "Amazing," doesn't disappoint as it shed's light on the amazing aspects of the heavenly life to come. On the whole, One Eskimo has created eleven songs that seem to get better each time through and will rightfully attract no small amount of attention in the months to come. ~Reviewed by Jeff Bouma

Quick Links:

One Eskimo Website

Sonny Landreth Home Page

The Bottle Rockets Home Page

LANDy on MySpace

STARDEATH AND WHITE DWARFS

The Birth

June 22, 2009

There seems to be some Flaming Lips influence on this full-length debut from Oklahoma psych rockers Stardeath and White Dwarfs. How could there not be, when lead singer Dennis Coyne is Wayne Coyne's nephew and three members of this quartet were Lips roadies? This album features heavy guitars (The Birth), loud organ (The Sea Is On Fire), and nice production. The single, "New Heat", is the weakest song on this. Better choices might have been the quiet, Yes-like prog/rock of "Country Ballad" or the rocker "The March". Rebecca Ruth

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WANDA JACKSON

HEART TROUBLE

June 19, 2009

For those not hip to the tip, Wanda Jackson is literally the Queen of Rockabilly, turning the Country world on its head along with Elvis, Carl Perkins and Johnny Cash in the mid-1950’s with her wild stage antics and such classic hits as "Mean Mean Man", "Hard Headed Woman", "Rockabilly Fever" and "Let’s Have a Party". With her induction into the Rock and Roll Hall of Fame’s 2009 class, it is likely that a whole new generation will discover the sheer joy and abandon that marked her approach to a style of music that she was making up as she went along. This 2003 release marked Jackson’s first return to the recording studio in over 20 years after a long hiatus performing gospel and straight County. To mark the occasion she was joined by such roots rock luminaries as Dave Alvin, The Cramps, Lee Rocker, Rosie Flores and even Elvis Costello. With a wide sampling of her country and rockabilly hits, this disc is a journey into the past. While the flames don’t burn as bright as on her 50’s sides, there is still plenty of heat here. Play it loud, play it often. Smitty

SON VOLT

American Central Dust

June 15, 2009

With their first effort for Rounder Records, Son Volt offers up American Central Dust - their 6th full-length recording. While many of the band members have changed since Son Volt's debut Trace in 1995, one constant has been lead vocalist and primary songwriter, Jay Farrar. Continuing mostly in the genre and vein of Americana inspired rock, Farrar calls this effort a little more positive than previous recordings while still reflecting socio-politically on the past. Bringing back memories of early R.E.M., the Volt kicks things off with the short, harmonious and accordion driven "Dynamite." Then, inspired by Keith Richard's admission (later revoked) that he had smoked his father's ashes, "Cocaine and Ashes," brings to light the effects of addiction with a stripped down sound - mostly carried by the fiddle, piano and Farrar's heartfelt vocals. In the vein of Americana inspired music, "Sultana" brings the listener back to the maritime tragedy of 1865 wherein the greatest steamboat disaster in American history occurred - often referred to as the Titanic of the Mississippi. Perhaps the best song here, "When the Wheels Don't Move," delves into the socio-political realm highlighting the greed and avarice of the oil industry. Here, Farrar is admittedly inspired by the soaring gas prices of 2009 as he sings: "Who makes the decision / to feed the tanks and not the mouths / when the wheels don't move." Overall, while there's nothing spectacular here and there's a few missteps along the way, what Son Volt has recorded is a well rounded album that grows more interesting after each listen. ~ Reviewed by Jeff Bouma

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BUTTERFLY BOUCHER

Scary Fragile

June 15, 2009

Aussie native, Butterfly Boucher, not only wrote and arranged everything on this album, she also played all the instruments. This is the follow-up to her first release, Flutterby, which had a song featured on Grey's Anatomy. "A Bitter Song" has now been re-released on this album. The song title pretty much says it all for this album. This is full of teenage angst, sung in over-produced vocals over power-pop guitars. There is nothing interesting or challenging here. If you like the bands Paramour or Evanescence, you might enjoy this one too. Rebecca Ruth

Quick Links:

Nettwerk Records Website

Barsuk Records Website

JARVIS COCKER

Further Complications

May 17, 2009

After fronting Pulp, semi-retirement in Paris, songwriting for the likes of Marianne Faithful and Charlotte Gainsbourg, appearing in Harry Potter and the Goblet of Fire (as lead singer for the Weird Sisters), Jarvis Cocker is finally having a go at his second solo release. Produced by Steve Albini (Nirvana, Pixies) and featuring plenty of tongue-in-cheek lyrics, this album rocks in all the right places. The vocals were mixed front and center and they can take some getting used to, but it works. Many songs can be compared to other artists such as "Angela" (Smithereens), "Homewrecker" (Virginia Plain-era Roxy Music), and the awesome "You're In My Eyes" (Flight of the Concords covering Bowie?). Incidentally, Jarvis is currently composing music for Wes Anderson's animated adaptation of Roald Dahl's "The Fantastic Mr. Fox". It is set to be released in Nov. 2009 and will feature Mr. Anderson's usual cast of actors including Jason Schwartzman, Bill Murray, and Angelica Huston. Rebecca Ruth

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CLOUD CULT

Feel Good Ghosts (Tea Partying Through Tornadoes)

May 11, 2009

With short and punchy songs, coupled with thought provoking lyrics, Minneapolis, Minnesota's Cloud Cult has certainly attracted a lot of attention over their decade and a half of existence. In fact, their last album, 2007's The Meaning of 8 was ranked by the Denver Post as one of the top ten albums of the past decade, along with bands like Modest Mouse, The Flaming Lips, and Radiohead. So, with the release of their latest recording titled Feel Good Ghosts, one wonders whether they can do it again? If you're unfamiliar with Cloud Cult, think the lyrical introspection of The Mountain Goats along with the musical ingenuity of The Flaming Lips, and you might just end up pretty close to what you find here. The brainchild behind the Cult is Craig Minowa whose lyrics are worth following if not for their profoundness, then for their sheer lyrical whit. For instance, on one of the best songs on the album, "The Ghost Inside Our House," Minowa writes: "We saw a ghost inside our house, or was it wishful thinking? Oh, God, don't leave us by ourselves, or we're bound to take up drinking. I said, "please send us a miracle, so I know that there is meaning." You said, "I think that it's a miracle just to be breathing."" Added to the lyrical attraction are melodies that catch you from the start. For instance, on the opener, "No One Said it Would be Easy," Minowa sings about the difficulties of life and yet somehow does so in jolly and melodic sort of way. Another song that sounds like the soundtrack to something beautiful is "When Water Comes to Life," a track that begins slowly and builds into something bigger. From start to finish, the genius of Cloud Cult is in keeping the listeners attention throughout. Overall, while not a perfect collection of songs, Cloud Cult's latest is certainly one of the most interesting releases of 2009 and one that is likely to engross you from beginning to end. ~Reviewed by Jeff Bouma

Quick Links:

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Bell X1

Blue Lights on the Runway

May 11, 2009

Pronounced: “BELL X ONE” Bell X1, named after the first supersonic plane, is an Irish band. They were originally known as Juniper and included Damien Rice as a member. This is their fourth studio album and their sound has changed a bit since Mr. Rice’s leaving. Their sound has been compared to that of Talking Heads. I don’t buy the comparison, unless you are talking about the track “The Great Defector”. As the lead single from the album, it offers a lot of similarities, right down to the David Byrne-sounding vocals of Paul Noonan. Otherwise, this is electronic-infused pop with the best songs being the upbeat “A Better Band” and “Breastfed”. “Amelia” is a good one as well, it being about whom else but Amelia Earhart. The liner notes mention the ballad, “Light Catches Your Face” as a focus track that was once featured on a television show called One Tree Hill.

BLACK JOE LEWIS

Tell em What Your Name Is

May 11, 2009

This album works. Jim Eno’s competent production, tight instrumental performances, and emphatic vocal presentations make Black Joe Lewis and the Honeybears’ latest release, “Tell ‘em What Your Name Is” a success. The music is all blues, jazz, and soul, while simultaneously rejecting the industry-imposed conventions of those genres. The lyrics are blunt and the music is equally unrestrained. Unfortunately, almost the whole album is unsuitable for radio because of profanity. Of course, this doesn’t mean you shouldn’t listen to this great album over and over. The record is available from Lost Highway Records in March, 2009.

DOPERS,DRUNKS AND EVERYDAY LOSERS

May 5, 2009

COMANDER CODY DOPERS, DRUNKS AND EVERYDAY LOSERS Commander Cody remains an enigma of American roots music. On this release he combines new songs with redone classics to tell the stories of dopers, drunks and everyday losers. This CD is a combination of roots rock, outlaw country and a dash of western swing that should have a warning label. After one listen you may find yourself rolling your own, going for the liquor cabinet or enjoying one of your favorite unhealthy vices. Most tracks are Commander originals with the exceptions of the John Hiatt classic “Tennessee Plates” and the “No No Song” which was made famous by Ring Star. You will also find reworked versions of commander classics “Wine Do Yer Stuff” and “Seeds and Stems Again”. The Commander may have lost the Lost Planet Airmen but he sure hasn’t lost his sense of humor or ability to tell a story. Reviewed By: Gregg Saur

Quick Links:

Commander Cody Home Page

RHETT MILLER

Rhett Miller

May 4, 2009

While this is Rhett Miller's fourth solo album, showcasing the good and bad of life and love, for some reason he's waited until now to release a self-titled collection of songs. In the end, it doesn't really matter as the acclaimed singer/songwriter and Old 97's front man gives his listeners a mostly enjoyable spin on this short but sweet twelve-song set. The first single, "I Need to Know Where I Stand," is certain to garner plenty of airplay as well as find its way onto a soundtrack or two. Nevertheless, there's better stuff here such as the equally appealing "If it's Not Love." Then there's the punk rock sounding "Happy Birthday Don't Die," which offers listeners a different side of Miller - an edgier and grungier aural experience that ends in what sounds like a jam session. My personal favorite is the nearly perfect "Refusing Temptation" that showcases the singer/songwriter at his best as he beckons: "Why am I refusing temptation / when it's all around me / it would be so easy to say 'yes' but I never say 'yes' / I just float here like ice." There's also the calm and mellow side of Miller that surfaces on tracks like the beautiful and melancholy "Bonfire" and then again on the lush and hope-filled "Lashes." While an initial listen of Miller's latest may prove less than exciting, let me suggest to you that this is the kind of recording that somehow sounds better after each listen. Give it a chance and I'm convinced that you won't be left wanting. ~ Reviewed by Jeff Bouma

Quick Links:

Rhett's Official Website

CLUTCHY HOPKINS (MEETS LORD KENJAMIN)

Music Is My Medicine

April 26, 2009

Multi-instrumentalist, Clutchy Hopkins, is still being promoted as a mystery man of sorts. If you seek information about him, you'll find wild stories and unsubstantiated facts. Basically, he's travelled the world, investigating consciousness and its relation to music. He's studied under Zen monks in Japan, a Raja yogi in India, and a master percussionist in Nigeria, amongst others. Along the way, he has made some great music, attempting to utilize the lessons he's learned in the last thirty-some years. This is a typical Clutchy album. It's full of drum 'n bass beats, punctuated with organ, flute, electronics, melodica, and various home-made instruments. This is innovative and funky dub at its groovin' best. Rebecca Ruth.

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ZACHARY RICHARD

LAST KISS

April 21, 2009

ZACHARY RICHARD LAST KISS Last Kiss is the first English disc from one of the premiere Louisiana storytellers and troubadour Zachary Richard. Zachary’s voice has never sounded better and his stories can still pull his listener’s into each song. The track “The Levee Broke” is another compelling Katrina track that features a full backing church choir where Zack proclaims that the only way he is leaving Louisiana is if he is swept away in the mud. The title track “Last Kiss’ is an up-tempo frightening track of looking for that last kiss before darkness comes. “Acadian Driftwood” is a cover of the classic Robbie Robertson preformed by the Band and features none other then Celine Dion on vocals. Avid fans of Zachary may miss the energy found on the classics “Snake Bite Love” and “Women in the Room” but will still be rewarded by the voice and stories of one of Louisiana’s finest. Reviewed By: Gregg Saur

Quick Links:

Zachary Richard Home Page

GOMEZ

A New Tide

April 20, 2009

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BELL X1

Blue Lights on the Runway

April 13, 2009

Bell X1, named after the first supersonic airplane, is an Irish band. They were originally known as Juniper and included Damien Rice as a member. This is their fourth studio album and their sound has changed a bit since Mr. Rice's leaving. Their sound has been compared to that of Talking Heads. I don't buy the comparison, unless you are talking about the track, "The Great Defector". As the lead single from the album, it offers a lot of similarities, right down to the David Byrne-sounding vocals of Paul Noonan. Otherwise, this is electronic-infused pop with the best songs being the upbeat "A Better Band" and "Breastfed". "Amelia" is a good one as well, it being about none other than Amelia Earhart. The liner notes mention the ballad, "Light Catches Your Face", as a focus track that was once featured on a television show called One Tree Hill. Reviewed by Rebecca Ruth.

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PAPERCUTS

You Can Have What You Want

April 13, 2009

This is the third album from Jason Robert Quever (Beach House, Vetiver). This is a quiet album of cosmic lyrics sung with reverb-tinged vocals over vintage organs, big percussion, and lush string arrangements. The entire thing has a melancholy feel the grew on me with each listen. Incidentally, it was recorded entirely analog. There is no computer processing here at all. Give it a try when you are feeling quiet. It might suit your mood. Reviewed by Rebecca Ruth.

Quick Links:

Gnomonsong Website

VIENNA TENG

Inland Territory

April 12, 2009

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DESMOND AND THE TUTUS

Tuckshop

April 6, 2009

This debut album from this South African outfit rocks! All the songs here feature amusing lyrics and an energetic pace that one can't help but at least tap a foot (or two) to. Every song's a winner, but the best one is "Good and Guilty" with its danceable beat, rhythm guitar and fun vocals. Another one in the same vein is "German Modern". Both songs feature tongue-in-cheek lyrics, but other funny ones are "Crazy Rebel". ("You can finish a double cheese and bacon burger all by yourself...you my friend are a crazy rebel.") I'll bet many people could relate to the lyrics of "High Five". ("I'm excited to see you, but your high fives are far too hard.") This album is just plain, danceable fun. Enjoy! Reviewed by Rebecca Ruth.

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DAN HICKS AND THE HOT LICKS

TANGLED TALES

April 1, 2009

DAN HICKS AND THE HOT LICKS With a voice that is often perilously close to being out of tune and a delivery that spits out words faster than bullets at a drive by shooting Dan Hicks can sometimes leave listeners in the dust which, of course, is part of the charm as you listen to his tunes over and over again to pick up the sly jokes and crazed ruminations on life. Making the repeated listening worthwhile is a musical backdrop that veers wildly between gypsy swing, jazz, jug band and blues Highlights of this set include Hicks trying to negotiate through a rude world on "The Diplomat", which gets extra sass from his female backing crew, the bass driven "Blues My Naughty Baby" and the title track, both of which feature Hicks trying his hand at Cab Calloway style scatting, the jazzy homage to his father, "Song for my Father", the bluesy tale of a party gal, "The Rounder" (featuring Charlie Musselwhite on harmonica), the tub-thumping, "Ragtime Cowboy Joe", the spot on cover of Dylan’s "Subterranean Homesick Blues" and the chill out vibe of "Let It Simmer". Smitty

ERNIE AND THE AUTOMATICS

LOW EXPECTATIONS

April 1, 2009

This six piece Boston based band has a pedigree that includes two former original members of the rock band Boston and a member of Peter Wolf’s House Party 5. So does the pedigree translate into something worth the listen? Well, it depends on what you are looking for. If you’re looking for straight blues then the pedigree doesn’t accomplish much: the blues appear only in "Back Around", which has the same swampy feel as some of Omar and the Howler’s early work. But, there’s plenty of other good music here. "The Good Times (Never Last)" and "I’m Gonna Haunt You" feature big Boston style guitar flourishes and layered vocals. "If I’d a Let You" is a funky R & B number while "Tappin’ On an Empty Head" and "Let It Go" feature tasty saxophone driven grooves. "Blues Town" is about the blues but plays more like rock while the title cut is the definition of the blues with lyrics sung from the point of view of someone so down and out that that low expectations of him by others are the best thing going for him. A bit of hope enters the picture on the soulful "The Best is up Ahead" where asking what else could go wrong is nothing but an invitation for trouble but the future nevertheless holds some promise. The two instrumentals on the disc play to opposite ends of the spectrum with "Hong Kong Shuffle" being all brawn and muscle while "Fly in the Milk" hits a lighter jazzy groove. Good, but file under rock. Smitty

MATT DUKE

Kingdom Underground

March 29, 2009

This second album from South Jersey youngster, Matt Duke, is your basic mild rock album that would fit in just fine on the soundtrack to American Idol or perhaps on my teenage niece's ipod. These are songs about every day life, sung earnestly over guitar, drums and keys. Reviewed by Rebecca Ruth.

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DOVES

Kingdom of Rust

March 29, 2009

On this their fourth studio release, the threesome known as the Doves serves up what some might expect from a band finding its groove - a bigger and more mature sound. While the lyrics are merely okay - many of them have a veiled sort of meaning - what stands out on Kingdom of Rust is truly the sound. For instance, the first four songs are truly the four best tracks here and most definitely stand out from the rest. "Jetstream" is a great opener with a sound that builds and builds as it plugs along - a true pleasure to listen to. "Kingdom of Rust," the title track as well as the first single, is another good song that just plain sounds good. Next, "The Outsiders," begins in a Pink Floyd sort of way but then gradually moves into the more familiar Dove territory making for an interesting spin. Finally, "Winter Hill" is a love song of sorts as Jimi Goodwin sings and reminisces about days on Winter Hill. While the effort seems to taper off a bit midway through the eleven song set, it does end well with four pretty good songs. "House of Mirrors," one of the faster moving songs on the album and "Lifelines," a slower and yet well put together song, are the best of the final four. In the end, aside from the addition of a few "beats and blips" commonly found in electronic music, the Doves still sound like the Doves and have provided something well worth a few spins for fans both new and old. ~Reviewed by Jeff Bouma

Quick Links:

The Doves Official Site

WAR CHILD-16 Of Todays Biggest Artists

HEROS

March 23, 2009

WAR CHILD PRESENTS HEROS Everything associated with this Disc is amazing. It assembles 16 classic artists including {Dylan, The Clash, Steve Wonder Leonard Cohen, U2, David Bowie and more} and has them pick 16 of today’s hottest artists Including {Beck, Duffy, Lilly Allen, Rufus Wainwright & the Scissor Sisters} to cover some of their classic tracks. Instead of trying to reproduce exact covers each artist takes their own liberties in making these classic tracks their own. It is fair to say there is not one missed target in this group. The other amazing thing is the proceeds from this disc go to an award winning charity that provides humanitarian assistance to war-affected children in some of the most devastated regions of the world. This leads me to only one question if children were left to their own devices and the power of the music provided on this disc would there ever be a thing called war? Reviewed By: Gregg Saur

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Nathan Kalish and The Wildfire

Waterbirds

March 16, 2009

From Grand Rapids’ own Nathan Kalish and the Wildfire comes their latest, full length album, “Waterbirds,” available 2009 from Caveman records. While this release may do little to expand the horizons of the world of rock music, it certainly stays true to the tested and time honored traditions of the genre. Wildfire sound like they could be The Rolling Stones’ nephews. A fine presentation by fine musicians, “Waterbirds” is a solid release from a band that bills itself as “The Last Rock Band in Grand Rapids.” – Mike Shade

Great Lakes Swimmers

Lost Channels

March 16, 2009

YOUTH GROUP

The Night is Ours

March 9, 2009

Hailing from Canberra, Australia, the foursome known as Youth Group have been at it for some time now - this being their 4th studio release. Turning an old boat into a recording studio and hiring several producers, including Death Cab for Cutie's Chris Walla to do some of the mixing would lead one to think that the effort should be top notch. In fact, the first three songs are just that. "Good Time" sets the tone for the remainder of the recording as it suggests a journey into a dark night of the soul. The second, "One For Another" delves into the realm of addiction and trading "one addiction for another" that so often entangles the addictive personality. One of the songs with the most 'pop' is the third, "Two Sides," which also showcases synthesizers and pounds out a sound reminiscent of The Killers. "All This Will Pass," perhaps the most positive here, is another song worth a listen and offers up encouragement to the one whose done something they've later regretted. The final song worth mentioning is their latest single, "In My Dreams," another offering of lush vocals by Toby Martin and an overall melody that makes you want to hear it again. While a solid effort, and one that's appreciated more and more after repeated listens, the Youth Group have given their fans something that should tide them over for awhile. Still, this album lacks the real "standouts" that would take them to the next level with many of the tracks barely rising above the "good" level. For that, we're left wanting and waiting patiently until next time. ~ Reviewed by Jeff Bouma

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Franz Ferdinand

Tonight

March 9, 2009

This is the 3rd album by the Scot-popsters named for the ill-fated Archduke of Austria. This one’s been panned by critics a bit but mostly because of the high expectations their first two raised. This, to me, sounds like Franz Ferdinand (without a giant hit within) - Sort of New Wave-ish, British-accented, power pop. On the ‘YCE Rock scale, I’d give it a 7.4 - Gladden

M. WARD

Hold Time

March 9, 2009

I have a bit of a crush on Matt Ward anyway, so this might be a little biased: Hold Time, the seventh album under the name M. Ward, couldn’t have come out at a better time. Just under a year after the mad-talented guitarist/ vocalist/ songwriter/ producer/ artist decided (bravely…?) to release a rather iffy album with film actress Zooey Deschanel (under the name She & Him), I was wondering if the old boy finally sold out for good. But Hold Time is classic M. Ward like we all know and loved him. Maybe a little more loveable even, because this is notably cheerier than past efforts. He rocks out a little bit this time around, taking glam-riff cues and slappy, big drums from buddy Jack White on “One Hundred Million Years”, “Never Had Nobody Like You”, “Epistemology”, just plain bounciness on “Fisher of Men” and electricity on the standout “Rave On.” This guy has worked with everybody talented from the White Stripes to Connor Oberst to Norah Jones (both of whom he toured with recently), and chose well placed and humble collaborations with My Morning Jacket’s mastermind Jim James and Lucinda Williams (their duet “Oh Lonesome Me” is beautifully simple, and her gravelly vocals lend remarkable grace). Not to my surprise, however, the real strength on Hold Time lies in his ballads. The title track is filled with rich, ambient intrigue, and the lyrics to “Blake’s View” walk the fine line between kid’s book-simplicity and actual brilliance. Paired with his adorably tinkling guitar work, even on the upbeat stuff (which is also simple and excellent), his buttery warm vocals and cozy songwriting really work all over the place on this album, and will hopefully win back a little bit of the love that She & Him lost. – Stef

Lily Allen

It's Not Me, It's You

March 9, 2009

One time I played this joke on my Dad. Knowing he would eat it, I placed this Super Sour gumball on his dashboard and sat back and watched. This is much the same, it appears sugary and sweet, it contains a potent bite. And when I hear it played, I’ll laugh and laugh.- Gladden

Duncan Sheik

Whisper House

March 9, 2009

Based on a theatrical piece in the works, Duncan Sheik's Whisper House, released January 26th, 2009 unmistakably offers rich material similar to his previous recordings, including blends of orchestral, acoustic rock, and epherial folk. Not an album to spin with any firearms or sleeping pills nearby, a listener may long for a glimmer of hope. The album highlights Holly Brook's vocals throughout, which surely add a sweetness to a somewhat depressing experience. However, what he does, he masterfully. – Christian Borg

BUMP

Forward

March 7, 2009

This is the fourth album from this Detroit-based rock band. It's not quite so proggy prog-rock. Their website compares them to Flaming Lips and Death Cab for Cutie, which I can see to some extent. The album starts nicely with "Everyone Knows", but it seems to fizzle halfway through as the songs begin to sound a bit too similar. It's a nice enough release, though, with decent production, good musicianship, and occasional odd time signatures. Reviewed by Rebecca Ruth.

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Oren LaVie

The Opposite Side of the Sea

March 1, 2009

Oren is Israeli born singer-songwriter, compared by some to Nick Drake. The Opposite Side of the Sea is pleasant CD. The reviews I have read have been very positive. His vocals are distinct- throaty, almost breathless. I can't say it was one of my favorite CD's to listen to..a bit too laid back. However, I think Oren will have a strong fan base the production values are high and he is a certainly a talented musician. Songs of note include Her Morning Elegance and Ruby Rises. I read one review that indicated the CD had a "broadway feel" to it, and I agree completely. I prefer my sounds a bit more "off-broadway", but for each their own! – John Rumery

...AND YOU WILL KNOW US BY THE TRAIL OF DEAD

The Century of Self

February 27, 2009

This Austin-based rock band has made some changes in the seven years since their last release. Their line-up has gone from being a quartet to a trio and they've moved from a major label to their own start-up label. Their sound is not much different than on previous releases, but this album simply can't compare to 2002's "Source Tags and Codes". That album was a bit more accessible while this one is at times poorly mixed and over-produced. While I think this album is okay as a whole, there isn't a single stand-out track on this one. Reviewed by Rebecca Ruth.

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SARAH BORGES AND THE BROKEN SINGLES

The Stars Are Out

February 22, 2009

On Sarah Borges' first two recordings, 2005's Silver City and 2007's Diamonds in the Dark, critics of her music described Borges' sound as a mixture of country and punk. On her most recent release, The Stars Are Out, we get more of what some might call pure rock 'n' roll. Yes, the country is still here such as on the song "Better at the End of the Day," where the country in her voice is also hard to miss. Nevertheless, the "rock" is hard to overlook throughout this ten song offering, such as on the opening track and also the first single, "Do It For Free," which could very well be Joan Jett and the Blackhearts - not Sarah Borges and her band the Broken Singles. One song that sounds reminiscent of Chris Isaak is the rockabilly laden and yet laid back "Met Your Ghost." Borges even manages to incorporate her very own version of Smokey Robinson's classic, "Being With You," and does so quite well. Still, two songs deserve special mention as true standouts on this album. The first, "No One Will Ever Love You" incorporates the baritone guitar and the lap steel to create a sound that while melancholy and sad, still sounds incredible. The second, "I'll Show You How," utilizes the harmonica and the upbeat rhythms in a way that reminds one of the energy of Chrissie Hynde and the sound of The Pretenders. From simply a listening standpoint, this album is a keeper. The truth be told, there's not a bad song here so you can safely listen to The Stars Are Out in its entirety and repeatedly and you won't be disappointed. ~ Reviewed by Jeff Bouma

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PSAPP

The Camel's Back

February 18, 2009

London duo, Galia Durant and Carim Clasmann, make up this esoteric pop band. You may have heard them if you've every heard the original theme to Grey's Anatomy ("Cozy in the Rocket"). This is cool stuff, featuring odd noises and homemade electronics. There is interesting percussion here as well as Psapp is known for its use of homemade items and found objects. (Is that a cat meowing in "Fix It"?) Try to figure out the percussive instruments being used in "Marshrat" (an instrumental) and "Mister Ant". Shawn Lee guests on "Homicide" and kazoos(?) carry the melody in "Parker". Except for the mellow "Screws", this is an upbeat album that is definitely worth a listen. Reviewed by Rebecca Ruth.

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VAN MORRISON

LIVE AT THE HOLLYWOOD BOWL

February 6, 2009

VAN MORRISON ASTRAL WEEKS LIVE AT THE HOLLYWOOD BOWL Van Morrison was a mere 22 years old when he recorded what is still deemed today by most critics as one of the greatest rock recordings ever. At 63 years old he brings back to life Madame George and demonstrates why certain recordings remain timeless. This CD was recorded live at the Hollywood Bowl on November 7 and 8, 2008. Van brings in a stellar band & stretches and improvises many of the tracks found on the original disc. His vocals have lost some of the youthfulness over the past 40 years but the richness & maturity found in his vocals today breathe a new life into this classic disc. Fans of this disc will also take notice that Van has reorganized the order of the songs found on the original. You will also find two excellent bonus tracks not found on the original disc. After just one listen to this disc this poetic champion who captured our hearts with stories of young love brings us back to where it all began. Reviewed By: Gregg Saur

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KEANE

Perfect Symmetry

February 4, 2009

Known early on as the "band with no guitars," on this their third effort, guitars are heavily scattered throughout as Keane seeks to maximize their sound, even going so far as to use horns and strings in a few cases. From a "Pop" standpoint, Keane pulls out all the stops on their opening four tracks. On the first, "Spiraling," the band chronicles a life out of control - presumably lead vocalist Tom Chaplin's. The second, "The Lovers are Losing," is equally well done but offers a rather depressing take on love and life. On the fourth, "You Haven't Told Me Anything," Keane showcases guitars unlike anything we've probably heard from them before. Another song worth mentioning, is the synth laced "Again and Again," - a catchy track about the difficulties one faces in relationships that don't quite live up to our expectations. Perhaps the best sounding song here is the title track, "Perfect Symmetry" a political and theological rant of sorts that suggests: "This life is lived in perfect symmetry / What I do, that will be done to me." After three albums, I think it's safe to say that Keane has mastered the art of writing catchy pop songs that prove listenable. If there is one criticism here, it's that Keane still hasn't found a way to write a group of songs that don't all gravitate to the same overall sound and feel. Aside from the slower and down tempo tracks, many of the songs sound similar and are hard to differentiate. While this is a really good effort, and arguably their best, I can't help but wonder if something better is yet to come. ~Reviewed by Jeff Bouma

Quick Links:

Keane's Official Website

The Parties on Myspace

TRAVIS

Ode to J. Smith

December 2, 2008

For the eclectic ear and fans of the Brit Pop genre of music, Travis' latest release could be just what your ears have been craving. Led by singer and primary songwriter Fran Healy, the Scottish band from Glasgow, on this their sixth studio release of original songs, provides a set that captures the listeners attention throughout by keeping it fairly interesting. For instance, the first three pack quite a punch. "Chinese Blues" - the opener - a pop/rock and piano driven track is catchy and really quite good. This is followed by the title track, "J. Smith," - a song with a different sound that ends with a choir singing the final verse in Latin. The third, the short, sweet and grunge inspired "Something Anything" is surprisingly the first single off of the album - mostly because the previous tracks mentioned are stronger. Another song worth mentioning is the final one - "Before You Were Young." This is perhaps the most out-of-place song here, but maybe also the most beautiful as it accentuates Healy's depth and quality both lyrically and vocally. Aside from a few blunders such as the somber and vocally broken, "Broken Mirror," this collection of music from Travis is catchy and proves itself especially better with time. ~Reviewed by Jeff Bouma

Quick Links:

Official Travis Website

ASHTON ALLEN

Wellspring

November 20, 2008

Some albums have a way of sounding better with time and after the initial spin. Ashton Allen's sophomore effort is one of those wherein repeated listens warrant more listens. The result is that the album increasingly grows on you. The twelve-song set kicks off with the good (but not great) piece "Something in the Sound." While no one song stands out, several of them are solid and deserve their just attention. "Purpose," is a track that encouragingly reminds us that life has meaning despite the ups and downs we all face. The following song, "Promise," is equally compelling and an even better listen. Unlike some title tracks that are often a musical letdown, "Wellspring" is a somewhat cheery and welcome sound that points out that while life has "so many questions / there is an answer / faith is a wellspring / fear is a cancer." Another strong effort is the piano driven, upbeat, and the closest thing to a dance or toe-tapper on the album - "Small Gifts." The final track, "Greenville," finds Allen singing and playing in a way that is strikingly similar to Sufjan Stevens - experimenting with more of a bluegrass sound with banjo, piano, and even the organ taking the forefront of the musical composition. It's a fitting end to an album that seems to work and sound better and better as it ages with time. If the listener is willing to give Allen more than a passing glance, the "wellspring" of songs here will likely grow on them. ~Reviewed by Jeff Bouma

Quick Links:

Ashton Allen's Official Website

THE CLASH

The Clash: Live at Shea Stadium

November 20, 2008

Being only eleven at the time, I can only imagine standing there on October 13th, 1982, awaiting what was about to happen. The scene was New York City's Shea Stadium and the band was The Clash. Following on the heels of their most commercially successful effort, Combat Rock, the Clash were opening for The Who. Nevertheless, they were still able to draw an enthusiastic American crowd themselves due to radio hits like "Rock the Casbah" and others. What many listening that day were not aware of, and probably wouldn't have guessed, was that only a few weeks later The Clash would officially call it quits. Still, at this point in their brief history, the band was in demand and a "must see" for the true Rock N' Roll connoisseur. Before the music begins, an introduction of the band amidst the cheering and jeering (by The Who fans) sets the stage for what's to come and contextually reminds us that baseball was over in New York and the NFL was on strike - the stadium was filled for a different reason that day. Aside from the "Guns of Brixton" and "Armagideon Time," songs that seem temperamentally a little out of place here, the remainder of the live set is filled with passion and protest at it's best. While the hit, "Rock the Casbah" seems a little tired, the other popular single, "Should I Stay or Should I Go" is solidly done. The album kicks off with two great songs back to back, the popular "London Calling," and the fast-paced "Police on My Back." Another great back to back moment occurs with the songs "Train in Vain" and "Career Opportunities." For fans of The Clash, this high energy set and a chance to reminisce is probably enough reason to make getting a copy of this live release a priority. While ardent fans might question the set list that leaves the fan of their 1977 self-titled debut left wanting, the energy of listening to them live undoubtedly captures time in a bottle. The result is nostalgia at its best. ~Reviewed by Jeff Bouma

Quick Links:

The Official Clash Website

Colbie Caillat's Official Website

THERESA ANDERSSON

Hummingbird, Go!

October 31, 2008

Born and raised on the Swedish island of Gotland, Theresa Andersson now calls New Orleans her home. This album was recorded in her kitchen and she often uses "found" instruments from her kitchen cupboards. The xylophone sound on "The Waltz" is actually soda bottles filled with varying levels of water. She also makes unconventional use of conventional instruments. Consider that the slide guitar sound in "Hi-Low" is actually a violin. All this adds up to a quirky indie-girl-pop sound that is both interesting and accessible. Reviewed by Rebecca Ruth.

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WINTERPILLS

Central Chambers

October 31, 2008

October 24, 2008

Commenting on his website, Matt Hales (aka Aqualung) writes: “I nearly called this album Heart Songs, because that’s sort of what they are...There’s something about the spirit of these recordings that feels like the start of something new. I don’t know exactly where it will take me, but it will be very interesting to find out.” What the singer/songwriter called the album instead is Words and Music and for good reason for what we find from this latest Aqualung collection are songs that are stripped down musically and yet heart-felt lyrically. This is no more noticeable than on the opener, "7 Keys." Hales sings: "Darling believe / You’re closer than anyone has even been / Oh baby don’t leave me alone / I'm yours for eternity / You hold the seven keys to my soul." An equally compelling tune is the lush and beautiful "On My Knees" - as the lyrics convey a focus on forgiveness and a yearning to make things right. The other standout track is the eloquent "When I Finally Get My Own Place," that paints life in relationship as a roller-coaster of emotions. Aside from the aforementioned, however, the majority of the album leaves the listener wanting something more - perhaps a little energy to combat the slow meandering of most of the songs. On the Paul Simon cover, "Slip Sliding Away," Hales finds some of this energy but the rendition as a whole doesn't seem to do justice to the original - a nearly perfect song that probably needs not be redone. So, while Hales may very well offer his heart, what is mostly lacking here are graceful, compelling, and beautiful melodies that will capture the heart of his listeners as well. For this, Aqualung fans may have to wait for something new or search someplace else. ~ Reviewed by Jeff Bouma

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AMP FIDDLER SLY &ROBBIE

Inspiration Information

October 20, 2008

October 16, 2008

This two-disc set is the soundtrack to the film of the same name. The film is about the surf scene in two communities on Australia's east coast. The first disc features Aussie musician Shawn Lee and except for the first song is all instrumental. These surf-inspired songs are all good, be they at times funky or mellow with a cool groove. The use of harmonica in many of them lends a refreshing retro feel. The second disc features a collective of musicians from various Australian bands. It may be slightly more serene, but it is just as compelling as the first disc. The second and third songs on disc two, "Dylan's Wings" and "Sol Train" could be considered blues/rock as they feature vocals and some funky electric guitar. They are quite different from the other songs, yet they still fit in nicely. This disc is all around a really good listen. Reviewed by Rebecca Ruth.

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SMILE SMILE

Blue Roses

October 15, 2008

If the title is any indication, we should already know what we're in for on the reissue of Smile Smile's 2006 debut "Blue Roses." With songs of melancholy and sadness laced throughout, the duet Ryan Hamilton and Jencey Hirunrusme offer a mixture of folk and pop with relationships gone bad as the backdrop to nearly every song on this recording. With the duo sharing the workload, the vocals are strong throughout. For starters, Sad Song just might be the best sounding sad song in a long time as it infectiously and yet sadly laments "I'm not a savior, I'm just a person. You need a hero, but he's not here." Another standout song is the opener and uptempo Anymore, which again expresses sadness this time over the reality that "your not mine anymore." Offering other enjoyable melodies are the songs Waving the White Flag that deals with surrender in relationships and the seemingly positive and catchy Hope Avenue, which is really quite the opposite as it delves into the bad hand that life so often deals. While Smile Smile has undoubtedly created several songs worthy of the listeners time and attention, the "blueish" tint throughout is hard to stomach at times and may not be for everyone. For instance, Your Life is about suicide and reflects on the belief that, in fact, life is worth living despite how tough things might be. Lyrically, this song is uplifting, but musically it leaves the listener wanting something equally inspiring. So, if you're looking for sunshine and a little pick-me-up from Smile Smile, you may want to turn someplace else as it's mostly raining here and the roses are definitely blue. ~Reviewed by Jeff Bouma

Quick Links:

The Official Smile Smile Website

JOSEPH ARTHUR AND THE LONELY ASTRONAUTS

Temporary People

October 13, 2008

Joseph Arthur was the first American artist signed to Peter Gabriel's Real World label in the mid-90s. Originally from Ohio, this visual artist/musician now calls Brooklyn the home of his Museum of Modern Arthur exhibition space. After several albums and having toured with the likes of Ben Harper and REM, Mr. Arthur added back-up band The Lonely Astronauts in 2006. This is a nice rock album, featuring Arthur's raspy vocals, well-written songs and lots of organ and harmonica. The choir-like backing vocals give some songs such as "Heart's A Soldier" a gospel-like feel. There are also some good raunchy rockers such as,"Dead Savior" and "Winter Blades". I also have to mention "Dream is Longer The the Night". Its muted vocals and weighty guitars make it one of the highlights of the album. There's also a pleasant rocker called "Drive" toward the end. Reviewed by Rebecca Ruth.

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JOHN MAYER

– Where the Light Is, Live in LA

October 13, 2008

John Mayer’s two-disc, live release Where The Light Is shines most brightly on Mayer’s largest attribute, his ego. Disc One consists of an acoustic set and a blues set featuring the John Mayer Trio, a ‘Mayeresque’ romp through the blues. While the acoustic set doesn’t really offer anything new vocally (a criticism I’ve heard of Mayer’s live performances), it does offer an intimate review of a few of Mayer’s bigger hits and a very nice cover of Tom Petty’s Free Fallin’. The Blues set offers a different perspective of Mayer’s talent, and provides an opportunity to get Mayer onto the WYCE airwaves by those programmers who may avoid Mayer because of his pop success. It’s during the blues set that you can more fully appreciate Mayer as a gifted guitar player, however at times it’s clear that showing off is his singular objective. Disc Two is replete with Mayer’s FM radio hits, and those who can’t get enough of Mayer will feel comfortable with the consistency of his live performance to the studio versions. Overall, it’s an okay live disc, although it’s not a landmark piece of work you sense Mayer would like it to be. Perhaps it would be more enjoyable if Mayer didn’t take himself so seriously. - Matthew

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Lynn Thompson Band

– More Money

October 6, 2008

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THE UGLYSUIT

The Uglysuit

September 30, 2008

I'd have to describe this as atmospheric pop-rock. Some songs start delicately and become quite lush as different musical elements are added, such as the first (and best) song, "Brownblue's Passing". Another good one is "Chicago" which offers nice harmonies and seems somewhat melancholy. "Happy Yellow Rainbow" is almost prog/rock and has some nice piano breaks in it before it becomes somewhat heavy (in a good way). To put it in a nutshell, I rather liked this offering from these Oklahoma City boys. Reviewed by Rebecca Ruth.

Quick Links:

Quarterstick Records

Mason Proper's website

LEONA NAESS

Thirteens

September 24, 2008

Quick Links:

The Official Leona Naess Website

Okkervil River

- The Stand-Ins

September 23, 2008

Recorded during The Stage Names sessions, the latest release entitled The Stand-Ins, Okkervil River picks up where they left off. Will Sheff delivers gut-wrenching lyrics about heartbreak, torn relationships, and life in general. What sets his writing apart from everyone else? He's a true storyteller; combining spoken word-type deliverance of his songs and it's so much more real to the average Joe. This album is the deeper storyline that begun in The Stage Names. The characters become more human and the emotions run very high. Like all of Okkervil River's releases, this is another must have. Check out tracks 2 "Lost Coastlines", track 3 "Singer Songwriter", and track 9 "Calling and Not Calling My Ex". - Layne NO PLAY: 8,11 After 10pm: 3

Quick Links:

Okkervil River's Myspace page

Keller Williams with Mosley Droll and Sipes myspace website

VARIOUS ARTISTS

JOHNNY CASH REMIXED

September 15, 2008

The album remixes Cash’s classics from his first band, the Tennessee Two from Sun Records. John Carter Cash gave his blessing for the record saying “This is what my father was about: staying true to tradition while creating groundbreaking new music.” Snoop Dogg helped produced the album and is featured on the first track. The album is a good way to introduce Johnny Cash to a new crowd and while there are some fun tracks on here (#3, #6, #10) they don’t compare to the originals first put out by Johnny Cash --- Jerrod

Quick Links:

Johnny Cash-Remixed Official Website

DUSTY SPRINGFIELD

– Dusty in Memphis

September 15, 2008

England meets Memphis. A valuable addition to our R&B historic selection. In the first 10 tracks it leans toward easy listening a few times. Those don’t work, avoid. “Son of a Preacher Man” is all too well known. Hits its stride between 4 and 7. The Bonus tracks are much more upbeat and tasty. This just might be all we need in order to capture the Dusty essence. – Glatt Madden

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MICHAEL FRANTI & SPEARHEAD

ALL REBEL ROCKERS

September 12, 2008

Michael Franti’s activist lyrics have always been fueled by deep grooves and a Reggae edge. On this release he takes the next step with dub and straight out Reggae dance grooves compliments of rhythm gods, Sly & Robbie. While there are a couple of tunes that do little more than extol the virtues of a good time, "Rude Boys Back in Town" and "Soundsystem", or the joy of a solid relationship, "All I Want Is You" and "Say Hey (I Love You)", the balance of the disc contains ample doses of Franti’s observations of the many problems of today’s world. "A Little Bit of Riddim" yearns for a day before terrorism, climate changes and big brother’s snooping eye. "Hey World (Remote Control Version)" is a 60’s style call to everyone to get off their duff and to take action against the loss of rights. "Hey World (Don’t Give Up Version)" carries the theme further with a countdown of the senseless things that we need to get through like killing in the name of God, child soldiers and locked up borders. "The Future" is a cynical look at how the powers that be want you to be focused on tomorrow so you don’t notice today’s pillage of your rights. The duet with Zap Mama, "High Low", is a heartbreaking look at child abandonment. As with all Franti discs, he doesn’t simply toll the bell to announce the problem: he also offers solutions in the form of the encouragement of not only action, "Hey World (Remote Control Version)" but tolerance for those with different views, "Nobody Right, Nobody Wrong" and the need to be there for each other, "Have a Little Faith". While the themes are serious and worth careful thought, Franti and crew deliver them with insanely catchy, always interesting, grooves. This is ass shaking protest music of the highest order. WOW. Smitty

MARK DEPREE

Like a River

August 29, 2008

On Depree’s very first album entitled HI, there was a wonderful instrumental song that jumped out at me called “Rattlesnake Eyes”. In my ears it’s been hard for him to top that tune. 3 CDs later, I see that same spirit behind this latest release; Like a River. It seems a daring move to put an almost 8 min. instrumental piece as the very first track; turns out to be a good move on this disc. I think that first song, River of the Sun, captures the soulful spirit of Depree’s music. The second song, Wisteria Blooms, is by local artist and Mark’s friend, Lucy Webster. He takes her song and wraps it in a warmth of his own, and it’s a stand-out track. I believe this album is his most eclectic: You’ll hear folk, blues, country, (Santana-esque) rock and there’s even a traditional Irish song. The music ungulates between tempos and moods quite comfortably, with the title track rounding things out nicely at the conclusion. There is some nice saxophone used throughout, and the prominent solidity of the lead electric guitar serves almost like a second vocalist. Many of the tunes themselves are resuscitated songs that Depree has had tucked away in his archives for quite a few years. When drummer Eddie Eicher met with Mark to try playing some of these tunes, it provided the motivation to finally record. Mark Depree has been a musician for many years, but he also wears the hat of music producer (he has recorded music for many other local musicians) and as an artist (the cover art is his own); he was an exceptional decorative painter in the Grand Rapids’ furniture industry. Kick back and enjoy some soulful tunes from one of our natives. [Note: His CD Release Party will be held at One Trick Pony on Sept. 10th from 8-10 p.m.] Becky Kenny 8/2008

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THE DANDY WARHOLS

Earth to the Dandy Warhols

August 25, 2008

The Dandy Warhols return with their sixth album, Earth to the Dandy Warhols. Here are 13 esoteric rock tracks that remind me of Beck and the Talking Heads. Track 7, “Love Song,” is an accessible, soft rock track. Track 9, “Mis Amigos,” is zippy, and makes me think of The Beach Boys. Track 10, the hit single “The Legend of the Last Outlaw Truckers aka the Ballad of Sheriff Shorty,” is pretty dark … and it’s pretty addictive, too. Reviewed by Sara Cosgrove

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JOAN OSBORNE

LITTLE WILD ONE

August 22, 2008

After her 2006 venture into Country on "Pretty Little Stranger" and her 2007 Soul and R&B cover disc, "Breakfast in Bed", Joan Osborne reunites with the production team the helped her turn her debut, "Relish", into a multi-platinum affair and returns with a disc of all original tunes. Kicking off with the rootsy charm of "Hallelujah in the City" where the rich diversity of New York City serves as a metaphor for the many influences that shape your character, Osborne takes on a variety of subjects including the end of relationships on the mid-tempo rocker, "Sweeter Than the Rest", religion, on the scathing, "Cathedrals", where church leaders hope that those wounded by the church will just go home, and making the best of your time here, on the peppy, "Light of the World". The title track is haunting and troubling while "Daddy-O" finds her relishing the comfort of the past. In addition to her tour of various topics, Osborne also mixes things up musically and vocally. "Rodeo" is a rocker of first order while "Can’t Say No" has a strong Middle-Eastern groove. "Bury me on the Battery" is a folk/spiritual love song of sorts to New York City. "To the One I Love" is a sly, slinky number where she channels Sade while "Meet You in the Middle" could have come from Spy Boy era Emmylou Harris. This disc is solid from beginning to end. Smitty

RY COODER

I, FLATHEAD

August 21, 2008

Spookie Daly Pride Myspace

COLDPLAY

Viva La Vida or Death and All His Friends

June 26, 2008

Coldplay's latest, Brian Eno-produced effort is nothing more or less than expected. It's a nice little album, full of quiet vocals, strong lyrics, and interesting instrumentation and production. They didn't break any new ground here, but they've still put out something above and beyond what many of their pop/rock contemporaries are doing. Of course, you've probably heard the popular radio track, "Violet Hill" and the title track. Both songs seem worthy; but there's other good stuff here as well. The album starts strong with a nice instrumental track, "Life In Technicolor". The second and sixth songs, "Cemeteries of London" and "Yes" are reminiscent of something The Church would do with the lyrics written in first person plural, big backing vocals, and a general dreamy feel. Reviewed by Rebecca Ruth.

Quick Links:

Coldplay's Website

AN ASTHMATIC KITTY SAMPLER (Vol.2)

Achoo!

June 19, 2008

Asthmatic Kitty Records has a local tie. It was originally to be used as a platform for musicians from Holland, MI. Some artists were natives to the area, while others were attending local universities. (Now, it's based in Lander, WY, Indianapolis, IN, and New York City.) This is a sampler of approximately twenty artists, all of the indie rock vein. There are many highlights including the first and second songs by The Curtains and Sufjan Stevens, respectively. The eighth track, by Shannon Stevens, is a nice, quiet piece ala Nick Drake. The twelfth track, by the band Osso, in an instrumental. "Sampler Song" by Rafter rocks a bit with a Beatles-esque refrain. Bunky offers "Yes/No", one of my favorites; and Half-Handed Cloud gives us "Quail", which has interesting instrumentation. Reviewed by Rebecca Ruth

Quick Links:

Asthmatic Kitty Records Website

Aimee Mann

@#%&*! Smilers

June 13, 2008

Aimee Mann : @#%&*! Smilers : SuperEgo Records Ms. Mann returns in good form with a collection of songs that we can no doubt chalk up on her musical fuselage, as they are classic Mann. Mixing elements of Americana, folk, and contemporary power pop, Aimee’s latest work, as well as the rest of it, should appeal to fans of Natalie Merchant, Paula Cole, Summerteeth-era Wilco, and Ryan Adams. The track “Looking for Nothing” is a fine starting point for the curious. Track 9 contains the word ‘bitch’. Reviewed by Trevor Edmonds : June 2008

Quick Links:

Aimee Mann Online

The Quests

Re-Quested : Back to the Garage

June 13, 2008

The Quests : Re-Quested : Back to the Garage : Fritzen/Hotchkiss The Quests are a Michigan-based garage rock band that originally formed in the mid-60s and played spirited pysch-inflected rock in the vein of The Electric Prunes, The Troggs, and similar acts. This disc is a compilation of some of their earlier recordings from the original inception of the band and a few new tracks written since the band reformed. Although it’s nice to see the band has written a few new tunes, the older nuggets are the pay dirt. All tracks suitable for airplay Reviewed by Trevor Edmonds : June 2008

Quick Links:

The Quests Online

SIMIEN THE WHALE

1982

June 12, 2008

Zach, Tory, and Jeff are Simien The Whale, a band named for their beloved mascot, Simien, who is a “resident lovable loser” of a whale. They name some of their influences as Paul from the Wonder Years, George Costanza, Napoleon Dynamite, Milhouse, George Michael from Arrested Development, and The Detroit Lions. Lovable losers indeed. If you ever get a chance to see these guys live…DO IT. They are high-energy, lots of fun, and damn fine musicians. They put on a fabulouso show. This six-track album shows Simien’s versatility, sensability and rockability, which had me listening over and over again. -LaRae

Quick Links:

Simien's MySpace Page

JASON MRAZ

We Sing. We Dance. We Steal Things.

June 11, 2008

We Sing. We Dance. We Steal Things. is Mraz’s first album in four years and reflects how he was feeling when he rediscovered himself in that time. “I’m Yours” is the finished product of a demo version that was leaked out 6 years ago and gained a cult following. “The Dynamo of Volition,” “Coyotes,” “Butterfly,” and “Lucky” all came about out of songwriting challenges from Bob Schneider, who would give him and others a phrase or topic to write about.. “Lucky” is also a duet with Colbie Caillat that is well done and will depress anyone that isn’t lucky to have someone. --- Jerrod

Quick Links:

Official Jason Mraz Website

TINA DICO

Count to Ten

May 29, 2008

Tina Dico is a Danish born, British based singer-songwriter, acclaimed (multi-platinum at home) for her delicate voice and excellent songwriting. Her collaboration with Zero-10 has given her international success. ‘Count to Ten' is her 4th studio album and an enjoyable 11 song reflection of life and love. I like her voice, kinda reminds me of Amy Winehouse without the drugs and the kitsch. Give it a listen. - Anne Lamont

Quick Links:

Tina Dico

Mason Jennings Website

Fields of Industry

Two Dogs, A Television

May 26, 2008

Michigan natives record a sometimes dark, sometimes dreamy, bluesy album that combines alt-rock, blues, and basically anything that has inspired the now fine-tuned sound. Easy listenable songs that aren’t made for radio, but will still stick in your head nonetheless…and as an added bonus, you won’t get sick of them. Great musicianship along with some great tunes. Check out tracks 3 “I’m Not Afraid Of A Fight”, track 5 “Point Of Contention”, track 7 “Dreams”, and track 10 “We’ll Always Have The Oasis”. – Lane Zoerhof

Quick Links:

Fields of Industry Website

David Ford

Songs For The Road

May 26, 2008

This is the second album for David Ford. There's no denying that Mr. Ford is one cynical, creative, dramatic fellow. He depends more on the emotional side of the listener in order to strike a chord. His songs contain glimpses of brilliant lyrics, like, "So you can keep your belief in whatever / And I'll wear my cynicism like a tattoo." However, some of the melodies recycle, and some of the lyrics fall flat. He's no Jeff Buckley, as some would compare him to. Track #1 Go to Hell is a quintessential break-up song and is like balm for a tortured soul. Track #4 Nobody Tells Me What to Do is like an indie rocker's Miss Independent (by Kelly Clarkson). It's musically upbeat compared to the other tracks on the album. Track #6 is a powerful song about shaky faith and extreme cynicism backed by a single guitar, then builds up to a rock opera level. He sings, "I won't scream down St. Peter, if he don't let me in." And it's too bad that track #8 Requiem is a No-Play, because it's AMAZING! The last song, track #9 Song for the Road is a lovely piano ballad, strangely simultaneously cynical and romantic. "Now I don't lightly use words like forever/but I will love you till the end of today." ~Renae O.

Quick Links:

The David Ford Website

John Hiatt

Same Old Man

May 19, 2008

John Hiatt is at his usual wry self on this release. “Old Days” is a funny, entertaining song in which he reminisces about his early years, when he was playing small venues or opening for bigger acts. Most of the rest of the songs are about love and relationships. His lyrics are original and fresh throughout this album, but that should be no surprise. I imagine this will get lots of play at our little station. There’s not a bad cut to be found here. Tim Smith

Quick Links:

John Hiatt Website

Jeb Loy Nichols

Days Are Mighty

May 19, 2008

Intimate, groovy, and softly passionate. Soulful title track is most suited for heavy rotation. But every other song should find air time, especially the harmonica driven “My Kind”, while piano punctuates the regret of “Lay Down and Cry”, similarly sorrowful “25 Years Too Late” manages to be warm. The most tender and personal may just be “Poor Little Barn”, a simple song about a worn out building. “That's Not What She Said to Me” is countryesque, and “I Need You So” revisits the catchy, soulful groove of “Days Are Mighty” (the song finishes around 2:40 but the track extends into a separate salute from Nichols). Michael Loffelman

Quick Links:

Jeb Loy Nichols Myspace page

GLENN BULTHUIS & THE TONEDEAFS

Greatest Hits, 1977-2007

May 18, 2008

Bulthuis is a multi-talented singer-songwriter who has played in the G.R. area for 30 years now, and this collection gathers some of his most requested songs. He moves back and forth between a James Taylor folkie (e.g. "L.A. Girls/Michigan Girls," "At the Dance" and "Nights in the Dorms") to tongue-in-cheek rocker ("Calvin Girl," "Cruizin' Down the Beltline" and "Pickin' up Chicks"). Highly-regarded local guitarist (and owner of Rainbow Music) Pete Bardolph ably assists throughout and Stuart Poltrock (owner of Soundpost Studios) plays keyboards and helps on the production. For good measure (and entertaining listening), there's a Russ' Restaurant commercial (#2), a bluegrass ode to G.R. (#4), a goofy "Dutch" take on the blues (#12) and gospel numbers (#7 and #14). Bulthuis refers to Calvin College situations and locations in #1, #5 and #9 (listen to the Beatlesque closing on #1). 05/08 MJVD R-Pop (mostly, #3, #6, #7, #10 and #14 are more folk and #12 is blues).

Elbow's Website

Elvis Costello & The Imposters

Momofuku

May 12, 2008

In naming his new album after instant noodle inventor Momofuku Ando, Elvis Costello may be suggesting parallels to the project’s simple recipe and quick completion. While whimsical and easy to digest, Momofuku is anything but hot-plate dorm grub (though its initially pressing is on old-fashioned platters, vinyl lovers will be thrilled to learn). Costello has crafted a batch of substantial, personal, clever, melodic songs that fit comfortably alongside his most serious work. Only this isn’t his most serious work. A sense of glee permeates every track. The opening No Hiding Place is a stomper with a wicked guitar line, while the raucous American Gangster Time could be an outtake from This Year's Model, propelled by some wonderful new wave-'60s organ from Steve Neive. The journey concludes with Go Away, a subtle little rave-up/kiss-off rocker built around a deliriously static drum and organ roll that recalls the 1960s single 96 Tears. It's the kind of melody that will stick in your brain for days. – Joe Parsaca

Quick Links:

Elvis Costello's Website

Wonderbelly

The Away Team Is Dead

May 12, 2008

Wonderbelly's debut album makes use of a cadre of musicians over the course of its 14 tracks, but you're never really aware of their presence from song to song. This is a good thing, as being aware of too many cooks in the kitchen (when music is concerned) often causes disinterest in the listener. Musically, Wonderbelly play a mixture of indie rock and more laid back, traditional rock. It's not a bad album, by any means, but it when you finish listening to it, all the songs kind of blend together in your mind, and nothing really stands out. Still, it's enjoyable, when you're listening to it. And that's what counts. – Adam Goran

Quick Links:

Wonderbelly Myspace page

Chip Fundy

May 12, 2008

(Adlib Style Review) These guys are bringing a new (adj.) sound to the local music scene and its as refreshing (adj.) as a cold can of Faygo Orange soda (your favorite beverage). I felt as though I was out to sea (place) with some pirates (animals) and we were all boozing (verb) while doing the polka (dance). You will be pleasantly surprised (condition) when you hear instruments like banjo, dobro, organ, and violin (instruments). Its if there is an A side (noun) and a B side (n,) with a defining sound change toward the second half, it slows (verb) down a bit and I found myself running (verb) the “B side” on repeat. There is an international (adj.) feel here with esoteric (adj.) composition and superb (adj.) lyrics. - LaRae

Quick Links:

Chip Fundy Myspace page

Morrissey

Greatist Hits

May 12, 2008

Greatest Hits is an odd title for a what it is. Are the songs hit songs? Yes, but are they, in both critical and commercial way Morrissey's greatest? Not entirely. Eleven of its 15 tracks come from the last three years, the career renaissance kicked off by his You Are the Quarry album. Of the five full-length records he put out in the 1990s, one song survives-- the creepy "The More You Ignore Me, The Closer I Get". It's not for casual fans who want a retrospective; it's not for new listeners who'd like to play catch-up. So who is it for? If nothing else it's an opportunity to check the state of his art. A comfortable modern rock sound, muscular but curiously unshowy and light on instrumental hooks. Reviewed by LaRae

Quick Links:

Morrissey Website

Seth

Capillarious

May 12, 2008

Although Capillarious at times devolves into nothing more than Seth ranting against the religious and popular establishments, I found it more interesting than annoying. An incredibly personal album takes you from the physical world to the spiritual world in the blink of an eye, Capillarious is a dark experience. Seth comes off as rather jaded individual but there are still some bright spots on it. The music is also fairly varied, switching from rock to folk and power pop throughout the album. Although the lyrics don?t do it for me, the music makes Capillarious worthwhile. - Ben Cook

Patti Rothberg

Double Standards

May 12, 2008

A mix of urban folk and full tilt rock. USA Today Shrewdly mixing folk, ballads and power rock. – People Magazine Echoes of Patty Smith – Spin Think of a distaff Dylan – Entertainment Weekly The most inspired debut in recent memory. – Billboard A rare artist who works both sides of the spectrum.

Quick Links:

Official Patti Rothberg Website

ANNA TERNHEIM

Halfway to Fivepoints

May 11, 2008

Anna Ternheim has walked away with most of Sweden's songwriting and female artist awards for the last couple of years. Her emotional songs about failed relationships and loneliness must have made her the "Heartbreak Queen" of that country. She doesn't stray very far from romantic angst on this release, and either delivers these confessionals with lush backgrounds ("Girl Laying Down" and "Lover's Dream") or spare arrangements (the Fleetwood Mac cover "Little Lies" and the title track). I think she hits her intended mark best on the latter method, where the sentiment is laid bare and not covered with orchestral pomp and circumstance. MJVD R-Pop (Swedish)

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ED HARCOURT

The Beautiful Lie

May 9, 2008

The Beautiful Lie' the 5th album from British pianist songwriter, Ed Harcourt is an uneven mix of wonderful and overdramatic. Combining dark lyrics and the song structures of Thom Yorke or Jeff Buckley there is rough magic here. “You only call me when you’re Drunk” is a great song until it slips the slope of too much drama both lyrically and musically. That said I think there is some outstanding music here (I loved 1,2,4,7,11) and I know on other days other songs would appeal more. Try it and you’ll find something brilliant to play and enjoy. - Anne Lamont

Quick Links:

Ed Harcourt

VAN MORRISON

KEEP IT SIMPLE

May 6, 2008

With a fabulously successful career that spans decades Van Morrison has a license to do pretty much whatever he wants. Last time out it was a hard-core country disc that left casual fans cold but found much favor amongst those who knew he could channel Hank Williams without missing a beat. This time out it is a collection of mid-tempo numbers that won’t add much to his legacy but won’t detract from it either. Like his best work this disc finds Morrison following his muse through all manner of soulful rock and rootsy ballads. With cool B-3 grooves and gospel tinged back up vocals adding spice to most of the tunes, Morrison confronts his new found sobriety, "Don’t Go to Nightclubs Anymore", lambastes those who didn’t get his country detour on the title track and relishes the mesmerizing charm of the opposite sex on the steamy "That’s Entrainment". While most of the cuts have something to say, Morrison tests the proposition that he’s so good he could score a hit singing the phone book on "Behind the Ritual" where he flips everyone off with lyric fragments and by lazily scatting “blah, blah, blah, blah, blah, blah” as the chorus. Apart from this misstep the rest goes down pretty easily. Smitty

THE PROCLAIMERS

LIFE WITH YOU

May 6, 2008

The Reid brothers check in with another disc of buoyant pop that helps their thoughtful, pointed lyrics slide down before you know what hits you. With finely tuned social antennae they take on everything from the hypocrisy of anti-establishment rock stars lining up to be knighted, "In Recognition", to the folly of grabbing onto the religion of the day in the search for salvation, "New Religion", the common failure to look internally for the source of your problems, "No One Left to Blame", and the fake masculinity of musicians who reveal their own weakness by bashing women, "Here it Comes Again". [no play]. They also take aim at former British Prime Minister, Tony Blair, with the scathing, "S-O-R-R-Y", where they demand an apology for his role in leading England into the Iraq quagmire. War makes another appearance on "The Long Haul", where they yearn for the good ole’ days when the battle lines were between “godless communists” and the rest of the world instead of today’s ideologically complex mix of religions and the rising tide of Islam. Religion also fuels "If There’s A God" where they try to reconcile the evil and suffering of the world with a higher power that has the ability to prevent such things. Once they’ve gotten all that off their chests, they turn to matters of the heart on the title track, the rocking "Whole Wide World" and on "Blood Lying on Snow" which isn’t the diabolical tale the title suggests but, instead, is an homage to the contrast between a lover’s red dress and her pale Celtic skin. Don’t be fooled by the pop music fueling these tracks. The Reid brothers are every bit as witty and biting as Elvis Costello or Billy Bragg. Smitty

SOUTH

You Are Here is the fourth album from the UK group South. “Wasted” is a great psychedelic rock song with its sound putting you in a twisting state of mind just in time to hear “tired of getting wasted.” “Soul Receivers” is a great song that is also the crown jewel of a solid album. “The Pain” and “Opened Up” are other tracks that stood out. “Better Things” is a track that sounds destined to show up on a TV show soon. “Zither Song” has a three minute thirteen second gap from where it ends and picks up again starting around at the 3:13 mark. ---- Jerrod Willea

Virginia Coalition

Home This Year

April 21, 2008

This is a D.C. based band that has been voted as a local favorite a couple times by Washington Post readers. This album has gotten pretty good reviews, and certainly there is nothing here to offend attentive ears, but at the same time there may not be enough here to excite listeners who want a little more …. something. But still, it’s good. What you get pretty much throughout is the following (the only real exception being track 4, which is a nicely done love ballad): A vocalist that sounds a bit like the Bare Naked Ladies. Layers of piano, bass, acoustic guitar and a strong drum beat. Lyrics that are positive and well written without being sugary. Some songs that have a pop-rock sound from the get-go with good hooks. Some songs that start with different beats and grooves and then go into a pop-rock chorus. - Pete Lewandoski

Quick Links:

Virginia Coalition's Website

The Mines

People Music

April 21, 2008

This is one very talented bunch of local guys! Most of them sing, play multiple instruments, and take part in songwriting. They have 1 full length release in our library from 2006, but this is a short CD of only 6 tracks. Each one of them is well written, and the band has a sound that distinguishes them from the other local groups, especially when they use the xylophone! Starting off, track #1 Valley is a blistering rock jam with some very catchy hooks that might get stuck in your head (some pressure's gonna blow!). Track #3 Run Home is a heartfelt, synthesized track with substance. Track #6 Grace is a quiet, romantic song with sad beauty. A note...they are fabulous live. ~Renae Overbeek

Quick Links:

The Mines' Myspace page

Old 97's

Blame It On Gravity

April 21, 2008

This Dallas-based alternative country band came out of the 90s indie scene. This is their first studio album in four years. Their roots-rock style shows on such tracks as #2”Dance With Me”, #9”Early Morning”, and #10”The Easy Way”. My favorite happens to be track #8”I Will Remain”. If you’ve ever heard Old 97’s, then you’ve heard this album. It features their tried and true guitar/drum formula that gives it a good ol’ rockin’ quality. Reviewed by Rebecca Behrens

Quick Links:

Official Old 97's Website

Heidi Talbot

In Love & Light

April 21, 2008

In Love & Light, Heidi Talbot is truly set to shine. After 5 years as lead singer with the Irish-American super group Cherish The Ladies. Talbot extends her talents over a broader, bolder musical canvas, In company with a stellar cast of guest including Eddi Reader, ex-solas guitarist John Doyle, fiddler John McCusker and flute/whistle ace Mike McGoldrick. Drawing on the full, diverse spectrum of influences that inform her singing. In Love & Light complements Talbot's exquisitely expressive, honeyed yet advent voice. Tracks on In Love & Light range from the scottish traditional balled 'Glenlogie' to the vintage Ink Spots hit 'Whispering Grass'; Tom Waits bittersweet classic 'Time' to an old parlor hymn, as well as new new originals by english singer/songwriter Boo Hewerdire, who produced the record. - Joe Parsaca

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The Raconteurs

Consolers of The Lonely

April 14, 2008

In a year of many surprises from some of rock’s biggest names (Radiohead releasing their own album, NIN releasing a instrumental album online, many small ‘Indie’ bands finally signing with majors), The Raconteurs release their album with no prior advertising or radio or print promotions in order to curb early leaks that Jack White encountered with the last White Stripes album. But fret not, this Raconteurs album is just as good, if not better then their debut album. It’s not even much White Stripes material. There’s enough rock and blues to satisfy any White Stripes fan, but there’s so much more that this album offers including various vocalists (other than White), and heartfelt songs that are catchy without being annoying. This is a stellar album! Go buy it now!!! Check out tracks 1 “Consoler Of The Lonely”, track 2 “Salute Your Solutions”, track 6 “Hold Up”, track 10 “Attention”, and track 14 “Carolina Drama”. - Lane Zoerhof

Quick Links:

The Official Raconteurs' Website

Jonathan Richmond

Because Her Beauty is Raw and Wild

April 14, 2008

The Black Crowes' Website

Electric Apricot

Quest For Festeroo

March 31, 2008

Rustic Overtones' Myspace page

Science For Girls

March 24, 2008

Science For Girls is melodic Electronica with roots in jazz and brazilian music. From Producer and Songwriter Darren Solomon, The debut and self titled album from Science For Girls features an eclectic group of guest vocalist from NYC's indie scene. Sceince For Girls is almost on the same page as The Postal Service and Air, but with more of that Moby-style electronica juiciness. – Joe Parsaca

Quick Links:

Science For Girls' Website

Jamie Leonhart

The Truth About Suffering

March 24, 2008

Jamie Leonhart’s soulful voice carries The Truth About Suffering (her debut album), and the title couldn’t more apt. The songs here see truthfully into the dark corners of the human spirit. There are no maudlin platitudes to be found on The Truth About Suffering, an album whose songs are lonely, intricate portraits of sadness and regret (yes, even in her cover of “Rainbow Connection”), as opposed to by-the-numbers expressions of knee-jerk angst. You get the impression that whatever Jamie Leonhart is professing here, there’s a great deal more that she’s not saying, like there’s a long-harbored secret under the surface of every song. To maintain such a thing over the course of an album is no less than remarkable, which is exactly what The Truth About Suffering is as an album. – Adam Goran

Quick Links:

Jamie Leonhart's Official Website

Grievous Angel

March 24, 2008

Grievous Angel has been delighting fans at festivals, concert venues and juke joints throughout Michigan for years now, delivering their own rollicking brand of American roots music. Revving up at the fabled crossroads where folk, rockabilly, blues, and alt-country were born, they burn rubber through the backwoods and bayous of the American south. This musical road trip careens through west Texas, Memphis and the gut-funky soulful side of their own native Detroit. The Smithsonian can keep the artifacts, GRIEVOUS ANGEL rumbles across the length and breadth of American music with a lot of down home grease and nary a whit of reverence. A soul strut is as likely to wind up in the gas tank as a Fort Worth shuffle. These guys will burn anything to get where they’re going. The map blew out of the window at the last truck stop, so just sit back and enjoy the ride…. GRIEVOUS ANGEL. Detroit Music Award Winner - Outstanding Acoustic Group (2005) – Detroit Music Award Winner - Outstanding Folk Group (2004)

Quick Links:

Grievous Angel's Myspace page

The Flowbs

Grazing Like The Elephants

March 24, 2008

The Flowbs are good time rock and roll from Michigan’s Salad Bowl. The trio’s primary focus is music and its magical powers. The long going motto that they live by is love it, respect it, and enjoy it. love the game! The whole idea of taking the band seriously came about when Eric and Kurt didn’t get chosen in the 2004 NBA draft. They had just come off of a dominant high school intramural championship, and were hoping to catch the tail end of the second round. Unfortunately, the draft was full of dominant big men such as Dwight Howard, Emeka Okafor, and Andris Biedrins. For that reason they were never selected by a team. Kurt and Eric then teamed up with Eric’s younger brother Luke the fox. Together they are unbeatable on the court and are unbelievable as a rock band. – Publicity "This Hudsonville band makes music that stradles growling indie-rock, liltering power pop and, well, basically basketball. Unique and infinitely listenable." -Grand Rapids Press

Quick Links:

The Flowbs' Myspace page

DAVID YAZBEK

Evil Monkey Man

March 22, 2008

"Explosive anger, sadness and occasional joy" is how the press release describes David Yazbek's "Evil Monkey Man." Twisted would be more like. First off, Yazbek is a diverse character. He won an Emmy for writing on Late Night with David Letterman in the early 1980s, co-wrote the theme song to Disney's "Where in the World is Carmen Sandiego," and has several commercial jingles and a steady gig with Disney under his belt. He also wrote the score for the Broadway production of "The Full Monty." That being said, at first listen, while working away in my office, I was reminded of Elvis Costello and Joe Jackson. It had that East Village, bohemian feel to it that has that certain appeal. Then, I looked at the lyrics. The first song, "Terrible Thing," is seemingly about his own suicide, with catchy phrases like "there's a piece of a guy/who refused to lie/a knee and a thigh" strangely matched with a jaunty little piano riff that Billy Joel himself would be proud of. A good, if somewhat sadistic, record. Recommended if you liked "When I was Cruel" by Elvis Costello. -- Daniel J. Graeber

Quick Links:

David Yazbek's Home Page

Lili Haydn

Place Between Places

March 17, 2008

Place Between Places is an album anchored primarily by Lil Haydn’s ethereal voice, but the songs on the album are best when they’re done in a more conventional style. Take “Unfolding Grace” a gravely determined song that could easily be referred to as a tragic ballad, depending on the person who listens to it. While there’s nothing really wrong with the song, it ultimately leaves the listener feeling restless, wanting something more. I think the problem with some of the material on the album comes with the use of the string instruments. When Lil Haydn uses them in more upbeat, poppy songs (like in “Strawberry Street”), they really help to make the song come alive. When she uses them as centerpieces, such as in songs like “The Last Serenade”, they sound flat and uninteresting, like worn out Old-World folk renditions that have long since lost their relevance. Of course, if you like strings, my guess is none of this will matter much to you. Personally, Place Between Places leaves me wanting to hear a whole album’s worth of material in the vein of “Strawberry Street.” – Adam Goran

Quick Links:

Lili Haydn's Website

Mia Doi Todd

Gea

March 17, 2008

Mia Doi Todd is one of those artists who I’m familiar with more for her collaborations with artists like Saul Williams and Dntel than for her any of her solo work. So although Gea is Mia’s sixth album, it’s the first one for me. The first track is actually two songs, River of Life and The Yes Song, although they might as well be one, as the separate sections are largely indistinguishable from one another. Actually, a river is quite a good metaphor for Gea as a whole; it flows lazily from point to point, not really concerned with where it’s going. Sometimes, it hits on something truly wonderful (“In The End”, “Sleepless Nights”), and sometimes it simply meanders (“Old World New World”, “Kokoro”). Gea might be one of those albums that grows on the listener every time it comes on, and in the album’s defense, it did leave me wanting to listen to it again. But not right now. I guess that’s a polite way of saying “intrigued, but underwhelmed.” Adam Goran All Music.com “4.5/5 stars”

Quick Links:

Mia Doi Todd's Official Website

Big Head Todd and The Monsters

All The Love You Need

March 17, 2008

Plenty of riffing guitars, groovy base, and driving beats on this album. Earnest rhythm and blues off the bat with the opener “Her Own Kinda Woman”, complete with bleating brass and hand claps for punch and punctuation. Grittier still is “Cashbox”, a song fit for blasting while doing some hard labor, peeling down a highway, or shooting some pool to. The songs which temper the album work nearly as well, especially the jangling title track with its soft piano touches, the funky “Ever Since Ya Pulled Me Under”, the pop jingle of “Spanish Highway” and the country western infused “Under A Silvery Moon.”- Michael Loffelman

Nick Lowe

Jesus of Cool (reissue)

March 17, 2008

On the cover of his solo debut album Jesus of Cool, Nick Lowe is pictured in six rock & roll get-ups -- hippie, folkie, greasy rock & roller, new wave hipster -- giving the not-so-subtle implication that this guy can do anything. Nick proves that assumption correct on Jesus of Cool, a record so good it was named twice, as Lowe's American record label got the jitters with Jesus and renamed it Pure Pop for Now People, shuffling the track listing (but not swapping songs) in the process. As it happens, both titles are accurate, but while the U.K. title sounds cooler, capturing Lowe's cheerfully blasphemous rock & roll swagger, Pure Pop describes the sound of the album, functioning as a sincere description of the music while conveying the wicked, knowing humor that drives it. This is pop about pop, a record filled with songs that tweak or spin conventions, or are about the industry. Only a writer with a long, hard battle with the biz in his past could write "Music for Money" and much of Jesus of Cool does feel like a long-delayed reaction to the disastrous American debut of Brinsley Schwarz, where the band's grand plans at kick-starting their career came crumbling down and pushed them into the pubs. Once there, the Brinsleys spearheaded the back-to-basics pub rock movement in England and as the years rolled on the band got loose, as did Lowe's writing, which got catchier and funnier on the group's last two albums, Nervous on the Road and New Favourites of Brinsley Schwarz. …It's hard to imagine any of the power pop of the next three decades without it, and while plenty have tried, nobody has made a better pure pop record than this...not even Nick (of course, he didn't really try to make another record like this, either). - Stephen Thomas Erlewine (AMG)

Quick Links:

Nick Lowe's Official Website

The Dirtbombs

We Have You Surrounded

March 10, 2008

The Dirtbombs are a rock n' roll band based in metro Detroit, Michigan, notable for blending diverse influences such as garage rock, punk rock and soul while featuring a dual bass guitar, dual drum and guitar lineup. With 10 years in the running We Have You Surrounded is The Dirtbombs fourth full length record. We Have You Surrounded is an album broadly focused on the theme of urban paranoia! A true take on armageddon with all the abandon of a conspiriracy therorist living off the grid. Through these tracks you'll be unaware of the twisting tales across the pure gritty essence of time and space. That is if space is even their for The Dirtbombs on Race to the Bottom (track 11) Two cover songs were recorded for We Have you Surrounded. The first being the new wave song "Sherlock Holmes", originaly by the band Sparks from the album Angst in My Pants (1982).[3]. The second cover was of the song "Fire in the Western World" by the garage rock band Dead Moon. – Joe Parsaca

Quick Links:

Dirtbombs' Website

Warm in the Wake

American Prehistoric

March 10, 2008

Jackie Greene's MySpace site

EJ Ouellette and Crazy Maggy

Row The Bow 5.0

March 3, 2008

K. D. LANG

Watershed

February 26, 2008

K.D. Lang's latest release Watershed is a mix of different genres. Lang moves between the genres flawlessly, whether it be the bossa nova rhythms of "Upstream," the jazzy impression of "Sunday," or the folk like feel of "Jealous Dog," Lang dips into her vast experience in working with different producers and creates a sound all her own. In addition to writing, singing, and playing multiple instruments, Lang also produced Watershed by herself. "Coming Home" has an upbeat tone while "Je Fais La Planche" has a dreamy feel to it. --Jerrod

Quick Links:

K.D. Lang's Homepage

SONS & DAUGHTERS

This Gift

February 20, 2008

This Gift cannot be used as background music. The Jack White-influenced guitar sound and Adele Bethel’s feminine but edgy, rock band worthy vocals demand your full attention. The Scottish band of four—two sons, two daughters (no relation)—gives a high energy performance on every song. “Gilt Complex” opens the CD with a whirlwind of energy that doesn’t let up through the next eleven tracks. By the time the CD is through, you’ll need a nap because it wears you out. For a closer look at the lyrics, which are deeper than you’d think at first listen, check out the band’s MySpace site for acoustic renditions of a few songs. --MLG

Quick Links:

Sons & Daughters MySpace site

Kate Nash

Made of Bricks

February 19, 2008

Kate Nash : Made of Bricks : Geffen Records Oh my. It seems as though the ever-so-British Ms. Nash has decided to go on a fishing trip. That in mind, what does one usually take along on a trip such as this? A tackle box, that’s right! And what is a tackle box full of? Hooks! Yes. Kate Nash’s Made of Bricks is the musical equivalent of a tackle box. Yes, it’s full of hooks and lots of other things picked up over the years, like, in her case, years of possibly listening to piano power-pop ala Ben Folds, quaint British pride ala The Kinks’ Village Green Preservation Society, and a set of lyrics (and mouth to go with it, for that matter) that would make you think she’s Morrissey’s younger sister still burning hot with teen angst and hormonal confusion. Tracks 2,4,5, & 8 are unsuitable for airplay Reviewed by Trevor Edmonds : February 2008

Quick Links:

Kate Nash's MySpace

HOT CHIP

Made In The Dark

February 8, 2008

Hot Chip Made In The Dark This album has it all for those fans of rhythmical chaos, catchy tunes, and grooves that have you playing the songs over and over again. Hot Chip consists of 5 guys from London who have mastered everything from dance-floor favorites to soulful ballads (check out their last album “The Warning” and their first “Coming On Strong” for even more Hot Chip goodness)… Made In The Dark shows the groups’ evolution after touring for the past two solid years and laying down this record in the last six months. The songs are propulsive, methodical, intimate, beautiful, and uniquely Hot Chip. From smart-ass to heartfelt lyrics, deep-soul to head-rush pop, Made In The Dark is pure gold from front to back. I would recommend ANY and ALL tracks here, but some stand-outs include: #2 “Shake A Fist” (listen for a synth breakdown towards the end) #3 “Ready For The Floor” (Dance/Pop) #5 “We’re Looking For A Lot Of Love” (Soulful/Ballad) #6 “Made In The Dark” (It’s the title track for good reason) #10 "Wrestlers" (epitomizes what makes this quintet the sharpest dance rockers this side of their pals LCD Soundsystem. Listen for references from Ray Charles to Willie Nelson) Oh my, this album kicks a**… Reviewed by LaRae WYCE Programmer

Quick Links:

Hot Chip's MySpace

KEVIN DREW

Spirit If...

February 8, 2008

Broken Social Scene’s founding member Kevin Drew takes advantage of the BSS brand with this solo debut. Spirit If…feels like a continuation of Broken Social Scene’s 2005 self-titled release, and with 23 guests on the album (most from BSS) I felt like I was listening to a BSS album. The solo essence is still there however, with Drew credited on all songwriting and carrying lead vocals on almost every track. Playing with the idea of starts and stops, the album begins with an end and ends with a beginning. Some lyrics are frustratingly obtuse, some tracks are merely organized chaos, but when you get passed that, the album does have its moments. Spirit If… began to grow on me after a few listens. Every track tells a bit of the story and are full of emotion. Try the tracks, “Bodhi Sappy Weekend,” “Backed Out On The…” (featuring Dinosaur Jr.). “Broke Me Up,” and “Safety Bricks” (even without Feist on the track, it still sounds like a leftover from her album The Reminder.) Feist is featured on tracks, “Farewell To The Pressure Kids,” “TBTF,” and “Aging Faces/Losing Places” and “Bodhi Sappy Weekend.” FCC: #2 “TBTF” is an acyronym for “Too Beautiful To F**k” #3 “F**ked Up Kid” is obviously not clean #5 “Lucky Ones” says “motherf**ker” #7 “Gang Bang Suicide” says “f**king” Reviewed by LaRae WYCE Programmer

Quick Links:

Kevin Drew's Page

JOE JACKSON

Rain

February 7, 2008

Don't you feel like trying something new? Joe Jackson's latest effort, "Rain," is a welcome new album amid a sadly dismal set of choices in today's music. Jackson went on a brief hiatus from contemporary music in the late 1990's to explore instrumental and classical work, but he's been making a return as of late. "Rain" took a few listens to really get into, but it's one of those records that stick to you after you leave it on repeat in the background. I tuned into one his latest albums, "Volume 4," but never really gave it a fair shot. This is Joe Jackson being Joe Jackson, which is a good thing. The opening track, "Invisible Man," stands out, but that doesn't negate the rest of the album. "A Place in the Rain" seems to find a pleasant spot in my head for the afternoon too. If you're wondering what ever happened to the guy who brought us "Steppin' Out" and "Breaking Us in Two," this is worth checking out. -Daniel J. Graeber

Quick Links:

Joe Jackson bio

SIA

Some People Have Real Problems

February 4, 2008

Eccentric pop singer Sia will no doubt burst with success after the release of Some People Have Real Problems. This is her first album under the Starbucks-affiliated Hear Music label, and it includes favored tracks from previous albums, like “Lentil” and the Pretenders’ cover, “I Go to Sleep.” Each track is impressive … from the spicy staccato of “The Girl You Lost to Cocaine” to the thundering horn solos in “Electric Bird.” Several of these songs deal with real problems, like walking away from relationships, which is most believably (not to mention beautifully) expressed in the ballad “You Have Been Loved.” And Sia’s voice seems to have undergone a soulful, trill-full transformation on tracks like “Death by Chocolate” and “Little Black Sandals.” “Academia” is perhaps the most peculiar and accomplished track. It features Beck on harmony vocals, and the lyrics are soaked in sadness … “I’m a binary code that you cracked long ago, but to you I’m just a novel that you wish you’d never wrote.” Reviewed by Sara Cosgrove

Quick Links:

Sia's MySpace page

Chris Walla

Field Manual

February 1, 2008

Chris Walla : Field Manual : Barsuk Records Being Death Cab for Cutie’s guitarist and producer-in-residence (as well as producing for other indie big hitters such as The Decemberists, Tegan & Sara, and Nada Surf), Chris Walla uses all the studio wizardry amassed from his previous efforts with others to polish his own set of tunes on his debut solo effort, Field Manual. Sounding like a mix of Death Cab (to be expected, one would suppose), Travis Morrison/Dismemberment Plan, and touches of the aforementioned acts he’s worked with, Walla ‘s power-pop, hook-laden debut is on par, if not better, than his cohorts’ output. I guess that’s what you’d expect when he focuses the light of his talents on himself for a change. All tracks suitable for airplay. Reviewed by Trevor Edmonds : January 2008

Quick Links:

Chris Walla's MySpace

American Music Club

The Golden Age

February 1, 2008

American Music Club : The Golden Age : Merge Records Being altogether unfamiliar with American Music Club, save for their name, I was intrigued as to what they actually sounded like. The name kindled thoughts of Americana, folk and/or blues-rock, and various roots influences. From what I can tell, after listening to this record, that isn’t too far off either. Sounding like a mixture of Being There-era Wilco, label mates The Broken West, and a full-band version of Nebraska-era Bruce Springsteen, American Music Club is a force to be reckoned with earnestly and The Golden Age is a testament to this. All tracks, except #8, are suitable for airplay Reviewed by Trevor Edmonds : January 2008

Quick Links:

American Music Club Online

MATT COSTA

Unfamiliar Faces

January 31, 2008

Matt Costa's "Unfamiliar Faces" runs the gamut of the usual singer/songwriter record. With backing band in tow, Mr. Costa does the usual straightforward "Acoustic Melody Pop" made popular by television shows like The O.C. and Grey's Anatomy. Sounding vocally like the male version of Erin McKeown, Matt glides over the "once again overlooked" talented backing band. I don't understand why there are so many records popping up named after the front man, while the more talented backing band is left to be identified only in the liner notes. With all twelve tracks sounding equally bland, it's hard to find a standout track here. If I were forced to choose, the opening track "Mr. Pitiful" would be my pick. With its herky-jerky piano beat, "Mr. Pitiful" provides just enough entertainment to keep the toes tapping. With another boring, yet well produced record added to the mountain of "popular" music, maybe "Mr. Pitiful" should not only be the opening track, but the title track as well.--Tim Warren

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VAMPIRE WEEKEND

Vampire Weekend

January 29, 2008

Pull together classical music, Paul Simon’s Graceland, sound clips from a Nintendo game, a weathered drum set, and a dictionary, and you have Vampire Weekend’s self-titled debut. Vampire Weekend’s music is full of variation, playfulness, and intelligence. Do I know what their lyrics mean half the time? No. Does it matter? Not at all. Just try to count the instruments used on the CD without looking at the liner notes. Try to keep the choruses from running through your head. The four former Columbia University students have generated an early buzz by opening for the Shins and Animal Collective. Don’t be surprised if they sell out a tour of their own. I’m already making plans to see them in Ann Arbor in February. —MLG

Quick Links:

Vampire Weekend's MySpace site

TIFT MERRITT

ANOTHER COUNTRY

January 26, 2008

On her third disc, Tift Merritt treads the same earnest path traveled by countless singer/songwriters who craft discs with heartfelt lyrics and pleasant instrumental backing. The problem with this approach is that unless the songs strike an emotional chord with the listener they are nothing more than pleasant background music. By and large that is the case here with the bulk of the songs drifting on by with little to distinguish one from another. Exceptions include the popish sounding "Broken", the lush and warm "I Know What I’m Looking for Now", the slightly rocking "Tell Me Something True", which hits home with some saucy horn charts, and "My Heart is Free" which has a heavier electric groove. Smitty

KELLER WILLIAMS

12

November 30, 2007

Keller Williams’s latest album, 12 (representing 12 songs written during the past 12 years for his 12th release), features The String Cheese Incident, the band he credits for his career boost ... playing modest local bars to 1,000-seat venues. This bona fide genre-bender, who mixes folk, rock and funk, and has been coined a “one-man jam band,” put together an album of his previous work … showcasing his interesting instrument choices and colorful lyrics, not to mention his superb guitar playing. Track 2, “Anyhow Anyway,” kicks off with squawking seagulls (or is it the flying monkeys from “The Wizard of Oz”?). The seagulls are soon followed by a xylophone, bongos and female harmony vocals. Track 3, “Tribe,” is filled with plenty of guitar plucks and slides, and Williams’s voice transforms from breathy contemporary to archaic Old-Time Radio. Track 6, “Freeker By The Speaker,” puts thoughtful lyrics and masterful guitar playing at the forefront, while track 12, “Freshies,” delivers a mellow groove. Reviewed by Sara Cosgrove Track 5, “More Than A Little” contains “shit.”

Quick Links:

Keller Williams's official website

GEORGIE JAMES

Places

November 30, 2007

Reaching back, back, way back to the British Invasion, Georgie James' first official studio release invokes pure pop bliss with catchy hooks. Formed in 2005 in Washington, D.C., Georgie James' indie-pop is untainted by corporate radio, revealing an innocent singer-song writer fusion that fits like a glove. "Places" summons generational inspiration from a variety of pop gods like The Kinks' brand of sunshine pop to the musings of the Talking Heads. "Cheap Champagne" is hands down the best feature on this 12-track hint at the future of pop. - Daniel J. Graeber

Quick Links:

About me

MARK KNOPFLER

KILL TO GET CRIMSON

October 24, 2007

Leaving aside the sonic bombast and tongue in check songs that marked his work with Dire Straits, Mark Knopfler has crafted a disc of quiet charm and reflection. With the exception of the sinister sounding, quasi-rocking, "Punish the Monkey" the songs on this disc move by at an unhurried pace allowing you to focus on the lyrics about everything from the dreaded 6th grade dance, "Secondary Waltz", to an introspective ode about finding a mate, "True Love Will Never Fade", to a wistful look at getting old, "Heart Full of Hole" and a bittersweet lament about giving up dreams, "Let it all go". Throughout, Knopfler’s elegant guitar work fits alongside all manner of woodwinds, percussion and strings to create the sort of rich sonic pallet that has led to his many successful movie soundtracks. Like J.J. Cale, Knopfler can hit pretty hard even while keeping things spare and quiet. Smitty

Sonar Kollektiv

THE NAYSAYERS

Come Into Focus

October 12, 2007

The best bar band you’ve never heard of. The Naysayers, hailing from Portland, know how to rock the beer soaked, Harley loving, but aging, Boomer. Leather clad Boomers themselves, The Naysayers put on a rocker boy front, but are nice enough to leave out the swears in their lyrics. Sounding a bit like Tom Petty, The Jayhawks, or Graham Parker, It’s obvious that The Naysayers are not newcomers to the game of Rock. With real full-time jobs, The Naysayers don’t worry about making it big, they just right the music they want, plus, with actual jobs, these boys can afford the best musical equipment Guitar Center can provide. I would anticipate their third album to be followed up by many more releases. It doesn’t seem they have any problem at all cranking out tunes perfectly designed for any Pacific Northwest dive.--Tim Warren

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AESOP ROCK

None Shall Pass

October 11, 2007

Hip-Hop has come along way. It’s amazing how clever some of these guys can be. Aesop Rock (born Ian Matthias Bavitz), with his rough voice and stream-of-consciousness spitting ability, has brought the cleverness to a whole notha level with None Shall Pass. “Bring Back Pluto” is a perfect example. Aesop sings about his sympathy for the newly demoted planet of Pluto. “Eight planets bullied number nine until he fell.” and the sample used list all the planets, but stops short at Uranus. Aesop seems to be conscience of everything that happens around him. Another album highlight is the call and response track “Dark Heart News” with Aesop bouncing of one Rob Sonic. If the words and themes were not enough, DJ Big Wiz puts to rest any argument that the art of scratching is dead. The backing tracks that Aesop floats over are amazing. The title track has the best groove and hooks of the record, but that doesn’t take away anything from the rest of the album. This combination of lyrics and sonic mastery is a how-to for future hip-hop acts for many years to come.--Tim Warren

Quick Links:

Aesop Rock myspace

DESOL

ON MY WAY

September 11, 2007

Sounding at times like Santana’s last couple of discs, which mixed Latin American rhythms and percussion grooves with glossy pop and mainstream rock, this release should find favor amongst those who like a Southwestern twist with their rock. Like vermouth in a dry martini the Latin American/Tex Mex sound is there but it doesn’t dominate the mix. Think the Mavericks bashing it out with Nick Lowe’s Cowboy outfit doing Eagles covers. Stand out tracks include the funky "On My Way" and the percussion fueled "Ghost in the House of Texas". The band gets real close to the mainstream with such tracks as the soaring "Sing It All Night" and the big pop ballad "Teardrops" which features guest vocalist Carmireli who does her best Sheryl Crow tribute. Smitty

Quick Links:

deSol Web Site

BLACKIE AND THE RODEO KINGS

Let's Frolic

August 22, 2007

Quick Links:

BLACKIE & THE RODEO KINGS web site

THE REAL TUESDAY WELD

The London Book of the Dead

August 21, 2007

Stephen Coates was influenced by 1930’s British dance band music and you can hear that influence through out The London Book of the Dead. Coates is able to use modern technology to transform old sound sources into a new source of music with an old school feel to it. To hear what I mean listen to “Kix.” “It’s a Wonderful Li(f)e” is an upbeat sad song. “I Believe” is upbeat and might be the best song on the album. “I Loved London” is a said song about how things were better when he was in love with someone. –Jerrod

TEGAN AND SARA

The Con

August 21, 2007

Tegan & Sara are well on their way to stardom. Though their music at first listen can easily be written off theme music for another show like The O.C., there are some great tunes that are radio friendly, but also musically unbelievable. With the help of Death Cab For Cutie’s second-in-command Chris Walla, the twin sisters create some great music with even better lyrics (that most anyone can relate, no matter their gender). There’s love, longing, angst; everything one needs for a great indie rock album. Check out tracks 3 “The Con”, track 4 “Knife Going In”, track 6 “Back In You Head”, track 9 “Burn Your Life Down”, and track 14 “Call It Off”.

DONAVON FRANKENREITER

Recycled Recipes

August 20, 2007

In Recycled Recipes, Donavon Frankenreiter's 6-track acoustic EP, the once pro surfer (who sports a Jim Croce-style moustache) tries his hand at covers. His wispy voice and delicate harmonies play out well for Bruce Cockburn's "Wondering Where the Lions Are" and Wilco's "Theologians." Dr. John's piano blues hit, "Such a Night," is a much-altered recipe with an added snap-py chorus. Despite the promise of the first three tracks, the last three seem to fall short. Creedance Clearwater Revival's "Fortunate Son," The Band's "It Makes No Difference" and Bob Dylan's "Don't Think Twice, It's All Right" all lack the ingredient that made the original recipes so inspiring ... spice. Sara Cosgrove

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SETH BERNARD AND FRIENDS

Airborne or Aquatic?

August 13, 2007

Here is a great example of second generation retro hippie Pink Floydian jammin’. Bless their hippy Moms and Dads that put the guitars in their hands at an early age. This was described as a “Side Project” of Seth Bernard’s Earthworks group. I really enjoy listening to this. It’s a nice combination of acoustic and electric instruments, and as usual Seth’s lyrics are fanciful and full of positive ideas. Teresa Jeanne

Quick Links:

Earthworks Music Group

BEN LEE

Ripe

August 13, 2007

Ripe is Ben Lee's 8th album and some artists contributing to the ablum include: Good Charlotte's Benji Madden, Nickel Creek's Sara Watkins, Tom Petty & the Heartbreakers keyboardist Benmont Tench and members of Rooney. John Alagia (Dave Matthews and John Mayer) is serving as the producer. Mandy Moore can be heard on "Birds and Bees" and is worth a listen. "American Television" and "Numb" are fun, poppy songs that will get stuck in your head. "What Woud Jay-Z Do?" is a funny song that you should listen to. "Love Me Like The Wold Is Ending" is the single of the album. – Jerrod Willea

DEREK WEBB

The Ringing Bell

August 6, 2007

One of the founding member’s of the Christian rock group Caedmon’s Call releases a great, I mean GREAT album. This is not an overly religious record, though it has it’s moments, but don’t let that deter you from enjoying a great piece of art. Call it what you want (either a pop record with just enough rock, or vice versa) Webb is a great writer and has the voice of Toad The Wet Sprocket’s Glen Philips . Check out tracks 1 “The End”, track 4 “I Wanna Marry You All Over Again”, track 8 “I For An I”, and track 9 “A Savior On Capitol Hill”. – Lane Zoerhof

THE WHITE STRIPES

Icky Thump

July 30, 2007

The new album from The White Stripes proves to be their best work to date. Equipped with their simple line-up of guitar and drums, Jack and Meg continue to make music that not only appeals to the masses, but also to the underground. This just isn’t the typical rock album that the White Stripes are known for, this time they blend in more blues, punk, old Mexican western music, and even some world beat sounds generate the beauty of this album. Check out tracks 1 “Icky Thump”, track 3 “300 M.P.H. Torrential Outpour Blues”, track 4 “Conquest”, track 9 “Rag & Bone”, and track 12 “Catch Hell Blues.” – Lane Zoerhof

PAULA COLE

Courage

July 30, 2007

Paula Cole returns from an 8 year hiatus from the music industry & has the courage to record her most beautiful disc to date. With this CD Paula replaces the alternative Lilith Fair sounds she had in the late 1990’s with a rich, quieter, mature & seductive sound. Without a bad track on the disc some standouts include one of the most upbeat tracks on the disc “Lovelight” Paula really lets it shine. “El Greco” has a very introspective sound as Paula looks inside herself for courage. “Lonely Town” is a quieter jazz piece & Paula gets some great help from Herbie Hancock’s piano on this track. “Hard to be Soft” has a Brazilian Jazz sound which the great Ivan Lins provides the backing vocals. “I Wanna Kiss You” will have many a listener saying don’t stop & is truly the most seductive track on the CD. This disc may not make Paula the star she deserves to be but will keep this listener & many more begging that Paula doesn’t wait another 8 years between CD’s. - Gregg Saur

CASEY STRATTON

The Crossing

July 23, 2007

Lansing-born and now a Grand Rapids resident, Casey Stratton has gone independent after a disappointing experience with Sony Records. “The Crossing” showcases a talented singer-songwriter. Some have criticized for not being more distinctive, for trying to sound like Tori Amos or Sarah McLachlan, and in fact when I first heard this disc (in a noisy daycare center) I was momentarily reminded a little of Tori, but it’s a very superficial resemblance (if you want to hear someone who REALLY is trying to be Tori, listen to Charlotte Martin). A graduate of Interlochen Arts Academy, Stratton’s higher range is remarkable – on some tracks his voice is positively feminine – and he plays most of the instruments on this album. Each track is listenable; his lyrics are very personal and introspective. The only track I don’t care much for is “False Prophet,” a somewhat sophomoric protest song. I’ve had this disc in my car this last week and have listened to it three times through. I’m liking it more on each listen. This is some good stuff from a Michigan artist. Tim Smith

CROWDED HOUSE

Time on Earth

July 23, 2007

It has been 14 years since the last studio disc from Crowded House & this disc proves the theory “Good Tings are Worth Waiting For” correct. This is one of the best rock Pop recordings I have heard in recent years. It sounds like Neil Finn & crews have picked up right where they left off so many years ago, a hard feat to do after drummer Paul Hester committed suicide in 2005. This has to be a driving force behind this recording since this release constantly reminds us to enjoy every second of our time on earth. This CD will bring great pleasures to Crowded House fans & hopefully introduce their music to a new generation who didn’t have the great pleasures of enjoying them so many years ago. - Gregg Saur

REBEKAH RHYS

Wanderer

July 17, 2007

This album took me a minute to get in to. My first thoughts were to simply shrug it off as too poppy. And while it is quite poppy there is also some good song-writing and moments that I really enjoyed. Plus she’s a local artist. ‘Lakeshore Drive’ is a slow country ballad that lends well to Rhys’ voice and story. I also very much enjoyed ‘Sometimes Always Maybe’ and ‘Ghost.’ – Derrick Mund

Bless You Boys' MySpace

The Rosebuds

Night of the Furies

July 6, 2007

The Rosebuds are Raleigh, NC duo Ivan Howard and Kelly Crisp and Night of the Furies is their 3rd album. If I had only read the song lyrics, which are spattered with darkness, graves, guilt, cold and death. I would have thought for sure this was a goth band. Instead the tunes play like new wave/pop music from the 80’s (Duran Duran, Siouxsie and the Banshees, Human League, Eurasure etc.)… and after the first listen I was ready to dismiss it as only that. Then, little snips of the lyrics kept catching my attention and making me want to know the rest of the story. So, I kept listening and found myself falling for this album. It’s full of pop hooks with just the right amount of gloom, and it’s very well composed. The liner notes tell about the album title…and even that story sucked me in. Turns out The Rosebuds are interesting story tellers. Unfortunately for us radio people, the album is most fun as a whole entity, as the songs seem to speak to each other. None the less, there are a lot of fun songs to choose from. (track #3 is one of my favorites.) Becky 7/2007

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Augie March

Moo, You Bloody Choir

July 3, 2007

An acclaimed band coming out of Australia is rare; though when there is, they tend to be huge (AC/DC, Jet, Wolfmother). Augie March has gotten that tag not only from their fans there and abroad, but also from the music industry as well. Their album, Moo, You Bloody Choir, has received rave reviews and now they come to the U.S. Their indie rock sound will surely turn more then a few heads. Check out tracks 1 “One Crowded Hour”, track 5 “Mother Greer”, track 8 “Thin Captain Crackers”, and track 11 “There Is No Such Place”. Lane Zoerhof

A BAND OF BEES

Octopus

July 3, 2007

The third album from the UK group is a blend of the first two. “Who Cares What the Question Is” and "(This is for The) Better Days" are the two best tracks on the album. “Love in the Harbour” has a country tone to it. Overall a good album although the last track “End of the Street” can be totally avoided. – Jerrod Willea (Intern)

TUATARA

East of the Sun

July 3, 2007

Forget everything you remember about “Tuatara’s” sound on previous albums—much has changed since we last heard of them in 2003. The core lineup of Tuatara is Peter Buck (REM), Scott McCaughey (REM, The Minus Five), and Barrett Martin (The Screaming Trees), but the supporting cast is equally impressive: Mark Eitzel, Mark Olsen & Victoria Williams (before they broke up?), John Wesley Harding, and Ottmar Liebert! “AllMusic” calls them “one of the more surprising and slightly ridiculous supergroups in rock history,” but this release takes an obvious turn toward the slightly less ridiculous. -Pete

Ian Hunter

Shrunken Heads

June 23, 2007

No self-respecting fan of early 70’s glam rock is unfamiliar with Ian Hunter who fronted the almighty Mott the Hoople. Rising to fame on the strength of the David Bowie penned "All the Young Dudes" the band cut a brief but powerful path through rock history with such notable tunes as "All the Way From Memphis" and "The Golden Age of Rock and Roll". Hunter packed his bags in 1975 and embarked on a solo career that spawned the infamous "Once Bitten Twice Shy" (later covered by hair band Great White) and a respectable catalog of literate rock discs. This release continues his tradition of matching Dylanesque lyrics with punchy Stones style riffs. "Words (Big Mouth)" finds him trying to take back words that should have never found their way past his lips while "Fuss About Nothin,’" and the title track are sarcastic indictments of the sanctimonious wind bags on the right who lambaste the left while they’re screwing you without the courtesy of foreplay. On "How’s Your House" he kicks F.E.M.A in the nuts for its ineptitude in the wake of Katrina. He also takes on the pain of morphing from a rebel to a member of the establishment, "I Am What I Hated When I Was Young," the lunacy of following the crowd in an unbridled consumption spree on the crunchy rocker "Brainwashed" and the perils of the information age on the anthemic "When the World Was Round". Lest you think he’s lost given up on the prospects for the common man, he finds a glimmer of hope on "Soul of America". Hunter draws you deep into these tales with a warm, leathery voice and a crack band. This one will end up on year end “best releases” lists. Smitty

Matt Kroll Online

Various Artists

The Dialogue Music Disc 2005

June 14, 2007

The Dialogue brings together Calvin Colleges’s diverse musical community together on one shiny piece of plastic. Although predominantly acoustic folk-oriented, there are a few that stray from the beaten path (ie. the melancholy indie-pop of Ben & Bruno, the ambient sound collage by Juan Garcia (Nice!), and the oddball closing metal track by Rage & Roy). I also enjoyed Ms. Dennis’ piece, Slowly,Sweetly, quite a lot. I’ve offered you some sign posts, now embark and explore. Reviewed by Trevor Edmonds (June 2007) (Beware! Hidden track after #15 contains profanity)

Quick Links:

Dialogue's Mission Statement

The Clientele

God Save the Clientele

June 9, 2007

Born in London in 1997, The Clientele is now releasing their 3rd full length LP which was recorded in Nashville with the help of Mark Nevers (Lambchop) and Pat Sansone (Autumn Defense). God Save the Clientele is light lilting summer afternoon music that hints back to the era when the Byrds, Turtles, Monkees and all other kinds of peace loving creatures were roaming the music scene. Yet they do not specifically mimic any of those bands, nor do they actually sound “retro”. A rather enjoyable album, I say. It holds a nice mix of upbeat and relaxing tunes without reaching out to either extreme. Sit back and enjoy. Becky

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THE BEARS

Eureka

June 4, 2007

This is fun, adult progressive rock from four veteran musicians. Sure, its stylistically reminiscent of the Bears’ and Belew’s (and the Beatles) previous work but this album is front-to-back catchy. The four of these guys on stage is a jaw-dropping experience with the amount of talent and energy. Maybe they’re not “hip” anymore, but this would have definitely gotten them laid in the 80s and probably still can. -Pete

SCOTT FISHER

Step Into The Future

June 4, 2007

The latest album from Fisher delivers a punch that skyrocketed the likes of Jack Johnson and Ben Folds Five to fame. Fisher has been compared to both acts and he certainly sounds like a mixture of both of them on his new album, “Step Into The Future”. With catchy songs and smart (and sometimes very political lyrics), Fisher is ready for mainstream radio. The only question concerning his success is he might have missed the whole Jack Johnson craze a year or two late. Check out tracks 1 “Step Into The Future”, track 4 “Shades Of Blue”, track 8 “Ces Jours La”, and track 12 “This Song”. – Lane Zoerhof

BLACK REBEL MOTORCYCLE CLUB

Baby 81

May 28, 2007

“Black Rebel Motorcycle Clubs’” new release plays heavy yet safe. At all points this is a catchy album with little of the conjured diabolism that makes for memorable rock songs. Among the catchy is a polished, Beta Band reminiscent, distortion chant down, ‘666 Conducer’ and a seductive garage rock noise kicker, ‘Berlin.’ Looking for the pre-major label incantation? It’s could be there on, ‘Not What You Wanted,’ ‘Need Some Air,’ and the chimerical finale, ‘Am I Only.’

PROSSER

Prosser

May 28, 2007

This is a debut release from Prosser, this album has a very melodic, alt-country sound that progresses throughout the tracks. As for not hearing much about these guys they definitely have a listenable sound easy to fit into a genre like My Mourning Jacket or Wilco. This is a nice debut release from the Seattle based band, hope to hear more. -Mitch FCC: none Tracks of interest: track #9

LOW

Drums and Guns

May 28, 2007

This album will be lauded as the return to form. Insisting that this release gets back to the band's slow core roots from earlier albums. Granted the band has gone back to a slower tempo, these songs seem to have a surge of brightness contrasting their previous slow core material. This album teeters a line between Howe Gelb's last efforts under the name Giant Sand and the fresh face political pleas for change a la Yo La Tengo's last 2 records. The Drums on this album are almost entirely performed by a drum machine, but this almost allows Low to get into some more ambient spaces than they had before, still subdued, but very alive. Think Postal Service on really really good cognac or ludes or both. Low is comprised of Alan Sparhawk and Mimi Parker. On this album they harmonize and shift moods reminding one of the later works of the Super Furry Animals, and this makes sense as it was produced by Dave Fridmann. Fridmann was responsible for what many now call Dream Pop (Flaming Lips, Mercury Rev) This is a definite step in the right direction for Low. Very solid effort. Fans of The Sea and The Cake and Luna or any of the above mentioned bands will enjoy Drums and Guns. Standout Tracks : 2.Belarus, 6. Always Fade, 8. Hatchet, 13. Violent Past. No FCC issues. – Oliver

FUTURE CLOUDS AND RADAR

Future Clouds and Radar

May 28, 2007

The Future Clouds and Radar Fifedom, ensconsed in the shadowy hill country of Texas, approximately 30 minutes outside of Austin, has been battling corporate mediocrity in the arts, in a rather half-hearted way, since March 17th, 2006 around about 7:10 pm. Or perhaps the actual battling began closer to 7:35 pm and what took place prior to that would be more accurately described as "questioning". In any case the collective is the latest creation of Robert Harrison, whose band Cotton Mather was once called "miniscule" by Uncut magazine and compared by London's Evening Standard to both spinach puree and smoked haddock in the same review! Known for their live performances, the group can go from 6-13 members on stage, and play with the improvisation flair of a jazz collective. Focus tracks: A4,6,7 B3,5,13

MARIA MCKEE

Late December

May 28, 2007

The first half of this album is a soulful, timeless rock album with flair, then it reaches the top of the roller coaster and bursts into flames. As you peek over the top of the hill, you witness Freddie Mercury meet the Rocky Horror Picture Show and are scared. Actually I’m exaggerating, I really like #10, but it is quite apparent that McKee enjoys being dramatic. –Pete

Tori Amos

American Doll Posse

May 25, 2007

American Doll Posse is Tori's most ambitious album to date. This 23-song saga is broken into five feminine archetypes — each with a different personality and sense of style. Isabel's "Almost Rosey" is a fine accomplishment, complete with confident confessions about a quest for humanity ... "I've been known to delude myself, so let me put those rose-colored glasses to the test." Anyone who isn't familiar with Tori Amos should start with Isabel's "Girl Disappearing," which reveals a softer side of Tori, then move on to Tori's (yes, she is one of the five archetypes) "Big Wheel," as an introduction to her rock 'n' roll side. Other impressive tracks include Pip's "Velvet Revolution," and Clyde's "Roosterspur Bridge” — two gorgeous ballads, and Santa's sexy, bluesy “You Can Bring Your Dog." It is also worth noting that Isabel expresses her anti-war sentiments with "Dark Side of the Sun," and the album's first track, "Yo George." American Doll Posse, Amos's ninth album, packs more contradictory personal reflections into one album than any of her previous recordings. -Sara Cosgrove

The Detroit Cobras

Tied and True

May 24, 2007

Equal parts rockabilly legend Wanda Jackson, punk rocker Patti Smith and soul diva Dusty Springfield, singer Rachel Nagy leads this motor city combo through 13 hard hitting nuggets of sonic delight distilled into a mere 31 minutes. There’s everything here from a rocking version of James Brown’s "If You Don’t Think" to a doo-wop style track that would fit nicely on the American Graffiti soundtrack, "Try Love". While stepping back slightly from the punk sensibilities that characterized the band’s earlier work in favor of a deeper late 60’s soul groove with big hooks the band still maintains a hip edge that is hard to beat. Stand out tracks include English invasion style rocker "Puppet on a String", the girl group groover, "It’s My Delight" and the slyly sexy, "Leave My Kitten Alone". Smitty

Kristoffer Ragnstam

Sweet Bills

May 21, 2007

The accomplished studio drummer and his studio band The Electric 4 are poised and ready for all the notoriety that comes along with rhythmic pop songs and elusively playful lyrics. After flavorful debuts at NYC’s Knitting Factory all that waits is a write-up in the Village Voice. Utterly danceable, poppy, surreal overdubs all wrapped around percussive arrangements; tell me is there anymore we can ask for? While often compared to Beck I would say Kristoffer lies somewhere between the New Radicals without the mall and The Scissor Sisters minus the disco. Plus a Bowie-esque saxophone solo on Never Get Used to you. Other notables include a bound to be hit, Breakfast by the Mattress, Born as a Lion, and Dr. Give the World a Smile. Also, the more down tempo title track, Sweet Bills. My only concern with Kris is this might become popular, killing it for all us hipsters.

Sarah Borges & The Broken Singles

Diamonds In The Dark

May 21, 2007

Think Nelly Furtado mixed with less beats, a lot more rock, and straight singing (no Timbaland). This is what Sarah Borges is. This is a great release from Borges and her band The Broken Singles. Radio-friendly folk-rock that would be played well with the likes of Mazzy Star, Sheryl Crow, and any of the other mid 90’s female rockers. Borges has tons of heart in her lyrics and her sound varies from country-blues-folk-rock. Check out tracks 1 “The Day We Met”, track 5 “Lonely Town Of Love”, track 8 “Belle Of The Bar”, and track 11 “Diablito”.

Locksley

Don't Make Me Wait

May 21, 2007

An unpretentious hip indie-rock quartet from Brooklyn with a really rockin pop album about girls and dancing. In a way it's what we all wanted the Strokes to sound like when we wanted the Beatles to sound like them. By this I mean they sound as though the Liverpool boys traveled into the future, into the Brooklyn (post new wave dance revival scene) where they formed a group. So in this future the Beatles would be influenced by the Strokes who were influenced by the Beatles. So Locksley is an indie-pop-rock group who sounds like the Beatles being influenced by all the things successively influence by them including themselves. I'm getting visions of the Yellow Submarine, where they cross paths with themselves going into the past as they head back into the future. It's really straight forward, kinda dirty rock music on 'She Does' and the title track, 'Don't Make Me Wait,' seriously Beatllesesque on 'All of the Time,' and 'Why Not Me?' is another great pop tune with a distinct Strokes' harmony.

Serena Ryder

If Your Memory Serves You Well

May 16, 2007

Serona Ryder-If Your Memory Serves You Well (EMI) Four-fifths of this artist’s second album was simply her adding her own contemporary bluesy, jazzy rock to songs written and recorder by other artists, specifically Canadian artists. In those songs she seems a little bit more comfortable than the other one-fifth that she composed. Throughout this album there are very strong, unique vocals, but a serious lack of continuity and cohesion. Each song is so different from the next that it feels forced and unprepared. The lyrics on the songs written be Ryder are extremely predictable and the rhyme schemes are corny and unarranged. She has great potential, but she needs to find herself, or at least her own style of music, first. Focus tracks: 4 “Some of these Days,” and 2 “This Wheel’s on Fire,” (from which the title of the album derived)

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Arjun

Pieces

May 16, 2007

This is the culmination of the all natural cohesion of three great musical genres: funk, rock, and jazz. Arjun demonstrates that lyrics aren’t necessary to tell a story, all you need is raw instruments. But what is behind those raw instruments is raw talent, and that is the true story of this new group. There is a bonding that is blatantly obvious among this threesome that is hard to define, one just needs to open his or her ears and mind and soak in all that is 7 track release. Focus tracks: 1 “Balls,” 3 “Wung It,” and 6 “Longass” -Jake Burritt

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LOVE FOSSIL

Scientists, Save Us!

May 7, 2007

Local The three-piece of Ben Hunter (Vocals/Guitar), Wes Eaton (Drums), and D.W. Deschaine (Bass) from Grand Rapids, MI take grunge and 70s theatrical rock and fuse it with a uniquely-scientific message. Scientists, Save Us! is the band’s debut album and features 7 tracks all recorded in local studios. At a typical Love Fossil concert you can expect to see a visual projection of video and picture themes ranging from Geology, Anthropology, & Zoology provided by “The Scientist” Kevin Cole – often dressed in a white lab coat. Christian Kremo, an auxiliary live performer, can also sometimes be found on stage along with the rest of the scientists. – Seth Allegaier -Lyrically Clean. I like it. I think it could play well on nighttime shifts. Do we have a Rock subgenre called "Darwinist metal?" We should. – Calin

TIM FINN

Imaginary Kingdom

April 17, 2007

Kicking things off with the Dylanesque "Discovered America" where he throws Christopher Columbus aside and claims to have discovered the real America, Graham Parker applies his razor sharp wit to everything from jabs at England’s royal family, "England’s Latest Clown," to the perils of taking a stand, "Ambiguous," the gulf that can develop in relationships, "The Other Side of the Reservoir", being locked in the past, "Suspension Bridge", and the disastrous consequences of staying the course in the face of evidence that the course is uninformed at best, "Stick to the Plan", which ought to have Karl Rove and his boy President pretty honked off. Clearly, Parker hasn’t mellowed with age and has no intentions of making nice when he sees things that strike him as wrong. While Parker can get a bit wordy for those who like their lyrics delivered in short verses with a repeating chorus he uses everything from doo-wop to crunchy heartland rock riffs worthy of a Mellencamp disc to help all the words find a home in your consciousness. Overall, this is another fine effort from this consistently engaging artist. Smitty

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Sia

Lady Croissant

April 16, 2007

Sia is a stunning vocalist, impossible to tie a mainstream match to, and her back up band lays a dreamy background for her vocal play on this live album. Notable tracks include; ‘Destiny,’ ‘Lentil,’ and a robust verging on amazing cover of the Zero 7 song, ‘Distractions.’ Also the new studio track ‘Pictures.’ It’s kind of a bouncy single reminiscent of an un-glamorized Gwen Steffani number with better lyrics. –Derrick Mund

COLIN HAY

Are You Lookin' At Me?

April 16, 2007

It's been over five years since Hay has made a studio album and its well worth the wait! Over the years Hay has become increasingly self reliant in the studio making his work more and more his own any way you look at it. Hays is originally of the group Men at Work, the early eighties band, and one of the first introduced on music videos. Since his commercial success Hay says, "Now I just want to try to write cool songs that people will get something out of - the rest really doesn't matter." Isn't that how we should all look at life! – Monte K.

PUNCHING BEE MUSIC

Volume One

April 11, 2007

Local Coming from our homes, playing with our hearts, and buzzing in your ears is the motto for all that have contributed to this album! And rightfully so, as it definitely gives a local buzz to your ears. Jam packed full of 18 different bands and musicians from the Grand Rapids area. It's local rock at it's best. And we know how important it is to support local groups and this album does just that.- MK

BRANDI CARLISLE

The Story

April 11, 2007

April 2, 2007

Get ready for high energy rockabilly. These cats don't come creeping they are stomping. This is Al and The Black Cats second CD, Shakin At The Knees, with 14 wailin songs that set a high marker for the rockabilly sound. Vocalist Phat Abba is surounded by cool cats that know what their doing and where they are going as Eric Soules sets the rhythm pattern with his slap bass along with Hugh Skiffington on drums as Tony Cozzaglio screams out the frantic leads on guitar. You'll want to do some prowling with these cats. Slip

SOUTHERN CULTURE ON THE SKIDS

April 2, 2007

One of my favorite cover albums. –P

My Brightest Diamond

Tear It Down

March 29, 2007

My Brightest Diamond's Shara Worden has decided to set loose her bobby pins and let her hair fly on the ambient dance floor. Her latest semi-collaboration with 13 different remixers, entitled "Tear It Down", reworks songs from the highly acclaimed album, "Bring Me The Workhorse" featuring tracks by Alias, Lusine, Murcof, Stakka and Gold Chains. Oh, it's international too! With diplomatic representatives from Belgium, France, Mexico, The UK and America (East and West Coasts baby!), the remixes range from drum-n-bass, to glitchy ambient, minimalism, and get-your-booty-on-the-dance-floor club music. "Tear It Down" stands on it's own horsie legs. In comparison to Shara's control in the songs of "Bring Me The Workhorse", these electronic horsetrainers loosen up the forms and smooth over some of the rougher emotional outbursts. Many of the remixers adhere to the original song forms, snazzing them up or stripping them down, and there are also examples of djs excerpting the tracks to create something entirely new and not song form related, focusing on one element and elaborating, rather than being bound to the storytelling. Shara says, "The variety of their approaches made this project exhiliratingly unpredictable!" "Worden is a remarkable chanteuse...Combining brainy indie-pop with touches of art-rock and classical music, Worden's work radiates brilliance to match her considerable ambition." - NPR

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My Brightest Diamond Online

Richard X. Heyman

Actual Sighs

March 26, 2007

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Curse Your Branches

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Even If It Breaks Your Heart

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The Birth

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